items with tag
Carson, Anne. Men In The Off Hours. New York: Knopf, 2000.
Carson, Anne. Short Talks. Ontario: Brick Books, 1992.
Carson, Anne. Short Talks. Ontario: Brick Books, 1992.
Carson, Anne. Short Talks. Ontario: Brick Books, 1992.
Carson, Anne. Short Talks. Ontario: Brick Books, 1992.
Carson, Anne. Short Talks. Ontario: Brick Books, 1992.
Carson, Anne. Short Talks. Ontario: Brick Books, 1992.
Carson, Anne. The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Vintage, 2002.
Carson, Anne. The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Vintage, 2002.
Carson, Anne. The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Vintage, 2002.
Carson, Anne. The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Vintage, 2002.
Carson, Anne. The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Vintage, 2002.
Carson, Anne. The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Vintage, 2002.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Next Life. Middletown: Wesleyan University Press, 2007.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Armantrout, Rae. Versed. Middletown: Wesleyan University Press, 2009.
Collins, Billy. The Apple that Astonished Paris. Fayetteville: University of Arkansas Press, 1988.
Collins, Billy. Sailing Alone Around the Room. New York: Random House, 2001.
Collins, Billy. Sailing Alone Around the Room. New York: Random House, 2001.
Collins, Billy. Sailing Alone Around the Room. New York: Random House, 2001.
Collins, Billy. The Art of Drowning. Pittsburgh: University of Pittsburgh Press, 1995.
Collins, Billy. Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998.
Collins, Billy. Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998.
Collins, Billy. Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998.
Collins, Billy. Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998.
Collins, Billy. Questions About Angels. Pittsburgh: University of Pittsburgh Press, 1999.
Collins, Billy. Questions About Angels. Pittsburgh: University of Pittsburgh Press, 1999.
Collins, Billy. Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998.
Collins, Billy. The Art of Drowning. Pittsburgh: University of Pittsburgh Press, 1995.
Collins, Billy. The Art of Drowning. Pittsburgh: University of Pittsburgh Press, 1995.
Collins, Billy. Picnic, Lightning. Pittsburgh: University of Pittsburgh Press, 1998.
Copyright (c) 2007 by Lydia Davis. Published by Farrar, Straus & Giroux.
Smith, Patricia. Teahouse of the Almighty. Minneapolis: Coffee House Press, 2006.
Smith, Patricia. Big Towns, Big Talk. Cambridge, MA: Zoland Books, 1992.
Smith, Patricia. Teahouse of the Almighty. Minneapolis: Coffee House Press, 2006.
Smith, Patricia. Life According to Motown. Chicago: Tia Chucha Press, 1991.
Smith, Patricia. Close to Death. Cambridge, MA: Zoland Books, 1993.
Smith, Patricia. Teahouse of the Almighty. Minneapolis: Coffee House Press, 2006.
Smith, Patricia. Big Towns, Big Talk. Cambridge, MA: Zoland Books, 1992.
Smith, Patricia. Teahouse of the Almighty. Minneapolis: Coffee House Press, 2006.
Herrera, Juan Felipe. Notebooks of a Chile Verde Smuggler. Tucson, AZ: The University of Arizona Press, 2002.
Herrera, Juan Felipe. Notebooks of a Chile Verde Smuggler. Tucson, AZ: The University of Arizona Press, 2002.
Herrera, Juan Felipe. Notebooks of a Chile Verde Smuggler. Tucson, AZ: The University of Arizona Press, 2002.
Herrera, Juan Felipe. Half of the World in Light: New and Selected Poems. Tucson, AZ: The University of Arizona Press, 2008.
Herrera, Juan Felipe. Half of the World in Light: New and Selected Poems. Tucson, AZ: The University of Arizona Press, 2008.
Baca, Jimmy Santiago. Healing Earthquakes. New York: Grove Press, 2001.
Baca, Jimmy Santiago. Healing Earthquakes. New York: Grove Press, 2001.
Baca, Jimmy Santiago. Healing Earthquakes. New York: Grove Press, 2001.
Brown, Lee Ann. Polyverse. Los Angeles: Sun & Moon Press, 1999.
Brown, Lee Ann. Polyverse. Los Angeles: Sun & Moon Press, 1999.
Brown, Lee Ann. Other Archer. Rouen: Presses universitaires de Rouen et de Havre, 2015.
Brown, Lee Ann. Other Archer. Rouen: Presses universitaires de Rouen et de Havre, 2015.
Brown, Lee Ann. Other Archer. Rouen: Presses universitaires de Rouen et de Havre, 2015.
Brown, Lee Ann. Other Archer. Rouen: Presses universitaires de Rouen et de Havre, 2015.
Brown, Lee Ann. Other Archer. Rouen: Presses universitaires de Rouen et de Havre, 2015.
Brown, Lee Ann. Other Archer. Rouen: Presses universitaires de Rouen et de Havre, 2015.
Brown, Lee Ann. The Sleep That Changed Everything. Middletown, CT: Wesleyan, 2003.
Brown, Lee Ann. The Sleep That Changed Everything. Middletown, CT: Wesleyan, 2003.
Brown, Lee Ann. In the Laurels, Caught. Albany: Fence Books, 2013.
Brown, Lee Ann. In the Laurels, Caught. Albany: Fence Books, 2013.
Brown, Lee Ann. Crowns of Charlotte. Durham: Carolina Wren Press, 2013.
Brown, Lee Ann. The Sleep That Changed Everything. Middletown, CT: Wesleyan, 2003.
Brown, Lee Ann. Crowns of Charlotte. Durham: Carolina Wren Press, 2013.
Brown, Lee Ann. The Sleep That Changed Everything. Middletown, CT: Wesleyan, 2003.
Burawa, Christopher. The Small Mystery of Lapses. Cleveland: Cleveland State University, 2006.
Burawa, Christopher. The Small Mystery of Lapses. Cleveland: Cleveland State University, 2006.
Burawa, Christopher. "The Mind Flows a River that Murders Someone." Columbia Poetry Review. 19 (2006). Print.
Burawa, Chris. "A Theory of Eczema." Prairie Schooner. 82:1 (Spring 2008): 40-41. Print.
Burawa, Christopher. "An Enso for Larry Levis." Burnside Review. 3:1 (2006): 50. Print.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Balzer, Stephanie. faster, faster. Tucson: Cue Editions, 2010.
Gizzi, Peter. Some Values of Landscape and Weather. Middletown: Wesleyan University Press, 2003.
Gizzi, Peter. Some Values of Landscape and Weather. Middletown: Wesleyan University Press, 2003.
Gizzi, Peter. Some Values of Landscape and Weather. Middletown: Wesleyan University Press, 2003.
Gizzi, Peter. Threshold Songs. Middletown: Wesleyan University Press, 2011.
Gizzi, Peter. Threshold Songs. Middletown: Wesleyan University Press, 2011.
Gizzi, Peter. Threshold Songs. Middletown: Wesleyan University Press, 2011.
Gizzi, Peter. Threshold Songs. Middletown: Wesleyan University Press, 2011.
Gizzi, Peter. Threshold Songs. Middletown: Wesleyan University Press, 2011.
Gizzi, Peter. Threshold Songs. Middletown: Wesleyan University Press, 2011.
Gizzi, Peter. The Outernationale. Middletown: Wesleyan University Press, 2007.
Gizzi, Peter. The Outernationale. Middletown: Wesleyan University Press, 2007.
Gizzi, Peter. The Outernationale. Middletown: Wesleyan University Press, 2007.
Gizzi, Peter. The Outernationale. Middletown: Wesleyan University Press, 2007.
Gizzi, Peter. The Outernationale. Middletown: Wesleyan University Press, 2007.
Lamberton, Ken. Wilderness and Razor Wire. San Francisco: Mercury House, 2000.
Lamberton, Ken. Wilderness and Razor Wire. San Francisco: Mercury House, 2000.
Lamberton, Ken. Time of Grace. Tucson: The University of Arizona Press, 2007.
Lamberton, Ken. Time of Grace. Tucson: The University of Arizona Press, 2007.
Clover, Joshua. Madonna Anno Domini. Baton Rouge: Louisiana State University Press, 1997.
Clover, Joshua. Madonna Anno Domini. Baton Rouge: Louisiana State University Press, 1997.
Clover, Joshua. Madonna Anno Domini. Baton Rouge: Louisiana State University Press, 1997.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Clover, Joshua. Madonna Anno Domini. Baton Rouge: Louisiana State University Press, 1997.
Clover, Joshua. The Totality for Kids. Berkeley: University of California Press, 2006.
Cully, Barbara. Desire Reclining. New York: Penguin, 2003.
Cully, Barbara. Desire Reclining. New York: Penguin, 2003.
Evans, Elizabeth. Rowing in Eden. New York: Harper Collins, 2000.
Evans, Elizabeth. Rowing in Eden. New York: Harper Collins, 2000.
Evans, Elizabeth. Rowing in Eden. New York: Harper Collins, 2000.
Evans, Elizabeth. Rowing in Eden. New York: Harper Collins, 2000.
Evans, Elizabeth. Rowing in Eden. New York: Harper Collins, 2000.
Hass, Robert. Time and Materials. New York: Ecco, 2007.
Hass, Robert. Time and Materials. New York: Ecco, 2007.
Hass, Robert. Time and Materials. New York: Ecco, 2007.
Quintana, Leroy. The History of Home. Tempe: Bilingual Press, 1993.
Quintana, Leroy. The History of Home. Tempe: Bilingual Press, 1993.
Quintana, Leroy. The History of Home. Tempe: Bilingual Press, 1993.
Quintana, Leroy. The History of Home. Tempe: Bilingual Press, 1993.
Quintana, Leroy. The History of Home. Tempe: Bilingual Press, 1993.
Quintana, Leroy. The History of Home. Tempe: Bilingual Press, 1993.
Quintana, Leroy. My Hair Turning Gray Among Strangers. Tempe: Bilingual Press, 1996.
Quintana, Leroy. My Hair Turning Gray Among Strangers. Tempe: Bilingual Press, 1996.
Quintana, Leroy. My Hair Turning Gray Among Strangers. Tempe: Bilingual Press, 1996.
Quintana, Leroy. My Hair Turning Gray Among Strangers. Tempe: Bilingual Press, 1996.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Quintana, Leroy. The Great Whirl of Exile. Willimantic: Curbstone Press, 1999.
Alarcón, Francisco X. Snake Poems: An Aztec Invocation. San Francisco: Chronicle Books, 1992.
Alarcón, Francisco X. Snake Poems: An Aztec Invocation. San Francisco: Chronicle Books, 1992.
Alarcón, Francisco X. Snake Poems: An Aztec Invocation. San Francisco: Chronicle Books, 1992.
Alarcón, Francisco X. Laughing Tomatoes and Other Spring Poems / Jitomates risueños y otros poemas de primavera. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1997.
Alarcón, Francisco X. Laughing Tomatoes and Other Spring Poems / Jitomates risueños y otros poemas de primavera. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1997.
Alarcón, Francisco X. Laughing Tomatoes and Other Spring Poems / Jitomates risueños y otros poemas de primavera. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1997.
Alarcón, Francisco X. Laughing Tomatoes and Other Spring Poems / Jitomates risueños y otros poemas de primavera. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1997.
Alarcón, Francisco X. Laughing Tomatoes and Other Spring Poems / Jitomates risueños y otros poemas de primavera. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1997.
Alarcón, Francisco X. From the Bellybutton of the Moon and Other Summer Poems / Del ombligo de la luna y otros poemas de verano. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1998.
Alarcón, Francisco X. From the Bellybutton of the Moon and Other Summer Poems / Del ombligo de la luna y otros poemas de verano. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1998.
Alarcón, Francisco X. From the Bellybutton of the Moon / Del ombligo de la luna. Ill. Maya Christina González. San Francisco: Children's Book Press, 1998.
Alarcón, Francisco X. From the Bellybutton of the Moon and Other Summer Poems / Del ombligo de la luna y otros poemas de verano. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1998.
Alarcón, Francisco X. From the Bellybutton of the Moon and Other Summer Poems / Del ombligo de la luna y otros poemas de verano. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1998.
Alarcón, Francisco X. Laughing Tomatoes and Other Spring Poems / Jitomates risueños y otros poemas de primavera. Ill. Maya Christina Gonzalez. San Francisco: Children's Book Press, 1997.
Alarcón, Francisco X. Angels Ride Bikes and Other Fall Poems / Los ángeles andan en bicicleta y otros poemas de otoño. Ill. Maya Christina González. San Francisco: Children's Book Press, 1999.
Alarcón, Francisco X. Angels Ride Bikes and Other Fall Poems / Los ángeles andan en bicicleta y otros poemas de otoño. Ill. Maya Christina González. San Francisco: Children's Book Press, 1999.
Alarcón, Francisco X. Angels Ride Bikes and Other Fall Poems / Los ángeles andan en bicicleta y otros poemas de otoño. Ill. Maya Christina González. San Francisco: Children's Book Press, 1999.
Alarcón, Francisco X. Iguanas in the Snow and Other Winter Poems / Iguanas en la nieve y otros poemas de invierno. Ill. Maya Christina González. San Francisco: Children's Book Press, 2001.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Poems to Dream Together / Poemas para soñar juntos. Ill. Paula Barragan. New York: Lee & Low Books, 2005.
Alarcón, Francisco X. Of Dark Love / De amor oscuro. Santa Cruz: Moving Parts Press, 1992.
Alarcón, Francisco X. Of Dark Love / De amor oscuro. Santa Cruz: Moving Parts Press, 1992.
From Life Song / Canto vivo.
From Life Song / Canto vivo.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. To the Quick. Middletown, CT: Wesleyan University Press, 1987.
McHugh, Heather. Hinge & Sign. Hanover, NH: Wesleyan University Press, 1994.
McHugh, Heather. The Father of the Predicament. Hanover, NH: Wesleyan University Press, 1999.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
McHugh, Heather. Upgraded to Serious. Port Townsend, WA: Copper Canyon Press, 2009.
Johnson, Denis. Nobody Move. New York: Farrar, Straus, and Giroux, 2009.
Merwin, W.S. The Shadow of Sirius. Port Townsend: Copper Canyon, 2008.
Merwin, W.S. The Shadow of Sirius. Port Townsend: Copper Canyon, 2008.
Merwin, W.S. "From the Gray Legends."The Kenyon Review. 32.4 (2010): 26-27. Print.
Merwin, W.S. The Shadow of Sirius. Port Townsend: Copper Canyon, 2008.
Munoz, Manuel. "Señor X." The Faith Healer of Olive Avenue. Chapel Hill, NC: Algonquin Books, 2007.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson, AZ: The University of Arizona Press, 2008.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson, AZ: The University of Arizona Press, 2008.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson, AZ: The University of Arizona Press, 2008.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson, AZ: The University of Arizona Press, 2008.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson, AZ: The University of Arizona Press, 2008.
Williams, C.K. Wait. New York: Farrar, Straus and Giroux, 2009.
Williams, C.K. Wait. New York: Farrar, Straus and Giroux, 2009.
Troupe, Quincy. Avalanche. Minneapolis: Coffee House Press, 1996.
Troupe, Quincy. Choruses. Minneapolis: Coffee House Press, 1999.
Troupe, Quincy. Choruses. Minneapolis: Coffee House Press, 1999.
Troupe, Quincy. Avalanche. Minneapolis: Coffee House Press, 1996.
Troupe, Quincy. Choruses. Minneapolis: Coffee House Press, 1999.
Troupe, Quincy. Choruses. Minneapolis: Coffee House Press, 1999.
Troupe, Quincy. Choruses. Minneapolis: Coffee House Press, 1999.
Miller, Jane. Midnights. Philadelphia: Saturnalia Books, 2008.
Miller, Jane. Midnights. Philadelphia: Saturnalia Books, 2008.
Miller, Jane. Midnights. Philadelphia: Saturnalia Books, 2008.
Miller, Jane. Midnights. Philadelphia: Saturnalia Books, 2008.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Orlen, Steve. A Thousand Threads. Venice: Hollyridge Press, 2009.
Seiferle, Rebecca. Wild Tongue. Port Townsend, WA: Copper Canyon, 2007.
Martinez, Demetria. Confessions of a Berlitz-Tape Chicana. Norman, OK: University of Oklahoma Press, 2005.
Martinez, Demetria. The Devil's Workshop. Tucson, AZ: University of Arizona Press, 2002.
Martinez, Demetria. Breathing Between the Lines. Tucson, AZ: University of Arizona Press, 1997.
Martinez, Demetria. Breathing Between the Lines. Tucson, AZ: University of Arizona Press, 1997.
Martinez, Demetria. The Block Captain's Daughter. Norman, OK: University of Oklahoma Press, 2012.
Martinez, Demetria. The Devil's Workshop. Tucson, AZ: University of Arizona Press, 2002.
Shumaker, Peggy. Gnawed Bones. Los Angeles: Red Hen Press, 2010.
Shumaker, Peggy. Gnawed Bones. Los Angeles: Red Hen Press, 2010.
Shumaker, Peggy. Gnawed Bones. Los Angeles: Red Hen Press, 2010.
Shumaker, Peggy. Gnawed Bones. Los Angeles: Red Hen Press, 2010.
Shumaker, Peggy. Gnawed Bones. Los Angeles: Red Hen Press, 2010.
Nathanson, Tenney. Ghost Snow Falls Through the Void. Tucson: Chax, 2010.
Nathanson, Tenney. Ghost Snow Falls Through the Void. Tucson: Chax, 2010.
Nathanson, Tenney. Ghost Snow Falls Through the Void. Tucson: Chax, 2010.
Nathanson, Tenney. Ghost Snow Falls Through the Void. Tucson: Chax, 2010.
Nathanson, Tenney. Ghost Snow Falls Through the Void. Tucson: Chax, 2010.
Nathanson, Tenney. Ghost Snow Falls Through the Void. Tucson: Chax, 2010.
Murphy, Sheila E. Sad Isn't the Color of the Dream. Exeter, England: Stride Publications, 1991.
Murphy, Sheila E. Greatest Hits: 1978-2000. Johnstown, Ohio: Pudding House Press, 2001.
Murphy, Sheila E. Letters to Unfinished J. Los Angeles: Green Integer, 2003.
Murphy, Sheila E. Letters to Unfinished J. Los Angeles: Green Integer, 2003.
Murphy, Sheila E. Letters to Unfinished J. Los Angeles: Green Integer, 2003.
Murphy, Sheila E. Letters to Unfinished J. Los Angeles: Green Integer, 2003.
Murphy, Sheila E. The Stuttering of Wings. Londonderry, NH: Stride Publications, 2002.
Murphy, Sheila E. The Stuttering of Wings. Londonderry, NH: Stride Publications, 2002.
Murphy, Sheila E. A Clove of Gender. Devon, England: Stride Publications, 1995.
Murphy, Sheila E. Greatest Hits: 1978-2000. Johnstown, Ohio: Pudding House Press, 2001.
Murphy, Sheila E. With House Silence. Exeter, England: Stride Publications, 1987.
Murphy, Sheila E. A Clove of Gender. Exeter, England: Stride Publications, 1995.
Murphy, Sheila E. Concentricity. New York: Pleasure Boat Studio, 2004.
Murphy, Sheila E. Concentricity. New York: Pleasure Boat Studio, 2004.
Murphy, Sheila E. Concentricity. New York: Pleasure Boat Studio, 2004.
Murphy, Sheila E. The Indelible Occasion. Elmwood, CT: Potes & Poets Press, 2000.
Murphy, Sheila E. The Indelible Occasion. Elmwood, CT: Potes & Poets Press, 2000.
Murphy, Sheila E. The Indelible Occasion. Elmwood, CT: Potes & Poets Press, 2000.
Murphy, Sheila E. The Indelible Occasion. Elmwood, CT: Potes & Poets Press, 2000.
Murphy, Sheila E. The Indelible Occasion. Elmwood, CT: Potes & Poets Press, 2000.
Murphy, Sheila E. Green Tea with Ginger. Bedford, MA: Potes & Poets Press, 2003.
Murphy, Sheila E. Sad Isn't the Color of the Dream. Exeter, England: Stride Publications, 1991.
Collins, Billy. The Trouble With Poetry. New York: Random House, 2005.
Collins, Billy. The Trouble With Poetry. New York: Random House, 2005.
Collins, Billy. Ballistics. New York: Random House, 2008.
Collins, Billy. The Trouble With Poetry. New York: Random House, 2005.
Collins, Billy. Questions About Angels. Pittsburgh: University of Pittsburgh Press, 1999.
Collins, Billy. The Art of Drowning. Pittsburgh: University of Pittsburgh Press, 1995.
Rickel, Boyer. reliquary. Lewisburg: Seven Kitchens Press, 2009.
Rickel, Boyer. Remanence. West Lafayette: Free Verse Editions, 2008.
Rickel, Boyer. Remanence. West Lafayette: Free Verse Editions, 2008.
Rickel, Boyer. Remanence. West Lafayette: Free Verse Editions, 2008.
Rickel, Boyer. Remanence. West Lafayette: Free Verse Editions, 2008.
Rickel, Boyer. Remanence. West Lafayette: Free Verse Editions, 2008.
Shelton, Richard. The Last Person to Hear Your Voice. Pittsburgh: University of Pittsburgh, 2007.
Shelton, Richard. Crossing the Yard: Thirty Years as a Prison Volunteer. Tucson: University of Arizona, 2007.
Tapahonso, Luci. A Radiant Curve. Tucson: University of Arizona Press, 2008.
Tapahonso, Luci. A Radiant Curve. Tucson: University of Arizona Press, 2008.
Tapahonso, Luci. A Radiant Curve. Tucson: University of Arizona Press, 2008.
Tapahonso, Luci. "Afternoon in Yootó." The Return of the River: Writers, Scholars, and Citizens Speak on Behalf of the Santa Fe River. Ed. A. Kyce Bello. Santa Fe: Sunstone Press, 2010.
Alcosser, Sandra. A Fish to Feed All Hunger. Charlottesville: University Press of Virginia, 1986.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Boswell, Robert. The Heyday of the Insensitive Bastards. Saint Paul, MN: Graywolf, 2009.
Valentine, Jean. Lucy. Louisville: Sarabande, 2009.
Valentine, Jean. Lucy. Louisville: Sarabande, 2009.
Spahr, Juliana. The Connection of Everyone with Lungs. Los Angeles: University of California Press, 2005.
Spahr, Juliana. "Gentle Now, Don't Add to Heartache." Tarpaulin Sky 3.2 (2005): n. pag. Web. 09 September 2010.
de la Torre, Monica. Public Domain. New York: Roof Books, 2008.
de la Torre, Monica. Public Domain. New York: Roof Books, 2008.
Zemborain, Lila. Mauve Sea-Orchids. Tr. Rosa Alcalá and Mónica de la Torre. New York: Belladonna Books, 2007.
Zemborain, Lila. Mauve Sea-Orchids. Tr. Rosa Alcalá and Mónica de la Torre. New York: Belladonna Books, 2007.
Zemborain, Lila. Mauve Sea-Orchids. Tr. Rosa Alcalá and Mónica de la Torre. New York: Belladonna Books, 2007.
Zemborain, Lila. Mauve Sea-Orchids. Tr. Rosa Alcalá and Mónica de la Torre. New York: Belladonna Books, 2007.
Zemborain, Lila. Mauve Sea-Orchids. Tr. Rosa Alcalá and Mónica de la Torre. New York: Belladonna Books, 2007.
Alcalá, Rosa. Undocumentaries. Exeter: Shearsman Books, 2010.
Alcalá, Rosa. Undocumentaries. Exeter: Shearsman Books, 2010.
Alcalá, Rosa. Undocumentaries. Exeter: Shearsman Books, 2010.
Alcalá, Rosa. Undocumentaries. Exeter: Shearsman Books, 2010.
Jenks, Philip. colony collapse metaphor. Albany, NY: Fence Books, 2014.
Jenks, Philip. On the Cave You Live In. Chicago: Flood Editions, 2002.
Jenks, Philip. On the Cave You Live In. Chicago: Flood Editions, 2002.
Jenks, Philip. On the Cave You Live In. Chicago: Flood Editions, 2002.
Jenks, Philip. My First Painting Will Be 'The Accuser'. Brookline, MA: Zephyr Press, 2005.
Jenks, Philip. My First Painting Will Be 'The Accuser'. Brookline, MA: Zephyr Press, 2005.
Jenks, Philip. My First Painting Will Be 'The Accuser'. Brookline, MA: Zephyr Press, 2005.
Jenks, Philip. colony collapse metaphor. Albany, NY: Fence Books, 2014.
Oliver, Akilah. The Putterer's Notebook. Brooklyn: Belladonna Books, 2006.Oliver, Akilah. A Toast in the House of Friends. Minneapolis: Coffee House Press, 2009.
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Simon, Maurya. The Wilderness: New & Selected Poems 1980-2016. Pasadena: Red Hen Press, 2018.
Simon, Maurya. The Wilderness: New & Selected Poems 1980-2016. Pasadena: Red Hen Press, 2018.
Simon, Maurya. The Wilderness: New & Selected Poems 1980-2016. Pasadena: Red Hen Press, 2018.
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Shapero, Natalie. Hard Child. Port Townsend: Copper Canyon Press, 2017.
Shapero, Natalie. Hard Child. Port Townsend: Copper Canyon Press, 2017.
Shapero, Natalie. Hard Child. Port Townsend: Copper Canyon Press, 2017.
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Shapero, Natalie. Hard Child. Port Townsend: Copper Canyon Press, 2017.
Shapero, Natalie. Hard Child. Port Townsend: Copper Canyon Press, 2017.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
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Hall, Donald. The Yellow Room. San Francisco: Harper & Row, 1971. First collected in The Alligator Bride.
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Pioneers of Modern Poetry. Edited by Robert L. Peters and George Hitchcock. Kayak, 1967.
Pioneers of Modern Poetry. Edited by Robert L. Peters and George Hitchcock. Kayak, 1967.
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Momaday, N. Scott. In the Presence of the Sun: Stories and Poems, 1961-1991. New York: St. Martin's Press, 1992.
Momaday, N. Scott. In the Presence of the Sun: Stories and Poems, 1961-1991. New York: St. Martin's Press, 1992.
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Hugo, Richard. A Run of Jacks. Minneapolis, University of Minneapolis Press, 1961.
Hugo, Richard. The Lady in Kicking Horse Reservoir. New York: Norton, 1973.
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McPherson, Sandra. Elegies for the Hot Season. Bloomington, IN: Indiana University Press, 1970.
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McPherson, Sandra. Elegies for the Hot Season. Bloomington, IN: Indiana University Press, 1970.
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McPherson, Sandra. Radiation. New York: Ecco Press, 1973.
McPherson, Sandra. Radiation. New York: Ecco Press, 1973.
McPherson, Sandra. Elegies for the Hot Season. Bloomington, IN: Indiana University Press, 1970.
McPherson, Sandra. Radiation. New York: Ecco Press, 1973.
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Ignatow, David. Rescue the Dead. Middletown, CT: Wesleyan University Press, 1968.
Ignatow, David. Rescue the Dead. Middletown, CT: Wesleyan University Press, 1968.
Ignatow, David. Rescue the Dead. Middletown, CT: Wesleyan University Press, 1968.
Ignatow, David. Rescue the Dead. Middletown, CT: Wesleyan University Press, 1968.
Ignatow, David. Rescue the Dead. Middletown, CT: Wesleyan University Press, 1968.
Ignatow, David. Figures of the Human. Middletown, CT: Wesleyan University Press, 1964.
Ignatow, David. Figures of the Human. Middletown, CT: Wesleyan University Press, 1964.
Ignatow, David. Figures of the Human. Middletown, CT: Wesleyan University Press, 1964.
Ignatow, David. Figures of the Human. Middletown, CT: Wesleyan University Press, 1964.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. Say Pardon. Middletown, CT: Wesleyan University Press, 1961.
Ignatow, David. The Gentle Weight Lifter. New York: Morris Gallery, 1955.
Ignatow, David. The Gentle Weight Lifter. New York: Morris Gallery, 1955.
Ignatow, David. The Gentle Weight Lifter. New York: Morris Gallery, 1955.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
Ignatow, David. Poems 1934-1969. Middletown, CT: Wesleyan University Press, 1970.
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Ignatow, David. Facing the Tree. Boston: Little, Brown and Company, 1975.
Harper, Michael S. Song: I Want a Witness. Pittsburgh: University of Pittsburgh Press, 1972.
Harper, Michael S. Song: I Want a Witness. Pittsburgh: University of Pittsburgh Press, 1972.
Harper, Michael S. Song: I Want a Witness. Pittsburgh: University of Pittsburgh Press, 1972.
Harper, Michael S. Dear John, Dear Coltrane. Pittsburgh: University of Pittsburgh Press, 1970.
Harper, Michael S. Dear John, Dear Coltrane. Pittsburgh: University of Pittsburgh Press, 1970.
Harper, Michael S. Dear John, Dear Coltrane. Pittsburgh: University of Pittsburgh Press, 1970.
Harper, Michael S. History Is Your Own Heartbeat. Urbana, University of Illinois Press, 1971.
Harper, Michael S. History Is Your Own Heartbeat. Urbana, University of Illinois Press, 1971.
Harper, Michael S. Debridement. Garden City: Doubleday, 1973.
Harper, Michael S. Debridement. Garden City: Doubleday, 1973.
Harper, Michael S. Debridement. Garden City: Doubleday, 1973.
Harper, Michael S. History Is Your Own Heartbeat. Urbana, University of Illinois Press, 1971.
Harper, Michael S. Song: I Want a Witness. Pittsburgh: University of Pittsburgh Press, 1972.
Harper, Michael S. Song: I Want a Witness. Pittsburgh: University of Pittsburgh Press, 1972.
Brown, Sterling A. The Collected Poems of Sterling A. Brown. Edited by Michael S. Harper. New York: Harper & Row, 1980.
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Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Williams, C.K. "Poem." American Poetry Review, vol. 1, no. 1, November/December 1972, pp. 32-33.
Williams, C.K. "The Long Bells." I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
"All the while..." is uncollected.
Williams, C.K. I Am the Bitter Name. Boston: Houghton Mifflin, 1972.
Doty, Mark. Bethlehem in Broad Daylight. Boston: David R. Godine, 1991.
Poverman, C.E. The Black Velvet Girl. Iowa City: Unviersity of Iowa Press, 1976.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. In Sepia. Pittsburgh: University of Pittsburgh Press, 1974.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. In Sepia. Pittsburgh: University of Pittsburgh Press, 1974.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. In Sepia. Pittsburgh: University of Pittsburgh Press, 1974.
Anderson, Jon. In Sepia. Pittsburgh: University of Pittsburgh Press, 1974.
Anderson, Jon. Death & Friends. Pittsburgh: University of Pittsburgh Press, 1970.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. The Milky Way: Poems 1967-1982. New York: Ecco Press, 1982.
Anderson, Jon. In Sepia. Pittsburgh: University of Pittsburgh Press, 1974.
Stevens, Wallace. Transport to Summer. New York: A.A. Knopf, 1947.
Mueller, Lisel. The Private Life. Baton Rouge: Louisiana State University Press, 1976.
Mueller, Lisel. The Private Life. Baton Rouge: Louisiana State University Press, 1976.
Mueller, Lisel. The Private Life. Baton Rouge: Louisiana State University Press, 1976.
Mueller, Lisel. The Private Life. Baton Rouge: Louisiana State University Press, 1976.
Mueller, Lisel. The Private Life. Baton Rouge: Louisiana State University Press, 1976.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. The Need To Hold Still. Baton Rouge: Louisiana State University Press, 1980.
Mueller, Lisel. Second Language. Baton Rouge: Louisiana State University Press, 1986.
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Mueller, Lisel. Second Language. Baton Rouge: Louisiana State University Press, 1986.
Mueller, Lisel. Second Language. Baton Rouge: Louisiana State University Press, 1986.
Justice, Donald Rodney. Night Light. Middletown: Wesleyan, 1981.
Justice, Donald Rodney. Departures. New York: Atheneum, 1973.
Justice, Donald Rodney. Departures. New York: Atheneum, 1973.
Justice, Donald Rodney. Departures. New York: Atheneum, 1973.
Justice, Donald Rodney. Departures. New York: Atheneum, 1973.
Justice, Donald Rodney. Departures. New York: Atheneum, 1973.
Justice, Donald Rodney. Departures. New York: Atheneum, 1973.
Justice, Donald Rodney. Selected Poems. New York: Atheneum, 1979.
Justice, Donald Rodney. Selected Poems. New York: Atheneum, 1979.
Justice, Donald Rodney. Selected Poems. New York: Atheneum, 1979.
Justice, Donald Rodney. Selected Poems. New York: Atheneum, 1979.
Justice, Donald Rodney. The Sunset Maker. New York: Atheneum, 1987.
Justice, Donald Rodney. The Sunset Maker. New York: Atheneum, 1987.
Justice, Donald Rodney. The Sunset Maker. New York: Atheneum, 1987.
Justice, Donald Rodney. The Sunset Maker. New York: Atheneum, 1987.
Justice, Donald Rodney. Selected Poems. New York: Atheneum, 1979.
Stern, Gerald. The Red Coal. Boston: Houghton Mifflin, 1981.
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Stern, Gerald. Paradise Poems. New York: Random House, 1984.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Juarroz, Roberto. Vertical Poetry. Trans. W.S. Merwin. San Francisco: North Point Press, 1988.
Merwin, W.S. The Book of Fables. Port Townsend, WA: Copper Canyon Press, 2007.
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Orlen, Steve. Permission to Speak. Middletown: Wesleyan: 1978.
Orlen, Steve. Permission to Speak. Middletown: Wesleyan: 1978.
Ashbery, John. The Tennis Court Oath: A Book of Poems. Middletown: Wesleyan University Press, 1962.
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Ashbery, John. The Double Dream of Spring. New York: Dutton, 1970.
Ashbery, John. The Double Dream of Spring. New York: Dutton, 1970.
Ashbery, John. The Double Dream of Spring. New York: Dutton, 1970.
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Dobyns, Stephen. Black Dog, Red Dog. Pittsburgh: Carnegie Mellon, 1990.
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Dobyns, Stephen. Black Dog, Red Dog. Pittsburgh: Carnegie Mellon, 1990.
Dobyns, Stephen. Black Dog, Red Dog. Pittsburgh: Carnegie Mellon, 1990.
Dobyns, Stephen. Black Dog, Red Dog. Pittsburgh: Carnegie Mellon, 1990.
Dobyns, Stephen. Black Dog, Red Dog. Pittsburgh: Carnegie Mellon, 1990.
Dobyns, Stephen. Black Dog, Red Dog. Pittsburgh: Carnegie Mellon, 1990.
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Matthews, William. A Happy Childhood. Boston: Little, Brown and Co., 1984.
Matthews, William. A Happy Childhood. Boston: Little, Brown and Co., 1984.
Matthews, William. A Happy Childhood. Boston: Little, Brown and Co., 1984.
Matthews, William. A Happy Childhood. Boston: Little, Brown and Co., 1984.
Matthews, William. A Happy Childhood. Boston: Little, Brown and Co., 1984.
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St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Love is not a Consolation; It Is a Light. Pittsburgh: Carnegie-Mellon, 1982.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
St. John, Primus. Skins on the Earth. Port Townsend: Copper Canyon, 1976.
Stafford, William. Stories That Could Be True. New York: Harper & Row, 1977.
Stafford, William. Stories That Could Be True. New York: Harper & Row, 1977.
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Stafford, William. Stories That Could Be True. New York: Harper & Row, 1977.
Stafford, William. West of Your City. San Jose, CA: Talisman Press, 1960.
Stafford, William. An Oregon Message. San Francisco: Harper & Row, 1987.
Stafford, William. Traveling Through the Dark. New York: Harper & Row, 1962.
Stafford, William. Allegiances. New York: Harper & Row, 1970.
Stafford, William. Traveling Through the Dark. New York: Harper & Row, 1962.
Stafford, William. "Accepting Surprise." Hampden-Sydney Poetry Review. Winter 1976. Print.
Stafford, William. Stories That Could Be True. New York: Harper & Row, 1977.
Stafford, William. West of Your City. San Jose, CA: Talisman Press, 1960.
Stafford, William. Allegiances. New York: Harper & Row, 1970.
Stafford, William. The Rescued Year. New York: Harper & Row, 1966.
Stafford, William. "A Game and a Brother." Michigan Quarterly Review. 22.4. (1983): 555. Print.
Stafford, William. Traveling Through the Dark. New York: Harper & Row, 1962.
Stafford, William. Traveling Through the Dark. New York: Harper & Row, 1962.
Stafford, William. Traveling Through the Dark. New York: Harper & Row, 1962.
Stafford, William. Stories That Could Be True. New York: Harper & Row, 1977.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Fraser, Kathleen. What I Want. New York: Harper & Row, 1974.
Fraser, Kathleen. What I Want. New York: Harper & Row, 1974.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Fraser, Kathleen. New Shoes. New York: Harper & Row, 1978.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Uncollected. Included in the James Welch Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. 1971. New York: Harper & Row, 1976.
Ciardi, John. Lives of X. New Brunswick, NJ: Rutgers University Press, 1971.
Ciardi, John. Lives of X. New Brunswick, NJ: Rutgers University Press, 1971.
Ciardi, John. The Little That Is All. New Brunswick, NJ: Rutgers University Press, 1974.
Ciardi, John. The Little That Is All. New Brunswick, NJ: Rutgers University Press, 1974.
Ciardi, John. The Little That Is All. New Brunswick, NJ: Rutgers University Press, 1974.
Ciardi, John. The Little That Is All. New Brunswick, NJ: Rutgers University Press, 1974.
Ciardi, John. Homeward to America. New York: Henry Holt and Company, 1940.
Ciardi, John. The Birds of Pompeii. Fayetteville, AK: University of Arkansas Press, 1985.
Ciardi, John. The Little That Is All. New Brunswick, NJ: Rutgers University Press, 1974. (First published in 1972 as a Pomegranate Press broadside.)
Martinson, Harry. "The Cable Ship." Friends, You Drank Some Darkness: Three Swedish Poets. Ed. and trans. Robert Bly. Boston: Beacon Press, 1975.
Martinson, Harry. "Landscape." Friends, You Drank Some Darkness: Three Swedish Poets. Ed. and trans. Robert Bly. Boston: Beacon Press, 1975.
Tranströmer, Tomas. "The Half-Finished Heaven." Friends, You Drank Some Darkness: Three Swedish Poets. Ed. and trans. Robert Bly. Boston: Beacon Press, 1975.
Tranströmer, Tomas. Windows & Stones. Trans. May Swenson with Leif Sjöberg. Pittsburgh: University of Pittsburgh Press, 1972.
Tranströmer, Tomas. "Preludes." Friends, You Drank Some Darkness: Three Swedish Poets. Ed. and trans. Robert Bly. Boston: Beacon Press, 1975.
Tranströmer, Tomas. Baltics. Trans. Samuel Charters. Berkeley, CA: Oyez, 1975.
Tranströmer, Tomas. Selected Poems. Trans. Robin Fulton. Ann Arbor, MI: Ardis, 1981.
Tranströmer, Tomas. Selected Poems. Trans. Robin Fulton. Ann Arbor, MI: Ardis, 1981.
Dubie, Norman. The City of the Olesha Fruit. Garden City: Doubleday, 1979.
Dubie, Norman. The Illustrations. New York: George Braziller, 1977.
Dubie, Norman. The City of the Olesha Fruit. Garden City: Doubleday, 1979.
Dubie, Norman. The City of the Olesha Fruit. Garden City: Doubleday, 1979.
Dubie, Norman. In the Dead of the Night. Pittsburgh: University of Pittsburgh Press, 1975.
Dubie, Norman. The City of the Olesha Fruit. Garden City: Doubleday, 1979.
Stewart, Pamela. The St. Vlas Elegies. Fort Collins, CO: L'Epervier Press, 1977.
Stewart, Pamela. The St. Vlas Elegies. Fort Collins, CO: L'Epervier Press, 1977.
Stewart, Pamela. Cascades. Fort Collins, CO: L' Epervier Press, 1979.
Stewart, Pamela. Cascades. Fort Collins, CO: L' Epervier Press, 1979.
Stewart, Pamela. Cascades. Fort Collins, CO: L' Epervier Press, 1979.
Stewart, Pamela. Cascades. Fort Collins, CO: L' Epervier Press, 1979.
Stewart, Pamela. Cascades. Fort Collins, CO: L' Epervier Press, 1979.
Stewart, Pamela. Cascades. Fort Collins, CO: L' Epervier Press, 1979.
Strand, Mark. Selected Poems. New York: Atheneum, 1980.
Strand, Mark. Mr. and Mrs. Baby and Other Stories. New York: Knopf, 1985.
Strand, Mark. Mr. and Mrs. Baby and Other Stories. New York: Knopf, 1985.
likely from the unpublished manuscript To No End, which is mentioned in New Words
likely from the unpublished manuscript To No End, which is mentioned in New Words
likely from the unpublished manuscript To No End, which is mentioned in New Words
likely from the unpublished manuscript To No End, which is mentioned in New Words
likely from the unpublished manuscript To No End, which is mentioned in New Words
likely from the unpublished manuscript To No End, which is mentioned in New Words
likely from the unpublished manuscript To No End, which is mentioned in New Words
Smart, Christopher. Jubilate Agno. New York: Greenwood, 1969.
Kinnell, Galway. Mortal Acts, Mortal Words. Boston: Houghton Mifflin, 1980.
Kinnell, Galway. Mortal Acts, Mortal Words. Boston: Houghton Mifflin, 1980.
Kinnell, Galway. Mortal Acts, Mortal Words. Boston: Houghton Mifflin, 1980.
Kinnell, Galway. Mortal Acts, Mortal Words. Boston: Houghton Mifflin, 1980.
Kinnell, Galway. The Book of Nightmare. Boston: Houghton Mifflin, 1971.
Levine, Philip. The Names of the Lost. New York: Atheneum, 1976.
Levine, Philip. 7 Years from Somewhere. New York: Atheneum, 1979.
Levine, Philip. 7 Years from Somewhere. New York: Atheneum, 1979.
Levine, Philip. 7 Years from Somewhere. New York: Atheneum, 1979.
Levine, Philip. 7 Years from Somewhere. New York: Atheneum, 1979.
Levine, Philip. 7 Years from Somewhere. New York: Atheneum, 1979.
Kizer, Carolyn. Mermaids in the Basement. Port Townsend: Copper Canyon, 1984.
Kizer, Carolyn. Cool, Calm & Collected: Poems 1960-2000. Port Townsend: Copper Canyon, 2001.
Kizer, Carolyn. Cool, Calm & Collected: Poems 1960-2000. Port Townsend: Copper Canyon, 2001.
Kizer, Carolyn. Cool, Calm & Collected: Poems 1960-2000. Port Townsend: Copper Canyon, 2001.
Snodgrass, W.D. After Experience. New York: Harper & Row, 1968.
Snodgrass, W.D. After Experience. New York: Harper & Row, 1968.
Snodgrass, W.D. After Experience. New York: Harper & Row, 1968.
Snodgrass, W.D. If Birds Build With Your Hair. New York: Nadja, 1979.
Morgenstern, Christian. Gallows Songs. Translated by W.D. Snodgrass and Lore Groszmann Segal. Ann Arbor: University of Michigan Press, 1967.
Morgenstern, Christian. Gallows Songs. Translated by W.D. Snodgrass and Lore Groszmann Segal. Ann Arbor: University of Michigan Press, 1967.
Morgenstern, Christian. Gallows Songs. Translated by W.D. Snodgrass and Lore Groszmann Segal. Ann Arbor: University of Michigan Press, 1967.
Ferlinghetti, Lawrence. A Coney Island of the Mind. New York: New Directions, 1968.
Ferlinghetti, Lawrence. A Coney Island of the Mind. New York: New Directions, 1968.
Ferlinghetti, Lawrence. A Coney Island of the Mind. New York: New Directions, 1968.
Ferlinghetti, Lawrence. A Coney Island of the Mind. New York: New Directions, 1968.
Ferlinghetti, Lawrence. Starting From San Francisco. New York: New Directions, 1967.
Ferlinghetti, Lawrence. Open Eye, Open Heart. New York: New Directions, 1973.
Ferlinghetti, Lawrence. "Where is Vietnam?" Where is Vietnam? American Poets Respond. Edited by Walter Lowenfels. Garden City: Anchor Books, 1967.
Ferlinghetti, Lawrence. Starting From San Francisco. New York: New Directions, 1967.
Thomas, D.M. Logan Stone. London: Cape Goliard, 1971.
Thomas, D.M. Logan Stone. London: Cape Goliard, 1971.
Redgrove, Peter. The Nature of Cold Weather and Other Poems. London: Routledge and Kegan Paul, 1961.
Redgrove, Peter. The Force and Other Poems. London: Routledge and Kegan Paul, 1966.
Redgrove, Peter. The Force and Other Poems. London: Routledge and Kegan Paul, 1966.
Redgrove, Peter. Dr Faust's Sea-Spiral Spirit and Other Poems. London: Routledge and Kegan Paul,1972.
Redgrove, Peter. At the White Monument. London: Routledge and Kegan Paul, 1963.
Redgrove, Peter. Dr Faust's Sea-Spiral Spirit and Other Poems. London: Routledge and Kegan Paul,1972.
Graham, Jorie. The Errancy. New York: Ecco, 1997.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Forché, Carolyn. The Country Between Us. New York: Harper & Row, 1981.
Young, Al. Heaven: Collected Poems 1956-1990. Berkeley: Creative Arts Book Company, 1992.
Young, Al. Heaven: Collected Poems 1956-1990. Berkeley: Creative Arts Book Company, 1992.
Young, Al. Heaven: Collected Poems 1956-1990. Berkeley: Creative Arts Book Company, 1992.
Young, Al. The Blues Don't Change. Baton Rouge: Louisiana State University Press, 1982.
Young, Al. The Blues Don't Change. Baton Rouge: Louisiana State University Press, 1982.
Young, Al. The Blues Don't Change. Baton Rouge: Louisiana State University Press, 1982.
Young, Al. The Blues Don't Change. Baton Rouge: Louisiana State University Press, 1982.
Young, Al. The Blues Don't Change. Baton Rouge: Louisiana State University Press, 1982.
Young, Al. The Blues Don't Change. Baton Rouge: Louisiana State University Press, 1982.
Young, Al. Bodies & Soul: Musical Memoirs. Berkeley: Creative Arts Book Company, 1981.
Young, Al. Bodies & Soul: Musical Memoirs. Berkeley: Creative Arts Book Company, 1981.
Young, Al. Sitting Pretty. New York: Holt, Rinehart, and Winston, 1976.
Garrett, George. Death of the Fox. Garden City: Doubleday, 1971.
Garrett, George. Magic Striptease. Garden City: Doubleday, 1973.
Garrett, George. Magic Striptease. Garden City: Doubleday, 1973.
Garrett, George. Magic Striptease. Garden City: Doubleday, 1973.
Garrett, George. Magic Striptease. Garden City: Doubleday, 1973.
Garrett, George. Magic Striptease. Garden City: Doubleday, 1973.
Downs, Robert. Going Gently. Indianapolis: Bobbs-Merrill, 1973.
Downs, Robert. Going Gently. Indianapolis: Bobbs-Merrill, 1973.
Downs, Robert. Peoples. Indianapolis: Bobbs-Merrill, 1974.
Williams, John. Butcher's Crossing. Boston: Gregg Press, 1978.
Tranströmer, Tomas. Windows & Stones: Selected Poems. Trans. May Swenson with Leif Sjöberg. Pittsburgh: University of Pittsburgh Press, 1972.
Tranströmer, Tomas. The Half-Finished Heaven. Ed. and trans. Robert Bly. Saint Paul, MN: Graywolf Press, 2001.
Tranströmer, Tomas. The Half-Finished Heaven. Ed. and trans. Robert Bly. Saint Paul, MN: Graywolf Press, 2001.
Tranströmer, Tomas. Windows & Stones: Selected Poems. Trans. May Swenson with Leif Sjöberg. Pittsburgh: University of Pittsburgh Press, 1972.
Tranströmer, Tomas. 20 Poems. Trans. Robert Bly. Madison, MN: Seventies Press, 1970.
Tranströmer, Tomas. Baltics. Trans. Samuel Charters. Berkeley, CA: Oyez, 1975.
Tranströmer, Tomas. The Half-Finished Heaven. Ed. and trans. Robert Bly. Saint Paul, MN: Graywolf Press, 2001.
Tranströmer, Tomas. Night Vision. Trans. Robert Bly. Northwood Narrows, NH: Lillabulero Press, 1971.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Winter in the Blood. New York: Harper & Row, 1974.
Welch, James. Winter in the Blood. New York: Harper & Row, 1974.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Welch, James. Riding the Earthboy 40. New York: Harper & Row, 1976.
Gerber, Dan. The Revenant. Fremont: Sumac Press, 1971.
Gerber, Dan. Departure. Fremont: Sumac Press, 1973.
Pack, Robert. Home From the Cemetery. New Brunswick: Rutgers University Press, 1969.
Pack, Robert. Nothing But Light. New Brunswick: Rutgers University Press, 1972.
Pack, Robert. Home From the Cemetery. New Brunswick: Rutgers University Press, 1969.
Pack, Robert. Home From the Cemetery. New Brunswick: Rutgers University Press, 1969.
Pack, Robert. Nothing But Light. New Brunswick: Rutgers University Press, 1972.
Pack, Robert. Home From the Cemetery. New Brunswick: Rutgers University Press, 1969.
Pack, Robert. Home From the Cemetery. New Brunswick: Rutgers University Press, 1969.
Pack, Robert. Nothing But Light. New Brunswick: Rutgers University Press, 1972.
Pack, Robert. Keeping Watch. New Brunswick: Rutgers University Press, 1976.
Pack, Robert. Keeping Watch. New Brunswick: Rutgers University Press, 1976.
Pack, Robert. Keeping Watch. New Brunswick: Rutgers University Press, 1976.
Pack, Robert. Keeping Watch. New Brunswick: Rutgers University Press, 1976.
Pack, Robert. Nothing But Light. New Brunswick: Rutgers University Press, 1972.
Houston, Robert. A Drive with Ossie. Syracuse, NY: Salt Mound Press, 1970.
Reed, Henry. A Map of Verona. New York: Reynal & Hitchcock, 1947.
Williams, William Carlos. Pictures from Brueghel and Other Poems. New York: New Directions, 1962.
Wright, James. The Branch Will Not Break. Middletown, CT: Wesleyan University Press, 1963.
Uncollected.
Baraka, Amiri. Preface to a Twenty Volume Suicide Note. New York: Totem Press in association with Corinth Books, 1961.
Moore, Julia A. "Little Libby." An Introduction to Poetry. ed. X.J. Kennedy. Boston: Little, Brown and Company, 1966.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. The Storm and Other Poems. New York: Atheneum, 1969.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Invisible Guests. Lewiston: Confluence Press, 1984.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Root, William Pitt. Striking the Dark Air for Music. New York: Atheneum, 1972.
Berssenbrugge, Mei-mei. Empathy. New York: Station Hill Press, 1989.
Berssenbrugge, Mei-mei. Empathy. New York: Station Hill Press, 1989.
Berssenbrugge, Mei-mei. Empathy. New York: Station Hill Press, 1989.
Berssenbrugge, Mei-mei. "A Context of a Wave." Conjunctions 17 (1991): 42-53.
Berssenbrugge, Mei-mei. Sphericity. Berkeley: Kelsey St. Press, 1993.
Baca, Jimmy Santiago. Immigrants in Our Own Land. Baton Rouge: LSU Press, 1979.
Baca, Jimmy Santiago. Martín & Meditations on the South Valley. New York: New Directions, 1987.
Baca, Jimmy Santiago. Martín & Meditations on the South Valley. New York: New Directions, 1987.
Baca, Jimmy Santiago. Martín & Meditations on the South Valley. New York: New Directions, 1987.
Baca, Jimmy Santiago. Martín & Meditations on the South Valley. New York: New Directions, 1987.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Baca, Jimmy Santiago. Black Mesa Poems. New York: New Directions: 1989.
Roecker, William A. Willamette. Phoenix: The Baleen Press, 1970.
Roecker, W. A. "Walking into Kentucky Robie's Drunk." Measure, no. 2, 1972.
Roecker, W. A. You Know Me. Fremont: Sumac Press, 1972.
Roecker, William A. “My Grandfather’s Sins: Plainfield, Wisconsin.” Prairie Schooner, vol. 43, no. 3, Fall 1969, p. 282.
Roecker, W. A. You Know Me. Fremont: Sumac Press, 1972.
Roecker, WA. Closer to the Country. Tucson: Maguey Press, 1976.
MacBeth, George. A Form of Words. Swinford, England: Fantasy Press, 1954.
MacBeth, George. The Colour of Blood. New York: Atheneum, 1967.
MacBeth, George. Collected Poems 1958-1970. New York: Atheneum, 1971.
MacBeth, George. The Colour of Blood. New York: Atheneum, 1967.
MacBeth, George. The Night of Stones. New York: Atheneum, 1969.
MacBeth, George. The Broken Places. Lowestoft, Suffolk: Scorpion Press, 1963.
MacBeth, George. The Broken Places. Lowestoft, Suffolk: Scorpion Press, 1963.
MacBeth, George. The Night of Stones. New York: Atheneum, 1969.
Berryman, John. 77 Dream Songs. New York: Farrar, Straus & Giroux, 1964.
Halperin, Mark. Backroads. Pittsburgh: University of Pittsburgh Press,1976.
Orlen, Steve. "The New World, Requesting Nothing but Peace." Poetry, vol. 114, no. 4, Sept. 1969, p. 373.
Orlen, Steve. "Keeping Watch." Poetry, vol. 117, no. 3, Dec. 1970, p. 165.
Claremon, Neil. East by Southwest. New York: Simon and Schuster, 1970.
Claremon, Neil. East by Southwest. New York: Simon and Schuster, 1970.
Claremon, Neil. East by Southwest. New York: Simon and Schuster, 1970.
Claremon, Neil. East by Southwest. New York: Simon and Schuster, 1970.
Claremon, Neil. East by Southwest. New York: Simon and Schuster, 1970.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Claremon, Neil. West of the American Dream: Visions of an Alien Landscape. New York: William Morrow & Company, 1973.
Harrison, Jim. Outlyer & Ghazals. New York: Simon and Schuster, 1971.
Harrison, Jim. Outlyer & Ghazals. New York: Simon and Schuster, 1971.
Zimmer, Paul. The Republic of Many Voices. New York: October House, 1969.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Republic of Many Voices. New York: October House, 1969.
Zimmer, Paul. The Republic of Many Voices. New York: October House, 1969.
Zimmer, Paul. The Republic of Many Voices. New York: October House, 1969.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Uncollected.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Republic of Many Voices. New York: October House, 1969.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Zimmer, Paul. The Zimmer Poems. Washington: Dryad Press, 1976.
Meyers, Bert. Early Rain. Denver: Alan Swallow Press, 1960.
Meyers, Bert. Early Rain. Denver: Alan Swallow Press, 1960.
Meyers, Bert. Early Rain. Denver: Alan Swallow Press, 1960.
Meyers, Bert. Early Rain. Denver: Alan Swallow Press, 1960.
Meyers, Bert. The Dark Birds. New York: Doubleday & Co., 1968.
Meyers, Bert. Early Rain. Denver: Alan Swallow Press, 1960.
Meyers, Bert. The Dark Birds. New York: Doubleday & Co., 1968.
Meyers, Bert. The Dark Birds. New York: Doubleday & Co., 1968.
Meyers, Bert. The Dark Birds. New York: Doubleday & Co., 1968.
Meyers, Bert. The Dark Birds. New York: Doubleday & Co., 1968.
Meyers, Bert. The Dark Birds. New York: Doubleday & Co., 1968.
Michaels, Leonard. The Men's Club. New York: Farrar, Straus and Giroux, 1981. This recording appears courtesy of the author's estate.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. A Fish to Feed All Hunger. Charlottesville: University Press of Virginia, 1986.
Alcosser, Sandra. A Fish to Feed All Hunger. Charlottesville: University Press of Virginia, 1986.
Alcosser, Sandra. A Fish to Feed All Hunger. Charlottesville: University Press of Virginia, 1986.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. A Fish to Feed All Hunger. Charlottesville: University Press of Virginia, 1986.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Alcosser, Sandra. Except by Nature. Saint Paul: Graywolf Press, 1998.
Cuddihy, Michael. A Walled Garden. Pittsburgh: Carnegie-Mellon,1989.
Cuddihy, Michael. Celebrations. Port Townsend, WA: Copper Canyon Press, 1980.
Cuddihy, Michael. A Walled Garden. Pittsburgh: Carnegie-Mellon,1989.
Weeks, Ramona. Lincoln County Poems. Winters: Sipapu/Konocti, 1973.
Weeks, Ramona. Lincoln County Poems. Winters: Sipapu/Konocti, 1973.
Bidart, Frank. In the Western Night: Collected Poems 1965-90. New York: Farrar Straus Giroux, 1990.
Bidart, Frank. In the Western Night: Collected Poems 1965-90. New York: Farrar Straus Giroux, 1990.
Bidart, Frank. In the Western Night: Collected Poems 1965-90. New York: Farrar Straus Giroux, 1990.
Dugan, Alan. Poems 3. New Haven: Yale University Press, 1967.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. Poems 3. New Haven: Yale University Press, 1967.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. Poems 3. New Haven: Yale University Press, 1967.
Dugan, Alan. Poems 2. New Haven: Yale University Press, 1963.
Dugan, Alan. Poems 2. New Haven: Yale University Press, 1963.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. Poems 2. New Haven: Yale University Press, 1963.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. Poems 6. New York: Ecco Press, 1989.
Dugan, Alan. Poems 2. New Haven: Yale University Press, 1963.
Dugan, Alan. Poems. New Haven: Yale University Press, 1961.
Dugan, Alan. Poems 3. New Haven: Yale University Press, 1967.
Dugan, Alan. Poems. New Haven: Yale University Press, 1961.
Dugan, Alan. Poems 4. Boston: Little, Brown, and Company, 1974.
Dugan, Alan. Poems 4. Boston: Little, Brown, and Company, 1974.
Bogan, Louise. The Blue Estuaries. New York: Farrar, Straus, and Giroux, 1968.
Dugan, Alan. Poems 4. Boston: Little, Brown, and Company, 1974.
Dugan, Alan. Poems 4. Boston: Little, Brown, and Company, 1974.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. Poems. New Haven: Yale University Press, 1961.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Dugan, Alan. New and Collected Poems. New York: Ecco Press, 1983.
Bei Dao. Old Snow. Trans. Bonnie S. McDougall and Chen Maiping. New York: New Directions, 1991.
Bei Dao. Old Snow. Trans. Bonnie S. McDougall and Chen Maiping. New York: New Directions, 1991.
Bei Dao. Old Snow. Trans. Bonnie S. McDougall and Chen Maiping. New York: New Directions, 1991.
Bei Dao. Old Snow. Trans. Bonnie S. McDougall and Chen Maiping. New York: New Directions, 1991.
Bei Dao. Forms of Distance. Trans. David Hinton. New York: New Directions, 1993.
Bei Dao. Forms of Distance. Trans. David Hinton. New York: New Directions, 1993.
Bei Dao. Forms of Distance. Trans. David Hinton. New York: New Directions, 1993.
Bei Dao. Forms of Distance. Trans. David Hinton. New York: New Directions, 1993.
Bei Dao. Forms of Distance. Trans. David Hinton. New York: New Directions, 1993.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Landscape Over Zero. Trans. David Hinton and Yanbing Chen. New York: New Directions, 1996.
Bei Dao. Unlock. Trans. Eliot Weinberger and Iona Man-Cheong. New York: New Directions, 2000.
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"Elegy." The Angel of History. New York: HarperCollins, 1994.
Inada, Lawson Fusao. "West Side Songs." Down at the Santa Fe Depot: 20 Fresno Poets. Gilgia Press, 1970.
Inada, Lawson Fusao. "Plucking Out a Rhythm," "From Our Album," "The Day, Congealed," "Bandstand," "Countries of War," "R and R in Bangkok," and "The Great Bassist." Before the War: Poems as They Happened. William Morrow, 1971.
Inada, Lawson Fusao. "Making a Living" and "You Know How It Was." (Uncollected?)
Inada, Lawson Fusao. "Asian Brother, Asian Sister." Roots: An Asian American Reader. Edited by Franklin S. Odo. University of California,1971
Inada, Lawson Fusao. "I Told You So." The Buddha Bandits Down Highway 99. With Garrett Kaoru Hongo and Alan Chong Lau. Buddhahead Press, 1978.
Kasischke, Laura. "Lady Luck." Uncollected?
Kasischke, Laura. "Self-Fulfilling Prophecies." Housekeeping in a Dream. Pittsburgh: Carnegie Mellon Press, 1995.
Kasischke, Laura. "Local Legend." Housekeeping in a Dream. Pittsburgh: Carnegie Mellon Press, 1995.
Kasischke, Laura. "Woman Kills Sweetheart With Bowling Ball." Wild Brides. New York: New York University Press, 1992.
Kasischke, Laura. "Babysitter." Housekeeping in a Dream. Pittsburgh: Carnegie Mellon Press, 1995.
Kasischke, Laura. "Thunder, or A Place In The Sun." Housekeeping in a Dream. Pittsburgh: Carnegie Mellon Press, 1995.
Kasischke, Laura. "Prayers to St. Vanity." What It Wasn't. Pittsburgh: Carnegie Mellon Press, 2002.
Kasischke, Laura. "Ravine." Housekeeping in a Dream. Pittsburgh: Carnegie Mellon Press, 1995.
Reynolds, David. "Hush Noah." From a manuscript-in-progress titled In The Waiting World. Uncollected?
Ehrlich, Gretel. "Resolute Passage." Arctic Heart. Santa Barbara: Capra Press, 1992.
"Four." Arctic Heart. Santa Barbara: Capra Press, 1992.
"Twelve." Arctic Heart. Santa Barbara: Capra Press, 1992.
Excerpts from "The Fasting Heart." Islands, the Universe, Home. New York: Viking, 1991.
McGuckian, Medbh. "Story County." Uncollected?
McGuckian, Medbh. "The Cure." Uncollected?
McGuckian, Medbh. "Magazines." Uncollected?
McGuckian, Medbh. "Pemmican." Uncollected?
McGuckian, Medbh. "The Orchid House." The Flower Master and Other Poems. Oldcastle, County Meath, Ireland: Gallery Books, 1993.
McGuckian, Medbh. "The Invalid's Echo." Marconi's Cottage. Newcastle upon Tyne: Bloodaxe Books, 1992.
McGuckian, Medbh. "Flowered Sitting-room." Marconi's Cottage. Newcastle upon Tyne: Bloodaxe Books, 1992.
McGuckian, Medbh. "The Nearness of the Grape Arbour to the Fruit Cellar." Captain Lavender. Oldcastle, County Meath, Ireland: Gallery Books, 1994.
McGuckian, Medbh. "Black Virgin." Captain Lavender. Oldcastle, County Meath, Ireland: Gallery Books, 1994.
McGuckian, Medbh. "The Radio Traitor." Captain Lavender. Oldcastle, County Meath, Ireland: Gallery Books, 1994.
McGuckian, Medbh. "To Make Two Bridges Necessary." The Soldiers of Year II. Winston-Salem, North Carolina: Wake Forest University Press, 2002.
McGuckian, Medbh. "Blue Doctrine." Shelmalier. Oldcastle, County Meath, Ireland: Gallery Books, 1998.
McGuckian, Medbh. "Shoulder-length, Caged-Parrot Earrings." Shelmalier. Oldcastle, County Meath, Ireland: Gallery Books, 1998.
McGuckian, Medbh. "Timed Chess." Captain Lavender. Oldcastle, County Meath, Ireland: Gallery Books, 1994.
McGuckian, Medbh. "The Colony Room." The Soldiers of Year II. Winston-Salem, North Carolina: Wake Forest University Press, 2002.
McGuckian, Medbh. "The Sickness of the Cloth." Shelmalier. Oldcastle, County Meath, Ireland: Gallery Books, 1998.
McGuckian, Medbh. "The Spirit Dolls." Shelmalier. Oldcastle, County Meath, Ireland: Gallery Books, 1998.
McGuckian, Medbh. "Condition Three." The Soldiers of Year II. Winston-Salem, North Carolina: Wake Forest University Press, 2002.
McGuckian, Medbh. "The Keeper Ring." Marconi's Cottage. Newcastle upon Tyne: Bloodaxe Books, 1992.
Wild, Peter. "Unwanted Pregnancies." Uncollected.
"Lazarus." Uncollected.
"Columbus." Uncollected (not the poem from "Columbus" from The Brides of Christ).
"Why Popes Don't Write Books." Uncollected.
"The Polish Baker." The Brides of Christ. Vienna, Austria: Mosaic Publications, 1991.
"Thomas Jefferson." Uncollected.
"Aldo Leopold." Uncollected (not the poem from "Aldo Leopold" from Wilderness).
"Fanny Appleton." Uncollected.
"Rubens." Uncollected.
"Hoover Dam." The Brides of Christ. Vienna, Austria: Mosaic Publications, 1991.
"The Book of Proverbs." The Brides of Christ. Vienna, Austria: Mosaic Publications, 1991.
"Sunlight in a Violin Case." The Brides of Christ. Vienna, Austria: Mosaic Publications, 1991.
"Your Teeth: An Owner's Guide." Uncollected.
"Local Historical Societies." Uncollected.
"Daniel." Easy Victory. Tucson: SUN/gemini Press, 1994.
"Sign of Spring." Published version bears the title "Crocuses." The Brides of Christ. Vienna, Austria: Mosaic Publications, 1991.
"Smokejumper's Pants." The Brides of Christ. Vienna, Austria: Mosaic Publications, 1991.
Rickel, Boyer. "Exactly." Prairie Schooner, vol. 69, no. 2, Summer 1995, p. 31.
"Education of the Poet." Arreboles. Middletown: Wesleyan University Press, 1991.
"Two Mothers in The Cloisters." Arreboles. Middletown: Wesleyan University Press, 1991.
"Our Names." Arreboles. Middletown: Wesleyan University Press, 1991.
"Downpour." Arreboles. Middletown: Wesleyan University Press, 1991.
"Night Sweats 2." Arreboles. Middletown: Wesleyan University Press, 1991.
"Summer Elegy." Arreboles. Middletown: Wesleyan University Press, 1991.
"The Watchers." Arreboles. Middletown: Wesleyan University Press, 1991.
Herbert, George. "Prayer (I)." The Temple. 1633.
Rickel, Boyer. "Night-Singing." Arreboles. Middletown: Wesleyan University Press, 1991.
"Winterreisse." Arreboles. Middletown: Wesleyan University Press, 1991.
"Soldiers." Taboo. Madison: University of Wisconsin Press, 1999.
Sarris, Greg. "Waiting for the Green Frog." Grand Avenue: A Novel in Stories. Hyperion, 1994.
Stern, Gerald. "Nice Mountain." This Time: New and Selected Poems. New York: WW Norton & Co., 1998.
Stern, Gerald. "Ukrainian." This Time: New and Selected Poems. New York: WW Norton & Co., 1998.
Stern, Gerald. "Essay on Rime." Odd Mercy. New York: WW Norton & Co, 1995.
Stern, Gerald. "The Founder." This Time: New and Selected Poems. New York: WW Norton & Co., 1998.
Stern, Gerald. "Fleur." Odd Mercy. New York: WW Norton & Co., 1995.
Stern, Gerald. "Picking Asters." Odd Mercy. New York: WW Norton & Co, 1995.
Stern, Gerald. "This Time." This Time: New and Selected Poems. New York: WW Norton & Co., 1998.
Stern, Gerald. "Most of My Life." Odd Mercy. New York: WW Norton & Co, 1995.
Stern, Gerald. "Ducks Are For Our Happiness." Odd Mercy. New York: WW Norton & Co, 1995.
Stern, Gerald. "Sixteen Minutes." Odd Mercy. New York: WW Norton & Co, 1995.
Di Piero, W. S. "The Museum of Natural History." The Restorers. Chicago: University of Chicago Press, 1992.
"The Faery Child." The Restorers. Chicago: University of Chicago Press, 1992.
"Saint Francis of Assisi." The Restorers. Chicago: University of Chicago Press, 1992.
"The Hotel Room Mirror." The Restorers. Chicago: University of Chicago Press, 1992.
"In Calabria." The Restorers. Chicago: University of Chicago Press, 1992.
"Starlings." The Restorers. Chicago: University of Chicago Press, 1992.
"Gethsemane." The Restorers. Chicago: University of Chicago Press, 1992.
"Moving Things." Shadows Burning. Evanston, Illinois: TriQuarterly Books, 1995.
"The Prayer Mat." Shadows Burning. Evanston, Illinois: TriQuarterly Books, 1995.
"The Sleepers." Shadows Burning. Evanston, Illinois: TriQuarterly Books, 1995.
"San Antonio de Padua." Shadows Burning. Evanston, Illinois: TriQuarterly Books, 1995.
"Windy Hill." Shadows Burning. Evanston, Illinois: TriQuarterly Books, 1995.
"Story Corner at the Point Breeze Branch." Uncollected.
"The Original Rhinestone Cowboy." The Restorers. Chicago: University of Chicago Press, 1992.
Galvin, James. "The Uncertainty Principle." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Independence Day, 1956, A Fairy Tale." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "The Weather Spider." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Art Class." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "On Exploration." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "The War That Isn't What You Think." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Sapphic Suicide Note." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Untitled, 1968." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Resurrection Update." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "You Know What People Say." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Small Countries." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Big Thompson Svaha." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Real Wonder." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Booklearning." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Western Civilization." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Rintrah Roars." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Expecting Company." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Christmas, 1960." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Galvin, James. "Postcard." Resurrection Update: Collected Poems 1975-1997. Port Townsend, Washington: Copper Canyon Press, 1997.
Gardinier, Suzanne. The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 133.
"Migrations (It was the moon of big winds In the night)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 130.
"The Ghost of Santo Domingo (They gave us broken crockery broken)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 109.
"Admirals (The people go naked men and women)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 82.
"The Ghost of Santo Domingo (That the earth may shelter and sustain us)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 83.
"Admirals (He stares south on his column over anchors)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 4.
"Memorials (This afternoon cut bound shocks of cane)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, pp. 127-129.
"Blues (You tell me no trouble's on your trail)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 95.
"To The City of Fire (All along there have been places where I)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 107.
"To Peace (When will you come The days are long the nights)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 6.
"To Peace (Peace I have feared you hated you scuffed dirt)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 31.
"To Peace (Why should you come to meet me your most)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 84.
"Where Blind Sorrow Is Taught To See (Before you I walked with my hands in my pockets)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 98.
"Where Blind Sorrow Is Taught To See (Rain shines black where the red-and-white-light-laced)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 20.
"At School (Excuse me the teacher says Where are you going)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 61.
"Democracy (Where there was furnishing and canopy)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 47.
"Refugees (Every night she dreams of departure)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 10.
"To The City of Fire (If I forget you let my sleep dwindle)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 3.
"Blues (Come here baby wrap your arms around)." The New World. Pittsburgh: University of Pittsburgh Press, 1993, p. 17.
Pape, Greg. "The Ani." American Flamingo. Carbondale: Southern Illinois University Press, 2005.
"The Morning Horse, Canyon de Chelly." Storm Pattern. Pittsburgh: University of Pittsburgh Press, 1992.
"Wijiji." Storm Pattern. Pittsburgh: University of Pittsburgh Press, 1992.
"Trains: Tuscaloosa, Alabama, Spring, 1983." Storm Pattern. Pittsburgh: University of Pittsburgh Press, 1992.
"Some Names." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
"In Line at the Supermarket." Storm Pattern. Pittsburgh: University of Pittsburgh Press, 1992.
"Evening News" (published as section 3 of "Elegy for the Duke of Earl"). American Flamingo. Carbondale: Southern Illinois University Press, 2005.
"Peace." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
"Church." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
"Cows." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
"Turning Things Over, Rock Creek, Montana." Storm Pattern. Pittsburgh: University of Pittsburgh Press, 1992.
"Remember the Moose." American Flamingo. Carbondale: Southern Illinois University Press, 2005.
"Among the Various Errors." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
"In the Birthing Room." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
"Blessing at the Citadel." Sunflower Facing the Sun. Iowa City: University of Iowa Press, 1992.
Rogers, Pattiann. "On the Existence of the Soul." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "In Addition to Faith, Hope, and Charity." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Being Accomplished." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Rolling Naked in the Morning Dew." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "The Power of Toads." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Love Song." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "The Hummingbird: A Seduction." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Geocentric." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "The Next Story." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "The Dead Never Fight Against Anything." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Justification of the Horned Lizard." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Trinity." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "When At Night." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "When You Watch Us Sleeping." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Rogers, Pattiann. "Before I Wake." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Whiteman, Roberta Hill. "A Song for What Never Arrives." Star Quilt. Duluth: Holy Cow! Press, 1984.
"Lynn Point Trail." Star Quilt. Duluth: Holy Cow! Press, 1984.
"Home Before Dark." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"Letting Go." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"Praising Corn." Uncollected.
"Acknowledgment." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"No Longer." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"Traveling." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"Of Light, Water and Gathered Dust." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"Preguntas." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"Our Different Story." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
"You Call Me Less Than All I Am." Philadelphia Flowers. Duluth: Holy Cow! Press, 1996.
Collier, Michael. "Ricordo: Citta del Vaticano." The Neighbor. Chicago: University of Chicago Press, 1995.
Rogers, Pattiann. "Before I Wake." Firekeeper: New and Selected Poems. Minneapolis: Milkweed Editions, 1994.
Hirshfield, Jane. "The Weighing." The October Palace. New York: HarperPerennial, 1994.
Wunderlich, Mark. "How I Was Told and Not Told." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "On Opening." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "The Bruise of This." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "To Sleep in a New City." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Snow." Published version bears the title "Winter of Heaven, Winter of Ash." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "One Explanation of Beauty." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Nothing to Wear." Uncollected.
Wunderlich, Mark. "Peonies." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Take Good Care of Yourself." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Through an Opening Door." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Unmade Bed." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Chapel of the Miraculous Medal." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "No Place Like Home." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "The Winter Of This Climate." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Wunderlich, Mark. "Suture." The Anchorage. Amherst: University of Massachusetts Press, 1999.
Kumin, Maxine. "You Are In Bear Country." The Long Approach. New York: Penguin, 1986.
"In the Park." Nurture. New York: Penguin, 1989.
"Encounter in August." Nurture. New York: Penguin, 1989.
"Morning Swim." The Privilege. New York: Harper & Row, 1965.
"The Hermit Wakes to Bird Sounds." Up Country: Poems of New England, New and Selected. New York: Harper & Row, 1972.
"Amanda Dreams She has Died and Gone to the Elysian Fields." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"Excrement Poem." The Retrieval System. New York: Viking, 1978.
"Heaven as Anus." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"The Jesus Infection." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"Splitting Wood at Six Above." The Retrieval System. New York: Viking, 1978.
"On Being Asked to Write a Poem in Memory of Anne Sexton." Nurture. New York: Penguin, 1989.
"The Green Well." Looking for Luck. New York: Norton, 1992.
"Birthday Poem." The Retrieval System. New York: Viking, 1978.
"Sunbathing on a Rooftop in Berkeley." The Retrieval System. New York: Viking, 1978.
"We Stood There Singing." Nurture. New York: Penguin, 1989.
"The Man of Many L's." Our Ground Time Here Will Be Brief: New and Selected Poems. New York: Penguin, 1982.
"Appetite." The Long Approach. New York: Penguin, 1986.
"My Elusive Guest." The Long Approach. New York: Penguin, 1986.
"Custodian." Nurture. New York: Penguin, 1989.
"Catchment." Nurture. New York: Penguin, 1989.
"Sleeping with Animals." Nurture. New York: Penguin, 1989.
"Nurture." Nurture. New York: Penguin, 1989.
"Looking for Luck in Bangkok." Looking for Luck. New York: Norton, 1992.
Orlen, Steve. "The Big Difference." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Child Care." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Porch Life." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Standing in Line for The Pickle Family Circus." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Pilgrims." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"The Bridge of Sighs." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Religious Feeling." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"A Family of Three." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"The Early Poetry." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"An Older Woman." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Blame." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"A House." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Life Drawing." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Carmen." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Buddies." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Shame." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Celebrity." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Acts of Will." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"Acts of Grace." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
"At the Indoor Shopping Mall." The Bridge of Sighs. Oxford, Ohio: Miami University Press, 1992.
Barrington, Judith. "Countries." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989. Differs slightly from published version.
"Instructions to the Reader of Poetry." Uncollected.
"Horses and the Human Soul." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004. Differs from published version.
"Photograph, Scotland, Circa 1950." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004.
"Four Reasons for Destroying a Spider's Web." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004.
"Word Bank." Uncollected.
"The Dyke with No Name Thinks about Landscape." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004. Differs from published version.
"Layers of Sound." Uncollected.
"History and Geography." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989.
"Mother and Daughter at the Y." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989.
"For a Friend whose Lover has Left." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989. Differs slightly from published version.
"Why Young Girls Like to Ride Bareback." Horses and the Human Soul. Ashland, Oregon: Story Line Press, 2004. Differs slightly from published version.
"Listen." History and Geography. Portland, Oregon: The Eighth Mountain Press, 1989.
Glancy, Diane. "Coyote's Shyness." Coyote's Quodlibet. Minneapolis & St. Paul: Chax Press, 1995.
Glancy, Diane. "Story." The Shadow's Horse. Tucson: The University of Arizona Press, 2003.
Glancy, Diane. "Grandmother Library." The West Pole. Minneapolis: University of Minnesota Press, 1997.
Glancy, Diane. "War Horse I." The West Pole. Minneapolis: University of Minnesota Press, 1997.
Glancy, Diane. "War Horse II." The West Pole. Minneapolis: University of Minnesota Press, 1997.
Glancy, Diane. "Comanche, Museum of Natural History, University of Kansas, Lawrence." The West Pole. Minneapolis: University of Minnesota Press, 1997.
Glancy, Diane. "Television is the West Pole." The West Pole. Minneapolis: University of Minnesota Press, 1997.
Glancy, Diane. "You know the Indian." (Ado)ration. Tucson: Chax Press, 1999.
Glancy, Diane. "Theology of Deer." (Ado)ration. Tucson: Chax Press, 1999.
Glancy, Diane. Pushing the Bear (excerpts). New York: Harcourt Brace, 1996.
Glancy, Diane. "Firesticks" (excerpt). Firesticks. Norman: University of Oklahoma Press, 1993.
Salinas, Luis Omar. "Late Evening Conversation with My Friend's Dog, Moses, After Watching Visconti's The Innocent." After Aztlan: Latino Poets of the Nineties. Edited by Ray González. Boston: David R. Godine, 1992. (Read by Rosemary Catacalos.)
Catacalos, Rosemary. "Swallow Wings." Again For the First Time. Santa Fe: Tooth of Time Books, 1984.
"Restoration of the Cathedral." The Progressive (Madison), vol. 61, no. 8, August 1997, p. 35.
"From Bolivia After All This Time." Again For the First Time. Santa Fe: Tooth of Time Books, 1984.
"Listen, Querido, They're Playing Our Song or Summer Ritual with a Poet Friend." Again For the First Time. Santa Fe: Tooth of Time Books, 1984.
"Glassworks." The Women's Review of Books, vol. 12, no. 1, 1994, p. 22.
"Women Talk of Flowers at Dusk." Begin Here. San Antonio: Wings Press, 2013. Appeared earlier in Paper Dance: 55 Latino Poets. Edited by Victor Hernández Cruz, Leroy V. Quintana, and Virgil Suarez. New York: Persea Books, 1995, pp. 21-22.
"Insufficient Light." Begin Here. San Antonio: Wings Press, 2013. Appeared earlier in Floricanto Sí!: A Collection of Latina Poetry. Edited by Bryce Milligan, Mary Guerrero Milligan, and Angela De Hoyos. New York: Penguin Books, 1998, p. 60.
"Flowers and Umbrellas on a Texas Beach: Postcard from a Painter." Published version bears the title "Picture Postcard from a Painter." Begin Here. San Antonio: Wings Press, 2013.
"Borderline: Brownsville/Matamoros." Southwest Review, vol. 80, no. 4, October 1995, p. 445.
"Pumpkins by the Sea." Begin Here. San Antonio: Wings Press, 2013.
"David Talamántez on the Last Day of Second Grade." Begin Here. San Antonio: Wings Press, 2013. Appeared earlier in Learning by Heart: Contemporary American Poetry About School. Edited by Maggie Anderson and David Hassler. Iowa City: University of Iowa Press, 1999, pp. 166-168.
Robertson, Mary Elsie. What I Have to Tell You. New York: Doubleday, 1989.
Katrovas, Richard. "The Bridge of Intellectuals." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "St. Vitus." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "An Apology." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "The Mothers." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "Socialism with a Human Face." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "After Frank Zappa's Visit to the Castle." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "Stepan From a Balcony." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "Vaculik's Garden." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "Weekend." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "The Stones (Prague, August 18, 1990)." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "A Brief History of Your Conception." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Katrovas, Richard. "The Book of Complaints." The Book of Complaints. Pittsburgh: Carnegie Mellon University Press, 1993.
Gornick, Vivian. Fierce Attachments: A Memoir. New York: Farrar, Straus, and Giroux, 1987.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Sakaki, Nanao. How to Live On the Planet Earth: Collected Poems. Nobleboro, ME: Blackberry Books, 2013.
Roecker, W. A. Closer to the Country. Tucson: Maguey Press, 1976.
Snyder, Gary. The Back Country. New York: New Directions, 1968.
Snyder, Gary. The Back Country. New York: New Directions, 1968.
Snyder, Gary. The Back Country. New York: New Directions, 1968.
Snyder, Gary. The Back Country. New York: New Directions, 1968.
Levine, Philip. They Feed They Lion. New York: Atheneum, 1972.
Ai. "Christ’s Bracero." The Iowa Review, vol. 6, no. 2, Spring 1975, pp. 35-36.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Hopler, Jay. Still Life. San Francisco: McSweeney's, 2022.
Johnson, Kimberly. A Metaphorical God. New York: Persea Books, 2008.
Johnson, Kimberly. Uncommon Prayer. New York: Persea Books, 2014.
Johnson, Kimberly. A Metaphorical God. New York: Persea Books, 2008.
Browne, Mahogany L. I Remember Death By Its Proximity to What I Love. Haymarket Books, 2021.
Browne, Mahogany L. I Remember Death By Its Proximity to What I Love. Haymarket Books, 2021.
Browne, Mahogany L. I Remember Death By Its Proximity to What I Love. Haymarket Books, 2021.
Browne, Mahogany L. Black Girl Magic. Roaring Brook Press, 2016.
Urrea, Luis Alberto. The Tijuana Book of the Dead. Berkeley: Soft Skull Press, 2015.
Urrea, Luis Alberto. The Tijuana Book of the Dead. Berkeley: Soft Skull Press, 2015.
Urrea, Luis Alberto. The Tijuana Book of the Dead. Berkeley: Soft Skull Press, 2015.
Urrea, Luis Alberto. The Tijuana Book of the Dead. Berkeley: Soft Skull Press, 2015.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. Bestiary. Minneapolis: Graywolf Press, 2016.
Kelly, Donika. Bestiary. Minneapolis: Graywolf Press, 2016.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Kelly, Donika. The Renunciations. Minneapolis: Graywolf Press, 2021.
Wright, C.D. String Light. Athens: University of Georgia Press, 1991.
Wright, C.D. One Big Self. Port Townsend: Copper Canyon Press, 2007.
Bracho, Coral. It Must Be a Misunderstanding. Translated by Forrest Gander. New York: New Directions, 2022.
Bracho, Coral. It Must Be a Misunderstanding. Translated by Forrest Gander. New York: New Directions, 2022.
Bracho, Coral. It Must Be a Misunderstanding. Translated by Forrest Gander. New York: New Directions, 2022.
Bracho, Coral. It Must Be a Misunderstanding. Translated by Forrest Gander. New York: New Directions, 2022.
Neruda, Pablo. Then Come Back: The Lost Neruda Poems. Port Townsend: Copper Canyon Press, 2016.
Gander, Forrest. Twice Alive. New York: New Directions, 2021.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake: New and Selected Poems. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake: New and Selected Poems. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake: New and Selected Poems. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake: New and Selected Poems. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake: New and Selected Poems. Fort Worth: TCU Press, 2020.
Guerrero, Laurie Ann. I Have Eaten the Rattlesnake: New and Selected Poems. Fort Worth: TCU Press, 2020.
Marcum, Carl. A Camera Obscura. Pasadena: Red Hen Press, 2021.
Marcum, Carl. A Camera Obscura. Pasadena: Red Hen Press, 2021.
Marcum, Carl. A Camera Obscura. Pasadena: Red Hen Press, 2021.
Marcum, Carl. A Camera Obscura. Pasadena: Red Hen Press, 2021.
Marcum, Carl. Cue Lazarus. Tucson: University of Arizona Press, 2001.
Marcum, Carl. A Camera Obscura. Pasadena: Red Hen Press, 2021.
Marcum, Carl. A Camera Obscura. Pasadena: Red Hen Press, 2021.
Eady, Cornelius. The Gathering of My Name. Pittsburgh: Carnegie Mellon University Press, 1991.
Helal, Marwa. Invasive Species. New York: Nightboat Books, 2019.
Helal, Marwa. Invasive Species. New York: Nightboat Books, 2019.
Foster, Sesshu. World Ball Notebook. San Francisco: City Lights Books, 2008.
Foster, Sesshu. World Ball Notebook. San Francisco: City Lights Books, 2008.
Foster, Sesshu. City of the Future. Los Angeles: Kaya Press, 2018.
Foster, Sesshu. World Ball Notebook. San Francisco: City Lights Books, 2008.
Foster, Sesshu. City of the Future. Los Angeles: Kaya Press, 2018.
Foster, Sesshu. City Terrace Field Manual. New York: Kaya Production, 1996.
Foster, Sesshu. World Ball Notebook. San Francisco: City Lights Books, 2008.
Williams, Joy. Harrow. New York: Knopf, 2021, pp. 177-193.
Urrea, Luis Alberto. The House of Broken Angels. New York: Little, Brown and Company, 2018.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Dove, Rita. Playlist for the Apocalypse. New York: Norton, 2021.
Chang, Victoria. Obit. Port Townsend, WA: Copper Canyon Press, 2020.
Chang, Victoria. Obit. Port Townsend, WA: Copper Canyon Press, 2020.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. The Trees Witness Everything. Port Townsend, WA: Copper Canyon Press, 2022.
Chang, Victoria. "Untitled #9, 1995." Poetry, vol. 221, no. 1, October 2022, p. 11.
Chang, Victoria. "Friendship, 1963." American Poetry Review, vol. 51, no. 5, September/October 2022, p. 4.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Monson, Ander. Predator. Minneapolis: Graywolf Press, 2022, pp. 215-216.
Monson, Ander. Predator. Minneapolis: Graywolf Press, 2022, pp 216-217.
Monson, Ander. Predator. Minneapolis: Graywolf Press, 2022, pp. 137-139.
Muñoz, Manuel. The Consequences. Minneapolis: Graywolf Press, 2022.
Louis, Bojan. Sinking Bell. Minneapolis: Graywolf Press, 2022, pp. 87-92, 97-98.
Tejada, Roberto. "Time to Wake Michael." Oversound, no. 5, 2019, pp. 174-176.
Tejada, Roberto. "Night Festival." Poem-a-Day, The Academy of American Poets, 7 Sep. 2021. Web. 14 Feb. 2023.
Tejada, Roberto. Why the Assembly Disbanded. New York: Fordham University Press, 2022.
Tejada, Roberto. Why the Assembly Disbanded. New York: Fordham University Press, 2022.
Tejada, Roberto. Why the Assembly Disbanded. New York: Fordham University Press, 2022.
Tejada, Roberto. Why the Assembly Disbanded. New York: Fordham University Press, 2022.
Tejada, Roberto. Why the Assembly Disbanded. New York: Fordham University Press, 2022.
Tejada, Roberto. "Carbonate of Copper." Chicago Review, Poetry Staff Feature, March 2019. Web. Accessed 14 Feb. 2023.
Cody, Anthony. Borderland Apocrypha. Oakland: Omnidawn Publishing, 2020.
Cody, Anthony. Borderland Apocrypha. Oakland: Omnidawn Publishing, 2020.
Cody, Anthony. Borderland Apocrypha. Oakland: Omnidawn Publishing, 2020.
Cody, Anthony. Borderland Apocrypha. Oakland: Omnidawn Publishing, 2020.
Cody, Anthony. Borderland Apocrypha. Oakland: Omnidawn Publishing, 2020.
Herrera, Juan Felipe. Akrilica. 1989. Edited and translated by Farid Matuk, Carmen Giménez, and Anthony Cody. Noemi Press, 2022.
Cody, Anthony. Borderland Apocrypha. Oakland: Omnidawn Publishing, 2020.
Sealey, Nicole. The Ferguson Report: An Erasure. New York: Knopf, 2023.
Murillo, John. Up Jump the Boogie. New York: Cypher Books, 2010.
Uncollected.
Sealey, Nicole. The Ferguson Report: An Erasure. New York: Knopf, 2023.
Knight, Etheridge. The Essential Etheridge Knight. Pittsburgh: University of Pittsburgh Press, 1986.
Sealey, Nicole. The Ferguson Report: An Erasure. New York: Knopf, 2023.
Cervantes, Lorna Dee. April on Olympia. East Rockaway, New York: Marsh Hawk Press, 2021.
Cervantes, Lorna Dee. April on Olympia. East Rockaway, New York: Marsh Hawk Press, 2021.
Cervantes, Lorna Dee. April on Olympia. East Rockaway, New York: Marsh Hawk Press, 2021.
Cervantes, Lorna Dee. April on Olympia. East Rockaway, New York: Marsh Hawk Press, 2021.
Cervantes, Lorna Dee. April on Olympia. East Rockaway, New York: Marsh Hawk Press, 2021.
Adams, Cara Blue. You Never Get It Back. Iowa City: University of Iowa Press, 2021, pp. 117-121.
Ríos, Alberto. The Smallest Muscle in the Human Body. Port Townsend: Copper Canyon Press, 2002.
Ríos, Alberto. Whispering to Fool the Wind. Rhinebeck: The Sheep Meadow Press, 1982.
Ríos, Alberto. Not Go Away Is My Name. Port Townsend: Copper Canyon Press, 2020.
Ríos, Alberto. The Dangerous Shirt. Port Townsend: Copper Canyon Press, 2009.
Sabatini Sloan, Aisha. Borealis. Minneapolis: Coffee House Press, 2021, pp. 1-12.
Vang, Mai Der. Yellow Rain. Minneapolis: Graywolf Press, 2021.
Vang, Mai Der. Yellow Rain. Minneapolis: Graywolf Press, 2021.
Vang, Mai Der. Yellow Rain. Minneapolis: Graywolf Press, 2021.
Vang, Mai Der. Yellow Rain. Minneapolis: Graywolf Press, 2021.
Vang, Mai Der. Yellow Rain. Minneapolis: Graywolf Press, 2021, p. 179.
Herrera, Juan Felipe. Akrílica. Edited by Farid Matuk, Carmen Giménez, and Anthony Cody. Noemi Press, 2022.
Herrera, Juan Felipe. Akrílica. Edited by Farid Matuk, Carmen Giménez, and Anthony Cody. Noemi Press, 2022.
Herrera, Juan Felipe. Akrílica. Edited by Farid Matuk, Carmen Giménez, and Anthony Cody. Noemi Press, 2022.
Herrera, Juan Felipe. Every Day We Get More Illegal. San Francisco: City Lights Books, 2020.
Herrera, Juan Felipe. "Mahler—Son Borne of the Street Song." Poetry magazine, vol. 222, no. 1, April 2023, p. 36.
Herrera, Juan Felipe. Akrílica. Edited by Farid Matuk, Carmen Giménez, and Anthony Cody. Noemi Press, 2022.
Herrera, Juan Felipe. "SunRiders." Plume, no. 134, October 2022. Web. Accessed 1 March 2023.
Silently Loud. Minneapolis: Unrestricted Editions, 2023.
Silently Loud. Minneapolis: Unrestricted Editions, 2023.
Silently Loud. Minneapolis: Unrestricted Editions, 2023.
Silently Loud. Minneapolis: Unrestricted Editions, 2023.
greathouse, torrin a. "T4T." Ninth Letter, vol. 18, no. 2, Fall/Winter 2021-22, p. 26.
greathouse, torrin a. "My Mouth Is the Mouth of a River." Redivider, vol. 17, no. 1, 2 August 2022. Web. Viewed 23 March 2023.
greathouse, torrin a. "Anthropocene Anxiety Disorder (Our whole world is burning...)." The Rumpus, 4 April 2020. Web. Viewed 24 March 2023.
greathouse, torrin a. "Still Life of Central Valley with Riverbed & Hypodermic Needle." Southern Humanities Review, vol. 53, no. 3. Web. Viewed 24 March 2023.
greathouse, torrin a. "Aubade Beginning in Handcuffs." Poetry, vol. 215, no. 1, October 2019, p. 8.
greathouse, torrin a. "It's Blood That Makes Men Hard." Midst, 9 September 2021. Web. Viewed 23 March 2023.
greathouse, torrin a. "Vanitas Vanitatum." Black Warrior Review, vol. 47, no. 2, Spring/Summer 2021, pp. 116-117.
Lawz, Shayla. speculation, n. Pittsburgh: Autumn House Press, 2021, pp. 25, 31, 43-44.
Lawz, Shayla. speculation, n. Pittsburgh: Autumn House Press, 2021, pp. 47-51, 64.
Lawz, Shayla. speculation, n. Pittsburgh: Autumn House Press, 2021, pp. 5-8, 18-19, 21.
Lawz, Shayla. speculation, n. Pittsburgh: Autumn House Press, 2021, pp. 67, 71, 74, 81, 84.
Uncollected.
Vicuña, Cecilia. Spit Temple. Edited and translated by Rosa Alcalá. Ugly Duckling Presse, 2012, pp. 164-166.
Vicuña, Cecilia. New and Selected Poems of Cecilia Vicuña. Edited and translated by Rosa Alcalá. Kelsey Street Press, 2018.
Vicuña, Cecilia. Spit Temple. Edited and translated by Rosa Alcalá. Ugly Duckling Presse, 2012, pp. 166-167.
Vicuña, Cecilia. Spit Temple. Edited and translated by Rosa Alcalá. Ugly Duckling Presse, 2012, pp. 205-208.
Doty, Mark. "Little George." Academy of American Poets, 2016. Web. Accessed 30 Mar. 2023.
Doty, Mark. "Imperative." Brooklyn Poets, Poet of the Week, Oct. 28-Nov. 3, 2019. Web. Accessed 20 Apr. 2023.
Doty, Mark. "In Two Seconds." American Poetry Review, vol. 44, no. 3, May/June 2015, p. 40.
Doty, Mark. Fire to Fire: New and Selected Poems. New York: HarperCollins, 2008.
Hirshfield, Jane. The Lives of the Heart. New York: HarperCollins, 1997.
Ono no Komachi and Izumi Shikibu. The Ink Dark Moon. Edited and translated by Jane Hirshfield with Mariko Aratani. Charles Scribner's Sons, 1988, pp. 3, 35, 38.
The second poem is read from the 1990 Vintage paperback edition and does not appear in the 1988 edition.
Ono no Komachi and Izumi Shikibu. The Ink Dark Moon. Edited and translated by Jane Hirshfield with Mariko Aratani. Charles Scribner's Sons, 1988, pp. 41-43, 54, 63, 116.
Hirshfield, Jane. Ledger. New York: Knopf, 2020.
Hirshfield, Jane. Ledger. New York: Knopf, 2020.
Hirshfield, Jane. Ledger. New York: Knopf, 2020.
Hirshfield, Jane. "Tin." The New Yorker, vol. 97, no. 28, September 13, 2021. Web. Accessed 21 April 2023.
Hirshfield, Jane. "Manifest." The New Yorker, vol. 98, no. 24, August 15, 2022, p. 64.
Hirshfield, Jane. "Mosses." Scientific American, vol. 327, no. 5, November 2022, p. 28.
Wasson, Michael. Swallowed Light. Port Townsend: Copper Canyon Press, 2022.
Wasson, Michael. Swallowed Light. Port Townsend: Copper Canyon Press, 2022.
Wasson, Michael. Swallowed Light. Port Townsend: Copper Canyon Press, 2022.
Wasson, Michael. Swallowed Light. Port Townsend: Copper Canyon Press, 2022.
Wasson, Michael. "Your Shadow Invents You Every Time Light Fails to Pass Through You." Poetry, vol. 215, no. 3, December 2019, pp. 265-268.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022, pp. 9, 12-13, 18.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Foerster, Jennifer Elise. The Maybe-Bird. Brooklyn: The Song Cave, 2022.
Carruth, Hayden. Collected Shorter Poems: 1946-1991. Port Townsend: Copper Canyon, 1992.
Dominguez, Angel. Black Lavender Milk. Oakland: Timeless, Infinite Light, 2015, p. 9.
Dominguez, Angel. Black Lavender Milk. Oakland: Timeless, Infinite Light, 2015.
Dominguez, Angel. RoseSunWater. Brooklyn: The Operating System, 2021.
Dominguez, Angel. RoseSunWater. Brooklyn: The Operating System, 2021.
Dominguez, Angel. Desgraciado (the collected letters). New York: Nightboat Books, 2022, p. 2.
Dominguez, Angel. Desgraciado (the collected letters). New York: Nightboat Books, 2022, pp. 108-109.
Dominguez, Angel. Desgraciado (the collected letters). New York: Nightboat Books, 2022, p. 103.
Dominguez, Angel. Desgraciado (the collected letters). New York: Nightboat Books, 2022, pp. 101-102.
Dominguez, Angel. Desgraciado (the collected letters). New York: Nightboat Books, 2022, p. 125.
Dominguez, Angel. Desgraciado (the collected letters). New York: Nightboat Books, 2022, pp. 127-128.
Dominguez, Angel. "The Last Billionaire Died Today." Prolit, issue 4, December 2020. Web. Accessed 31 August 2023.
Dominguez, Angel. "Don't Tell My Mother if They Kill Me #2." Brooklyn Magazine, 4 April 2017. Web. Accessed 31 August 2023.
Dominguez, Angel. "When they spray us with pesticides." Prolit, issue 4, December 2020. Web. Accessed 31 August 2023.
Rekdal, Paisley. "Enter." https://westtrain.org/west-a-translation-video-page/. Accessed 27 September 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Rekdal, Paisley. West: A Translation. Port Townsend, WA: Copper Canyon Press, 2023.
Yanyi. "The Kiss." Memorious, issue 28, November 2017. Web. Accessed 19 October 2023.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. The Year of Blue Water. New Haven: Yale University Press, 2019.
Yanyi. Dream of the Divided Field. New York: One World, 2022.
Donnelly, Timothy. The Problem of the Many. Seattle: Wave Books, 2019.
Donnelly, Timothy. The Problem of the Many. Seattle: Wave Books, 2019.
Donnelly, Timothy. The Problem of the Many. Seattle: Wave Books, 2019.
Donnelly, Timothy. Chariot. Seattle: Wave Books, 2023.
Donnelly, Timothy. Chariot. Seattle: Wave Books, 2023.
Myles, Eileen. a "Working Life." New York: Grove Press, 2023.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
Davis, Adam O. "The Halloween Habit." Gulf Coast, vol. 26, no. 2, Summer/Fall 2014, p. 30.
Davis, Adam O. Index of Haunted Houses. Louisville: Sarabande Books, 2020.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023.
López, Manuel Paul. These Days of Candy. Noemi Press, 2017.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023, pp. 53-54.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023.
Nakayasu, Sawako. "Ant as a Glass of Water." MONKEY: New Writing from Japan, vol. 4, 2023, p. 133.
Nakayasu, Sawako. Some Girls Walk Into the Country They Are From. Seattle: Wave Books, 2020.
Nakayasu, Sawako. Some Girls Walk Into the Country They Are From. Seattle: Wave Books, 2020.
Nakayasu, Sawako. Say Translation Is Art. Brooklyn: Ugly Duckling Presse, 2020, pp. 13-16.
Nakayasu, Sawako. Some Girls Walk Into the Country They Are From. Seattle: Wave Books, 2020.
Nakayasu, Sawako. Pink Waves. Oakland: Omnidawn, 2022, pp. 66-82.
Chin, Marilyn. A Portrait of the Self as Nation: New and Selected Poems. New York: W. W. Norton, 2018.
Chin, Marilyn. A Portrait of the Self as Nation: New and Selected Poems. New York: W. W. Norton, 2018.
Chin, Marilyn. Portrait of the Self as Nation: New and Selected Poems. New York: W.W. Norton, 2018.
Chin, Marilyn. Sage. New York: W.W. Norton, 2023.
Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.
Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.
Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.
Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.
Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.
Johnson, Julie Swarstad. Pennsylvania Furnace. Greensboro: Unicorn Press, 2019.
Johnson, Julie Swarstad. Beyond Earth's Edge: The Poetry of Spaceflight. Edited by Julie Swarstad Johnson and Christopher Cokinos. Tucson: University of Arizona Press, 2020, pp. 124-125.
Johnson, Julie Swarstad. "Night Letters (October 2020)." Terrain.org, October 31, 2022. Web. Accessed 24 January 2024.
Johnson, Julie Swarstad. "Night Letters (November 2020)." Terrain.org, October 31, 2022. Web. Accessed 24 January 2024.
Johnson, Julie Swarstad. "Night Letters (December 2020)." Flyway: Journal of Writing & Environment, Winter 2021-2022. Web. Accessed 24 January 2024.
Johnson, Julie Swarstad. "Night Letters (January 2021)." Flyway: Journal of Writing & Environment, Winter 2021-2022. Web. Accessed 24 January 2024.
Sheffield, Derek. Through the Second Skin. Alexandria, VA: Orchises Press, 2013.
Sheffield, Derek. Not For Luck. East Lansing: Wheelbarrow Books, 2021.
Sheffield, Derek. Not For Luck. East Lansing: Wheelbarrow Books, 2021.
Drake, Barbara. "The Bear." Cascadia Field Guide: Art, Ecology, Poetry. Edited by Elizabeth Bradfield, CMarie Fuhrman, and Derek Sheffield. Seattle: Mountaineers Books, 2023, p. 197.
Clark, Miriam Marty. "What You'd Want to Remember." Dear America: Letters of Hope, Habitat, Defiance, and Democracy. Edited by Simmons Buntin, Elizabeth Dodd, and Derek Sheffield. San Antonio: Trinity University Press, 2020, p. 163.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. Death Tractates. Middletown, CT: Wesleyan University Press, 1992.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Cesar, Ana Cristina. At Your Feet. Trans. Brenda Hillman and Helen Hillman with Sebastião Edson Macedo. Anderson, SC: Parlor Press, 2018.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. In a Few Minutes Before Later. Middletown, CT: Wesleyan University Press, 2022.
Hillman, Brenda. "To Mycorrhizae Under Our Mother’s Garden." Poem-a-Day. The Academy of American Poets, 26 December 2022. Web. Accessed 21 February 2024.
Fuit, Aleksander. Foreword. Czesław Miłosz in Postwar America, by Ewa Kołodziejczyk. Trans. Michał Janowski. Warsaw/Berlin: De Gruyter Poland Ltd, 2020, p. xii.
Garcia, Edgar. "From Cantares Mexicanos." The American Scholar, Winter 2024. Web. Accessed 6 March 2024.
Garcia, Edgar. "From Cantares Mexicanos." The American Scholar, Winter 2024. Web. Accessed 6 March 2024.
Garcia, Edgar. "Green Places." Spoon River Poetry Review, vol. 48, no. 2, Winter 2023.
Garcia, Edgar. "From Cantares Mexicanos." The American Scholar, Winter 2024. Web. Accessed 6 March 2024.
Garcia, Edgar. "From Cantares Mexicanos." The American Scholar, Winter 2024. Web. Accessed 6 March 2024.
Garcia, Edgar. "XXV." Spoon River Poetry Review, vol. 48, no. 2, Winter 2023, pp. 64-66.
Garcia, Edgar. "From Cantares Mexicanos (16th Century)." Marsh Hawk Review, Spring 2022. Web. Accessed 6 March 2024.
Franco, Gina. The Accidental. Fayetteville: University of Arkansas Press, 2019.
Franco, Gina. The Accidental. Fayetteville: University of Arkansas Press, 2019.
Franco, Gina. "Throne (excerpt)." Chiricú Journal, vol. 2, no. 2, Spring 2018, p. 182.
Franco, Gina. The Accidental. Fayetteville: University of Arkansas Press, 2019.
Maldonado, Sheila. One-Bedroom Solo. New York: Fly by Night Press, 2011.
Maldonado, Sheila. that's what you get. New York: Brooklyn Arts Press, 2021.
Maldonado, Sheila. that's what you get. New York: Brooklyn Arts Press, 2021.
Maldonado, Sheila. that's what you get. New York: Brooklyn Arts Press, 2021.
Maldonado, Sheila. that's what you get. New York: Brooklyn Arts Press, 2021.
Maldonado, Sheila. that's what you get. New York: Brooklyn Arts Press, 2021.
Maldonado, Sheila. that's what you get. New York: Brooklyn Arts Press, 2021.
Maldonado, Sheila. "Fruit Survivor." Hostos Review/Revista Hostosiana, no. 18, 2022, p. 88.
Maldonado, Sheila. The Wandering Song: Central American Writing in the United States, edited by Leticia Hernández Linares, Rubén Martínez, and Héctor Tobar. San Fernando: Tia Chucha Press, 2017, p. 72.
Maldonado, Sheila. "window on my part-time employer in the one building that was once two." Poem-a-Day. The Academy of American Poets, 14 July 2021. Web. Accessed 14 March 2024.
Maldonado, Sheila. "The Rituals Must Be Recorded." BOMB Magazine, 20 January 2023. Web. Accessed 14 March 2024.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. Story of a Poem. Los Angeles: The Unnamed Press, 2023, pp. 31-32.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. Father's Day. Port Townsend, WA: Copper Canyon Press, 2019.
Zapruder, Matthew. You Are Here: Poetry in the Natural World. Edited by Ada Limón. Minneapolis: Milkweed Editions, 2024.
Zapruder, Matthew. Jung Journal: Culture & Psyche, vol. 17, no 4, pp. 122-123.
Zapruder, Matthew. "My Grandmother's Dictionary." The New Yorker, vol. 99, no. 25, 21 August 2023.
Zapruder, Matthew. "Bad Bear." The American Poetry Review, vol. 52, no. 02, March/April 2023.
Zapruder, Matthew. Story of a Poem. Los Angeles: The Unnamed Press, 2023, pp. 108-109.
Zapruder, Matthew. Story of a Poem. Los Angeles: The Unnamed Press, 2023, pp. 74-75.
Kinnell, Galway. Mortal Acts, Mortal Words. Boston: Houghton Mifflin, 1980.
Murillo, John. Kontemporary Amerikan Poetry. New York: Four Way Books, 2020.
Murillo, John. Up Jump the Boogie. New York: Cypher Books, 2010.
Murillo, John. Kontemporary Amerikan Poetry. New York: Four Way Books, 2020.
Murillo, John. Up Jump the Boogie. New York: Cypher Books, 2010.
Murillo, John. Kontemporary Amerikan Poetry. New York: Four Way Books, 2020.
Murillo, John. Kontemporary Amerikan Poetry. New York: Four Way Books, 2020.
Emanuel, Lynn. Then, Suddenly. Pittsburgh: University of Pittsburgh Press, 1999.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Morgan, Saretta. Alt-Nature. Minneapolis: Coffee House Press, 2024.
Emanuel, Lynn. Then, Suddenly—. Pittsburgh: University of Pittsburgh Press, 1999.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Zepeda, Ofelia. Where Clouds Are Formed. Tucson: University of Arizona Press, 2008.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Appeared in the exhibition The Place Where Clouds Are Formed, on display at The Poetry Center and The Center for Creative Photography from April 4-August 31, 2024.
Sobin, Gustaf. Breaths' Burials. New York: New Directions, 1995.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Toledo, Natalia. "The Zapotec." Translated by Clare Sullivan. Modern Poetry in Translation, no. 2, 2021. Citation available for English version only.
Toledo, Natalia. "Olga." Asymptote Journal. Web. Accessed 3 May 2024. (Spanish version)
Toledo, Natalia. "Olga." Asymptote Journal. Web. Accessed 3 May 2024. (Zapotec version)
Toledo, Natalia. "Olga." Translated by Irma Pineda and Clare Sullivan. Asymptote Journal. Web. Accessed 3 May 2024. (English version)
Toledo, Natalia. "Riuunda’ ndaya." Asymptote Journal. Web. Accessed 3 May 2024.
Toledo, Natalia. "Oración." Asymptote Journal. Web. Accessed 3 May 2024.
Toledo, Natalia. "Prayer." Translated by Irma Pineda and Clare Sullivan. Asymptote Journal. Web. Accessed 3 May 2024.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Toledo, Natalia. "Lidxie be'ñe' / Lagartera / Alligator Home." Translated from Spanish to English by Clare Sullivan. The North American Review, vol. 304, no. 4, Fall 2019. Web. Accessed 13 May 2024.
Toledo, Natalia. "Dxiibi." Plume, Issue 116, April 2021. Web. Accessed 7 May 2024.
Toledo, Natalia. "Pánico." Plume, Issue 116, April 2021. Web. Accessed 7 May 2024.
Toledo, Natalia. "Panic." Translated by Irma Pineda and Clare Sullivan. Plume, Issue 116, April 2021. Web. Accessed 7 May 2024.
Toledo, Natalia. "Family." Translated by Clare Sullivan. Modern Poetry in Translation, no. 2, 2021. Citation available for English version only.
Toledo, Natalia. "Intitulado." Asymptote Journal. Web. Accessed 7 May 2024. (Zapotec version)
Toledo, Natalia. "Intitulado." Asymptote Journal. Web. Accessed 7 May 2024. (Spanish version)
Toledo, Natalia. "Untitled." Translated by Irma Pineda and Clare Sullivan. Asymptote Journal. Web. Accessed 7 May 2024.
Toledo, Natalia. The Black Flower and Other Zapotec Poems. Translated by Clare Sullivan. Los Angeles: Phoneme Media, 2015.
Uncollected.
Dozal, Gabriel. The Border Simulator. New York: One World, 2023.
Uncollected. Written in collaboration with James Butler-Gruett, Eliza Rodha, and Jenna Smith.
Dozal, Gabriel. The Border Simulator. New York: One World, 2023.
Dozal, Gabriel. The Border Simulator. New York: One World, 2023.
Norris, Maddie. The Wet Wound. Athens: The University of Georgia Press, 2024, pp. 99-106.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Steines, Margo. Brutalities: A Love Story. New York: W.W. Norton, 2023, pp. 29-35.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Palacios, Gabriel. A Ten Peso Burial For Which Truth I Sign. Portland, OR: Fonograf Editions, 2024.
Levin, Dana. Now Do You Know Where You Are. Port Townsend: Copper Canyon Press, 2022.
Levin, Dana. Now Do You Know Where You Are. Port Townsend: Copper Canyon Press, 2022.
Levin, Dana. Now Do You Know Where You Are. Port Townsend: Copper Canyon Press, 2022.
Levin, Dana. Now Do You Know Where You Are. Port Townsend: Copper Canyon Press, 2022.
Levin, Dana. "House of Feels: A Craft Essay." Poetry London, Spring 2024, no. 107, pp. 76-82. Web. Accessed 14 August 2024.
Lozano, Brenda. Brujas. Madrid: Alfaguara, 2020. (Spanish edition)
Lozano, Brenda. Witches. Translated by Heather Cleary. New York: Catapult, 2022, pp. 10-11. (English edition)
Lozano, Brenda. Brujas. Madrid: Alfaguara, 2020. (Spanish edition)
Lozano, Brenda. Witches. Translated by Heather Cleary. New York: Catapult, 2022, pp. 142-147. (English edition)
Lozano, Brenda. Brujas. Madrid: Alfaguara, 2020. (Spanish edition)
Lozano, Brenda. Witches. Translated by Heather Cleary. New York: Catapult, 2022, pp. 17-23. (English edition)
Wunderlich, Mark. God of Nothingness. Minneapolis: Graywolf Press, 2021.
Wunderlich, Mark. God of Nothingness. Minneapolis: Graywolf Press, 2021.
Wunderlich, Mark. God of Nothingness. Minneapolis: Graywolf Press, 2021.
Wunderlich, Mark. "My Local Dead." Poem-a-Day. The Academy of American Poets, 28 March 2022. Web. Accessed 6 December 2024.
CAConrad. Amanda Paradise: Resurrect Extinct Vibration. Seattle: Wave Books, 2021.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. Listen to the Golden Boomerang Return. Seattle: Wave Books, 2024.
CAConrad. First Light. Five Hundred Places, 2024.
Ruefle, Mary. The Book. Seattle: Wave Books, 2023, pp. 53-54, 61-64.
Ruefle, Mary. "Trollope." The Paris Review, no. 247, Spring 2024, p. 92.
Ruefle, Mary. "Wet Yellow Paint." Basket, no. 1, September 2024. Web. Accessed 19 December 2024.
Ruefle, Mary. "Poem in Which I Explain Myself." The American Poetry Review, vol. 50, no. 5, September/October 2021, p. 19.
Carbó, Nick. El Grupo McDonald's. Chicago: Tia Chucha Press, 1995.
Som, Brandon. Tripas. Athens: The University of Georgia Press, 2023.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024.
Reeves, Roger. Best Barbarian. New York: W.W. Norton, 2022.
Reeves, Roger. Dark Days: Fugitive Essays. Minneapolis: Graywolf Press, 2023, pp. 68-73.
Limón, Ada. Lucky Wreck. Pittsburgh: Autumn House Press, 2006.
Limón, Ada. Sharks in the Rivers. Minneapolis: Milkweed Editions, 2010.
Limón, Ada. Sharks in the Rivers. Minneapolis: Milkweed Editions, 2010.
Limón, Ada. Bright Dead Things. Minneapolis: Milkweed Editions, 2015.
Limón, Ada. Bright Dead Things. Minneapolis: Milkweed Editions, 2015.
Limón, Ada. The Carrying. Minneapolis: Milkweed Editions, 2018.
Limón, Ada. The Hurting Kind. Minneapolis: Milkweed Editions, 2022.
Limón, Ada. "Startlement." Fifth National Climate Assessment, 2023. Web. Accessed 19 December 2024.
Limón, Ada. "In Praise of Mystery: A Poem for Europa." Library of Congress, 2023. Web. Accessed 15 January 2024.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Kaminsky, Ilya. Deaf Republic. Minneapolis: Graywolf Press, 2019.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Panasiuk, Lesyk. In The Hour of War: Poetry from Ukraine. Edited by Carolyn Forché and Ilya Kaminsky. Medford, MA: Arrowsmith Press, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. "The Way We Love Something Small." Alaska Quarterly Review, vol. 40, no. 3/4, Summer/Fall 2024, p. 187.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Poem card printed at the Indigenous Nations Poets 2024 #LanguageBack Retreat in Minneapolis, MN.
Blaeser, Kimberly. Copper Yearning. Duluth: Holy Cow! Press, 2019.
Blaeser, Kimberly. Copper Yearning. Duluth: Holy Cow! Press, 2019.
Blaeser, Kimberly. Copper Yearning. Duluth: Holy Cow! Press, 2019.
Blaeser, Kimberly. Ancient Light. Tucson: The University of Arizona Press, 2024.
Blaeser, Kimberly. "When Her Body is a Battleground." Hayden's Ferry Review, issue 73, Fall/Winter 2023, pp. 14-15.
Hayes, Terrance. American Sonnets for My Past and Future Assassin. New York: Penguin Books, 2018, p. 11.
Hayes, Terrance. Watch Your Language: Visual and Literary Reflections on a Century of American Poetry. New York: Penguin, 2023.
Hayes, Terrance. So to Speak. New York: Penguin, 2023.
Hayes, Terrance. American Sonnets for My Past and Future Assassin. New York: Penguin Books, 2018, p. 27.
Hayes, Terrance. Watch Your Language: Visual and Literary Reflections on a Century of American Poetry. New York: Penguin, 2023.
Hayes, Terrance. "South Carolinian American Sonnet for Independence Day." The New Yorker, vol. 101, no. 18, 30 June 2025, p. 28
Herd, Niki. "Bird." Poem-a-Day. The Academy of American Poets, 20 January 2020. Web. Accessed 4 March 2025.
Herd, Niki. The Stuff of Hollywood. Port Townsend: Copper Canyon Press, 2024, pp. 23-26.
Herd, Niki. The Stuff of Hollywood. Port Townsend: Copper Canyon Press, 2024, p. 95.
Herd, Niki. The Stuff of Hollywood. Port Townsend: Copper Canyon Press, 2024, pp. 44-51, 60-61, 66-67, 74-75.
Victor, Divya. Curb. New York: Nightboat Books, 2021, p. 1.
Victor, Divya. Curb. New York: Nightboat Books, 2021.
Villareal, Vanessa Angélica. Magical Realism: Essays on Music, Memory, Fantasy, and Borders. New York: Tiny Reparations Books, 2024, pp. 325-327, 329-336.
Like A Hammer: Poets on Mass Incarceration. Edited by Diana Marie Delgado. Chicago: Haymarket Books, 2025.
Sin à Tes Souhaits. "On Crip." Poem-a-Day. The Academy of American Poets, 21 August 2024. Web. Accessed 10 April 2025.
Salas Rivera, Roque Raquel. Like A Hammer: Poets on Mass Incarceration. Edited by Diana Marie Delgado. Chicago: Haymarket Books, 2025.
Salas Rivera, Roque Raquel. Like A Hammer: Poets on Mass Incarceration. Edited by Diana Marie Delgado. Chicago: Haymarket Books, 2025.
From the forthcoming collection Algarabía: The Song of Cenex, Natural Son of the Isle Alarabíyya / La canción de Cenex, hijo natural de la Ínsula Alarabíyya (2025).
Limón, Ada. The Gift of Animals: Poems of Love, Loss, and Connection. Edited by Alison Hawthorne Deming. North Adams: Storey Publishing, 2025, p. 6.
Diaz, Jose Hernandez. The Gift of Animals: Poems of Love, Loss, and Connection. Edited by Alison Hawthorne Deming. North Adams: Storey Publishing, 2025, p. 62.
Doty, Mark. The Gift of Animals: Poems of Love, Loss, and Connection. Edited by Alison Hawthorne Deming. North Adams: Storey Publishing, 2025, p. 95.
Francis, Vievee. The Gift of Animals: Poems of Love, Loss, and Connection. Edited by Alison Hawthorne Deming. North Adams: Storey Publishing, 2025, p. 145.
McDonnell, Anne Haven. The Gift of Animals: Poems of Love, Loss, and Connection. Edited by Alison Hawthorne Deming. North Adams: Storey Publishing, 2025, p. 157.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Deming, Alison Hawthorne. Blue Flax & Yellow Mustard Flower. Pasadena: Red Hen Press, 2025.
Pinsky, Robert. Selected Poems. New York: Farrar, Straus and Giroux, 2011. Originally published in Gulf Music (2007).
Pinsky, Robert. Selected Poems. New York: Farrar, Straus and Giroux, 2011. Originally published in Jersey Rain (2000).
Pinsky, Robert. Proverbs of Limbo. New York: Farrar, Straus and Giroux, 2024.
Pinsky, Robert. Selected Poems. New York: Farrar, Straus and Giroux, 2011. Originally published in The Want Bone (1990).
Pinsky, Robert. Proverbs of Limbo. New York: Farrar, Straus and Giroux, 2024.
Pinsky, Robert. Selected Poems. New York: Farrar, Straus and Giroux, 2011. Originally published in Gulf Music (2007).
Pinsky, Robert. Proverbs of Limbo. New York: Farrar, Straus and Giroux, 2024.
Pinsky, Robert. Proverbs of Limbo. New York: Farrar, Straus and Giroux, 2024.
Pinsky Robert. "Conversations with Max." The Threepenny Review, no. 179, Fall 2024.
Pinsky, Robert. Proverbs of Limbo. New York: Farrar, Straus and Giroux, 2024.
Pinsky, Robert. Selected Poems. New York: Farrar, Straus and Giroux, 2011. Originally published in The Figured Wheel (1996).
Enrigue, Álvaro. You Dreamed of Empires. Translated by Natasha Wimmer. New York: Riverhead Books, 2024.
Bolaño, Roberto. The Savage Detectives. Translated by Natasha Wimmer. New York: Farrar, Straus and Giroux, 2007.
O'Hara, Frank. "The Day Lady Died." An Invitation to Poetry: A New Favorite Poem Project Anthology. Ed. Robert Pinsky and Maggie Dietz. New York: W.W. Norton & Company, 2004.
Pinsky, Robert. Gulf Music. New York: Farrar, Straus and Giroux, 2007.
Pinsky, Robert. The Figured Wheel: New and Collected Poems, 1966-1996. New York: Farrar, Straus and Giroux, 1996.
Pinsky, Robert. The Figured Wheel: New and Collected Poems, 1966-1996. New York: Farrar, Straus and Giroux, 1996.
Pinsky, Robert. The Figured Wheel: New and Collected Poems, 1966-1996. New York: Farrar, Straus and Giroux, 1996.
Pinsky, Robert. The Figured Wheel: New and Collected Poems, 1966-1996. New York: Farrar, Straus and Giroux, 1996.
Pinsky, Robert. The Figured Wheel: New and Collected Poems, 1966-1996. New York: Farrar, Straus and Giroux, 1996.
Pinsky, Robert. The Want Bone. New York: Ecco Press, 1990.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. Some Say the Lark. Farmington, Maine: Alice James Books, 2017.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. Some Say the Lark. Farmington, Maine: Alice James Books, 2017.
Chang, Jennifer. Some Say the Lark. Farmington, Maine: Alice James Books, 2017.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Chang, Jennifer. An Authentic Life. Port Townsend: Copper Canyon Press, 2024.
Dai, Thomas. Take My Name But Say It Slow. New York: W.W. Norton, 2025.
Svalina, Mathias. Thank You Terror. Big Luck Books, 2024.
Svalina, Mathias. Thank You Terror. Big Luck Books, 2024, p. 42.
Svalina, Mathias. Thank You Terror. Big Luck Books, 2024, pp. 2-3.
Svalina, Mathias. Thank You Terror. Big Luck Books, 2024, pp. 22-23.
Svalina, Mathias. Thank You Terror. Big Luck Books, 2024, pp. 26-27.
Svalina, Mathias. Thank You Terror. Big Luck Books, 2024, pp. 36-40.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Siken, Richard. I Do Know Some Things. Port Townsend: Copper Canyon Press, 2025.
Smith, Tracy K. Such Color: New and Selected Poems. Minneapolis: Graywolf Press, 2021. Originally appeared in Wade in the Water (Graywolf Press, 2018).
Smith, Tracy K. Fear Less: Poetry in Perilous Times. New York: W.W. Norton, 2025, pp 1, 3-4.
Smith, Tracy K. "Season in the Dark." The New Republic, 20 November 2025. Web. Accessed 20 November 2025.
Smith, Tracy K. Fear Less: Poetry in Perilous Times. New York: W.W. Norton, 2025, pp 31-32.
Smith, Tracy K. "Te recuerdo, Amanda." The Southern Review, vol. 61, no. 3, Summer 2025, pp. 484-485.
Smith, Tracy K. Fear Less: Poetry in Perilous Times. New York: W.W. Norton, 2025, pp 91-92.
Smith, Tracy K. Fear Less: Poetry in Perilous Times. New York: W.W. Norton, 2025, pg. 94. Originally appeared in Wade in the Water (Graywolf Press, 2018).
Smith, Tracy K. Fear Less: Poetry in Perilous Times. New York: W.W. Norton, 2025, pp. 95-96.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Matuk, Farid. Moon Mirrored Indivisible. Chicago: The University of Chicago Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Matuk, Farid. This Isa Nice Neighborhood. Chicago: Letter Machine Editions, 2010.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Briante, Susan. 13 Questions for the Next Economy: New and Selected Poems. Noemi Press, 2025.
Olzmann, Matthew. Constellation Route. Farmington, ME: Alice James Books, 2022.
Olzmann, Matthew. Constellation Route. Farmington, ME: Alice James Books, 2022.
Orlen, Steve. A Thousand Threads. Venice, CA: Hollyridge Press, 2009.
Olzmann, Matthew. "Saint Catherine of Alexandria." Harvard Review, no. 59, 2022. Print.
Olzmann, Matthew. "Commencement Speech, Delivered at the Buncombe County Institute for Elevator Inspectors." New England Review, vol. 42, no. 2, 2021. Print.
Francis, Vievee. The Shared World. Evanston: TriQuarterly Books, Northwestern University Press, 2023.
Francis, Vievee. The Shared World. Evanston: TriQuarterly Books, Northwestern University Press, 2023.
Francis, Vievee. The Shared World. Evanston: TriQuarterly Books, Northwestern University Press, 2023.
Francis, Vievee. The Shared World. Evanston: TriQuarterly Books, Northwestern University Press, 2023.
Francis, Vievee. The Shared World. Evanston: TriQuarterly Books, Northwestern University Press, 2023.
Francis, Vievee. Forest Primeval. Evanston: TriQuarterly Books, Northwestern University Press, 2016.
Francis, Vievee. "Ars Poetica from This Vale." New American Studies Journal, no. 75, 2024. Online. Accessed 10 December 2025.
Francis, Vievee. Forest Primeval. Evanston: TriQuarterly Books, Northwestern University Press, 2016.
Francis, Vievee. Forest Primeval. Evanston: TriQuarterly Books, Northwestern University Press, 2016.
On her third visit to Tucson, Lydia Davis reads primarily from her 2007 book Varieties of Disturbance and discusses the process of putting the book together. She concludes the reading with the performance of new, uncollected stories.
Julie Carr and K. J. Holmes perform the writing/dance collaboration This is where we are (or take arms against a sea of troubles), an excerpt as part of the 2012 Poetry Off the Page Symposium.
Joseph Brodsky reads from Selected Poems (1973). Eleven years after this reading, Brodsky would be awarded the Nobel Prize in Literature. The English translations of Brodsky's poems (by George L. Kline) are read aloud by Steve Orlen. Orlen reads each poem in English, followed by Brodsky's riveting performance of the poem in Russian.
Lucille Clifton reads poems published from 1969 to 1980. Her reading also includes exciting performances of drafts and unpublished poems.
Lucille Clifton reads poems on many subjects, including family and illness, as well as a series of Rastafarian-inspired poems about the life of the Biblical figure Mary. In addition to poems, Clifton reads excerpts from Generations: A Memoir and her children's book Sonora Beautiful.
Carl Dennis reads primarily from The Outskirts of Troy, which would be published two years after this reading.
Richard Eberhart reads from Fields of Grace (1972), along with a wide range of selections from his earlier work.
In this, Tess Gallagher's first reading for the Poetry Center, she performs poetry from three of her books and reads the work of Thomas Lux, Andre Breton, and Ciaran Carson.
Jack Gilbert reads widely from poems published in the 37-year period between his first book, Views of Jeopardy, and his fifth book, The Dance Most of All, ultimately published in 2009.
In this performance, Allen Ginsberg reads from Howl (1956), Kaddish (1961), and Reality Sandwiches (1963). He also discusses his writing process and reads some unpublished excerpts.
In Louise Glück's first performance at the University of Arizona Poetry Center, she opens with some poems from her third book, The Garden, and then reads from the manuscript of her book Descending Figure, which would be published two years later.
For her first reading at the Poetry Center, Graham reads solely from her second book of poems, Erosion (1983).
Thom Gunn reads primarily from Moly (1971), along with many then-new poems that would be collected in Jack Straw's Castle (1976). He also reads several poems that would remain uncollected until his Collected Poems (1994).
Thom Gunn reads poems appearing in The Man with Night Sweats (1992) and The Passages of Joy (1982).
Donald Hall reads from The Alligator Bride: Poems New and Selected (1969) and The Yellow Room (1971). He also reads poems that would be collected in The Town of Hill (1975) along with several that remain uncollected, including a series of surrealistic limericks.
Seamus Heaney reads from Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), North (1975), Field Work (1979), and Sweeney Astray (1983). The reading also features Heaney's lively banter.
Richard Howard gives performative readings of long poems appearing in Untitled Subjects (1969) and Findings (1971), as well as one poem that would be published the following year in Two-Part Inventions (1974).
Donald Justice reads primarily from Night Light (1967) along with poems that would be collected in Departures (1973) three years after this reading. He reads "Three Odes" as a poetic sequence for the first time in his career.
Carolyn Kizer reads poems appearing in Harping On (1996); Yin (1984); and Cool, Calm & Collected (2001).
Kenneth Koch opens this reading with two poems about place: Senegal and Kenya specifically. The rest of the performance is devoted to poems collected in One Thousand Avant-Garde Plays.
Yusef Komunyakaa reads widely from his poetry published in the 1980s, including many poems from Dien Cai Dau (1988). He also reads poems that would soon thereafter be collected in Magic City (1992) and Neon Vernacular: New and Selected Poems (1993).
Maxine Kumin reads primarily from House, Bridge, Fountain, Gate (1976), along with selections from her earlier work.
Li-Young Lee reads primarily from his second collection, The City in Which I Love You, which was published the same year as this reading. He also reads one poem from his first collection, Rose (1986).
Denise Levertov briefly reads from Relearning the Alphabet (1970) and Footprints (1972) before turning to poems that would be collected in The Freeing of the Dust (1975). Many of the pieces reflect Levertov's antiwar commitments, and three of the more recent poems were written in response to Levertov's visit to Hanoi, Vietnam, in 1972.
In this reading, Denise Levertov performs work from five of her books: Oblique Prayers, Candles in Babylon, Evening Train, Breathing the Water, and Relearning the Alphabet.
Philip Levine reads widely from his early body of work, primarily from Not This Pig (1968) and They Feed They Lion (1972). He reads two poems that would be later published in his collection titled 1933 (1974).
William Matthews reads poems from his collection Sleek for the Long Flight (1972). He also reads newer poems that would appear in Sticks & Stones (1975) and Rising and Falling (1979), together with several poems that would remain uncollected.
James Merrill reads widely from his early work and from The Changing Light at Sandover (1982).
W.S. Merwin reads from his early collections The Moving Target (1963) and The Lice (1967), as well as from The Carrier of Ladders (1970), which had not yet been completed at the time of this reading. Used with permission of the Wylie Agency LLC.
W.S. Merwin reads widely from his works. Used with permission of the Wylie Agency LLC.
Jane Miller reads from American Odalisque (1987), Black Holes, Black Stockings (1985), and The Greater Leisures (1983).
Tenney Nathanson reads poems that would later appear in his collection Erased Art Erased Art(2005).
Sharon Olds reads poems from her large body of work. This reading includes early versions of several poems that would go on to be collected in The Wellspring (1996).
Steve Orlen reads poems that would later appear in his first two chapbooks, Sleeping on Doors (1975) and Separate Creatures (1976), and his first full-length collection, Permission to Speak (1978). He also reads a number of poems that remain uncollected.
Adrienne Rich reads poems appearing in The Will to Change (1971) and Diving into the Wreck (1973), as well as more recent poems that would be collected in Poems: Selected and New, 1950-1974 (1975).
Adrienne Rich reads poems from the collections Your Native Land, Your Life (1986) and Time's Power (1989).
Benjamin Alire Saenz reads poems that appear in Dark and Perfect Angels (1995); Calendar of Dust (1991); and Edwin Rolfe's First Love, and Other Poems (1951).
Leslie Scalapino reads work appearing in The Return of Painting, The Pearl, and Orion (1997) and Way (1988).
Richard Shelton reads from The Tattooed Desert (1970), as well as several poems from Journal of Return (1969) and Of All the Dirty Words (1972).
Naomi Shihab Nye reads primarily from three collections: Different Ways to Pray (1980), Hugging the Jukebox (1982), and Yellow Glove (1986).
In this reading, Silko engages in "what I really love to do"--storytelling in the Laguna tradition. Most of the stories and poems told here would be collected in the 1981 volume Storyteller.
William Stafford reads widely from poems published between 1960 and 1973, as well as one that would not be collected until 1992. Interspersed with his poems are comments about political engagement, the writing process, and the feeling that his work attempts to induce.
Ruth Stephan reads from Various Poems (1963) and Poems for Nothing (1973). She also reads unpublished works.
Mark Strand reads from Reasons for Moving (1968), as well as poems that would be collected in The Story of Our Lives (1973) and Darker (1979).
May Swenson reads widely from her work. This reading includes earlier drafts of poems prior to their publication.
James Tate reads from his first collection, The Lost Pilot (1967), along with poems that would be collected in The Oblivion Ha-Ha (1970).
In this reading, Mona Van Duyn reads poems appearing in To See, to Take (1970); Letter From a Father and Other Poems (1982); and Selected Poems (2002).
Ellen Bryant Voigt reads what she describes as future work: poems from a manuscript that would be published two years after her reading as The Lotus Flowers.
Diane Wakoski reads poems from her early books, including Discrepancies and Apparitions (1966), Inside the Blood Factory (1968), The Magellanic Clouds (1970), The Motorcycle Betrayal Poems (1971), and Smudging (1972).
Richard Wilbur reads poems that will be collected in The Mind Reader (1976) as well as poems from Walking to Sleep (1969). He also reads several translations from both volumes, of poems from the French by Voltaire and François Villon, and from the Russian by Andrei Voznesensky and Nikolai Moishen.
Charles Wright reads from several of his books, along with three poems that would later be published, in slightly different versions, in his 1988 collection Zone Journals.
This reading takes place the year that James Wright's collection Two Citizens (1973) was published, and Wright reads extensively from that volume. Wright ends his reading with a poem that would be published in The Hudson Review that fall, but would otherwise remain uncollected.
Adam Zagajewski reads from Tremor (1985) and Solidarity, Solitude (1990). He also reads early drafts of translations of poems that would go on to be collected in Canvas (1991); most differ from those that appear in the published version of the book (translated by Renata Gorczynski, Benjamin Ivry, and C.K. Williams).
Marvin Bell reads primarily from A Probable Volume of Dreams (1969) and The Escape Into You (1971), along with work that would be collected in Residue of Song (1974), a book of poems published two years after this reading.
Bill Knott reads widely from his work. This reading includes poems from Becos (1983), Outremer (1989), and Poems 1963-1988 (1989), as well as work collected later.
Heather McHugh reads poems appearing in To the Quick (1987) and Shades (1988). She also reads her translations of Blaga Dimitrova, which are collected in the book Because the Sea is Black (1989).
Diane Wakoski reads widely from her works, including Discrepancies and Apparitions (1966), Inside the Blood Factory (1968), and The Magellanic Clouds (1970). She also reads poems that would be collected in Smudging (1972) and Greed: Parts 8, 9, 11 (1973).
Galway Kinnell reads primarily from his 1968 collection of poems Body Rags, which received a special mention from the National Book Award for Poetry in 1969. He begins by discussing and reading poems by Tu Fu, James Wright, Theodore Roethke, Robert Bly, and Walt Whitman.
In this performance, Lucille Clifton reads primarily from Next: New Poems and begins the performance with an excerpt from her children's book Sonora Beautiful. Clifton remarks that this is her first public reading of the poem series "Ten Oxherding Pictures."
Joy Harjo reads poems appearing in She Had Some Horses (1983) and In Mad Love and War (1990).
John Haines reads from Winter News (1966), The Stone Harp (1971), and Twenty Poems (1971).
George Hitchcock reads from his first four books: Poems & Prints (1962), Tactics of Survival (1964), The Dolphin with the Revolver in Its Teeth (1967), and A Ship of Bells (1968). He also reads work that will later be collected in The Rococo Eye (1970) and Lessons in Alchemy (1976). He opens the reading with a selection of found poems from the volume Pioneers of Modern Poetry (1967), which he crafted with Robert L. Peters.
Jon Anderson reads primarily from Looking for Jonathan (1968) and Death & Friends (1970), in addition to one poem from In Sepia (1974). The reading opens with a humorous description of Anderson's attempt to apply for a job writing copy for the Hallmark Greeting Card company.
Robert Mezey reads primarily from The Door Standing Open: New and Selected Poems, 1954-1969 (1970). He opens the reading with a selection of poems from poets he admires, including Yehuda Amichai, César Vallejo, and W.S. Merwin.
Peter Wild reads poems primarily from Terms & Renewals (1970). He also reads from other recent collections, including The Afternoon in Dismay (1968), Mica Mountain Poems (1968), Love Poems (1969), and Fat Man Poems (1970).
Greg Kuzma reads from Good News (1973). He also reads poems that would go on to be collected in A Horse of a Different Color (1983) and Wind Rain and Stars and the Grass Growing (1983).
Edward Field reads from a variety of his books, as well as a translation of Cavafy's poem "The Gods Desert Anthony." He ends the reading with poems from the (then unpublished) manuscripts of A Full Heart (1977) and Stars in My Eyes (1978).
N. Scott Momaday reads poems and prose that would go on to appear in The Gourd Dancer (1976), In the Presence of the Sun: Stories and Poems, 1961-1991 (1992), The Man Made of Words: Essays, Stories, Passages (1997), and The Ancient Child (1989), as well as two unpublished poems.
Stephen Spender reads widely from his earlier works, including Poems (1933), The Still Centre (1939), and The Generous Days (1969); he also reads journal excerpts. Reproduced by kind permission of the Estate of Stephen Spender.
Sandra McPherson reads from her first two collections of poetry, Elegies for the Hot Season (1970) and Radiation (1973). She reads one love poem that remains uncollected.
David Ignatow reads widely from his work of the 1940s, 1950s, and 1960s; this reading also includes several uncollected poems.
Michael S. Harper reads from across his first four books, all published in the years shortly before this reading: Dear John, Dear Coltrane (1970), History Is Your Own Heartbeat (1971), Song: I Want a Witness (1972), and Debridement (1973). Harper shares poems that delve into the loss of children, racial inequality, and the Vietnam War, mixing them with poems that express his love for his wife and family.
C. K. Williams reads poetry primarily from I Am the Bitter Name (1972). He also reads several ribald pieces (that remain uncollected), showcasing his humor and imagination.
James Tate returns to read for the Poetry Center for the first time since 1968, performing poems from several books.
Anne Carson reads from Men in the Off Hours, Short Talks, and The Beauty of the Husband: A Fictional Essay in 29 Tangos.
Ai reads solely from the manuscript for Sin, a collection published the year following this reading. She briefly discusses her time at the University of Arizona, where she was a student during the late 1960s.
Mark Doty reads poems from his third book, My Alexandria (1993), together with poems that would be published two years later in Atlantis (1995). Reflections on the act of description recur throughout the poems, which inhabit Provincetown, Boston, and New York City. Doty also reads one poem set in Tucson from his second book, Bethlehem in Broad Daylight (1991).
C.E. Poverman reads from his collection The Black Velvet Girl (1976).
In this performance, Jon Anderson reads poems from his collections The Milky Way (1982) and In Sepia (1974). The reading concludes with Jon Anderson performing a poem written by his son and a performance of Wallace Stevens's "Esthétique du Mal."
Lisel Mueller reads from The Private Life (1976), The Need to Hold Still (1980), and Second Language (1986).
Ishmael Reed performs poems from his extensive body of work, including several unpublished poems. He remarks that his reading will "start out with a song and end with a song"--that is, with his poems "Betty's Ball Blues" and "I'm Running for the Office of Love" as set to music by Taj Mahal and Allen Toussaint.
Donald Justice performs poems published between 1973 and 1987. The first two sections from his poetic sequence My South are read and introduced with titles that differ from those that appear in the 1987 collection The Sunset Maker.
In this reading, Gerald Stern reads poems appearing in The Red Coal (1981), Paradise Poems (1984), and Lucky Life (1977).
W.S. Merwin reads widely from his work. He also reads dreams transcribed and translated by anthropologist Robert M. Laughlin. Used with permission of the Wylie Agency LLC.
John Ashbery reads widely from his body of work, including poems from both Shadow Train and A Wave, which were published in the four years that followed this reading.
Peter Wild reads poems appearing in Getting Ready for a Date(1984), The Peaceable Kingdom(1983), and Barn Fires(1978) as well as uncollected works.
In this reading, given 4 years before the publication of his Melville Cane Award-winning collection Cemetery Nights, Stephen Dobyns reads poems that would appear in that book, as well as poems that would be published in his 1990 collection Black Dog, Red Dog.
Michael Ryan reads poems appearing in In Winter (1981) and God Hunger (2004).
Denis Johnson reads from his third and fourth books of poetry, The Incognito Lounge and Other Poems (1982) and The Veil (1987). He also reads from his short story collection Jesus' Son (1992), published the year prior to this reading. He primarily selects pieces set in Arizona.
William Matthews reads poems appearing in Flood (1982) and A Happy Childhood (1984).
Primus St. John reads from Love is not a Consolation; It Is a Light (1982) and Skins on the Earth(1976).
Kathleen Fraser reads from her collections What I Want (1974) and New Shoes (1978). She also reads an unpublished poem she wrote while staying in the Poet's Cottage.
Simon J. Ortiz reads from the manuscripts of Going for the Rain (1976) and A Good Journey (1977). Many of the poems, as read here, contain more words and phrases in the Acoma language than the published versions.
James Welch reads poems from his collection Riding the Earthboy 40 (1971). He also reads one poem that would remain uncollected.
Grace Paley reads pieces appearing in Leaning Forward (1985) and Later the Same Day (1985).
John Ciardi reads widely from his work, including children's verse, two long poems from his then-forthcoming Lives of X (1971), and poems that would later be published in The Little That Is All (1974) and The Birds of Pompeii (1985).
Tomas Tranströmer reads widely from his work; he also reads two poems by fellow Swedish poet Harry Martinson. Of note, Martinson received the Nobel Prize in Literature in 1974, the year before this reading. Thirty-six years later, in 2011, Tranströmer himself was awarded the Nobel Prize in Literature. The reading includes the performance of two poems in Swedish, and ends with a rich and extensive question and answer session.
Robert Hass reads poems appearing in his collection Human Wishes (1989).
Norman Dubie reads poems from his 1975 book In the Dead of the Night, his 1977 book The Illustrations, and a collection published two years after this reading, The City of the Olesha Fruit. This reading was originally given alongside a reading by Pamela Stewart.
In this reading, originally given with Norman Dubie, Pamela Stewart reads from The St. Vlas Elegies (1977) and Cascades (1979).
Nancy Mairs reads from In All the Rooms of the Yellow House (1984). She gave this reading with Mark Strand.
Mark Strand reads from Selected Poems (1980) and Mr. and Mrs. Baby and Other Stories (1985). He gave this reading with Nancy Mairs.
In this reading with Galway Kinnell, Coleman Barks performs poems from New Words and The Juice. The poems that begin this readings are likely from an unpublished manuscript titled To No End.
In this reading with Coleman Barks, Galway Kinnell reads primarily from a manuscript that would be published three years after this reading as Mortal Acts, Mortal Words. He also performs poems written by Christopher Smart and Walt Whitman.
Rae Armantrout reads from the collection Next Life and the manuscript of Versed. Versed was published two years after this performance.
Eavan Boland discusses both her work and her identity as an Irish poet in this reading.
In this performance, Carolyn Forché reads from her first three books, discussing the influences for the poems as she reads them.
Ann Lauterbach reads a range of poems from If in Time: Selected Poems 1975-2000, as well as three new works, accompanying her performance with the elegant hand motions that are her trademark.
Li-Young Lee reads widely from his body of work and discusses forms, craft, and chance in poetry.
Colleagues and friends of Jon Anderson (1940-2007) read and discuss his work in this tribute performance.
This panel discussion occurred the morning following a tribute held in appreciation of Jon Anderson and his work.
Patricia Smith reads widely from her work, including several uncollected poems.
María Elena Wakamatsu reads from her work as the recipient of the inaugural Mary Ann Campau Memorial Fellowship for Southern Arizona Writers.
With Spring Ulmer, Christopher McIlroy, and Peggy Shumaker.
In this reading at Pima Community College, Ai reads poems that would later be collected in Cruelty (1973), some of which differ from the published versions. She also reads several poems that would remain uncollected and talks about her experiences in graduate school.
Poet and fiction writer Raymond Carver reads three short stories from his first published collection, Will You Please Be Quiet, Please? (1976), and another, "Why Don't You Dance?," that was published in Quarterly West the year before this reading. "Why Don't You Dance?" would be included in Carver's classic 1981 collection, What We Talk About When We Talk About Love.
Philip Levine reads from five of his books, including the manuscript for 1933, which was published four years after this reading.
Carolyn Kizer reads poems from Yin (1984), Mermaids In the Basement (1984), and Cool, Calm & Collected (2001). This reading was originally given with Marina Rivera.
Marina Rivera reads from Mestiza (1977) and Sobra (1977); she also reads several uncollected poems. This reading was originally given with Carolyn Kizer.
W.D. Snodgrass primarily reads poems from After Experience (1968), providing extensive introductions to each poem that place them in the context of his life and thinking. He closes with three comic poems by Christian Morgenstern, translated from the German with Lore Groszmann Segal in Gallows Songs (1967).
This reading opens with Lawrence Ferlinghetti reading from his journal about stopping in Salome, Arizona on his way to perform for the Poetry Center. He reads primarily from A Coney Island of the Mind but also includes a performance of Walter Lowenfels's anti-war poem "Where is Vietnam."
D.M. Thomas reads from Two Voices (1968) and Logan Stone (1971). This reading was originally given alongside Peter Redgrove and includes two tracks of collaborative reading with Redgrove.
Peter Redgrove reads poems in a dramatic style on the subject of water, which, as he notes, "in Arizona you appreciate," and which is central to his work. He reads from The Nature of Cold Weather (1961), The Force (1966), and Dr Faust's Sea-Spiral Spirit (1972). This reading was originally given alongside D.M. Thomas and includes one track of collaborative reading with Thomas.
Craig Dworkin and Kenneth Goldsmith read in the Poetry Center's Conceptual Poetry and Its Others symposium.
Charles Bernstein and Tracie Morris perform as part of the Poetry Center's Conceptual Poetry and Its Others Symposium.
In this second roundtable discussion for the Poetry Center's Conceptual Poetry and Its Others symposium, Marjorie Peloff moderates for Jesper Olsson, Marie Smart, Linda Reinfeld, Vanessa Place, Charles Alexander, and Brian Reed.
In this second roundtable discussion for the Poetry Center's Conceptual Poetry and Its Others Symposium, Laynie Browne, Barbara Cole, Wystan Curnow, Jonathan Stalling, Graca Capinha, and Stephen Fredman discuss different facets of conceptual poetics with moderator Marjorie Perloff.
Featured poets Caroline Bergvall, Charles Bernstein, Christian Bök, Craig Dworkin, Kenneth Goldsmith, Tracie Morris, and Cole Swensen provide a wide range of responses to questions proposed by Tenney Nathanson. This panel was part of the Conceptual Poetry and Its Others Symposium.
Brenda Hillman reads primarily from her collection Coffee, 3 a.m. (1981). She also reads poems from a then forthcoming collection, White Dress (1985). This reading was originally given with Leonard Michaels.
Jorie Graham reads poems appearing in The Errancy (1997) and Swarm (2000).
C. K. Williams reads poems from With Ignorance (1977), Tar (1983), and Flesh and Blood (1987).
This reading was given six years before the publication of Jaguar of Sweet Laughter and thirteen years before the publication of I Praise My Destroyer. It also took place during the same year the poet received the Peter I. B. Lavan Award.
Steve Orlen reads poems appearing in The Bridge of Sighs (1992) as well as passages from the draft of a novel entitled Homesick For the Land of Pictures.
Carolyn Forché reads from The Country Between Us (1981), the Lamont Poetry Selection of The Academy of American Poets for 1982. In the middle of the performance, she reads excerpts from and discusses El Salvador: Work of Thirty Photographers (1981), which influenced the poems in this reading.
In this performance, Michael Burkard reads from his first three books, particularly from the 1981 collection Ruby for Grief. He also reads some uncollected work.
Al Young reads poems from The Blues Don't Change (1982) and Heaven: Collected Poems 1956-1990 (1992), along with several prose selections.
George Garrett reads from two of his novels, Death of the Fox and Magic Striptease.
Robert C.S. Downs gives his first public reading before joining the University of Arizona creative writing faculty for the fall semester. He reads from his first two novels, Going Gently (1973) and Peoples (1974), which was unpublished at the time of the reading.
John Williams reads from three novels: Butcher's Crossing (1978), Stoner (1965), and Augustus (1972).
In his first appearance at the Poetry Center, Tomas Tranströmer reads widely from his work as translated by May Swenson, Robert Bly, and Samuel Charters. Given primarily in English, the reading opens with a bilingual performance of "Spår" <"Tracks"> in Swedish and English.
James Welch reads from his poetry collection Riding the Earthboy 40 (1976) and his novel Winter in the Blood (1974).
Occurring the same year as the publication of Gerber's collection The Revenant (1971), this reading also includes a large number of poems published two years later in his book Departure (1973).
Robert Pack reads from Home From the Cemetery (1969), Nothing But Light (1972), Guarded by Women (1963), and Keeping Watch (1976).
Robert Houston reads from his novel A Drive with Ossie (1970) and a novel-in-progress about Irish immigrants set in South Carolina against the backdrop of slavery and the Civil War. Between these excerpts, he ironically reads poems by other writers alongside several satirical poems of his own.
William Pitt Root reads from his first collection, The Storm and Other Poems (1969), and from the soon-to-be published Striking the Dark Air for Music (1973). Between selections from these two books, he reads lighter, more humorous poems that would remain uncollected or be published much later.
Mei-mei Berssenbrugge reads poems from her collection Empathy (1989), together with a poem that would appear in Sphericity (1993). She also reads an uncollected long prose piece, "A Context of a Wave," which considers relationships between individuals and place, as well as between life and literature.
George P. Elliott, a poet and prose writer, reads from his short story "Miss Cudahy of Stowes Landing."
A.K. Ramanujan reads poems from The Striders (1966) and Relations (1971).
Thomas Centolella reads a wide selection of his poetry, including several new poems that would be published in his 2002 collection Views from Along the Middle Way.
In this performance, Jimmy Santiago Baca reads from Black Mesa Poems, a collection published the year after this reading took place. He also performs poems from Martín & Meditations on the South Valley, a book that was awarded the Before Columbus American Book Award and earned Jimmy Santiago Baca an NEA grant for the year of this reading.
W.S. Merwin reads from his most recent collections of poetry: The Lice (1967), The Carrier of Ladders (1970), and Writings to an Unfinished Accompaniment (1973). He also reads then-new work that would be collected in The Compass Flower (1977). Merwin opens the reading with prose from The Miner's Pale Children (1970) and also reads three prose pieces that would appear in Houses and Travellers (1977). Used with permission of the Wylie Agency LLC.
Bill Roecker reads poems appearing in Willamette (1970), You Know Me (1972), and Closer to the Country (1976).
Charles Bernstein reads from the manuscript of Rough Trades as well as from the published collections The Sophist, Controlling Interests, and Four Poems.
Steve Orlen reads largely uncollected early poems, some of which appeared in Poetry magazine or would later appear in his chapbooks Sleeping on Doors (1975) and Separate Creatures (1976).
Neil Claremon reads from East by Southwest (1970), along with uncollected poems and poems that would later appear in West of the American Dream: Visions of an Alien Landscape (1973).
Poet, playwright, and novelist Owen Dodson reads a range of poems from his distinguished career. As he introduces his poems, Dodson reflects on his consciousness as a writer, from his undergraduate days at Bates College to his engagement with spirituality, Civil Rights, and social justice.
Jim Harrison reads widely from his earliest collections of poetry: Plain Song (1965), Locations (1968), and Outlyer & Ghazals (1971).
Paul Zimmer reads from The Republic of Many Voices (1969), along with poems that would be published in The Zimmer Poems (1976) or remain uncollected. Making use of persona, narrative, and humor, he addresses topics such as childhood, identity, and mortality.
This reading, originally given with Leslie Marmon Silko, was Daryl Ross Begay's first public reading.
Leonard Michaels reads from what would become his novel The Men's Club (1981). This reading was originally given with Brenda Hillman.
Pete Fromm reads the story "The Fairest of Them All," which would later appear in his short story collection Dry Rain (1997). Set in Alaska, the story is narrated by a man whose twin sister comes to stay with him following a lost custody dispute over her children. This reading was given with Sandra Alcosser.
Sandra Alcosser reads from A Fish to Feed All Hunger (1986, reissued 1992) and a working manuscript for Except by Nature (1998), which would be published six years later. She describes her selections as creating a daybook, and the poems follow her moves between Montana, New Orleans, and San Diego. This reading was originally given with Pete Fromm.
Poet and Ironwood publisher Michael Cuddihy performs his poetry in a reading given with Franz Douskey and Ramona Weeks.
Poet and young adult novelist Ramona Weeks reads from Lincoln County Poems (1973) and unpublished selections. This reading was originally given alongside Michael Cuddihy and Franz Douskey.
Franz Douskey reads a variety of uncollected poems. This reading was originally given alongside Michael Cuddihy and Ramona Weeks.
Christopher McIlroy reads "About Death," a story featured in Hayden's Ferry Review. This reading was originally given with Barbara Cully.
With intense emphasis and concentration, Frank Bidart reads the first two poems and the long last poem of his collected works, In the Western Night (1990).
Barbara Cully reads primarily from The New Intimacy but also reads an uncollected poem, "The Million Dollar Pet Sex in Fat City." This reading was originally given with Christopher McIlroy.
In Alan Dugan's last performance at the Poetry Center, he reads widely from work published during the 26 years between 1963 and 1989. He reads poems about art and artists, Greek and Roman antiquity, contemporary life in Provincetown, World War II, work, and cats.
In this performance, Alison Hawthorne Deming reads both poetry and prose, including excerpts from a book published the year of this reading, The Edges of the Civilized World, and poems from a collection that would be published seven years later, Genius Loci.
Marilyn Chin reads primarily from her 1994 collection The Phoenix Gone, The Terrace Empty.
Alan Dugan reads from his first four books of poems; he also reads unpublished poems and poems that would go on to appear in New and Collected Poems (1983).
Bei Dao reads from Old Snow (1991), Forms of Distance (1993), Landscape Over Zero (1996) and Unlock (2000). Dennis Evans reads the English translations.
Stanley Elkin reads The State of the Art from his collection of short stories The Living End.
Gina Hildreth reads short vignettes from an unpublished novel set in a fictional version of Albuquerque.
Peter Everwine opens this reading with poems from Collecting the Animals. He also performs poems written by Nathan Zach and discusses Zach's work. The reading concludes with poems from Everwine's 1977 collection Keeping the Night.
Jonathan Penner reads from Going Blind (1977) as well as work published in periodicals.
Lawrence Raab reads from The Collector of Cold Weather (1976) and Mysteries of the Horizon (1972). He also reads a poem from his unpublished M.A. dissertation, The Wolf's Journey (1972).
Jon Anderson reads widely from his work and also includes some uncollected poems in this performance.
Maura Stanton reads from Snow on Snow (1975) and Cries of Swimmers (1984). This reading was given with Mona Van Duyn.
Mona Van Duyn reads from her collections To See, To Take (1970), Selected Poems (2002), and Letters from a Father and Other Poems (1982). This reading was originally given with Maura Stanton.
Susan Lowell Humphreys reads an uncollected short story called "Moving Violation." This reading was originally given with Michael Cuddihy.
Michael Cuddihy reads a few older poems, then devotes the rest of the reading to newer work. This reading was originally given with Susan Lowell Humphries.
Thomas Lux opens this reading with a performance of Hart Crane's poem "Voyages." He reads primarily from Sunday, a book published during the year prior to this performance, and ends with a poem that would be collected in 1986 in Half Promised Land.
Grace Paley reads prose appearing in her two collections Enormous Changes at the Last Minute (1974) and Later the Same Day (1985).
Richard Yates reads from his collection Liars in Love, which would go on to be published in 1981.
Mark Halperin reads work primarily from Backroads (1976). He also reads some unpublished poems at the time, which would go on to be collected in A Place Made Fast (1982).
Marvin Bell mainly performs poems from his collection of poems Stars Which See, Stars Which Do Not See, published in 1977. This reading was originally given with Ross Talarico.
Ross Talarico reads from Snowfires (1972), Trying to Leave (1977), and Simple Truths (1975). This reading was originally given with Marvin Bell.
Ira Sadoff reads from his collections Alcools (1964), Settling Down (1975), Palm Reading in Winter (1978), A Northern Calendar (1982), and Emotional Traffic (1989) in addition to one uncollected poem in translation.
Michael Dennis Browne reads from The Sun Fetcher (1978) and Smoke from the Fires (1985), as well as some poems set to choral music by Stephen Paulus, a Minnesota composer with whom Browne collaborated frequently over the course of his career.
Jon Anderson's performance from the Poetry Center's April 1980 tribute to James Wright includes work from three collections by Wright: To a Blossoming Pear Tree, Shall We Gather at the River, and Two Citizens. The tribute also includes readings by Richard Shelton, Ruth Gardner, Tom Owens, and Maura Stanton, and a closing poem by Anderson.
Maura Stanton reads from James Wright's Saint Judas (1959) and The Branch Will Not Break (1963). The tribute also includes readings by Jon Anderson, Ruth Gardner, Richard Shelton, Tom Owens, and a closing poem by Anderson.
Tom Owens reads from James Wright's The Branch Will Not Break (1963) and Shall We Gather at the River (1968). The tribute also includes readings by Jon Anderson, Richard Shelton, Ruth Gardner, Maura Stanton, and a closing poem by Anderson.
Ruth Gardner reads selections from James Wright's The Branch Will Not Break (1963) and Two Citizens (1973). She also reads "Saying Dante Aloud," a short prose piece. The tribute also includes readings by Jon Anderson, Richard Shelton, Tom Owens, Maura Stanton, and a closing poem by Anderson.
In addition to this reading by Shelton, this tribute to James Wright includes readings by Jon Anderson, Ruth Gardner, Tom Owens, Maura Stanton, and a closing poem by Anderson.
Jon Anderson's closes the Poetry Center's April 1980 tribute to James Wright with a poem from Wright's collection To a Blossoming Pear Tree. The tribute also includes readings by Richard Shelton, Ruth Gardner, Tom Owens, Maura Stanton, and another reading by Anderson earlier in the program.
Jane Shore reads poems appearing in Eye Level (1977) and The Minute Hand (1987).
David Ignatow reads widely from his work. This reading includes poems collected in Facing the Tree (1975) and Tread the Dark (1978), as well as uncollected poems and early drafts of poems that would go on to appear in collections such as Whisper to the Earth (1981) and Leaving the Door Open (1984).
Here, Hass reads from his collections Field Guide (1973) and Praise (1979). He also reads poems that would later be published, under different titles, in his 1989 collection Human Wishes.
Steve Orlen reads from Permission to Speak (1978) and A Place at the Table (1981). This reading was originally given with Criss E. Cannady and Greg Pape.
Criss E. Cannady reads poems appearing in Lakes and Legacies (1978) as well as unpublished pieces. This reading was originally given with Steve Orlen and Greg Pape.
Greg Pape reads from Border Crossings (1978) and Little America (1976). This reading was originally given with Steve Orlen and Criss E. Cannady.
In a performance for the first annual Tucson Festival of Books, Sherwin Bitsui reads from Shapeshift and the manuscript of Flood Song. This reading was originally given alongside a performance by Juan Felipe Herrera.
Juan Felipe Herrera performs his poetry and speaks movingly about song, language, and family in a reading given alongside Sherwin Bitsui for the 2009 Tucson Festival of Books. Herrera's Half of the World in Light: New and Selected Poems, published by the University of Arizona Press, was announced as the winner of the 2008 National Book Critics Circle Award just two days prior to this reading.
As part of the Tucson Festival of Books, Jimmy Santiago Baca performs excerpts from his collection of poems Healing Earthquakes.
Lee Ann Brown reads poems that would go on to appear in In the Laurels, Caught (2013), Crowns of Charlotte (2013), and Other Archer (2015); she also performs poems from Polyverse (1999) and The Sleep That Changed Everything (2003).
Christopher Burawa reads from The Small Mystery of Lapses (2006). He also reads uncollected and unpublished poems, including translations of poems by Icelandic poet Jóhann Hjálmarsson. This reading was originally given alongside Ofelia Zepeda for the inaugural Tucson Festival of Books.
Stephanie Balzer performs prose poems from her chapbooks Revenant and faster, faster. She ends the reading with a discussion about her relationship with the prose poem form.
Alison Hawthorne Deming reads from her 2009 volume of poetry, Rope. This reading was originally given with Luci Tapahonso.
Peter Gizzi reads primarily from Some Values of Landscape and Weather (2003), The Outernationale (2007), and Threshold Songs (2011).
Ken Lamberton reads from Wilderness and Razor Wire (2000) and Time of Grace (2007); both collections explore his views of nature from prison. This reading was originally given with Richard Shelton.
Louise Glück reads from her 2001 collection of poems The Seven Ages. This reading was originally given with Dana Levin.
Joshua Clover reads from two of his books, Madonna Anno Domini and The Totality for Kids. The latter book, read here in manuscript, would be published by University of California Press in 2006. Clover also comments on the process of drafting the then-untitled manuscript.
In this performance, Barbara Cully reads from her 2003 collection of poems, Desire Reclining.
Elizabeth Evans reads excerpts from her third novel, Rowing in Eden.
In this bilingual reading, Alberto Blanco reads primarily from Dawn of the Senses (1995) as well as pieces never before read aloud. Jim Paul reads some of the English translations of the poems.
In her opening lecture for the Poetry Center's "Oh Earth, Wait for Me: Conversations about Art and Ecology" series, Alison Hawthorne Deming draws connections between the folk tale of Baba Yaga and the myth of Demeter in order to explore the intersections of science, myth, and ecology.
Robert Hass reads poems appearing in Sun Under Wood (1996) and Time and Materials (2007).
Leroy V. Quintana reads from The History of Home (1993), My Hair Turning Gray Among Strangers (1996), and The Great Whirl of Exile (1999).
In this dual-language performance, Francisco X. Alarcón reads from Snake Poems: An Aztec Invocation (1992) and Of Dark Love (1992). He also reads work and shares illustrations from five of his books of poetry for children. The poems in many of these books are presented in both Spanish and English. The reading closes with a selection of poems from an unpublished manuscript titled Life Song.
Heather McHugh reads widely from her body of work, including poems from Upgraded to Serious (2009).
This reading coincided with the release of Johnson's novel Nobody Move, the publication of the novel and the date of the reading being only a few days apart. During the question and answer session, Johnson reads a poem from Incognito Lounge (1982), the book which earned him a National Poetry Series Award.
Marilynne Robinson reads from her novel Home (2008), a companion to the 2005 Pulitzer Prize winner Gilead.
W.S. Merwin reads from Travels (1993), The Rain in the Trees (1988), and The Shadow of Sirius (2008). Used with permission of the Wylie Agency LLC.
Manuel Muñoz reads excerpts from "Señor X," a story from his 2007 collection The Faith Healer of Olive Avenue. This reading was originally given with Tenney Nathanson.
Ofelia Zepeda reads from Where Clouds Are Formed (2008). This reading was originally given with Christopher Burawa.
C. K. Williams reads poems from Wait (2009) at the 2009 Tucson Festival of Books. This reading was originally given with Peggy Shumaker.
Quincy Troupe reads poems appearing in Avalanche (1996) and Choruses (1999).
Jane Miller reads from her collection Midnights (2008). This reading was originally given with Steve Orlen.
At the inaugural Tucson Festival of Books, Steve Orlen reads poems from his Hollyridge Press chapbook A Thousand Threads (2009). This reading was originally given alongside Jane Miller and includes a question and answer session with both poets.
Rebecca Seiferle reads a long sequence, "On the Island of Bones," from her poetry collection Wild Tongue (2007). This reading for the 2009 Tucson Festival of Books was originally given alongside Demetria Martínez.
Demetria Martinez reads work from The Devil's Workshop (2002), Breathing Between the Lines (1997), and Confessions of a Berlitz-Tape Chicana (2005). She also reads a short story from the manuscript of The Block Captain's Daughter, which would go on to be published by University of Oklahoma Press in 2012. This reading was originally given alongside Rebecca Seiferle.
Peggy Shumaker reads from Gnawed Bones (2010). This reading was originally given with C.K. Williams.
Tenney Nathanson reads poems appearing in his collection Ghost Snow Falls Through the Void (2010). This reading was originally given with Manuel Muñoz.
Billy Collins reads for the inaugural Tucson Festival of Books, including new poems that would be published two years later in Horoscopes for the Dead.
Boyer Rickel reads primarily from his collections Remanence (2008) and reliquary (2009).
Richard Shelton reads from The Last Person to Hear Your Voice (2007) and Crossing the Yard: Thirty Years as a Prison Volunteer (2007). This reading was originally given with Ken Lamberton.
In a notably measured style, Jorie Graham reads poems that would be published the following year in her fourth book, Region of Unlikeness (1991). She also reads an early draft of a long poem, "Manifest Destiny," which would later be collected in Materialism (1993).
Yehuda Amichai reads widely from his extensive body of work, reading some poems in both English and Hebrew. Several translations (including translations of poem titles) performed here differ from the translations collected in his books.
Luci Tapahonso reads from A Radiant Curve (2008). This reading was originally given with Alison Hawthorne Deming.
Hayden Carruth reads work written from the 1960s to the early 1990s, from his Collected Shorter Poems, 1946-1991 (1992), published the same year as this reading. Many of the poems embody the people, places, and rural culture of Vermont. By request, he closes the reading with a poem about fellow poet James Wright.
Given as part of the Poetry Center's "Oh Earth, Wait for Me: Conversations about Art and Ecology" series, this performance begins with Sandra Alcosser speaking about a variety of writers and artists in the context of The Language of Conservation Project and ends with readings from Except by Nature, A Fish to Feed All Hunger, and several uncollected sonnets.
In this performance, Robert Boswell reads an excerpt from "The Heyday of the Insensitive Bastards," from his 2009 short-story collection of the same name.
Jean Valentine reads poems appearing in Little Boat (2007) and Lucy (2009). This reading was originally given with Catherine Barnett.
In this reading with Jean Valentine, Catherine Barnett reads poems from her collection Into Perfect Spheres Such Holes Are Pierced (2004), as well as new work.
Juliana Spahr reads from The Connection of Everyone with Lungs (2005) and "Gentle Now, Don't Add to Heartache" as part of the Poetry Center's Fall 2009 sequence of themed readings, "Oh Earth, Wait for Me: Conversations about Art and Ecology." This reading was given alongside Jonathan Skinner.
David Dunn presents his work with soundscapes as part of the "Oh Earth, Wait for Me: Conservations about Art and Ecology" series.
Cyrus Cassells reads from The Mud Actor, Soul Make a Path Through Shouting, and Beautiful Signor. He also reads an early version of an uncollected poem, "The Ruins in Total Eclipse," that would be published ten years after this reading.
Lorna Dee Cervantes reads primarily from Emplumada (1981) and From the Cables of Genocide: Poems on Love and Hunger (1991). She also reads several poems that would go on to be collected in Drive: The First Quartet (2006).
Lynn Emanuel reads from her third collection, The Dig (1992), which includes many persona poems focused on small town life in Nevada and the impacts of nuclear weapons testing. She opens with an early version of "The Politics of Narrative: Why I Am a Poet," which would later appear in Then, Suddenly— (1999).
Beckian Fritz Goldberg reads primarily from then-new poems that would largely appear in her third book, Never Be the Horse (1999). She intersperses poems from her second book, In the Badlands of Desire (1993). Time and the changing self recur as themes throughout the reading.
Alice Fulton reads from three books: Powers of Congress, Palladium, and Dance Script with Electric Ballerina. "Losing It," from Powers of Congress, was collected two years after this reading.
Jeffrey Eugenides reads from his first full-length novel, The Virgin Suicides(1993).
Robert Creeley reads primarily from For Love: Poems 1950-1960 (1962), before closing with work that would be collected in The Gold Diggers (1965) and Words (1967). This is the Poetry Center's earliest recorded reading.
In this performance, Robert Creeley reads from and discusses his chapbook Yesterdays, published shortly before the reading by Chax Press. He also reads poems that would be published in his posthumous collection On Earth. Creeley closes with the poem "Generous Life," from If I Were Writing This.
Mónica de la Torre reads two pieces from Public Domain, including the long poem "The Crush." This reading was originally given with Bhanu Kapil and Ben Lerner as part of the Next Word in Poetry series.
Lila Zemborain and Rosa Alcalá present their work as part of the Poetry Center's Fall 2009 sequence of themed readings, "Oh Earth, Wait for Me: Conversations about Art and Ecology." In the first half of the reading, Zemborain reads poems in Spanish and Alcalá reads their translations in English. Next, Alcalá reads her own poems. The performance closes with a poem read simultaneously in English and Spanish.
David Wojahn reads primarily from his then-manuscript Late Empire (1994), which would be published two years later. He also reads four sections of his sonnet sequence on rock and roll from Mystery Train (1990).
Amy Hempel reads from her first two short story collections, Reasons to Live (1985) and At the Gates of the Animal Kingdom (1990). She opens by reading Jack Gilbert's poem "Hunger," which she describes as being taped above her typewriter for "years and years."
Gustaf Sobin reads from Voyaging Portraits (1988) and Breaths' Burials (1995), the latter of which was published the year before this reading.
As part of the Next Word series, Philip Jenks reads from his first two books and from the chapbook How Many of You Are You? (2006). He opens and closes the reading with two poems that would go on to be collected in colony collapse metaphor (2014). This performance was originally given with Akilah Oliver and Brandon Shimoda.
In her Next Word reading with Brandon Shimoda and Philip Jenks, Akilah Oliver reads from The Putterer's Notebook and A Toast in the House of Friends. Her reading includes a standout performance of the long poem "An Arriving Guard of Angels, Thusly Coming to Greet," an elegy for her son Oluchi McDonald.
At his Next Word reading with Akilah Oliver and Philip Jenks, Brandon Shimoda reads three longer poems. Two of these were unpublished at the time of the reading, including the very recent "Poems for the People."
Iraqi poet Sinan Antoon reads from his collection Baghdad Blues and uncollected translations of many more poems. He concludes the reading with a performance of a poem in Arabic.
Dan Beachy-Quick reads widely from his body of work and discusses the creative processes that drive each collection. The performance concludes with a reading of newer poems.
At this tribute to Gustaf Sobin, a US-born poet who lived and wrote in Provence for more than forty years, Jeffrey Miller reads poems from Sobin's chapbook Sicilian Miniatures (1986). Miller is introduced by Andrew Joron.
At this tribute to Gustaf Sobin, a US-born poet who lived and wrote in Provence for more than forty years, Andrew Zawacki (Sobin's co-literary executor, with Andrew Joron) reads two poems, including a work thought to be Sobin's last poem.
At this tribute to Gustaf Sobin, a US-born poet who lived and wrote in Provence for more than forty years, Michael Palmer reads poems appearing in his collection Thread (2011) as well as a piece by Sobin from his book Aura: Last Essays (2009).
At this tribute to Gustaf Sobin, a US-born poet who lived and wrote in Provence for more than forty years, Andrew Joron (Sobin's co-literary executor, with Andrew Zawacki) reads three poems representing different stages of the poet's life.
At this tribute to Gustaf Sobin, a US-born poet who lived and wrote in Provence for more than 40 years, Sobin's translator Tedi López Mills reads one of Sobin's longer poems in English as well as her translation of the poem into Spanish. She is introduced by Jeffrey Miller.
At this tribute to Gustaf Sobin, a US-born poet who lived and wrote in Provence for more than forty years, poet Ed Foster reads two pieces by Sobin as well as a poem Foster wrote in dedication, collected in What He Ought to Know (2006).
Bhanu Kapil reads selections from Humanimal: A Project for Future Children, released by Kelsey Street Press the year following Kapil's Next Word reading. This reading was originally given with Mónica de la Torre and Ben Lerner.
Ben Lerner reads "Mean Free Path," the first and eponymous section from a manuscript that would go on to be published by Copper Canyon Press in 2010. This reading was originally given with Bhanu Kapil and Mónica de la Torre as part of the Next Word in Poetry Series.
D.A. Powell performs poems from Chronic, published the year before this reading.
Becca Klaver reads poetry from her debut collection LA Liminal (2010).
Geraldine Connolly reads poems informed by sense of place, particularly Montana, in a performance for the Tucson Festival of Books. This reading was originally given with Sheila E. Murphy.
Sheila E. Murphy reads widely from her body of work. This reading was originally given with Geraldine Connolly.
At this performance given with Abraham Smith during the Tucson Festival of Books, Kim Addonizio reads from her books Lucifer at the Starlite and What Is This Thing Called Love. Before a question-and-answer session with both poets, Kim Addonizio performs a short song on her harmonica.
Abraham Smith reads pieces from Whim Man Mammon (2007) and also a poem about Hank Williams that would go on to become the full-length collection Hank (2010).
Laynie Browne's performance at the 2010 Tucson Festival of Books includes poems from Daily Sonnets and The Desires of Letters. The reading concludes with a question and answer session with poet Anne Waldman, with whom Browne shared this event.
Anne Waldman discusses and reads from two recent projects, Manatee/Humanity and the Chax Press chapbook Matriot Acts. This reading was given alongside Laynie Browne for the 2010 Tucson Festival of Books.
Maria Melendez reads from her collection Flexible Bones (2010). This reading was originally given with Rigoberto González.
In this reading, Rigoberto González performs poetry and nonfiction; the reading concludes with a question and answer section with Maria Melendez.
Jonathan Rothschild reads from The Last Clubhouse Eulogy (2009). This reading was originally given with Pamela Uschuk.
Pamela Uschuck reads poems from Scattered Risks (2005), Greatest Hits (2009), and Crazy Love (2009). This reading was originally given with Jonathan Rothschild.
Alice Notley reads from Reason and Other Women (2010). This reading was originally given with Mei-mei Berssenbrugge.
In this performance, originally given with Alice Notley at the 2010 Tucson Festival of Books, Mei-Mei Berssenbrugge reads poems that would go on to be collected in Hello, the Roses (2013).
At the 2010 Tucson Festival of Books, Tenney Nathanson reads work from Ghost Snow Falls Through the Void: Globalization, published in 2010 by Chax Press. This reading was given alongside Charles Bernstein and Barbara Henning and includes a question and answer session with all three authors.
In her Mary Ann Campau Fellowship reading, Liza Porter reads poems that would go on to be collected in Red Stain (2014), along with uncollected work.
Mexican poet Tedi López Mills reads from her work in Spanish at the 2010 Tucson Festival of Books, accompanied by her translator, Wendy Burk, who reads the poems in English. The reading includes work from an unpublished bilingual manuscript of López Mills's selected poems.
This reading begins with Olga Broumas reading her translations of the Greek poet Odysseas Elytis. Sometimes performing poems in Greek and sometimes performing in English, Broumas experiments with the delivery of each translation and reads one poem by moving between Greek and English as she reads. Broumas also reads from five of her own books: Beginning With O, Pastoral Jazz, Soie Sauvage, Caritas, and Perpetua.
In this reading, Robert Bly treats the audience to translations of Issa, Neruda, and Kabir more than five years before they began to be collected in his books. He also reads uncollected poems and poems from his book The Light Around the Body, which was published the year following this reading.
Gary Snyder reads poems that would go on to be collected in The Back Country (1968) and talks about his experiences in Japan. He also reads one section of his long work Mountains and Rivers Without End (1996).
Akilah Oliver, Philip Jenks, and Brandon Shimoda discuss innovation in poetry in a panel discussion moderated by Chris Nelson.
This panel discussion features faculty poets from the University of Arizona Creative Writing MFA Program. Alison Hawthorne Deming, Boyer Rickel, Jane Miller, and Steve Orlen participate in a dialogue about the writing process, moderated by Barbara Cully.
Eleni Sikelianos reads from Earliest Worlds (2001), The California Poem (2004), and Body Clock (2008). This reading was given as the final installment of the Poetry Center's "Oh Earth, Wait for Me: Conversations about Art and Ecology" series.
In this colloquium, Dan Beachy-Quick discusses form and influence.
In his first visit to Tucson, Franz Wright reads prose pieces, most of which were unpublished at the time of his reading, as well as several lineated poems. He comments generously on his writing process and friendships with other poets.
In this bilingual reading, Alex Dunkel reads English translations of Aleksandr Yudakhin alongside the author. Yudakhin was flown from the Soviet Union to read in Tucson with the help of Soviet and Russian Studies, UA Poetry Center, UA Office of International Programs, the Soros Foundation, and Tucson Pima Arts Council. The English translations read were created by Alison Hawthorne Deming and Alex Dunkel. They were created ad hoc to provide context for those who were not familiar with the Russian language and are not considered to be definitive.
Cornelius Eady reads poems from Victims of the Latest Dance Craze (1986) and The Gathering of My Name (1991), many of which focus on dancing, jazz musicians, and the pervasive racial injustice experienced by Black Americans.
Phillip Lopate opens with three poems from his collection The Daily Round (1976) before reading personal essays from Being With Children (1975), Bachelorhood (1981), and Against Joie De Vivre (1989).
Cecil Day Lewis reads poems from Pegasus and Other Poems (1957), The Gate (1962), and The Room and Other Poems (1965). Sound quality is somewhat garbled throughout this recording.
Jane Miller reads from her third collection, American Odalisque (1987), as well as from August Zero (1993), which would be published the following year. She also reads an excerpt from her nonfiction collection Working Time: Essays on Poetry, Culture, and Travel (1992).
Mexican poet Homero Aridjis reads work reflecting his environmental activism and engagement with Mexican history, drawn from his 2001 bilingual publication Ojos de otro mirar / Eyes to See Otherwise: Selected Poems. The English translations of Aridjis's poems (by Eliot Weinberger, George McWhirter, and Betty Ferber) are read aloud by Alison Hawthorne Deming.
Billy Collins discusses the poetic process. He begins by reading a poem he composed the morning of the colloquium, "Lying in Bed in the Dark I Silently Address the Birds of Arizona," which would later be published in Nine Horses.
University of Arizona Creative Writing students Andrew Bode-Lang, Sommer Browning, and Mia MacDonald discuss trends in contemporary poetry as part of a panel discussion with visiting poets Loren Goodman, A. Van Jordan, and Suji Kwock Kim.
W.S. Di Piero reads poems from Skirts and Slacks (2001). He also reads early versions of work that would go on to be published in Brother Fire (2004).
Rex Lee Jim reads from Dúchas Táá Kóó Diné (1998) and from unpublished work.
Boyer Rickel reads poems appearing in Taboo (1999) and Arreboles (1991), as well as uncollected work.
Mary Leader reads from Red Signature and The Penultimate Suitor, which was published the year of this reading. She weaves a discussion of craft into the performance of these poems.
Lois-Ann Yamanaka reads from her collections Wild Meat and the Bully Burgers(1997), Saturday Night at the Pahala Theatre (1993), and Father of the Four Passages (2001).
Reading to celebrate the 2010 issue of Persona, the University of Arizona's undergraduate journal of literature and art.
Jonathan Skinner presents his work as part of the Poetry Center's Fall 2009 sequence of themed readings, "Oh Earth, Wait for Me: Conversations about Art and Ecology." After opening with a talk titled "Thoughts on Things: Poetics of the Third Landscape," he reads poems from With Naked Foot (2009) and Political Cactus Poems (2005). He closes the reading with poems from an ongoing series titled Warblers, some of which would be published in chapbook form by Albion Books (2010). This reading was given alongside Juliana Spahr.
May Swenson reads from To Mix With Time (1963) and from the manuscript for Half Sun Half Sleep (1967).
Alan Dugan reads from Poems (1961) and Poems 2 (1963), along with poems that would go on to appear in Poems 3 (1967) and several later collections.
Marguerite Young reads selections of her poetry and excerpts from her novel Miss MacIntosh, My Darling (1965), offering commentary on the process and context for each piece.
John Frederick Nims reads from Knowledge of the Evening (1960) and Of Flesh and Bone (1967); he also reads translations of poems by St. John of the Cross and Catullus.
Ofelia Zepeda reads from her collection Where Clouds Are Formed (2008). This reading was originally given with Luci Tapahonso.
Luci Tapahonso reads works from her collection A Radiant Curve (2008), as well as unpublished works. This reading was originally given with Ofelia Zepeda.
Steve Orlen reads poems that would go on to be collected in his chapbook A Thousand Threads (2009), as well as five unpublished poems. This reading was originally given with Jason Brown.
Jason Brown reads "She" from his short-story collection Why the Devil Chose New England for His Work. This reading was originally given with Steve Orlen.
In his first reading at the Poetry Center since 1969, Gary Snyder reads broadly from his work, including poems from his most recent collection, Danger on Peaks. He ends by reading uncollected newer poems. Snyder also speaks of his time in Japan, his studies of Zen Buddhism, and his friendship with Poetry Center founder Ruth Stephan.
In celebration of the University of Arizona Poetry Center's 50th anniversary, former U.S. Poet Laureate Billy Collins reads his poems, including work from the forthcoming collection Horoscopes for the Dead. He is joined by David Fitzsimmons, Howard Altmann, Jennifer Lee Carrell, and Ernesto Portillo, Jr., reading favorite poems by a variety of authors.
Ruth Stephan reads from her collection Various Poems (1963). She also reads uncollected poems, one of which responds to John F. Kennedy's assassination a year prior.
Howard Altmann reads from his books In This House and Who Collects the Days. This reading marks the first public performance of his poem "Dandelions."
In this reading given with Joshua Marie Wilkinson, Kate Bernheimer reads two stories from her collection Horse, Flower, Bird (2010).
Joshua Marie Wilkinson reads from a forthcoming book-length poem, "Meadow Slasher." This reading was originally given with Kate Bernheimer.
Sherwin Bitsui reads from his work in English and Navajo as part of a multilingual poetry reading also featuring Alberto Rios (reading in English and Spanish) and Ofelia Zepeda (reading in English and O'odham). The reading includes selections from Water, an artist book created by Karla Elling to commemorate the Poetry Center's 50th anniversary. "Water" features a chainlink of poetry composed and translated by Bitsui, Rios, Zepeda, and Zapotec poet Natalia Toledo.
Ofelia Zepeda reads from her work in English and O'odham as part of a multilingual poetry reading also featuring Alberto Rios (reading in English and Spanish) and Sherwin Bitsui (reading in English and Navajo). The reading includes selections from Water, an artist book created by Karla Elling to commemorate the Poetry Center's 50th anniversary. "Water" features a chainlink of poetry composed and translated by Bitsui, Rios, Zepeda, and Zapotec poet Natalia Toledo.
Alberto Ríos reads from his work in English and Spanish as part of a multilingual poetry reading also featuring Ofelia Zepeda (reading in English and O'odham) and Sherwin Bitsui (reading in English and Navajo). The reading includes selections from Water, an artist book created by Karla Elling to commemorate the Poetry Center's 50th anniversary. Water features a chainlink of poetry composed and translated by Bitsui, Ríos, Zepeda, and Zapotec poet Natalia Toledo.
In the first reading of the Poetry Center's 50th anniversary year, former Poetry Center Director and University of Arizona Regents' Professor Emeritus Richard Shelton reads from his books The Last Person to Hear Your Voice (2007) and Crossing the Yard (2007).
Maxine Chernoff reads widely from Leap Year Day: New and Selected Poems (1990). In addition to poems and prose poems published over several decades, she reads work that would later be published in World: Poems 1991-2001 (2001). She closes the reading with a short story from Signs of Devotion (1993) and an excerpt from her then-unpublished novel American Heaven (1996).
In response to questions from attendees, John Ashbery discusses cinema, wide-ranging responses to his two earliest books (Some Trees, 1956, and The Tennis Court Oath, 1962), and his appreciation for the poetry of Walt Whitman. He also considers movements in American poetry including modernism, postmodernism, L=A=N=G=U=A=G=E poetry, and new formalism.
Poet and sculptor Nora Naranjo Morse, of Santa Clara Pueblo, reads from Mud Woman: Poems from the Clay (1992), including an expanded sung and spoken version of "Gia's Song."
Pat Mora reads from her first two books of poems, Chants (1984) and Borders (1986), as well as poems that would later be published, sometimes in different versions, in Communion (1991) and Agua Santa (1997). Mora, who hails from El Paso, includes several poems about the desert in honor of what she describes as "probably the first time I have done a reading in another desert area."
Judith Ortiz Cofer reads prose and poetry from Terms of Survival (1987) and Silent Dancing (1990), as well as work that would later be collected in The Latin Deli (1993), Reaching for the Mainland (1995), and A Love Story Beginning in Spanish (2005).
Sherman Alexie discusses culture, distance, Pan-Indianism, and the author's responsibility, speaking passionately for Native stories told by Native writers.
In this reading, originally given with Ann Cummins, David Wojahn performs poetry from World Tree (2011). Also read is the unpublished poem "Sclera."
In this reading, originally given with David Wojahn, Ann Cummins shares a new short story, unpublished as of February 2011.
Ray Gonzalez reads from Consideration of the Guitar (2005). Reading truncated due to a damaged original recording.
Friends, colleagues, and former students of Steve Orlen (1942-2010) gather together to celebrate his life.
Editors and friends of David Foster Wallace discuss his body of work and recount personal stories.
For her Next Word appearance with Fred Moten, Rusty Morrison reads from The True Keeps Calm Biding Its Story (2008) and the manuscript of After Urgency (2012). She closes her reading with a new series of poems titled "Necessities" and "Inventions."
Fred Moten reads his sequence "come on, get it!," which would later be collected in The Feel Trio (2014). This performance was given for his Next Word appearance with Rusty Morrison.
Ana Božičević reads work from Stars of the Night Commute (2009) as well as work that would go on to be collected in Rise in the Fall (2013). This reading was given alongside Kazim Ali as part of the Next Word in Poetry series.
Kazim Ali reads work in several genres, including excerpts from Orange Alert, a collection of essays; The Disappearance of Seth, a novel; and Bright Felon, a memoir; as well as published and new poems. He ends by performing a poem, "Queer Ishmael," composed on the spot. This reading was given alongside Ana Božičević as part of the Next Word in Poetry series.
Caroline Bergvall reads poems that would go on to be published in her collection Meddle English (2011). This reading was originally given alongside Cole Swensen and Christian Bök.
Christian Bök performs work from Eunoia (2001) and unpublished pieces in a reading for the Poetry Center's Conceptual Poetry and Its Others symposium. This reading was originally given alongside Caroline Bergvall and Cole Swensen.
Cole Swensen reads from Ours (2008) and a work in progress about ghosts that would go on to be published as Gravesend (2012). This reading was originally presented alongside Caroline Bergvall and Christian Bök.
Colloquium on translation featuring poets Lila Zemborain and Rosa Alcalá.
Roger Bonair-Agard delivers a dynamic performance of poems from his second book, Gully (2010), as well as new work.
Summer resident Harmony Holiday shares her video and audio work. This reading was originally given with Matthew Rotando.
In a performance given alongside the Poetry Center's 2011 summer poet in residence, Harmony Holiday, poet Matthew Rotando reads poems from The Comeback's Exoskeleton and newer work.
Elizabeth Rollins reads a new short story, "The Baker's Daughter." This reading was given together with the Poetry Center's 2011 Summer Resident in Prose, Mary Jones.
Mary Jones, the Poetry Center's 2011 Summer Resident in Prose, reads a short story, "Dear Wife of Richard." This reading was given together with Elizabeth Rollins.
Charles Alexander reads widely from his work as part of the Tucson Lit Press Fest event. He closes with a selection from the ongoing collection Pushing Water, published in 2011 by Cuneiform Press.
Julie Paegle reads from her collection Torch Song Tango Choir, accompanied by dancers John Dahlstrand and Melissa Fitch.
Jason Bredle reads new work, including unpublished poems and poems published in periodicals. This Tucson Lit Press Fest reading with Bredle's fellow New Michigan Press author Emma Ramey focused on humor in poetry.
Emma Ramey, poetry editor of DIAGRAM, reads published and unpublished works. This Tucson Lit Press Fest reading with Jason Bredle focused on humor in poetry.
TC Tolbert reads from his recent Kore Press publication Territories of Folding, accompanied by members of the movement improvisation group Movement Salon.
Poet Christopher Nelson moderates a discussion with the publishers of The Drunken Boat, New Michigan Press/DIAGRAM, and the University of Arizona Press.
Poet Christopher Nelson moderates a discussion of independent publishing with the publishers of Kore Press, Chax Press, and Spork Press.
Laura Tohe reads from Tséyi': Deep in the Rock; Reflections on Canyon de Chelly (2005), which pairs Tohe's texts with images by photographer Stephen E. Strom. Following Tohe's reading, Strom discusses the images contained in the book.
Rex Lee Jim discusses his relationship with writing. Audio levels on this recording are low, with many words inaudible.
Charles Alexander provides a close reading of Emily Dickinson's work, focusing on the way metrical and sonic qualities transform into poetic dance.
Barbara Cully reads from her collection That Place Where (2011). This reading was originally given with Manuel Muñoz.
Manuel Muñoz reads from his first novel What You See in the Dark (2011). This reading was originally given with Barbara Cully.
In this reading, originally given with Christopher Cokinos, Beth Alvarado shares pieces from her book Anthropologies (2011).
In this reading, originally given with Beth Alvarado, Christopher Cokinos reads from The Fallen Sky (2009) and Looking Up from the Lone House of the Earth: The Lives of Our Quest for Intelligence in Space, a work in progress.
In this reading, originally given with Joni Wallace, Mary Jo Bang reads poems that would go on to be collected in The Last Two Seconds (2015) as well as a segment from her translation of "Canto III" of Dante's Inferno (2012).
Joni Wallace reads primarily from her collection Blinking Ephemeral Valentine and also an unpublished piece accompanied by the guitarist Greg Lewis. This is the first half of a reading which also featured Mary Jo Bang.
Philip Schultz reads poems from several books, including the Pulitzer Prize-winning collection The God of Loneliness (2010). He closes the reading with his first public performance of several new poems.
Carl Dennis reads poems in progress from a manuscript with the working title Extra Room. Final versions of many of these poems would go on to be published in Another Reason (2014).
Authors collected in the anthology Sing: Poetry from the Indigenous Americas (2011) read from their work. Introductions are made by Allison Adelle Hedge Coke, the editor of this collection.
Sherman Alexie reads widely from his work and engages the audience with stories characterized by his signature humor.
David Rivard reads pieces primarily from his collection otherwise elsewhere (2011) as well as uncollected and unpublished works.
Thomas Sayers Ellis reads from The Maverick Room (2005) and Skin, Inc. (2010).
Keith and Rosmarie Waldrop read from Transcendental Studies (2009) and Driven to Abstraction (2010), respectively.
A reading celebrating the release of I'll Drown My Book: Conceptual Writing by Women, edited by Caroline Bergvall, Laynie Browne, Teresa Carmody, and Vanessa Place.
Jeffrey Yang reads from An Aquarium (2008), Vanishing-Line (2011), and his translation of Liu Xiaobo's June Fourth Elegies (2012). This reading was originally given with Katherine Larson.
Fanny Howe reads "The Passion" and "Shadows" from her collection Gone (2003). She opens the reading with the poem "America, America" by Saadi Youssef (trans. Khaled Mattawa).
Katherine Larson reads pieces from Radial Symmetry (2011) as well as "Of the Unsolved Problem of the Origin of the Angiosperms," a new poem. This reading was originally given with Jeffrey Yang.
Michelle Tea reads from an unpublished work characterized by humor and eroticism.
Marie Howe reads poems from What the Living Do (1998) and The Kingdom of Ordinary Time (2008), as well as a poem published in the American Poetry Review. The majority of poems are accompanied by remarks from the poet.
Timothy Schaffert reads from The Coffins of Little Hope, published in 2011, and The Swan Gondola, which would be published in 2014.
Junot Díaz reads from The Brief Wondrous Life of Oscar Wao (2007).
A celebration of the fairy tale, featuring readings from authors included in My Mother She Killed Me, My Father He Ate Me (2010), an anthology of new fairy tales edited by Kate Bernheimer.
Joan Silber reads from Fools, a book of linked short stories which would be published in 2013.
Willing Davidson discusses the craft of editing. Davidson also reads from An American Type (2010), a novel he shaped from the papers of Henry Roth.
Franz Wright discusses a wide range of topics, including Rilke, translation, and the writing life.
Gerald Vizenor reads a selection of his work and discusses haiku and visionary art. Most poems from this reading can be found in his 2006 collection Almost Ashore.
Cal Bedient reads poetry appearing in Candy Necklace (1997), The Violence of the Morning (2002), and Days of Unwilling (2008). Poems that went on to appear in the latter collection differ from their published versions.
A group reading celebrating the release of New Poets of the American West (2010).
This event, a collaboration with the University of Arizona School of Dance, pairs poetry by Richard Siken and Catherine Wing with original music, choreography, and dance performances by School of Dance faculty and students. Original music for this performance was composed and performed by Suzanne Knosp, with choreography by Elizabeth George, Jory Hancock, and Melissa Lowe.
Daniyal Mueenuddin reads from In Other Rooms, Other Wonders (2009) as well as from unpublished/forthcoming pieces.
Ofelia Zepeda reads primarily from her collections Ocean Power (1995) and Where Clouds are Formed (2008). She also reads from an unpublished essay and from her chapbook Jewed 'I-Hoi/Earth Movements (1997).
Frances Washburn reads from Elsie's Business (2006) and The Sacred White Turkey (2010).
Leslie Marmon Silko reads from The Turquoise Ledge (2010), a memoir. Throughout the reading, Silko provides insightful commentary.
Paul Guest reads from One More Theory About Happiness (2010), Notes for My Body Double (2007), and My Index of Slightly Horrifying Knowledge (2008).
Luci Tapahonso reads for the 2011 Poetics and Politics Series. She reads work from several of her books, as well as unpublished poems.
C.E. Poverman reads "Intervention," which would go on to be published in his collection Skin (1992). This reading was originally given with Jon Anderson.
As part of the Poetry Center's "Oh Earth, Wait for Me: Conversations about Art and Ecology" series, Lucinda Bliss discusses her art. This performance continues with a dialogue between Lucinda Bliss and Alison Hawthorne Deming and concludes with a reading by Alison Hawthorne Deming.
David Mura reads from After We Lost Our Way (1989), The Colors of Desire (1995), and Angels for the Burning (2004). Mura also engages the audience with several performance pieces.
A group reading celebrating the release of Spiral Orb 5, a poetic inventory of saguaro national park.
Carl Dennis reads primarily from Practical Gods (2001), which would go on to win the Pulitzer Prize in 2002. He also reads selections from Ranking the Wishes (1997) and work that appears in New and Selected Poems (2004). Dennis won the Ruth Lilly Poetry Prize a year prior to this reading.
Robert Pack reads widely from his work and comments on the stories behind many of his poems.
John Crowe Ransom reads widely from his extensive body of work.
Fanny Howe primarily reads from The Lyrics (2007) and Come and See (2011). She also reads unpublished and uncollected work.
David Rivard reads primarily from Wise Poison (1996). He also reads unpublished work and poems that would go on to appear in his collection Bewitched Playground (2000).
Jon Anderson reads widely from his work, including unpublished poems. He also shares music from his son's "post-punk minimalist" band The Necroambulites. This reading was originally given with C.E. Poverman.
At the Poetry Center's May 2012 Poetry Off the Page Symposium, Christine Hume presents a performance of audio documentary poetics, merging recorded sound with live narration. This recording includes a question and answer session with Cecilia Vicuña, who performed along with Hume at the Poetry Off the Page Sonic Lens night, and Claudia Rankine.
Cecilia Vicuña presents an improvisatory oral performance in response to space and time as part of the Poetry Center's 2012 Poetry Off the Page Symposium. This recording includes a question and answer session with Christine Hume, who performed along with Vicuña at the Poetry Off the Page Sonic Lens night, and Claudia Rankine.
As part of the May 2012 Poetry Off the Page Symposium, Poetry Center librarian Wendy Burk delivers a gallery talk on Artistexts, an exhibit guest-curated by Johanna Drucker.
Danielle Vogel reads from lyric essays describing the genesis of her ceramic architecture exhibit Narrative Nests, presented at the Poetry Center's May 2012 Poetry Off the Page Symposium. One of these essays appears in Narrative & Nest: Pre-Natal Architectures & Narrative Rituals (2012).
Cecilia Vicuña delivers an improvisatory talk about her performance and installation work at the Poetry Off the Page Symposium, focusing on Indigenous views of poetry as completely integrated into space, time, sound, and matter.
Joshua Marie Wilkinson concludes the 2012 Poetry Off the Page Symposium with remarks that playfully remix the performances, panels, and conversations taking place throughout the symposium weekend.
At the 2012 Poetry Off the Page Symposium, Amaranth Borsuk discusses and reads from Between Page and Screen. This collaboration between Borsuk and programmer Brad Bouse is a book whose pages contain no text, but which may be read with the aid of a webcam and browser.
Ander Monson discusses the labyrinth, both physical and digital, and the potential for participation and subversion within online commercial spaces. This talk is excerpted from Monson's workshop at the 2012 Poetry Off the Page Symposium.
At the 2012 Poetry Off the Page Symposium, Douglas Kearney discusses and performs poems from several collections that engage typography, image, sampling, and physical power.
At the 2012 Poetry Off the Page Symposium, Black Took Collective presents a multimedia performance exploring interrogations of a Black unconscious, using written and aural language, sound, video, and image.
At the 2012 Poetry Off the Page Symposium, Elizabeth Frankie Rollins moderates a panel discussion with Julie Carr, Duriel E. Harris, K. J. Holmes, Douglas Kearney, Dawn Lundy Martin, Julie Ezelle Patton, and Ronaldo V. Wilson.
At the 2012 Poetry Off the Page Symposium, Noah Saterstrom moderates a panel discussion on digital publishing and self-publishing with Brent Cunningham, Ander Monson, and Dan Waber.
Dan Waber presents a macro and micro view of "off the pageness" at the Poetry Center's 2012 Poetry Off the Page Symposium. In the macro view, Pecha Kucha Tucson, Waber offers 60 slides representing 60 different ways to make poetry off the page. In the micro view, he closely reads intersections between the textual and the visual.
Monica Drake reads a new short story and an excerpt from Clown Girl (2006) as part of the University of Arizona Prose Series.
John T. Price reads from two memoirs: Man Killed by Pheasant and Other Kinships (2008) and Daddy Long Legs: The Natural Education of a Father (2013).
David Rivard lectures on risk-taking and the New York School, incorporating recordings by Frank O'Hara, James Schuyler, and others.
Jeffrey Yang, of New Directions Press, lectures on his experiences as a poet, translator, and editor.
In this reading, originally given with Christopher Nelson, Poetry Center Summer Resident Genine Lentine reads primarily new poems as well as work from the collection Poses: An Essay Drawn from the Model (2012).
In this reading, originally given with Poetry Center Summer Resident Genine Lentine, Chris Nelson reads from an unpublished manuscript.
C.D. Wright reads the first poem from her collection Tremble (1997) and a selection from String Light (1991), and discusses questions of process and craft.
George Saunders reads a short story from In Persuasion Nation (2006) and an essay.
Nick Flynn reads widely from his work, interacting with the audience as he reads.
In this reading, originally given with Poetry Center Summer Resident Harrison Candelaria Fletcher, Naomi Benaron reads from her Bellwether Prize-winning novel Running the Rift (2012).
In this reading, originally given with Naomi Benaron, Poetry Center Summer Resident Harrison Candelaria Fletcher reads from his memoir Descanso for My Father: Fragments of a Life (2012) and "White," an uncollected essay.
Carolyn Forché reads from her collection Blue Hour (2003) as well as unpublished and uncollected work. This reading includes a performance of excerpts from her famous long abecedarian, "On Earth."
Lucille Clifton reads widely from her extensive body of work. This performance includes poems from her final collection, Voices (2008), as well as several uncollected and unpublished poems.
Robert Sward reads primarily from Thousand-Year-Old Fiancée and Other Poems (1965) and Kissing the Dancer and Other Poems (1964). He also reads two poems that were unpublished at the time of the reading and a poem and excerpt from an essay by Pablo Neruda.
Bharati Mukherjee reads from her novel Desirable Daughters (2002); she also reads an unpublished short story. This reading was originally given with Clark Blaise.
Clark Blaise reads his short stories "A Saint" from If I Were Me: A Novel (1997) and "Meditations on Starch," which was first published in the journal Salmagundi in 1988 and later collected in World Body (2006). This reading was originally given with Bharati Mukherjee.
Marilyn Hacker reads from Squares and Courtyards (2000), Taking Notice (1980), and Going Back to the River (1990). She also reads two poems that would later be published in Desesperanto (2003). This reading was originally given with Aleida Rodríguez.
Aleida Rodríguez reads from Garden of Exile (1999). This reading was originally given with Marilyn Hacker.
Laura Tohe reads from No Parole Today (1999) and poems that would later be published in Tséyi'/Deep in the Rock: Reflections on Canyon de Chelly (2005). Stephen Strom, the photographer for Tséyi'/Deep in the Rock: Reflections on Canyon de Chelly, also briefly speaks about his work.
Regie Gibson and Reginald Gibbons read together in a spontaneous poetic conversation. Both read widely from their work; this performance includes both published and unpublished poems.
Rafael Campo reads poetry and essays on the intersections between literature, medicine, and healing.
N. Scott Momaday reads from across his body of work, sharing excerpts from his novel The Ancient Child (1989) together with poems from his soon-to-be-published In the Presence of the Sun: Stories and Poems, 1961-1991 (1992). After opening the reading with three humorous epitaphs, Momaday discusses Set-angya, a 19th century Kiowa chief who reappears throughout his work.
Edward Abbey reads a selection of his poems, many of which would later be collected in Earth Apples: The Poetry of Edward Abbey (1994). He also reads excerpts from The Journey Home (1977) and a selection of correspondence.
William Stafford reads poems from West of Your City (1960), Traveling through the Dark (1962), and The Rescued Year (1966), as well as poems that would be published in later books.
Peter Wild reads primarily from Chihuahua (1976). He also reads several poems from a variety of other publications.
Fenton Johnson reads excerpts from Scissors, Paper, Rock: A Novel (1993), Geography of the Heart: A Memoir (1997) and "Beyond Belief: A Skeptic Searches for an American Faith" (1998).
George Bowering reads primarily from Points on the Grid (1964), The Man in Yellow Boots (1965), and The Silver Wire (1966).
Cynthia Hogue reads poems from Or Consequence (2010), When the Water Came: Evacuees of Hurricane Katrina (2010), and The Incognito Body (2006). She also reads excerpts from Virginie LaLucq and Jean-Luc Nancy's Fortino Sámano: The Overflowing of the Poem (2012), which she translated with Silvain Gallais. This reading was originally given with Kate Bernheimer.
Kate Bernheimer reads from a work in progress called Happy Hour that will be published in Unstuck. This reading was originally given with Cynthia Hogue.
Natalie Diaz reads at a symposium hosted by Feminist Formations, an interdisciplinary journal of women's, gender, and sexuality studies. This performance includes poems from When My Brother Was an Aztec (2012); Diaz also reads several poems that are forthcoming in Feminist Formations. This reading was originally given with Niki Herd.
Niki Herd reads at a symposium hosted by Feminist Formations, an interdisciplinary journal of women's, gender, and sexuality studies. Herd's performance includes a poem from The Language of Shedding Skin (2010) and an excerpt from a work in progress. This reading was originally given with Natalie Diaz.
William Matthews reads primarily from Rising and Falling (1979).
Byrd Baylor reads from Yes Is Better than No (1977) and I'm In Charge of Celebrations (1986).
Gloria E. Anzaldúa reads widely from her extensive body of work; this reading includes uncollected and unpublished poems.
In this performance, titled "Überseezungen: Transcultural Language Games," Yoko Tawada and translator Bettina Brandt read a series of meditations on language drawn from fragments of Tawada's poetry and prose. This performance is given primarily in English, German, and Japanese.
Terese Svoboda reads poetry and fiction from her extensive body of work.
Rodney Phillips speaks about illustrations and English translations of Dante Alighieri's Divine Comedy. This reading was originally given with Rae Armantrout.
Pat Mora reads from Agua Santa / Holy Water (1995), Borders (1986), and Chants (1984). She also reads an excerpt from a manuscript that would later be published as House of Houses (1997).
Joyelle McSweeney reads primarily from Percussion Grenade (2012) as well as several unpublished pieces. This reading was originally given with Zachary Schomburg.
Zachary Schomburg reads from Fjords (2012) and Scary, No Scary (2009). This reading was originally given with Joyelle McSweeney.
Fanny Howe discusses form, appropriation, and her relationship with language and history.
Tucson Mayor Jonathan Rothschild reads from his first book, The Last Clubhouse Eulogy (2009), for students at this matinee reading.
Ruth Stone reads extensively from In an Iridescent Time (1959) and Topoography and Other Poems (1971); she also reads some unpublished poems.
Beverly Dahlen reads from The Egyptian Poems (1983), A Reading (1-7) (1985) and A Reading (8-10) (1992).
Carl Phillips reads primarily from Double Shadow (2011) and Speak Low (2009). He also reads uncollected and new poems, including poems forthcoming in Silverchest (2013).
Donald Hall reads primarily from Kicking the Leaves (1978). He also shares several works in progress as well as some older poems.
Shannon Cain reads a story from her collection The Necessity of Certain Behaviors (2011) as part of the University of Arizona Prose Series. This reading was originally given with Lydia Millet.
Lydia Millet reads from her novel Magnificence (2012) as part of the University of Arizona Prose Series. This reading was originally given with Shannon Cain.
Miroslav Holub reads widely from his extensive body of work, reading some poems in both English and Czech.
Sandra Cisneros reads short stories from The House on Mango Street (1984) and Woman Hollering Creek and Other Stories (1991) and poetry from My Wicked Wicked Ways (1987).
Nancy Mairs reads from a draft version of a manuscript that would later be published as Remembering the Bone House: An Erotics of Place and Space (1989).
Tomas Tranströmer reads translations of poems that first appeared in For the Living and the Dead (För levande och döda, 1989). Some poems are performed in Swedish and English. In the question and answer session that follows the reading, Tranströmer discusses the collaborative nature of the translation process.
David Wagoner reads primarily from Staying Alive (1966) and New and Selected Poems (1969).
Nikki Giovanni reads from her extensive body of work and speaks about social justice and the civil rights movement.
Carole Maso reads from a work in progress called The Bay of Angels and shares excerpts from her 2002 prose poem Beauty Is Convulsive: The Passion of Frida Kahlo.
Peter Wild reads uncollected poems on a diverse range of subjects, from famous Western frontiersmen to radio therapy to optometrists. Along the way he shares with the audience experiences and preoccupations that have shaped his work.
Jonathan Penner reads two stories, "The Creative Fellow" and "Joseph's Feet," that would later appear in his short story collection This Is My Voice (2003).
Steve Orlen reads poems that would go on to appear in his collection The Elephant's Child: New & Selected Poems, 1978-2005 (2006), as well as earlier and unpublished poems.
Cathy Park Hong reads from Engine Empire (2012) and Dance Dance Revolution (2007); she also reads an unpublished poem.
Louise Bogan reads poems collected in The Blue Estuaries: Poems, 1923-1968 (1968).
X.J. Kennedy reads from Nude Descending a Staircase (1961) and Cross Ties: Selected Poems (1985), commenting humorously on many of the poems and performing several as songs.
In this reading and lecture, originally given with Elizabeth Bernays, poet and bookmaker Charles Alexander discusses his work with Chax Press.
Reed Whittemore reads poems that would later appear in his collection Poems: New and Selected (1967), as well as one unpublished poem.
In this reading, originally given with Peter Rock, David Foster Wallace reads from his collection Oblivion: Stories (2004).
G.C. Waldrep reads from the collection Your Father on the Train of Ghosts (2011); he also reads some uncollected poems.
G.C. Waldrep discusses the creation and experience of poetry as a spiritual practice, with special emphasis on parabolic and apocalyptic traditions.
L.R. Benes, author of Rune Weave (2011), reads from his uncollected body of work, dating from 1972 to 2011.
Robin Robertson reads poems from A Painted Field (1997), Slow Air (2002), and Swithering (2006), as well as one unpublished piece.
In this reading, originally given with Aurelie Sheehan, Beth Alvarado shares an excerpt from the short story collection Not a Matter of Love (2006).
In this reading, originally given with Beth Alvarado, Aurelie Sheehan shares excerpts from the novel History Lessons for Girls (2006), as well as a work in progress called One Hundred Histories.
In this reading, originally given with Alison Hawthorne Deming, Jane Miller reads poems from the collection A Palace of Pearls (2005).
In this reading, originally given with Jane Miller, Alison Hawthorne Deming reads primarily from her collection Genius Loci (2005).
Jimmy Santiago Baca reads poems and prose from his body of work, including A Glass of Water (2009), A Place to Stand (2002), Healing Earthquakes (2001), Martín & Meditations on the South Valley (1987), and C-Train (Dream Boy's Story) and Thirteen Mexicans: Poems (2002).
In this reading, originally given with Jim Simmerman, Karen Brennan reads poetry and prose from The Real Enough World (2005) and The Garden in Which I Walk (2004), as well as several unpublished poems.
Special guest Logan Phillips performs his poetry for the Southern Arizona Poetry Out Loud Regional Finals Competition.
In this reading, originally given with Karen Brennan, Jim Simmerman reads primarily from American Children (2005).
In this reading, originally given with David Foster Wallace, Peter Rock reads a story that would later appear in the collection The Unsettling: Stories (2006).
Richard Russo reads the title story from his collection The Whore's Child and Other Stories (2002).
Patricia Hampl reads an excerpt from her memoir The Florist's Daughter (2007).
In this reading and presentation, originally given with Charles Alexander, writer and biologist Elizabeth Bernays reads from her large body of literary works and discusses her entomological research.
Jane Miller delivers a lecture on the poetry of Federico García Lorca.
In this lecture Tony Hoagland discusses tonal complexity in contemporary American poetry, with close readings of "Hospital" by Jason Shinder and "Merchants" by Czeslaw Milosz.
Tony Hoagland reads poems from the collections Donkey Gospel (1998), What Narcissism Means to Me (2003), and Hard Rain (2005), as well as one unpublished poem.
Diana García reads from her collection When Living Was a Labor Camp (2000).
In this reading, originally given with Peggy Shumaker, Eloise Klein Healy reads from the collection A Wild Surmise: New & Selected Poems & Recordings (2013).
In this reading, originally given with Eloise Klein Healy, Peggy Shumaker reads from the collection Toucan Nest: Poems of Costa Rica (2013) and presents photographs from a series of residencies in Costa Rica.
This event, part poetry reading and part jazz concert, pairs the work of poet Nathaniel Mackey with the music of jazz pianist Marilyn Crispell, featuring solo performances by each artist as well as two collaborative performances.
Ilya Kaminsky reads primarily from his collection Dancing in Odessa (2004).
Aurelie Sheehan reads a story from the collection Jack Kerouac Is Pregnant (1994), as well as two unpublished works.
Rita Dove reads from her collection American Smooth: Poems (2004).
Linda Hogan reads poems from her collections Calling Myself Home (1978), Seeing through the Sun (1985), Savings (1988), and The Book of Medicines (1993). The reading also includes an essay from Dwellings: A Spiritual History of the Living World (1995).
Lawrence Clark Powell reads from his novel The Blue Train (1977).
George Keithley reads from Song in a Strange Land (1974) and The Donner Party (1972).
Thomas Kinsella reads poems from Downstream (1962), Wormwood (1966), and Nightwalker and Other Poems (1968), as well as poems that would later appear in Collected Poems 1956-1994 (1996) and Selected Poems (2007).
Luis Alberto Urrea reads from Across the Wire: Life and Hard Times on the Mexican Border (1993), The Fever of Being (1994), Wandering Time: Western Notebooks (1999), and also from The Best American Poetry (1996).
Roberto Tejada reads from Mirrors for Gold (2006) and Full Foreground (2012). This reading was originally given with J. Michael Martinez and Carmen Giménez Smith at an event titled Latino/a Poetry Now.
Carmen Giménez Smith reads poems from Milk and Filth (2013), along with several unpublished poems. This reading was originally given with J. Michael Martinez and Roberto Tejada at an event titled Latino/a Poetry Now.
J. Michael Martinez reads poems that would later be collected in In the Garden of the Bridehouse (University of Arizona Press, 2014). This reading was originally given with Carmen Giménez Smith and Roberto Tejada at an event titled Latino/a Poetry Now.
Nicole Walker reads from her memoir Quench Your Thirst with Salt (2013). This reading was originally given with Brent Hendricks.
Brent Hendricks reads from his memoir A Long Day at the End of the World: A Story of Desecration and Revelation in the Deep South (2013). This reading was originally given with Nicole Walker.
Patricia Hampl reads poetry and prose from Woman Before an Aquarium (1978), Resort and Other Poems (1983), and A Romantic Education (1981); she also reads a short story from the anthology The North Country Reader: Classic Stories from Minnesota Writers (1979).
Tracie Morris reads from Chap-T-Her Won (1993) and Intermission (1998). This reading/performance was originally given with DJ Renegade at an event titled Mondo Hip-Hop.
Denise Chávez reads from her novel Loving Pedro Infante (2001). This reading was originally given with Loida Maritza Pérez.
Loida Maritza Pérez reads from Geographies of Home (1999). This reading was originally given with Denise Chávez.
Rae Armantrout reads from Writing the Plot About Sets (1998), Up To Speed (2004), Collected Prose (2007) and Next Life (2007). This reading was originally given with Rodney Phillips.
Stella Pope Duarte performs The Day I Was Born and There is a Place for You in a powerful reading given as part of a Noche de Cultura held at Tucson's El Casino Ballroom.
Nina Marie Martinez reads from ¡Caramba!: a Tale Told in Turns of the Card (2004).
Nathalie Handal reads poems from The Lives of Rain (2005) and Spell (2006) as well as new poems.
Brenda Shaughnessy reads from Interior with Sudden Joy (1999) and Human Dark with Sugar (2008). This reading was originally given with Gary Copeland Lilley and David Dominguez.
Srikanth Reddy reads from Facts for Visitors (2004) and Voyager (2011). This reading was originally given with Brian Turner and Joshua Marie Wilkinson.
Brian Turner reads from Here, Bullet (2005). This reading was originally given with Srikanth Reddy and Joshua Marie Wilkinson.
Joshua Marie Wilkinson reads from Suspension of a Secret in Abandoned Rooms (2005), Lug Your Careless Body out of the Careful Dusk (2006), and The Book of Whispering in the Projection Booth (2009). This reading was originally given with Brian Turner and Srikanth Reddy.
Matt Hart reads primarily from Revelated (2005), Who's Who Vivid (2005), and Wolf Face (2010). This reading was originally given with Dean Young.
Brian Blanchfield reads from Not Even Then (2004). This reading was originally given with Richard Siken.
Richard Siken reads poems that would later be published in Crush (2005). This reading was originally given with Brian Blanchfield.
Dana Levin reads primarily from In the Surgical Theatre (1999). This reading was originally given with Louise Glück.
DJ Renegade reads poems from LibationSong (2002) along with uncollected works. This reading/performance was originally given with Tracie Morris at an event titled Mondo Hip-Hop.
Melissa Buckheit reads from Noctilucent (2012), as well as new and uncollected work. This reading was originally given with Karen Rigby and Anne Shaw.
Karen Rigby reads poems from Chinoiserie (2012) as well as new work. This reading was originally given with Melissa Buckheit and Anne Shaw.
Poetry Center Summer Resident Anne Shaw reads from Undertow (2007) and from a manuscript of poetic translations of the work of Ludwig Wittgenstein. This reading was originally given with Melissa Buckheit and Karen Rigby.
Samuel Ace reads poems from Stealth (2011) as well as new and uncollected work. This reading was originally given with Polly Rosenwaike and Dexter L. Booth.
Poetry Center Summer Resident Polly Rosenwaike reads an excerpt from the short story Grow Your Eyelashes. This reading was originally given with Samuel Ace and Dexter L. Booth.
Dexter L. Booth reads poems from Scratching the Ghost (2013) along with new and uncollected work. This reading was originally given with Samuel Ace and Polly Rosenwaike.
Joshua Marie Wilkinson reads from Swamp Isthmus (2013). This reading was originally given with Jane Miller.
Jane Miller reads primarily from Thunderbird (2013). This reading was originally given with Joshua Marie Wilkinson.
Carl Marcum reads poems from his first collection, Cue Lazarus (2001), as well as new and uncollected work.
Gary Copeland Lilley reads from The Subsequent Blues (2004). This reading was originally given with Brenda Shaughnessy and David Dominguez.
David Dominguez reads from Work Done Right (2003). This reading was originally given with with Brenda Shaughnessy and Gary Copeland Lilley.
Eduardo C. Corral reads poems from Slow Lightning (2012) as well as new work. This reading was originally given with Natalie Diaz to inaugurate the Morgan Lucas Schuldt Memorial Reading Series.
Natalie Diaz reads poems from When My Brother Was an Aztec (2012) as well as new and uncollected work. This reading was originally given with Eduardo C. Corral to inaugurate the Morgan Lucas Schuldt Memorial Reading Series.
Rebecca Seiferle reads poems from The Ripped-Out Seam (1993), The Music We Dance To (1999), and Bitters (2001).
Gerald Stern reads from This Time: New and Selected Poems (1998), Last Blue (2000), and American Sonnets (2002).
Poet-translators Pura López-Colomé and Forrest Gander give bilingual performances of poems from Science and Steepleflower (1998) and No Shelter: The Selected Poems of Pura López-Colomé (2002).
Ellen Bryant Voigt reads from The Lotus Flowers (1987), Two Trees (1992), Kyrie (1995), and Shadow of Heaven (2002).
Matt Méndez reads from Twitching Heart (2012). This reading was originally given with C.E. Poverman as part of the UA Prose Series.
C.E. Poverman reads from his novel Love by Drowning (2013). This reading was originally given with Matt Méndez as part of the UA Prose Series.
Peter Sacks reads poems from Necessity (2002) as well as new and uncollected work.
Arianne Zwartjes reads selections from Detailing Trauma: A Poetic Anatomy (2012), along with new work. This reading was originally given with Aisha Sabatini Sloan.
Timothy Liu reads new poems that would go on to be published in Don't Go Back to Sleep (2014), as well as poems from Polytheogamy (2009) and Bending the Mind Around the Dream's Blown Fuse (2009).
Tedi López Mills reads poems from While Light Is Built (2004) with translations read by Wendy Burk.
Heriberto Yépez reads poems from Babellebab (2003) as well as new and uncollected work. This event opens with readings by Tenney Nathanson, Lisa Cooper Anderson, and Matt Rotando.
Dolores Kendrick reads poems from Now is the Thing to Praise (1984), The Women of Plums (1989), and Why the Woman is Singing on the Corner (2001), as well as new and uncollected work.
Semezdin Mehmedinović reads poems from Sarajevo Blues (1998) and Nine Alexandrias (2003).
Lia Purpura reads from Rough Likeness (2011) as well as new and uncollected work. This reading was given as part of the Hybrid Writing Series, co-sponsored by the UA Prose Series.
Michel Deguy reads poems from Given Giving (1984) and Recumbents (2005) in the original French, with translations read by Reginald McGinnis.
Dean Young reads from Embryoyo (2007) and Primitive Mentor (2008). This reading was originally given with Matt Hart.
Alan Shapiro reads poems from The Dead Alive and Busy (2000), Song and Dance (2002), Tantalus in Love (2005) and Old War (2008).
Maggie Nelson reads excerpts from Bluets (2009) and The Art of Cruelty (2011), as well as new work. This reading was given as part of the Hybrid Writing Series, co-sponsored by the UA Prose Series.
Drum Hadley reads poems from Voice of the Borderlands (2005). This book release celebration features remarks from panelists Alan Weisman, Voice of the Borderlands illustrator Andrew Rush, and publisher Susan Lowell of Rio Nuevo Publishers.
Frederic Tuten reads a short story, "The Ship at Anchor" (2005).
Poetry Center Summer Resident Cody Walker reads poems from Shuffle and Breakdown (2008), along with new and uncollected works and a poem by Gavin Ewart.
Albert Goldbarth reads poems from To Be Read in 500 Years (2009) and The Kitchen Sink (2007).
Jenny Boully reads excerpts from of the mismatched teacups, of the single-serving spoon (2012) and not merely because of the unknown that was stalking toward them (2011), as well as new and uncollected work. This reading was given as part of the Hybrid Writing Series, co-sponsored by the UA Prose Series.
Albert Goldbarth lectures on two poems (by William Wordsworth and Stefanie Marlis) at Himmel Park Library.
Harryette Mullen reads poems from Trimmings (1991) and Sleeping with the Dictionary (2002).
Heather McHugh comments on and reads poems from Hinge & Sign (1994) and The Father of the Predicaments (1999), as well as uncollected work.
Jane Hirshfield reads poems from Of Gravity & Angels (1988), The October Palace (1994), and The Lives of the Heart (1997).
Arizona's inaugural Poet Laureate Alberto Ríos reads public and personal poems from his collected and uncollected works; he also speaks about goals for his laureateship.
Joshua Marie Wilkinson calls for a re-thinking of accessibility in poetry.
George Reavey reads from The Colours of Memory (1955), Quixotic Perquisitions (1932) and The New Russian Poets, 1953-1966 (1966), as well as uncollected work.
Jack Gilbert reads primarily from The Great Fires: Poems 1982-1992 (1995) and Refusing Heaven (2005).
Larry McMurtry reads selections from his novel The Desert Rose (1983).
John Newlove reads poems from Moving In Alone (1965) and Black Night Window (1968). The sound on the original recording is somewhat distorted.
Gene Frumkin reads poems from The Rainbow-Walker (1968). This reading was originally given with Douglas Flaherty.
Ray Gonzalez reads poems from Consideration of the Guitar (2005).
Douglas Flaherty reads poems from The Elderly Battlefield Nurse (1968). This reading was originally given with Gene Frumkin.
Farid Matuk reads poems from My Daughter La Chola (2013). This reading was originally given with Aurelie Sheehan.
Aurelie Sheehan reads from Jewelry Box: A Collection of Histories (2013). This reading was originally given with Farid Matuk.
Terry McMillan reads from her novel Disappearing Acts (1989).
Ellen Bryant Voigt lectures on the role of syntax in poetry, examining its uses in Philip Larkin's "Cut Grass," Donald Justice's "To the Hawks," and D.H. Lawrence's "Snake."
James Laughlin reads primarily from In Another Country (1978) and Selected Poems, 1935-1985 (1985).
An interview with poet, publisher, and New Directions founder James Laughlin, hosted by Lawrence Clark Powell.
Wallace Stegner reads an excerpt from a manuscript that was in progress at the time of the reading; it would later be published as Recapitulation (1979).
W.S. Merwin reads poems from collections spanning four decades of work, including poems that would be collected three years later in Travels (1993). Used with permission of the Wylie Agency LLC.
Tomas Tranströmer reads poems spanning four decades of work. Nearly half of the poems presented here are read in Swedish, then English.
Clark Coolidge reads from an unpublished work in progress. This reading was originally given with Teré Fowler-Chapman.
Spoken word artist Teré Fowler-Chapman performs selections from their work. This reading was originally given with Clark Coolidge.
A conversation between Clark Coolidge and John Melillo, followed by a question and answer session.
Thalia Field reads from Bird Lovers, Backyard (2010) with University of Arizona MFA students Mike Coakley, Kendra Mullison, and Erin Zwiener. Each selection is read poly-vocally, i.e., one reader per paragraph.
Linda Gregg reads primarily from Too Bright to See (1981). This reading was originally given with Alan Feldman and Faye Kicknosway.
Maggie Nelson reads widely from her early work, including material from Shiner (2001) and Take Three: 3 (1998), along with uncollected poems.
Aisha Sabatini Sloan reads an early version of "Ocean Park No. 6," titled after a painting by Richard Diebenkorn. "Ocean Park No. 6" would go on to be published in the essay collection Dreaming of Ramadi in Detroit. This reading was originally given with Arianne Zwartjes.
D.T. Max reads from Every Love Story Is a Ghost Story (2012), a biography of David Foster Wallace.
Tony Hoagland reads poems that would later be collected in Donkey Gospel (1998); he also reads several works by other poets.
Rodney Jones reads from Apocalyptic Narrative and Other Poems (1993), Things That Happen Once (1996), and Elegy for the Southern Drawl (1999).
Susan Steinberg reads a short story from Spectacle (2013). This reading was originally given with Lucy Corin.
Lucy Corin reads from her short story collection, One Hundred Apocalypses and Other Apocalypses (2013). This reading was originally given with Susan Steinberg.
Spoken word artist Teré Fowler-Chapman performs selections from her work and the work of poet Sonia Sanchez at the 2014 Poetry Out Loud Regional Finals Competition. She is accompanied by violinist Samantha Bounkeua.
August Kleinzahler reads selected poems from Green Sees Things in Waves, Earthquake Weather, The Strange Hours Travelers Keep and Red Sauce, Whiskey and Snow.
Michael Collier reads primarily from The Folded Heart (1989), The Neighbor (1995), and The Ledge (2000). He also reads his translations of the work of Mexican poet José Emilio Pacheco.
Arizona's inaugural poet laureate Alberto Ríos reads at the 9th Annual Poetry Out Loud Arizona State Finals Competition.
Toi Derricotte reads from her first three collections: The Empress of the Death House (1978), Natural Birth (1983), and Captivity (1989). She also reads poems and prose that would later be collected in Tender (1997) and The Black Notebooks: An Interior Journey (1997), along with two unpublished poems, including one written in Tucson the night before this reading. She closes by singing an original song.
CAConrad reads poems from The Book of Frank (2009), A Beautiful Marsupial Afternoon: New (Soma)tics (2012), and Translucent Salamander: A (Soma)tic Poetry Ritual and Resulting Poems (2013), along with new and uncollected work.
Denise Levertov reads from her collection Evening Train (1992), mixing in several poems from A Door in the Hive (1989). She also reads poems that would later appear in Sands of the Well (1996). Longing—for the past, for human connection, for an end to atrocities committed by the United States military—plays a prominent role in the poems Levertov reads.
Al Young reads from Drowning in the Sea of Love: Musical Memoirs (1995), Heaven: Collected Poems 1956-1990 (1992), and The Sound of Dreams Remembered: Poems 1990-2000 (2001).
Joy Harjo reads poems from The Woman Who Fell From the Sky (1994), along with the essay "Warrior Road." This reading was originally given with Leslie Marmon Silko.
Leslie Marmon Silko reads Sacred Water (1993), a book-length lyric essay. This reading was originally given with Joy Harjo.
Gary Soto reads from Black Hair (1985), Who Will Know Us? (1990), and A Natural Man (1999). This reading was originally given with Rigoberto González.
In the inaugural reading of the Hannelore Quander-Rattee Translation Series, Geoffrey Brock presents translations of the work of Giovanni Pascoli, Patrizia Cavalli, and César Vallejo, along with original poems.
Rigoberto González reads from So Often the Pitcher Goes to Water until It Breaks (1999) and Other Fugitives and Other Strangers (2006). This reading was originally given with Gary Soto.
Martín Espada reads from Trumpets from the Islands of their Eviction (1987), Rebellion is the Circle of a Lover's Hands (1990), and City of Coughing and Dead Radiators (1993).
Claribel Alegría reads poems and prose from Luisa in Realityland (1987), Woman of the River (1989), Fugues (1993), and Thresholds / Umbrales (1996).
Nora Marks Dauenhauer reads Tlingit oratories from Haa Tuwunáagu Yís, for Healing Our Spirit: Tlingit Oratory (1990), along with selected poems from The Droning Shaman (1988) and Life Woven with Song (2000).
Margarita Engle delivers a lecture on poetry as a vehicle for historical exploration; she also reads poems from The Lightning Dreamer (2013) and Silver People (2014).
In this matinee performance for middle school students, Margarita Engle discusses Mountain Dog (2013), her writing process, and life in Cuba; she also reads from and discusses The Surrender Tree (2008).
Rosario Ferré reads from her poetry and fiction, frequently alternating between English and Spanish.
Galway Kinnell reads from across his body of work before reading drafts of poems that would appear in his twelfth book, Imperfect Thirst (1994). He reads from Body Rags (1968), The Book of Nightmares (1971), Mortal Acts, Mortal Words (1980), and When One Has Lived a Long Time Alone (1990). He also recites a portion of Walt Whitman's "Song of Myself" in recognition of the 100th anniversary of Whitman's death.
Dannie Abse reads from Tenants of the House: Poems 1951-1956 (1957), Funland and Other Poems (1973), Way Out in the Centre (1981), and New and Collected Poems (2003).
On the eve of his 75th birthday, Robert Penn Warren reads from Promises: Poems 1954-1956 (1957), Incarnations: Poems 1966-1968 (1968), Or Else: Poem/Poems 1968-1974 (1974), Now and Then: Poems 1976-1978 (1978), and Being Here: Poetry 1977-1980 (1980).
Mary Szybist reads from her National Book Award-winning collection Incarnadine (2013).
William Kloefkorn reads from Uncertain the Final Run to Winter (1974), Alvin Turner As Farmer (1974), loony (1975), ludi jr (1976), Stocker (1978), Leaving Town (1979), and Not Such a Bad Place to Be (1980).
Stephen Dunn opens with poems from Full of Lust and Good Usage (1976), which would be published the year following this reading. He then reads from Looking for Holes in the Ceiling (1974) before closing with poems that would later appear in A Circus of Needs (1978).
Jen Hofer reads widely from her early work. This reading was originally given with Summi Kaipa.
Camille T. Dungy reads primarily from What to Eat, What to Drink, What to Leave for Poison (2006). This reading was originally given with Richard Siken and Heriberto Yépez as part of the Next Word Series.
Brian Blanchfield reads from his James Laughlin Award-winning book A Several World (2014). This reading was originally given with Karen Brennan and Stephen Willey.
Karen Brennan reads from little dark (2014). This reading was originally given with Brian Blanchfield and Stephen Willey.
Poetry Center Summer Resident Stephen Willey reads from "Living In," a manuscript-in-progress; the section performed here was composed during his residency. This reading was originally given with Brian Blanchfield and Karen Brennan.
Rick Bass reads his short story, "Fiber," and discusses activism, Montana's Yaak Valley, and wilderness protection.
Junot Díaz reads excerpts of his short story "The Sun, the Moon, the Stars," later collected in This Is How You Lose Her (2012).
Seamus Heaney reads from Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), North (1975), Field Work (1979), and Station Island (1984). This recording is incomplete due to a malfunction on the original reel-to-reel tape, and the final three tracks display some sound distortion.
In this lecture titled "The Lives of the Poems," Joshua Beckman discusses his writing process and the physical experience of his poems. Included throughout are excerpts from unpublished poems written between 2008 and 2012.
Bob Perelman reads from his books Virtual Reality (1993) and The Future of Memory (1998).
Tim O'Brien reads his short story "How to Tell a True War Story," later published in The Things They Carried (1990). This reading was given as part of the Writers at Work series.
Leslie Scalapino reads selections from her work, collected in The Front Matter, Dead Souls (1996), New Time (1999), and Zither & Autobiography (2003).
Yona Harvey performs poems from Hemming the Water (2013) as well as work unpublished at the time of the reading. This reading was originally given with Craig Santos Perez as part of the Morgan Lucas Schuldt Memorial Reading Series.
Craig Santos Perez engages the audience with several performance pieces incorporating poems from his book from unincorporated territory [guma'] (2014). This reading was originally given with Yona Harvey as part of the Morgan Lucas Schuldt Memorial Reading Series.
Susan Briante reads from Utopia Minus (2011) and from the manuscript of The Market Wonders (2016). This reading was originally given with Alison Hawthorne Deming.
Alison Hawthorne Deming reads essays from Zoologies: On Animals and the Human Spirit (2014). This reading was originally given with Susan Briante.
Gary Soto reads poetry and prose from Who Will Know Us (1990) and A Summer Life (1990), along with poems that would later be collected in Home Course in Religion (1991).
Deborah Bernhardt performs poems from her book Echolalia (2006). This reading was originally given with Catherine Wing and Sawako Nakayasu as part of the Next Word in Poetry Series.
In this lecture, Allen Crawford discusses the process of creating Whitman Illuminated: Song of Myself (2014), an illustrated interpretation of Walt Whitman's iconic poem from the 1855 edition of Leaves of Grass.
Benjamin Alire Sáenz reads from his short story "The Rule Maker," collected in his PEN/Faulkner Award-winning book Everything Begins and Ends at the Kentucky Club (2012).
Luis Alberto Urrea reads from Vatos (2000) and Nobody's Son: Notes from an American Life (2002), along with a poem that would later be collected in The Tijuana Book of the Dead (2015).
Catherine Wing reads from her book Enter Invisible (2005), as well as poems which would later be collected in Gin & Bleach (2012). This reading was originally given with Sawako Nakayasu and Deborah Bernhardt as part of the Next Word in Poetry Series.
Sawako Nakayasu reads from So We Have Been Given Time Or (2004) and Nothing Fictional but the Accuracy or Arrangement (She (2006), as well as poems which would later be collected in The Ants (2014). This reading was originally given with Catherine Wing and Deborah Bernhardt for the Next Word in Poetry Series.
Rolando Hinojosa reads widely from his work in English and Spanish.
Richard Siken reads poems from Crush (2005). This reading was originally given with Camille T. Dungy and Heriberto Yépez for the Next Word in Poetry Series.
Heriberto Yépez reads excerpts from his poem A Brochure on Futureless Science Fiction Poetics. This reading was originally given with Richard Siken and Camille Dungy for the Next Word in Poetry Series.
Matthea Harvey reads primarily from Sad Little Breathing Machine (2004). This reading was originally given with Olena Kalytiak Davis and James Thomas Stevens for the Next Word in Poetry Series.
In a lecture titled "We, the People, Percussively Agree: Where the Pocket Beats and Breaks Between Go-Go and Hip Hop," Thomas Sayers Ellis discusses the history and evolution of Go-Go and its relationship to Hip Hop, integrating sound and song clips. He finishes by performing a poem from his book The Maverick Room (2005).
Terry Tempest Williams reads primarily from Desert Quartet: An Erotic Landscape (1995); she opens this reading with a performance of a poem by May Swenson.
Terry Tempest Williams reads excerpts from a manuscript later published as Leap: A Traveler in the Garden of Delights (2000).
Olena Kalytiak Davis reads from And Her Soul Out Of Nothing (1997) and Shattered Sonnets Love Cards and Other Off and Back Handed Importunities (2003). This reading was originally given with Matthea Harvey and James Thomas Stevens for the Next Word in Poetry Series.
James Thomas Stevens reads poems from Combing the Snakes from His Hair (2002), as well as poems that would later be collected in A Bridge Dead in the Water (2007). This reading was originally given with Matthea Harvey and Olena Kalytiak Davis for the Next Word in Poetry Series.
W.S. Merwin reads from The Vixen (1996), Flower and Hand (1996), The River Sound (1999), and The Pupil (2001), as well as selections from his novel in verse The Folding Cliffs (1998). Used with permission of the Wylie Agency LLC.
In this Poetry Craft Talk titled "Conspiracy Simile: The Assassination of JFK/The Assassination of Poetry, or How I Discovered I Was Writing Cover-Story Poetics," Thomas Sayers Ellis explores the role of truth and evidence in poetry, and critically examines his own 1992 poem "Zapruder."
Robin Robertson reads poems from his books Sailing the Forest: Selected Poems (2014), A Painted Field (1997), and Hill of Doors (2013).
Taha Muhammad Ali reads primarily from his book So What (2006) in the original Arabic, with Peter Cole reading each poem's translation in English.
Luis J. Rodriguez reads from The Concrete River (1991) and Always Running: La Vida Loca, Gang Days in L.A. (1993), along with poems that would later be collected in Trochemoche (1998). He also discusses his experiences with Los Angeles gang violence and the Chicano movement as well as his work with at-risk youth.
In this lecture on Homer titled "We Should Shudder," Michael Schmidt discusses the distance of early Greek sensibility from our own and the power of impersonal writing in Homer's poems, reflecting upon what modern poets can learn from this approach. He also incorporates readings of poems by W.H. Auden and Edwin Muir.
This event, part poetry reading and part jazz concert, pairs the work of poet Ron Silliman with the music of jazz pianist Marilyn Crispell, featuring solo performances by each artist as well as a collaborative performance.
John Ashbery reads poems that would later be collected in Hotel Lautréamont (1992), as well as an excerpt from Flow Chart (1991).
In this lecture, Heather McHugh discusses the design and impact of the ends of poems, including close readings of powerful last lines including examples from the work of Emo Philips, Abd-ar-Rahman III, Su Tung-po, Anthony Hecht, D.H. Lawrence, Paul Valéry, Alan Dugan, Julio Cortázar, Louis Simpson, Samuel Beckett, and John Frederick Nims.
Peter Turchi discusses some of the ideas presented in his book Maps of the Imagination (2004) and makes a case for the role of geometry and formal constraint in fiction.
Hilito is a short film that captures a performance by Cecilia Vicuña in the Sonoran Desert. It was filmed over the span of a week across various locations in Tucson. Vicuña created this film for the 2012 Poetry Off the Page Symposium.
Garrett Hongo reads from and discusses a cycle of poems written from the point of view of Kubota, a figure based on his maternal grandfather. He also reads poems written by Japanese internees at a detention center in Santa Fe during the 1940s.
In this matinee performance at Tucson High School, Eduardo C. Corral reads from Slow Lightning (2012), provides commentary, and participates in a question and answer session with Natalie Diaz.
In this matinee performance at Tucson High School, Natalie Diaz reads poems, provides commentary, and participates in a question and answer session with Eduardo C. Corral.
Australian poets Vincent Buckley, Les Murray, and David Malouf visit Tucson to read their work, also providing background and commentary. Les Murray reads a selection of poems in chronological order, including his oldest poem "The Burning Crook." Vincent Buckley reads from Golden Builders (1976), Late Winter Child (1979), and The Pattern (1979), as well as some unpublished poems. David Malouf reads both poetry and passages from his novel An Imaginary Life (1978).
Robert Coover reads an uncollected short story titled "A Duel." He also introduces, comments on, and reads from a book he had just finished at the time of this reading titled The Public Burning (1977), which concerns the 1953 execution of Julius and Ethel Rosenberg.
Felipe S. Molina speaks about the traditions of the Pascua Yaqui people during Holy Week. The program includes testimonies from Jenny Murrieta, Susana Garcia, and Minnie Valenzuela, discussing their cultural backgrounds, family, and the spiritual time of Cuaresma.
Kate Bernheimer reads two fairy tales, one from the Brothers Grimm and one of her own from How a Mother Weaned Her Girl from Fairy Tales (2014). This reading was originally given with Ander Monson.
John Barth reads excerpts from his novel Sabbatical: a Romance, a year before the novel's release. Copyright (c) John Barth, used with permission of the Wylie Agency LLC.
Three celebrated British poets read poems from throughout their careers.
Richard Exner reads from his poems in the original German. Each of Exner's readings in German is followed by an English translation read by David Chisolm and Marie Ingram.
Linda Hogan reads early drafts of poems that would later be collected in Rounding the Human Corners (2008), along with poems from The Book of Medicines (1993) and excerpts from her novel Solar Storms (1995). The reading concludes with questions from the audience.
Robert Boswell reads from the second chapter of his novel Mystery Ride (1993). Antonya Nelson reads her short story "Irony, Irony, Irony," which would later be collected in Female Trouble (2003).
Just after joining the University of Arizona faculty, Elizabeth Evans reads the first chapter of an unpublished manuscript titled Ancient History, parts of which went on to be included in her novel Rowing in Eden (2000).
Italian writer Paolo Valesio reads poems in English translation. He opens the reading with "In Memoriam" from La Rosa Verde (1987) in the original Italian.
Ander Monson reads two poems inspired by the movie Predator, along with four essays collected in Letters to a Future Lover (2015). This reading was originally given with Kate Bernheimer.
Alan Feldman reads from his collection The Happy Genius (1978), as well as two new poems. This reading was originally given with Faye Kicknosway and Linda Gregg.
Carolyn Forché reads from her first three collections of poetry, Gathering the Tribes (1976), The Country Between Us (1981), and The Angel of History, which would be published three years after this reading. She also speaks about French Surrealist poet Robert Desnos and reads her translator's note to The Selected Poems of Robert Desnos (1991).
In her first reading as a member of the University of Arizona faculty, Tess Gallagher reads from her first three collections, Stepping Outside (1974), Instructions to the Double (1976), and Under Stars (1978). She also treats the audience by singing a traditional Irish folk song that has been an inspiration to her writing.
John Gardner reads from two of his stories, "Coyote and the Dead Man" and "Come on Back."
Rita Garitano reads poems on subjects such as teaching, feminism, marriage, and motherhood. Some of these poems appear in We Do What We Can (1975), while others are uncollected.
Patricia Hampl opens with two poems, "The Moment" and "Last Letter." Then she reads the essay "Pilgrimage" from her book Spillville (1986), as well as two excerpts from her memoir A Romantic Education (1981). At this event, Hampl also read from Virgin Time: In Search of the Contemplative Life (1992), but this portion of her reading was not recorded.
Lawson Fusao Inada performs poems that speak to the Asian American experience, particularly around Japanese American internment during World War II and life in mid-century Fresno, California. He reads a selection of poems from Before the War: Poems as They Happened (1971), along with with other poems from the 1970s, including "I Told You So."
Elizabeth Evans reads from the first and fifth chapter of The Blue Hour (1995). She opens her performance by reading a poem by W. B. Yeats, "Adam's Curse."
Winners of the Poets & Writers Maureen Egen Writers Exchange Award, Laura Kasischke and David Reynolds read from their winning manuscripts. Kasischke reads poems from Housekeeping in a Dream, and Reynolds reads the chapter "Hush, Noah" from In the Waiting World.
Nanci Kincaid reads from a manuscript written during her time teaching at the University of Arizona that would eventually become her novel Verbena (2002). This early draft is untitled, and was originally intended to be the second in a trilogy of novellas collectively titled Three Wives.
David Kirby reads from his poetry. Kirby provides many anecdotes between poems, explaining the role of research in his creative process, and telling witty stories of the personal experiences that spark much of his work.
Carolyn Kizer reads from her poems, many of which are dedicated to historical heroes or to figures who played an important role in her personal life.
Willy Vlautin reads segments from the perspectives of three main characters (Freddie McCall, Nurse Pauline Hawkins, and Leroy Kervin) in his novel The Free (2014).
Robert Bringhurst reads selections from his poetry and translations, providing background and historical context.
Harriet Doerr discusses old age, living in Mexico, and the need to combine experience, imagination, and observation when writing. She reads the first chapter of a story published in 1986 called "Picnic at Amapolas," and she also reads a short excerpt from a chapter called "Immense Distances, Extraordinary Events" in her novel Stones for Ibarra (1984), which covers a woman's experience sorting through her deceased husband's belongings.
Richard Elman reads work unpublished at the time of this reading, including his short story "Almonds with the Children of Long Bay." He also reads "Post Time," the prologue of Namedropping: Mostly Literary Memoirs (1998), along with a short story called "Loving Strangers" from his collection Disco Frito (1988).
Gretel Ehrlich reads from and discusses the process of collaboration on Arctic Heart (1992), a series of poems composed for a ballet. She also reads excerpts from "The Fasting Heart," an essay on destruction and abundance in the natural world, collected in Islands, The Universe, Home (1991).
William H. Gass reads a section called Mad Meg from his novel The Tunnel (1995) and provides background on the narrator's role in the book.
Ron Hansen reads two Nebraska-based stories: "True Romance," which combines two of the author's personal experiences in Nebraska and Minnesota, and "Nebraska," which was used as the prologue for a Nebraska-themed issue of Prairie Schooner (Summer, 1986).
Jean Rukkila, a graduate student in Creative Writing at the time, reads her story "Andi and Ann." Ron Hansen reads four sections from his novel The Assassination of Jesse James by the Coward Robert Ford (1983).
Robert Hemenway reads an excerpt from At the Border (1984) and prefaces his reading with a description of common themes in his writing.
Caroline Langston reads her story "The Haitian Necklace," dedicated to one of her former students.
Sarah Kortemeier performs a series of short love poems in light of Valentine's Day at the 2015 Poetry Out Loud Regional Finals Competition.
David Lee reads from his work, including poems from My Town (1995) and a piece that would later be collected in A Legacy of Shadows (1999).
Elizabeth Libbey reads poems from her first book, The Crowd Inside (1978), as well as early drafts of poems that would go on to be collected in Songs of a Returning Soul (1981).
Joshua Marie Wilkinson reads from Shimoda's Tavern, the final installment in his No Volta pentalogy. This reading was originally given with Ariana Reines.
Poet and physician Fady Joudah reads uncollected and new poems; poems from Alight (2013) and Textu (2014); and translations from the works of Mahmoud Darwish, Ghassan Zaqtan, Hussein Barghouthi, and Amjad Nasser.
Ariana Reines reads new and uncollected poems, including one written for this reading. This reading was originally given with Joshua Marie Wilkinson.
Maxine Kumin reads from several collections including her first book, Halfway (1961), as well as Upcountry (1972) and House, Bridge, Fountain, Gate (1975). She reads poems on themes such as animals, dreams, water, and the body, as well as two elegies to her close friend Anne Sexton, and a series of seven riddles.
John Harmon McElroy reads work from several major American authors. He opens with a brief passage from John Dos Passos's USA Trilogy (1930-1936), and reads from works including Washington Irving's The Sketchbook of Geoffrey Crayon (1819), Henry James's The American (1877), Henry David Thoreau's Walden (1854), Herman Melville's Israel Potter: His Fifty Years of Exile (1855), Nathaniel Hawthorne's The Scarlet Letter (1850), Walt Whitman's Specimen Days (1892), several poems by Emily Dickinson, and Mark Twain's Adventures of Huckleberry Finn (1884).
Erin McGraw performs a Southern dialect to read the story Until It Comes Closer from her collection Bodies at Sea (1989).
Medbh McGuckian reads poems from throughout her career, not long after the announcement of a historic ceasefire in her native Northern Ireland. The reading opens with several early poems that are uncollected to the best of our knowledge.
Tim O'Brien reads a chapter from his novel The Nuclear Age, which would be published three years after this reading.
Longtime University of Arizona faculty member Peter Wild reads poems from The Brides of Christ (1991), together with poems that would remain uncollected or appear in his final poetry collection, Easy Victory (1994). Throughout, he reads poems about individuals from American history, European art history, and the Bible.
Daniel Lopez reads several of his poems and sings songs; this performance includes the poems "Preservation," "Village Progress," and "Naming," along with "Corn Planting Song."
Simon J. Ortiz reads prose and poetry, including an excerpt from an in-progress manuscript of an epic poem and selections from Woven Stone (1992), from Sand Creek (2000), and Out There Somewhere (2002).
N. Scott Momaday reads both poetry and fiction for the Writers at Work series. He begins with a series of short epitaphs, followed by a series of charms inspired by the Native American oral tradition. He reads a few more poems, including selections from his collection The Way to Rainy Mountain (1969). He concludes the reading with a selection from his Pulitzer Prize-winning novel House Made of Dawn (1968).
Alison Moore begins her reading with a poem titled "The Extras at the Gates of Eden." She then reads her short story "Snake Woman," which would go on to be published in The Middle of Elsewhere: A Novella and Stories (2006).
Tillie Olsen reads excerpts from Tell Me a Riddle (1961), her collection of short stories; Yonnondio: From the Thirties (1974), an unfinished novel; and the classic work of nonfiction, Silences (1978). Olsen's reading is interspersed with anecdotes and narrative summaries.
Steve Orlen reads just after the publication of his first chapbook, Sleeping on Doors.
Steve Orlen reads poems from the just-published collection Kisses (1997), as well as new poems.
Simon J. Ortiz reads poems following the theme that poetry is the voice that we all speak.
Boyer Rickel reads poetry from his first book, Arreboles (1991), touching on family and childhood memories, experiences living in Tucson, and musicians and writers of previous centuries. He also reads an essay that would go on to be published in Taboo (1999), which he introduces by discussing his approach to writing essays that follow the form of poems, not returning to a main idea but moving through it.
In this artists' talk, photographer Seamus Murphy and journalist/poet Eliza Griswold discuss their experiences in Afghanistan and the poems and photographs featured in the exhibition Shame Every Rose: Images from Afghanistan. This exhibition, which traveled to the Poetry Center courtesy of the Poetry Foundation of Chicago, featured photographs presented in pairs to echo the couplet form of the landay, an oral folk poetry created by and for the Pashtun women who span the border between Afghanistan and Pakistan. The landays featured in this exhibit also appear in the June 2013 issue of Poetry magazine, as well as in the anthology I Am The Beggar of The World (2014).
Richard Marius reads an excerpt from an early draft of his novel After the War (1992).
This celebration of Ruth Wulpi Meenan's life and work includes reflections and excerpts from her biography, poems, and songs, performed by Francesca Jarvis, Edna Church, and David J. Ashcraft. At the end, the audience is invited to contribute memories and reflections, and the event concludes with orchestral/choral performances of "Silent Night," "Joy to the World," and Handel's "Hallelujah Chorus," among others.
Ofelia Zepeda reads from Ocean Power (1995) and Where Clouds Are Formed (2008); she also reads several new poems. Some poems are performed in Tohono O'odham and English.
Richard Nelson reads from Heart and Blood: Living with Deer in America (1997), including excerpts from the chapters "Heart of The Hunter" and "In Search of Eden." These chapters cover topics such as hunting and predation, and they are written through the lens of the author's experiences as an anthropologist in Alaska.
William Olsen reads primarily poems that would go on to be collected in Trouble Lights (2002), including "A Cat," "The Human Heart," "To A Fly," "Ruin Outlasting Sorrow," and "Black Globe." This reading was originally given with Nancy Eimers.
This reading was originally scheduled as a joint appearance by Brazilian poet Adélia Prado and her translator Ellen Doré Watson, but Prado was unable to travel due to health issues. Watson thus reads her translations of Prado's poetry, as collected in The Alphabet in the Park: Selected Poems (1990), and plays recordings of Prado reading some of her poetry in the original Portuguese.
Marilynne Robinson reads from her novel Housekeeping (1981).
Greg Sarris reads a story titled "Waiting for the Green Frog," in the voice of an elderly medicine woman, from his collection Grand Avenue: A Novel in Stories (1994).
Myra Sklarew opens with a reading of poems by Richard Shelton, Tadeusz Rózewicz, and Takis Sinopoulos, continuing with poems from her collections The Science of Goodbyes (1982), Travels of the Itinerant Freda Aharon (1985), and Lithuania: New & Selected Poems (1995).
Marcia Southwick reads poems from the second half of The Night Won't Save Anyone (1980), along with poems that would go on to be collected in Why the River Disappears (1990).
Lynn Luria-Sukenick reads two works of fiction ("The Man With The Blues Guitar" and "Still Life With Bath"), along with a short performance piece called "Bomb." "Bomb" is a collaboration with poet and musician Rob Brezsny, whose part is performed here by Jonathan Penner.
1995 Summer Resident Kymberly Taylor reads poems including "Where the Wild Things Went" and "Bird by Bird, Into This and This," which incorporates notations of birdsong from the book Born to Sing: An Interpretation and World Survey of Bird Song (1992) by Charles Hartshorne.
Leslie Ullman discusses process and reads poems from her collection Natural Histories (1979), including "Bravado," "Fur," "Last Night They Heard the Woman Upstairs," and "Midwife"; she also reads poems that would go on to be collected in Dreams by No One's Daughter (1987).
James Tate reads poems from throughout his career. His world-famous sense of humor is on display in both his verse and his presence before the audience.
Tomaž Šalamun reads from poems written throughout his career, some of them translated into English by poets such as Bob Perelman and Charles Simic, others read in his native Slovenian.
Susan Fromberg Schaeffer reads poems from her collections The Witch and the Weather Report (1972), Granite Lady (1974), The Rhymes and Runes of the Toad (1975), and Alphabet for the Lost Years (1976), many inspired by nature, teaching, and biblical themes.
British poet Jon Silkin reads from his poems, filled with imagery related to animals, death, and British history, especially the history of the Jewish community in Great Britain.
Gerald Stern reads poems from throughout his career, filled with witty quips about rural Pennsylvania, his Ukrainian heritage, historical essays on rhyme, and getting fired from a teaching position at Temple University.
Frank Waters reads from his novel The Man Who Killed the Deer (1942) and his memoir Pumpkin Seed Point (1973).
C. K. Williams reads poems from throughout his career, highlighting the musicality of the long lines that have become his signature.
Barbara Anderson reads from her second collection of poems, Junk City (1987), as well as poems that would go on to appear in 1-800-911 (1997).
Homero Aridjis reads from his novel El señor de los últimos días: Visiones del año mil (The Lord of the Last Days: Visions of the Year 1000), first published in 1994 and translated into English in 1996. The reading is entirely in Spanish.
Richard and Nora Marks Dauenhauer read from their English translations of Tlingit poems and stories, providing fascinating explanations of the traditions behind the literature. They read first the original Tlingit and then the English translations. They conclude by reading from their own original poems.
W. S. Di Piero reads poems from his fifth collection, The Restorers (1992), as well as poems that would later be published in Shadow Burning (1995). The poems are inspired by place—particularly California, Italy, and Philadelphia—and subjects as diverse as natural history, the lives of the saints, and the realm of Faerie.
James Galvin reads from poems on themes such as the age of exploration and museum art.
Suzanne Gardinier reads from her first collection of poetry, The New World (1993), a book-length poem on the arrival of Europeans in the Americas and the ongoing legacy of colonialism in American life.
Nancy Mairs reads poetry and nonfiction from her first three books, In All the Rooms of the Yellow House (1984), Plaintext (1986), and Remembering the Bone House (1989).
Peter Matthiessen reads from his works of nonfiction The Snow Leopard (1978) and Indian Country (1984), along with a hallucination scene from his novel At Play in the Fields of the Lord (1965).
N. Scott Momaday reads from his novel The Ancient Child (1989), then under the working title Set, the Kiowa word for 'bear.'
Robert Pack delivers a lecture titled Voice as Metaphor: Silences, Sighs, Ellipsis, O's and Ah's, reflecting on the work of poets such as Wallace Stevens and Robert Frost.
University of Arizona alumnus Greg Pape reads from his poetry collections Storm Pattern and Sunflower Facing the Sun, both published in 1992. He also reads several poems that later would be collected in American Flamingo (2005). His selections engage deeply with place—primarily Montana and Arizona—and lives of people within those places.
Pattiann Rogers reads poems from her collection Firekeeper: New and Selected Poems (1994).
Annick Smith reads the title essay from her first collection, Homestead (1995), as well as essays from her collection Big Bluestem: A Journey into the Tallgrass (1996), an exploration of the history of the Tallgrass Prairie Preserve in Oklahoma. She also reads "Sink or Swim," her contribution to a multi-author collection, Headwaters (1996), assembled in protest of industrial mining along the Blackfoot River. She concludes with "Writing Down the River," an essay on the Grand Canyon.
William Stafford reads poems from throughout his career, on themes such as aging, memory, nature, war, and human violence. He also reads what he claims is his "weakest" poem, "The Little Girl by the Fence at School."
Roger Weingarten reads "The Tale of The Green Rose," which is the last poem in The Vermont Suicides (1978).
Roberta J. Hill opens with two poems from her first collection, Star Quilt (1984), before reading more recent work that would later be collected in Philadelphia Flowers (1996). Both collections were published under the name Roberta Hill Whiteman.
Sir Angus Wilson reads his early short story "What Do Hippos Eat" (1949), along with excerpts from his novels The Old Men at the Zoo (1961), No Laughing Matter (1967), and As If By Magic (1973).
Pamela Stewart reads just after joining the University of Arizona faculty. She reads from a series of poems titled "The One and the Other," exploring an attempt to escape obsession.
Luci Tapahonso reads poems from throughout her career, including poems from her collection Sáanii Dahataal (the women are singing) (1993).
Eleni Sikelianos reads from The Book of Tendons (1997), The Blue Guide (1999), and The California Poem (2004), as well as several poetic essays inspired by Proust and Michel de Montaigne. This reading was originally given with Jane Miller.
Natalie Diaz reads poems that would appear five years later in Postcolonial Love Poem (2020). She also reads briefly from her first book, When My Brother Was An Aztec (2012).
Poetry Center Interim Director Mark Wunderlich and Events Coordinator Karen Falkenstrom talk about the history of the Poetry Center from 1960 to 1995 on The Topic of Tucson, hosted by Vicki Doyle. They discuss the art of poetry and read a few favorite poems from writers in the Poetry Center's 1995-1996 reading series.
Poet and Poetry Center Interim Director Mark Wunderlich reads a series of poems in response to trauma, loss, and HIV/AIDS. The poems in this reading are from a manuscript-in-progress that at the time was titled The Grooves of This. Most would go on to be collected in Wunderlich's debut, The Anchorage (1999).
Ofelia Zepeda reads from her poems in O'odham and in English. She also reads from an unfinished translation of a story originally told by an O'odham medicine man.
Leroy V. Quintana reads poems including "Guadalupe," "Frida," and "Points North." Estela Portillo Trambley reads from her short story "If It Weren't For The Honeysuckle" (1975).
Houston Baker reads widely from his work, including poems from No Matter Where You Travel, You Still Be Black (1979), Spirit Run (1982), and Blues Journeys Home (1985).
John A. Williams reads poems from an early manuscript that would eventually come to form his collection Safari West (1998). He then reads from his novel !Click Song (1982), investigating issues of race, colonialism, and diaspora. Both books are winners of the American Book Award.
Joy Williams reads her short story "Escapes," the title piece of her 1990 collection of short fiction.
Monique Wittig and Sande Zeig read for the Writers At Work Series. Wittig and Zeig team to play the parts of Don Quixote and Sancho Panza in a play written by Wittig and translated by Zeig, Le Voyage sans fin (The Constant Journey, 1985), based on Miguel de Cervantes's classic novel. Before performing the play, Wittig gives a brief talk explaining the role of transposition and gender roles in her adaption of Cervantes's work.
Pulitzer Prize-winning poet and novelist Maxine Kumin reads from her then-recent collection Nurture (1989), together with poems written throughout her career, as well as two poems that would go on to be collected in her next book, Looking for Luck (1992). Many of the poems consider connections between animals and humans. Kumin also reads a series of three elegies to her longtime friend Anne Sexton.
Steve Orlen reads from his collections Permission to Speak (1978) and A Place at the Table (1982), as well as from newer material.
Steve Orlen reads extensively from his collection The Bridge of Sighs (1992). His selections follow the book's four major themes, which he describes as poems of childhood, poems of love and marriage, poems of relationship, and poems of grace.
Steve Orlen reads from his books Permission to Speak (1978), Separate Creatures (1976), and Sleeping on Doors (1975).
Leslie Marmon Silko reads from her novel Gardens in the Dunes (1999), as well as from a work in progress, Protect Yourself from Bad Spells While You Get Rich. This reading was originally given with Daryl Ross Begay.
Leslie Marmon Silko reads from her poems and fiction, including excerpts from Almanac of the Dead (1991) and Storyteller (1981). She also performs traditional oral stories.
Jim Simmerman reads from a manuscript that would become his collection Kingdom Come (1999), a series of persona poems written in the voices of various Biblical characters. Jewell Parker Rhodes reads from her first novel, Voodoo Dreams: A Novel of Marie Laveau (1993), inspired by the life of the famed 19th century Voodoo Queen. She reads two scenes from the novel, the first set just before Marie Laveau's tenth birthday, and the second during the performance of one of Laveau's greatest miracles.
Luci Tapahonso reads from poems published throughout her career, many of them fueled by personal anecdotes.
Luci Tapahonso reads from her collections Seasonal Woman (1982) and A Breeze Swept Through (1987), beginning with a piece that combines spoken poetry with song.
Ofelia Zepeda reads from her poetry collections When It Rains, Papago and Pima Poetry = Mat hekid o ju, 'O'odham Na-cegitodag (1982), Ocean Power: Poems from the Desert (1995), and Jewed 'I-hoi, Earth Movements (1997). She reads the poems first in O'odham, and then in English.
Paul Zimmer reads poems inspired by his troubled youth during the Eisenhower years, as well as several persona poems.
Ann H. Zwinger reads from her books of natural history, including Beyond the Aspen Groove (1970), Run, River, Run: A Naturalist's Journey Down One of the Great Rivers of the West (1975), Wind in the Rock: The Canyonlands of Southeastern Utah (1978), and A Desert Country near the Sea: A Natural History of the Cape Region of Baja California (1983).
Judith Barrington reads from History and Geography (1989) along with poems that would go on to be collected in Horses and the Human Soul (2004) and several that remain uncollected. The poems she selects for this reading center on place, landscape, memory, and Lesbian identity; horses recur throughout.
Henry Carlile begins with his poem "The Fire"; this reading also includes "Grace," "Depression," "Keeper of the Towels," and "The Cloud and The Plough and The Meaning of Rhyme."
Romanian poet and translator Nina Cassian opens the Poetry Center's Fall 1990 reading series. The quality of the original audio recording is poor, making Cassian's voice difficult to hear.
Author and illustrator Faye Kicknosway reads poems from her book The Cat Approaches (1978); she also reads from a manuscript that would eventually become the Pulitzer Prize–nominated Who Shall Know Them? (1985), a series of ekphrastic poems engaging with Walker Evans's famed photographs of life during the Great Depression. This reading was originally given alongside readings by Alan Feldman and Linda Gregg.
University of Arizona fiction faculty member Robert Houston reads excerpts from an early novel and from Bisbee '17 (1979).
Robert Houston reads from the manuscript of a novel in progress with the working title The Book of the South, about Reconstruction era Alabama. He dedicates this reading to the memory of Cecil Robinson, former chairman of the University of Arizona English Department.
Diane Glancy reads a range of works on the theme of story, including a number of poems that would subsequently appear in The West Pole (1997) and (Ado)ration (1999). She also reads excerpts from Pushing the Bear: A Novel of the Trail of Tears (1996) and closes the reading with a brief extract from Firesticks (1993).
Nancy Eimers reads poems of quiet observation. This reading was originally given with William Olsen.
Jen Bervin discusses Emily Dickinson's manuscripts and compositional processes, with special attention to the poet's manipulations of the physical page.
Rosemary Catacalos reads from her first collection, Again for the First Time (1984), before sharing more recent poems. Several of the more recent poems would appear in anthologies throughout the 1990s or would be collected in her chapbook Begin Here (2013). San Antonio, Texas, figures prominently, and key themes include multicultural identity and life in border communities.
Poet and playwright Denise Chávez reads from her poems and short stories, and also performs some scenes from her stories, drawing from her work in the theater arts. She reads first from Descansos: An Interrupted Journey (a 1995 collaboration with Rudolfo A. Anaya and Juan Estevan Arellano, combining photography and creative writing), which explores the cultural and personal histories surrounding roadside crosses. She also reads from Face of an Angel (1994), a novel about a career waitress, exploring themes of divorce, race, and childbirth.
Alan Cheuse reads from his novel The Light Possessed (1990), inspired by the life of Georgia O'Keefe and several other U.S. women painters. The novel's title comes from a poem by Walt Whitman, "A Prairie Sunset," which Cheuse reads as an introduction to his own work. Cheuse's novel has "two beginnings," and he reads both: the first is a chapter titled "River."
Bruce Dobler explains the relationship of his work to documentary fiction. He speaks of the necessity of journalistic fiction and the writer's task of capturing "the spirit and mood of a place and a time that would otherwise be inaccessible." Dobler reads from his novel, The Last Rush North (1976), exploring the construction of the Alaskan pipeline. Rather than picking a single chapter in the novel, Dobler reads an assortment of excerpts following one of the novel's many characters, a truck driver named Jill Jones. He closes with an excerpt following a character named Little Nasty, who gets into a fight with a much larger man.
Pulitzer Prize–winning poet Stephen Dunn opens with "Under the Black Oaks," the poem he had most recently written at the time of this reading. Dunn reads poems from throughout his career, often on the theme of family, including a poem about losing his mother, an atheist's parenting dilemmas as his daughter moves toward Christianity, and an ode to the sister he never had.
Thomas Rogers reads from the manuscript of his novel At the Shores (1980). At the time of the reading, the novel was a work in progress with the title The Desire and Pursuit of the Whole.
Mary Elsie Robertson reads a chapter from her novel What I Have to Tell You (1989). This University of Arizona Creative Writing faculty reading was originally given with Vivian Gornick.
John Logan reads from his collections The Spring of the Thief: Poems 1960-1962 (1963), The House That Jack Built: or, A Portrait of the Artist as a Sad Sensualist (1974), and from the long poem A Trip to Four or Five Towns. He concludes by reading all eight sections of the book-length poem Poem In Progress (1975). Many of the poems read here would go on to appear in his Collected Poems (BOA Editions, 1989) and are used with the permission of BOA Editions, Ltd., www.boaeditions.org.
Miguel M. Méndez reads from poems translated by Pulitzer Prize–nominated poet and translator Valerie Martínez during the time when Martínez was an MFA student at the University of Arizona. Méndez reads the poems in Spanish, then Martínez reads her English translations. Poems include "Moon," "Legend of the Breeze," "Saguaros," and "Workshop of Images."
Leonard Michaels reads from short stories written throughout his career, and concludes the reading with an excerpt from his novel The Men's Club (1981). His uncompromising realist sketches catch characters at their darkest and most vulnerable moments, and are colored with absurdist humor. Stories include those published in his collections Going Places (1969) and I Would Have Saved Them If I Could (1975).
Kent Nelson reads from his short story collection The Tennis Player (1977). He first reads the title story, followed by "Instants" and "The Time and Manner."
Roland Flint, Poet Laureate of Maryland at the time of this reading, opens with early poems from Say It (1979) and Resuming Green (1983). Flint reads from his National Poetry Series volume Stubborn (1990), interspersing work from Stubborn with recently written poems, some of which would go on to be published in Easy (1999). Flint also discusses his work as a translator of Bulgarian and reads several of his translations.
Juan Felipe Herrera warmly engages the audience with work that would be collected in books such as Mayan Drifter: Chicano Poet in the Lowlands of America (1997), Notebooks of a Chile Verde Smuggler (2002), and Half of the World in Light: New and Selected Poems (2008), as well as uncollected pieces. Standout performances include "Notes on Other Chicana and Chicano Inventions" and "Suicide in Hollywood / Lupe Velez (Circ. 1923) Serigrafía de una actriz Mexicana," read in Spanish and English. Opening his reading with an invocation to sky, earth, wind, and fire, Herrera encourages audience laughter and participation throughout the evening.
Richard Jackson reads long poems from his collection Worlds Apart (1987) and others that would be collected in Alive All Day (1992). He begins with a poem by Thomas Hardy, "I Looked Up from My Writing."
Richard Katrovas reads formal poems from The Book of Complaints (1993), responding to the Velvet Revolution in the former Czechoslovakia. The reading includes a generous question and answer session in which Katrovas shares his experience of being in Prague during the Velvet Revolution.
Vivian Gornick reads from Fierce Attachments (1987), a memoir of the author's past and present relationship with her mother. This University of Arizona Creative Writing faculty reading was originally given with Mary Elsie Robertson.
Jane Miller opens her reading with "Miami Heart" and "The Poet," both from Memory at These Speeds: New and Selected Poems (1996). She continues with work from Wherever You Lay Your Head, published in 1999. This reading was originally given with Eleni Sikelianos.
Nanao Sakaki performs poems and songs in the courtyard of the Poetry Center on Cherry Avenue. Asking the audience, "Any questions? I'll answer by my poems," Sakaki addresses themes raised by audience members such as anger, feeling at home, time, walking, and love for the desert and all forms of life.
Matt Bell reads from his novel Scrapper (2015). This reading was originally given with 2015 Poetry Center Summer Resident Hieu Minh Nguyen.
Poetry Center Summer Resident Hieu Minh Nguyen reads poems from This Way to the Sugar (2014) as well as new and uncollected work. This reading was originally given with Matt Bell.
In this performance for the Writers at Work Series, Katherine Toy Miller and Vance Bourjaily read from their fiction. Katherine Toy Miller reads six short stories from a collection titled Eleanor, along with a short story titled "The Critical Session." Vance Bourjaily reads segments from a novel-in-progress called The Great Fake Book. Bourjaily ends his reading by performing a short solo on the cornet.
In this performance for the Writers at Work Series, Patrick D. Hoctel reads from a story set in Miramar, Baja California, titled "Playing with Light."
Tarfia Faizullah reads poems from her collection Seam (2014) and from an early version of Registers of Illuminated Villages (Graywolf Press, 2018). This reading was originally given with francine j. harris as part of the Morgan Lucas Schuldt Memorial Reading Series.
francine j. harris reads poems from her collection allegiance (2012) and from her upcoming manuscript play dead (Alice James Books, 2016). This reading was originally given with Tarfia Faizullah as part of the Morgan Lucas Schuldt Memorial Reading Series.
Annie Guthrie reads poems from her collection the good dark (2015) and from a manuscript titled let x (be rogue). This reading was originally given with Richard Siken.
Richard Siken reads poems from his collection War of the Foxes (2015). This reading was orginally given with Annie Guthrie.
Laynie Browne reads poetry from her collections Lost Parkour Ps(alms) (2014), Practice (2015), and Scorpyn Odes (2015), as well as uncollected work.
Paul Hurh provides an introduction to Edgar Allan Poe as literary critic, drawing attention to the famous writer's caustic wit and analytical innovations.
Jerome Rothenberg performs a retrospective survey of his prolific body of work, beginning with poems written in the 1960s and continuing in chronological order. Most of the poems read here are collected in Eye of Witness: A Jerome Rothenberg Reader (2013).
Brenda Hillman reads from her books Bright Existence (1993), Practical Water (2009), and Seasonal Works With Letters On Fire (2013), along with uncollected and new poems.
Phillip Lopate reads essays from Getting Personal (2003) and Portrait Inside My Head (2013), as well as one uncollected essay.
Srikanth Reddy reads from a manuscript in progress titled "Underworld Lit."
Srikanth Reddy delivers a talk on likeness, unlikeness, and portraiture in the works of Emily Dickinson, Pablo Picasso, and Gertrude Stein.
Essayist and poet Erik Reece reads poems from A Short History of the Present (2009) and essays from An American Gospel: On Family, History, and the Kingdom of God (2009) as well as Utopia Drive: A Road Trip Through America's Most Radical Idea (2016).
Rachel Zucker reads from an unpublished manuscript tentatively titled "Sound Machine."
In this lecture, Rachel Zucker discusses risk, shame, and questions of gender and privilege in relationship to confessional poetry.
Terrance Hayes reads from each of his published books: Muscular Music (1999), Hip Logic (2002), Wind in a Box (2006), Lighthead (2010), and How to Be Drawn (2015). He also reads recent, unpublished poems on the spectacle of violence. This reading was given as part of the Spectacular Poetics series.
Kimiko Hahn reads from Toxic Flora (2010) and Brain Fever (2014). This reading was given as part of the Spectacular Poetics series.
Khadijah Queen reads from her collections Conduit (2008), Black Peculiar (2011), and Fearful Beloved (2015); she also shares drawings, photos, and video and sound clips. This reading was given as part of the Spectacular Poetics series.
Adrian Matejka intersperses thoughts on spectacular poetics with readings of poems from Mixology (2009) and The Big Smoke (2013); he also reads new and uncollected work. This reading was given as part of the Spectacular Poetics Series.
James Hannaham reads the prologue and opening chapter of his novel Delicious Foods (2015).
Poet David Baker gives a collaborative performance alongside Lauren Baba, Andrew Rowan, Alina Roitstein, Harrison Kirk, and Gregory Uhlmann of the River Song Quintet, who perform musical settings of his poems. Included in this performance are uncollected and new poems, as well as poems from Baker's collections The Truth about Small Towns (1998) and Scavenger Loop (2015).
Poet and translator Marilyn Hacker reads from her collections Names (2010) and A Stranger's Mirror (2015). She also reads from her translations from the French of works by poets Vénus Khoury-Ghata and Claire Malroux.
Poet and essayist Brian Blanchfield reads from his first work of non-fiction, Proxies (2016). This reading was originally given with Fenton Johnson.
Fenton Johnson reads from his novel The Man Who Loved Birds (2016). This reading was originally given with Brian Blanchfield.
Renee Angle reads from her book-length poetry project WoO (2016). This reading was originally given with Wendy Burk.
Wendy Burk discusses and reads from her translation of Tedi López Mills' Against the Current (2016) and her own first collection of poems, Tree Talks: Southern Arizona (2016). This reading was originally given with Renee Angle.
Erin Stalcup reads from her short story collection And Yet It Moves (2016). This reading was originally given with Vickie Vértiz.
Poetry Center Summer Resident Vickie Vértiz reads new and uncollected poems. She also introduces Tucson Youth Poetry Slam champion Erik Loya-Tolano and local poet and performer Enrique García Naranjo, who each read one poem. This reading was originally given with Erin Stalcup.
Daniel Schoonebeek reads poems from his collections American Barricade (2014) and Trébuchet (forthcoming from University of Georgia Press, 2016). This reading was originally given with Solmaz Sharif as part of the Morgan Lucas Schuldt Memorial Reading Series.
Solmaz Sharif reads poems from her collection Look (2016). This reading was originally given with Danniel Schoonebeek as part of the Morgan Lucas Schuldt Memorial Reading Series.
Julie Iromuanya reads from her novel Mr. and Mrs. Doctor (2015) as well as from an unpublished novel. This reading was originally given with Karen Brennan.
Karen Brennan reads from her short story collection Monsters (2016). This reading was originally given with Julie Iromuanya.
Claudia Rankine reads from and discusses Citizen (2014). This reading incorporates artwork included in Citizen as well as other visual materials, including additional works by artists featured in Citizen and the video essay "Situation 8" by Claudia Rankine and John Lucas.
In this question and answer session at Rincon High School, Byrd Baylor discusses her inspirations, writing process, and experience as a writer, in addition to her connection to nature, the land, and ceremonies. She also reads from I'm in Charge of Celebrations (1986).
Richard Shelton reads from his memoir Nobody Rich or Famous (2016). He also reads a related poem from Selected Poems, 1969-1981 (1982).
Aracelis Girmay discusses intersections between ways of thinking about poetry, ecologies, and climate change. She also reads from the black maria (2016) and Kingdom Animalia (2011). This reading was given as part of the Climate Change & Poetry Series.
Robert Hass reads one poem from The Apple Trees at Olema (2010) along with recent, uncollected poems on the subject of climate change. This reading was originally given with Brenda Hillman as part of the Climate Change & Poetry Series.
Brenda Hillman reads poems related to climate change from Cascadia (2001), Practical Water (2009), and Seasonal Works with Letters on Fire (2013). She also reads a new sequence of poems titled "The Rosewood Clauses." This reading was originally given with Robert Hass as part of the Climate Change & Poetry Series.
Rita Dove reads from Collected Poems, 1974-2004 (2016) and Sonata Mulattica (2009). She also reads uncollected work.
Lawrence Lenhart reads from his essay collection The Well-Stocked and Gilded Cage (2016). This reading was originally given with Benjamin Rybeck and Natasha Stagg.
Benjamin Rybeck reads from his novel The Sadness (2016). This reading was originally given with Lawrence Lenhart and Natasha Stagg.
Natasha Stagg reads from her novel Surveys (2016). This reading was originally given with Lawrence Lenhart and Benjamin Rybeck.
Camille Dungy discusses climate change and reads from What to Eat, What to Drink, What to Leave for Poison (2006), Smith Blue (2011), and a forthcoming manuscript titled Trophic Cascade. This reading was given as part of the Climate Change & Poetry Series.
In this classroom session at Rincon High School, Terry Tempest Williams leads students in writing exercises that explore students' knowledge of their home places and environments. Williams also answers student questions and reads from two stories published in Coyote's Canyon (1989).
In this session at Rincon High School, Joy Harjo reads several poems from She Had Some Horses (1983) and In Mad Love and War (1990). She also provides suggestions for beginning writers and discusses the writing process.
Joy Harjo reads from Conflict Resolution for Holy Beings (2015) and How We Became Human: New and Selected Poems (2002). She also plays flute and soprano saxophone. This reading was given as part of the Climate Change & Poetry Series.
Ross Gay reads poems from Catalog of Unabashed Gratitude (2015) and an essay from The Book of Delights (2019). This reading was given as part of the Climate Change & Poetry Series.
Brian Teare reads new and uncollected work and discusses ecopoetics, ecofeminism, and climate change. This reading was given as part of the Climate Change & Poetry Series.
Alison Hawthorne Deming discusses the Climate Change & Poetry Series. She also reads from Stairway to Heaven (2016) and from uncollected work. This reading was given as part of the Climate Change & Poetry Series.
Forrest Gander reads widely from his translations from the Spanish, including poems by Coral Bracho, Alfonso D'Aquino, Pura López Colomé, Nezahualcóyotl, and Jaime Saenz. He also reads from his translations of Pablo Neruda's rediscovered works, published as Then Come Back: The Lost Neruda Poems (2016).
Cynthia Hogue reads from In June the Labyrinth (2017). She also reads (along with her co-translator, Sylvain Gallais) two poems by Nicole Brossard, translated from the French. This reading was originally given with Johanna Skibsrud.
Johanna Skibsrud reads from The Description of the World (2016) as well as from a manuscript-in-progress titled Medium. This reading was originally given with Cynthia Hogue.
Rodrigo Toscano performs poems from Explosion Rocks Springfield (2016).
Lydia Millet reads from a forthcoming short story collection, Fight No More. This reading was originally given with Jenny Offill.
Jenny Offill reads from Dept. of Speculation (2014) as well as from a novel in progress, American Weather. This reading was originally given with Lydia Millet.
Camille Rankine reads poems from Incorrect Merciful Impulses (2016), as well as uncollected poems. This reading was originally given with Ocean Vuong.
Ocean Vuong reads poems from Night Sky with Exit Wounds (2016). This reading was originally given with Camille Rankine.
Elena Passarello reads essays from Animals Strike Curious Poses (2017). This reading was originally given with David Shields.
David Shields reads essays from Other People: Takes & Mistakes (2017). This reading was originally given with Elena Passarello.
Mary Ruefle reads poems that would be collected in Dunce (2019) as well as poems from My Private Property (2016) and works that remain uncollected. She also reads poems by W.S. Graham, Antipatros as translated by Kenneth Rexroth, and Annabel Laurance, as well as several humorous found texts, including an inscription from a poetry book found at Goodwill.
Poetry Center Summer Resident Noah Baldino reads new and uncollected poems. This reading was originally given with Jos Charles.
Jos Charles reads poems from their collections Safe Space (2016) and feeld (forthcoming in 2018), along with new work. This reading was originally given with Noah Baldino.
Reginald Dwayne Betts reads from his poetry collection Bastards of the Reagan Era (2015), along with one uncollected poem.
Joy Williams gives the first public reading of "Portion," a new short story.
Giancarlo Huapaya gives a gallery performance related to the exhibit BirúPirúPerú: Collective Projects of Peruvian Visual Poetry, on display at the Poetry Center from August 21 to November 22, 2017. His performance makes use of the inaugural addresses of nine United States Presidents, from Richard Nixon to Donald Trump.
Aimee Nezhukumatathil reads poems from At the Drive-In Volcano (2007), Lucky Fish (2011), and her forthcoming collection Oceanic (2018).
Aimee Nezhukumatathil delivers an interactive talk on epistolary poems. She leads the audience in a writing exercise and discusses epistolary works by Lucille Clifton, Brian Doyle, and Carolyn Forché.
Poets Odilia Galván Rodríguez and Martín Espada give a reading inspired by the anthology Poetry of Resistance: Voices for Social Justice. Mari Herreras moderates a discussion by the poets after introductory poems are read. This reading was given as part of the 2017 Tucson Humanities Festival.
Ofelia Zepeda welcomes the audience to the 2017 Thinking Its Presence conference. She reads poems from Ocean Power (1995) and Where Clouds Are Formed (2008), along with several more recent poems.
Roberto Tejada gives a talk titled "Diagonal and Self-Possessed Group Portrait with Liminal Figures" as part of the 2017 Thinking Its Presence conference.
James Thomas Stevens reads from a manuscript version of The Golden Book (2021) at the 2017 Thinking Its Presence conference.
Trish Salah reads from Wanting in Arabic (2002), If a child is a land you may not own (2013), and Lyric Sexology Vol. 1 (2017, Canadian edition) at the 2017 Thinking Its Presence conference.
Urayoán Noel presents a talk titled "Is Queer Afro-Latin@ Poetics a Thing?" as part of the 2017 Thinking Its Presence conference. He also performs an improvised poem with smartphone accompaniment.
Patricia Spears Jones reads poems from across her career as published in A Lucent Fire: New & Selected Poems (2015), along with uncollected work at the 2017 Thinking Its Presence conference. She also reads one poem from Stardust, landmines, and cartoons: Poems from 2006 to 2014 (2015).
Poet Douglas Kearney and percussionist/electronic musican Val Jeanty present a collaborative performance titled "Fodder," which combines poetry and music at the 2017 Thinking Its Presence Conference. The poems primarily come from Kearney's Buck Studies (2016).
At the 2017 Thinking Its Presence Conference, several members of the Thinking Its Presence Board—Vidhu Aggarwal, Ching-In Chen, Lisa Jarrett, and Lehua Taitano—read from or discuss their creative work. Board member Farid Matuk reads work from a selection of Tucson-based writers: Samuel Ace, Susan Briante, Wendy Burk, Hannah Ensor, Teré Fowler-Chapman, Sarah Gonzales, Logan Phillips, Aisha Sabatini Sloan, Brandon Shimoda, TC Tolbert, Joshua Marie Wilkinson, and Ofelia Zepeda.
At the 2017 Thinking Its Presence Conference, members of the MT+NYC Collaborative (Ciara Rose Griffin, William F. Hubbard, Kendra Mylnechuk, Aja M. Sherrard, and Brooke Swaney) perform an early draft of The Buffalo Play, a play written by Ciara Rose Griffin and Kendra Mylnechuk.
Layli Long Soldier reads poems from Whereas (2017). This reading was originally given with Timothy Yu as part of the Morgan Lucas Schuldt Memorial Reading Series.
Timothy Yu reads poems from 100 Chinese Silences (2016), along with new poems that rework John Berryman's The Dream Songs. This reading was originally given with Layli Long Soldier as part of the Morgan Lucas Schuldt Memorial Reading Series.
Rita Dove reads from her Collected Poems, 1974-2004 (2016) as well as from uncollected poems at the Phoenix Art Museum. This reading was originally given with Sandra Cisneros and Joy Harjo in partnership with ArchiTEXTS: A Conversation Across Languages with Natalie Diaz.
Joy Harjo reads from Conflict Resolution for Holy Beings (2015) and from uncollected work at the Phoenix Art Museum. She also reads one poem from The Woman Who Fell from the Sky (1994). This reading was originally given with Sandra Cisneros and Rita Dove in partnership with ArchiTEXTS: A Conversation Across Languages with Natalie Diaz.
Sandra Cisneros reads uncollected poems at the Phoenix Art Museum. This reading was originally given with Rita Dove and Joy Harjo in partnership with ArchiTEXTS: A Conversation Across Languages with Natalie Diaz.
Eleanor Wilner reads poems from Reversing the Spell: New & Selected Poems (1998), The Girl with Bees in Her Hair (2004), and Tourist in Hell (2010), along with poems that would go on to be collected in Before Our Eyes: New and Selected Poems, 1975-2017 (2019).
Charles Yu reads "Origin Story," a draft of a chapter from his novel Interior Chinatown (2020). This reading was originally given with Kristen Radtke.
Kristen Radtke reads from Imagine Wanting Only This (2017). This reading was originally given with Charles Yu.
Khaled Mattawa reads poems from a manuscript in progress, including a poetic sequence on human trafficking and global migration. Some poems would go on to appear in Fugitive Atlas (2020).
Khaled Mattawa presents a lecture on the long poem, in which he considers different types of long poems, their inspiration and subject matter, and their effect. The lecture incorporates portions of a published essay, "Epic Temptations: On an Unwritten Poem." Mattawa also reads from a sequence of poems in progress that would later appear in Fugitive Atlas (2020).
Joshua Beckman presents a lecture on poems as "an exposure of unknowing" and reading aloud as a way of immersing the body and mind in a poem. This lecture was originally given with Terrance Hayes and Dorothea Lasky as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, & Audience."
Terrance Hayes gives a lecture on his work in relationship to Etheridge Knight's "The Idea of Ancestry." This lecture was originally given with Joshua Beckman and Dorothea Lasky as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, & Audience."
Dorothea Lasky gives a lecture on material imagination, poetry, and ghosts. She also reads two poems from Milk (2018). This lecture was originally given with Joshua Beckman and Terrance Hayes as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, & Audience."
Timothy Donnelly gives a lecture on catachresis, the uncanny, and Emily Dickinson. He also reads three poems that would later appear in The Problem of Many (2019). This lecture was originally given with Srikanth Reddy and Rachel Zucker as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, and Audience."
Rachel Zucker reads from an early draft of The Poetics of Wrongness (2023), her collection of essay-lectures which consider confessional poetry, the ethics of writing about one's life and relationships, and the primacy of motherhood. This lecture was originally given with Timothy Donnelly and Srikanth Reddy as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, and Audience."
Srikanth Reddy presents a lecture on wonder, approaching the concept in Western thought via Homer's shield of Achilles. He also reads a section of his poetry manuscript in progress, Underworld Lit (2020). This lecture was originally given with Timothy Donnelly and Rachel Zucker as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, and Audience."
Alec Finlay reads selections from two long poems: Global Oracle: a Work of Prophetic Science (2014) and The Road North: a journey through Scotland guided by Bashō's oku-no-hosomichi (2014).
Sawako Nakayasu mixes her poetry and her translations, crafting a reading that she describes as a translation of the innovative form of her book Mouth: Eats Color (2011). She reads her own poems from The Ants (2014) and Some Girls Walk Into the Country They Are From (2020), a manuscript in progress that would be published two years after this reading. She also reads translations of poems by Japanese modernist Chika Sagawa from Mouth: Eats Color and Korean modernist Yi Sang, later published in Yi Sang: Selected Works (2020).
Ada Limón reads poems from Bright Dead Things (2015) and The Carrying (2018).
Sylvia Chan reads poems from her collection We Remain Traditional (2018). This reading was originally given with Francisco Cantú and Thomas Mira y Lopez.
Thomas Mira y Lopez reads from his essay collection The Book of Resting Places: A Personal History of Where We Lay the Dead (2018). This reading was originally given with Francisco Cantú and Sylvia Chan.
Francisco Cantú reads from his essay collection The Line Becomes a River: Dispatches from the Border (2018). This reading was originally given with Sylvia Chan and Thomas Mira y Lopez.
Norman Fischer reads poems from I Was Blown Back (2005) and Questions/Places/Voices/Seasons (2009), along with one uncollected poem and a poem by Rodney Koeneke. He also answers questions from the audience.
Vaunda Micheaux Nelson reads from and discusses No Crystal Stair: A Documentary Novel of the Life and Work of Lewis Michaux, Harlem Bookseller (2012). A conversation with Stephanie Troutman concludes the reading.
Felicia Zamora reads poetry from her collections Of Form & Gather (2017) and Instrument of Gaps (2018). She also reads two poems that would go on to be collected in Body of Render (2020). This reading was originally given with July Westhale.
Poetry Center Summer Resident July Westhale reads from her first full-length collection, Trailer Trash (2018), as well as from Via Negativa (2020), which would be published two years after her residency. This reading was originally given with Felicia Zamora.
Tommy Pico reads from his book-length poems Junk (2018), published the year of this reading, and Feed (2019), published the year after this reading. He also reads one poem from Morgan Parker's There Are More Beautiful Things Than Beyoncé (2017). This reading was originally given with Morgan Parker as part of the Morgan Lucas Schuldt Memorial Reading Series.
Morgan Parker reads from her third poetry collection, Magical Negro (2019), which would be published the year after this reading. She also reads an excerpt from Tommy Pico's Nature Poem (2017). This reading was originally given with Tommy Pico as part of the Morgan Lucas Schuldt Memorial Reading Series.
Rubén Martínez discusses being at an impasse in writing, what he describes as surgimiento in Spanish, or emergence. His talk touches on his personal experience and writing, as well as work by other writers and artists.
Venita Blackburn reads from Black Jesus and Other Superheroes (2017) as well as one story, "Fam," that would later appear in her collection How to Wrestle a Girl (2021).
Farid Matuk reads poems from The Real Horse (2018), along with one poem, "Scale Up," that would later appear in the award-winning artist book, Redolent (2022), a collaboration between Matuk and visual artist Nancy Friedemann-Sánchez. This reading was originally given with Jane Miller.
Jane Miller reads poems from Who Is Trixie the Trasher? and Other Questions (2018). This reading was originally given with Farid Matuk.
Charles Simic reads from New and Selected Poems, 1962-2012 (2013) and The Lunatic (2015).
Carl Phillips reads poems from Wild Is the Wind (2018) along with other poems that would later appear in the chapbook Star Map with Action Figures (2019) and the collection Pale Colors in a Tall Field (2020).
James Allen Hall reads the title essay from I Liked You Better Before I Knew You So Well (2017).
Randall Horton gives the inaugural reading in the Poetry Center’s Art for Justice series. Horton reads new work commissioned by the Poetry Center from a manuscript in progress titled #219128, as well as excerpts from Hook: A Memoir (2015). Ojalá Systems gives an introductory performance.
Maggie Smith reads poems from Good Bones (2017) as well as other uncollected poems.
Maggie Smith presents a lecture on the ways that poems can enact wonder, questioning, sincerity, and rediscovery. She reads and discusses poems by Gabrielle Calvocoressi, Oliver De La Paz, Ross Gay, and Matthew Olzmann to illustrate her argument.
Daniel Borzutzky reads from his translations of Raúl Zurita's Song for His Disappeared Love (2010) and Country of Planks (2015), as well as Galo Ghigliotto's Valdivia (2016). He also reads from his own poetry collection Lake Michigan (2018) and a manuscript titled Written After a Massacre in the Year 2018.
Nicole Walker reads from her essay collection Sustainability: A Love Story (2018).
Nikky Finney reads poems from her collections The World Is Round (2003) and Lovechild's Hotbed of Occasional Poetry (forthcoming in 2020). Finney also reads her new work titled "Black Boy with Cow: A Still Life" commissioned for the Poetry Center's Art for Justice series. Members of the American Friends Service Committee, Tucson give an introductory presentation.
Kiki Petrosino reads poems from Hymn for the Black Terrific (2013), Witch Wife (2017), and Black Genealogy (2017).
Peggy Shumaker reads poems from Cairn: New and Selected Poems and Prose (2018) as well as one uncollected poem. This reading was originally given with Maurya Simon as the inaugural reading in the Tom Sanders Memorial Reading Series.
Maurya Simon reads poems from The Wilderness: New & Selected Poems 1980-2016 (2018). This reading was originally given with Peggy Shumaker as the inaugural reading in the Tom Sanders Memorial Reading Series.
Myriam Moscona reads with Jen Hofer and John Pluecker of Antena Aire, a language justice and language experimentation collaborative. The three give an interactive presentation while reading from both their translated and original works.
Natalie Diaz reads new work commissioned as part of the Art for Justice series. Representatives of the Florence Immigrant and Refugee Rights Project give an opening presentation.
Evie Shockley reads new work commissioned as part of the Art for Justice series. This reading was originally given with Patrick Rosal for the Art for Justice series. Representatives of Tucson's Sex Workers Outreach Project give an opening presentation.
Patrick Rosal reads new work commissioned as part of the Art for Justice series, focused on race riots which occurred in Watsonville, California in 1930. This reading was given alongside Evie Shockley for the Art for Justice series. Representatives of Tucson's Sex Workers Outreach Project give an opening presentation.
Natalie Shapero reads poems from Hard Child (2017) along with other uncollected poems.
Cherríe Moraga reads excerpts from her memoir Native Country of the Heart (2019).
Rigoberto González reads from his memoir What Drowns the Flowers in Your Mouth: A Memoir of Brotherhood (2018) and his newest collection of poetry The Book of Ruin (2019).
Naomi Shihab Nye reads from her poetry collections Voices in the Air: Poems for Listeners (2018) and The Tiny Journalist (2019). She also reads from new work, including one poem that would appear in Cast Away: Poems for Our Time (2020).
Poetry Center Summer Resident Lehua M. Taitano gives an interactive reading of poems from her collection Inside Me an Island (2018). She also presents her latest work, a video poem created for the Smithsonian Asian Pacific American Center's "A Day in the Queer Life" project. This reading was originally given alongside Bojan Louis.
Bojan Louis reads from his poetry collection Currents (2017) along with other uncollected poems. This reading was originally given alongside Lehua M. Taitano.
Erika L. Sánchez reads poems from her collection Lessons on Expulsion (2017) as well as uncollected work. This reading was originally given alongside sam sax as part of the Morgan Lucas Schuldt Memorial Reading Series.
sam sax reads poems that would be published four years later in Pig (2023), as well as work from his first two collections, madness (2017) and bury it (2018). This reading was originally given alongside Erika L. Sánchez as part of the Morgan Lucas Schuldt Memorial Reading Series.
Javier Zamora reads uncollected work as well as two poems from his collection Unaccompanied (2017). This reading was originally given alongside Joseph O. Legaspi and Kim Addonizio at the Center for Creative Photography.
Joseph O. Legaspi reads poems from his collections Imago (2007) and Threshold (2017) as well as two uncollected poems. This reading was originally given alongside Javier Zamora and Kim Addonizio at the Center for Creative Photography.
Kim Addonizio reads poems from her collection Mortal Trash (2016) as well as new work that would go on to be collected in Now We're Getting Somewhere (2021). This reading was originally given alongside Joseph O. Legaspi and Javier Zamora at the Center for Creative Photography.
T Clutch Fleischmann reads new work as well as excerpts from their book Time Is the Thing a Body Moves Through (2019). This reading was originally given with Andrea Lawlor as part of the UA Prose Series.
Andrea Lawlor reads excerpts from their novel Paul Takes the Form of a Mortal Girl (2017). This reading was originally given alongside T Clutch Fleischmann as part of the UA Prose Series.
Tongo Eisen-Martin reads new work commissioned as part of the Art for Justice series. Timoteio Padilla represents Sustainable Nations in an opening presentation.
Angel Nafis reads new work commissioned as part of the Art for Justice Series. This reading was originally given alongside Patricia Smith. Leilani Clark represents BIPOC United Tucson in an opening presentation.
Patricia Smith reads new work commissioned as part of the Art for Justice Series as well as poems from her collection Teahouse of the Almighty (2006). This reading was originally given alongside Angel Nafis. Leilani Clark represents BIPOC United Tucson in an opening presentation.
Matthew Zapruder reads poems from his collection Father's Day (2019) and excerpts from his book of criticism Why Poetry (2017). This reading was given at the Center for Creative Photography.
Aimee Bender reads one uncollected story and one story from The Color Master (2014).
Arthur Sze reads from his poetry collection Sight Lines (2019).
Dean Young reads work from his collection Solar Perplexus (2019) as well as several uncollected poems.
Sandra Cisneros reads new work as part of the Tucson Humanities Festival. Most of these poems would go on to be collected in Woman Without Shame (2022).
Li-Young Lee reads new and uncollected work as well as two poems from his collection The Undressing (2018). This reading was given as part of the Tom Sanders Memorial Reading Series.
Rosa Alcalá reads from her translations of Cecilia Vicuña's poetry presented in New and Selected Poems of Cecilia Vicuña (2018). She also reads uncollected poems of her own. This reading was given as part of the Hannelore Quander-Rattee Works-in-Translation Series.
Carolyn Forché reads excerpts from her memoir What You Have Heard Is True (2019) and poems from her collection In the Lateness of the World (2020).
Tiana Clark reads from her poetry collection I Can't Talk About the Trees Without the Blood (2018) as well as two uncollected poems. This reading was originally given alongside Monica Sok.
Monica Sok reads poems from her collection A Nail the Evening Hangs On (2020). This reading was originally given alongside Tiana Clark.
Ada Limón reads from her poetry manuscript What Is Caged Is Also Kept From Us, commissioned by the Poetry Center as part of the Art for Justice series. Lola Rainey gives an opening presentation focused on pretrial detention.
LeAnne Howe, Jennifer Elise Foerster, and Joy Harjo discuss and read poetry from the anthology When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry (2020). Diana Marie Delgado leads a conversation to conclude the event. This reading was given online as the first event from the Institute for Inquiry and Poetics, a thought center founded at the University of Arizona Poetry Center and designed to create space and time for poets to respond to pressing questions that reside at the intersection of social concern and poetry.
As part of the Institute for Inquiry and Poetics, Peter J. Harris, Michael Warr, Luivette Resto, and Luis J. Rodriguez read from and discuss collected and uncollected work, including from their books Bless the Ashes (Harris, 2014), The Armageddon of Funk (Warr, 2011), Ascension (Resto, 2013), Unfinished Portrait (Resto, 2008), Borrowed Bones: New Poems from the Poet Laureate of Los Angeles (Rodriguez, 2016), and From Our Land to Our Land: Essays, Journeys, and Imaginings from a Native Xicanx Writer (Rodriguez, 2020). Diana Marie Delgado leads a conversation to conclude the event.
As part of the Institute for Inquiry and Poetics, Sin à Tes Souhaits (Frank Johnson), Vanessa Angélica Villarreal, and Raquel Salas Rivera read and discuss poems from their unpublished manuscripts Literal Dope (À Tes Souhaits), Racial Calculus (Villarreal), and Oso Blanco (Salas Rivera). Diana Marie Delgado leads a conversation throughout the event.
As part of the Institute for Inquiry and Poetics and the Art for Justice series, Reginald Dwayne Betts performs a portion of Felon: An American Washi Tale, a one-man play centered on the importance of books and paper in and after prison. Diana Marie Delgado leads a conversation with Betts and guest Joe Watson to conclude the reading, focused on the play, the Art for Justice series itself, and the Million Book Project.
Reading in Tucson for the second time in 1972, Ai reads from her manuscript then titled Wheel in a Ditch, which would be published the following year as Cruelty (1973), her first book. She also reads several poems that would appear in her second book, Killing Floor (1979), as well as several that remain uncollected.
Jay Hopler reads poems from Still Life (2022), written during his time living with a terminal cancer diagnosis. Hopler was unable to travel to Tucson but appeared for an in-person audience via Zoom. This reading was originally given with Kimberly Johnson.
Kimberly Johnson reads primarily from her fourth poetry collection, Fatal (2022), along with several poems from A Metaphorical God (2008) and Uncommon Prayer (2014). This reading was originally given with Jay Hopler, who appeared via Zoom.
Mahogany L. Browne reads poems from her collection I Remember Death By Its Proximity to What I Love (2021) and closes with a guided meditation.
Stellar recordings of works about the cosmos and humanity's ventures out into it. Many of these poems appear in the anthology Beyond Earth's Edge: The Poetry of Spaceflight (2020).
Luis Alberto Urrea reads poems from The Tijuana Book of the Dead (2015) focused on life in the US-Mexico borderlands. He opens with one poem forthcoming in Piedra (2023) and concludes with a chapter from The House of Broken Angels (2019), retold from memory. This reading was presented as part of the 2021 Tucson Humanities Festival.
Donika Kelly reads from her first two books, Bestiary (2016) and The Renunciations (2021). She closes by reading several recent, uncollected poems.
Forrest Gander reads from his translation of Mexican poet Coral Bracho's It Must Be a Misunderstanding (2022), as well as from his own collection Twice Alive (2021). The reading begins with three poems by Gander's late wife, C.D. Wright, read by two other poets and Gander himself. Gander closes with his translation of a poem by Pablo Neruda published in Then Come Back: The Lost Neruda Poems (2016).
Laurie Ann Guerrero reads from across her body of work as collected in I Have Eaten the Rattlesnake: New and Selected Poems (2020). This includes portions of her heroic sonnet crown, A Crown for Gumecindo, written for her grandfather, alongside other poems rooted in family experience. Guerrero also reads from Redwork, her manuscript in progress. This reading was originally given alongside Carl Marcum.
Carl Marcum reads poems from his second collection, A Camera Obscura (2021), primarily focused on the night sky and space exploration. He also reads two poems from his first collection, Cue Lazarus (2001), in addition to two poems from a manuscript in progress. This reading was originally given alongside Laurie Ann Guerrero as part of the Tom Sanders Memorial Reading Series.
Jericho Brown reads from across his published body of work: Please (2008), The New Testament (2014), and The Tradition (2019), his Pulitzer Prize-winning collection. He reads poems that touch on childhood and family, southern Black culture, racial injustice, and violence— from the home to the nation. He answers audience questions on musicality, his approach to writing and teaching poetry, and his invented form, the duplex.
Marwa Helal reads poems from her first two full-length collections, Invasive Species (2019) and Ante Body (2022). This reading was given alongside Marcelo Hernandez Castillo as part of the Morgan Lucas Schuldt Memorial Reading Series.
Marcelo Hernandez Castillo shares new work commissioned by the Poetry Center as part of the Art for Justice series. Informed by Hernandez Castillo's work with youth in detention, these poems and video-text explore the relationship between facts and story as they communicate the pain of the carceral justice system. This reading was also given as part of the Morgan Lucas Schuldt Memorial Reading Series, alongside Marwa Helal.
Following a full reading, Sandra Cisneros and Manuel Muñoz discuss Cisneros' work. The full reading is only available for viewing in person at the Poetry Center.
Los Angeles poet Sesshu Foster reads from City Terrace Field Manual (1996), World Ball Notebook (2008), and City of the Future (2018). He reads poems that engage with East LA, the influences of his father, and his own life as a father, mixing candor and humor throughout.
Joy Williams reads from the final section of her fifth novel, Harrow (2021), sharing a stream-of-consciousness passage from the perspective of Jeffrey, a precocious, ten-year-old judge presiding in a post-apocalyptic future. This reading was presented as part of the Distinguished Visitors in Creative Writing Series.
Former US Poet Laureate Rita Dove reads poems from her book Playlist for the Apocalypse (2021). This reading was presented as part of the 2022 Tucson Humanities Festival.
Victoria Chang reads from her published works Obit (2020), Dear Memory (2021), and The Trees Witness Everything (2022). She also shares new, uncollected poems. Chang's poems touch upon grief from the death of her parents, as well as found material from family archives. She also reads work structured in a Japanese syllabic form called waka.
Ander Monson reads from his first memoir, Predator (2022), titled after the 1987 sci-fi action film that he has watched 146 times. Monson shares excerpts from the memoir that closely draw upon select frames and scenes from the film. Part of the Distinguished Visitors in Creative Writing Series, this reading was given alongside Bojan Louis and Manuel Muñoz.
Manuel Muñoz reads an excerpt from his short story collection The Consequences (2022), which centers on Mexican and Mexican American farmworkers around Fresno, California. This reading was given alongside Ander Monson and Bojan Louis as part of the Distinguished Visitors in Creative Writing Series.
Bojan Louis reads from his debut short story collection Sinking Bell (2022). This excerpted story revolves around a young Diné narrator in Flagstaff, Arizona, who finds himself working as a chauffeur for his cousin and her friends. Part of the Distinguished Visitors in Creative Writing Series, this reading was presented alongside Ander Monson and Manuel Muñoz.
Anthony Cody reads from his collection Borderland Apocrypha (2020), which comprises of visual, research-based poems centered on citizenship, the history of racial violence against Mexicans and Mexican Americans in the American West, and ecopoetics. Cody also shares an original video piece paired with an uncollected poem, as well as a translation of a Juan Felipe Herrera poem that invites audience participation. This reading was originally given alongside Mai Der Vang.
Roberto Tejada reads poems from Why the Assembly Disbanded (2022), which he describes as inhabiting the "actual and surreal" US-Mexico Borderlands. He also reads from a manuscript in progress begun during the Coronavirus pandemic titled Carbonate of Copper, informed by a widening and blurring sense of the self, the human, and the non-human.
As part of the Institute for Inquiry and Poetics and the Art for Justice series, Nicole Sealey, John Murillo, and Hanif Abdurraqib read from and discuss their writing centered on police violence, the carceral justice system, and racial injustice towards Black Americans. Sealey specifically reads excerpts from her then-unpublished manuscript The Ferguson Report: An Erasure (2023). Diana Marie Delgado leads a conversation throughout the event.
Aria Aber reads from her collection Hard Damage (2022), which meditates upon the Afghan refugee experience and familial relationships, particularly the one with her mother. Aber concludes the reading with two uncollected poems that center on grief and mortality. This reading was originally given alongside Shayla Lawz as part of the Morgan Lucas Schuldt Memorial Reading Series.
Cara Blue Adams, an alumna of the UA MFA in Creative Writing Program, reads a short story titled "Shoulder Season" from her collection You Never Get It Back (2021). This story takes place in Tucson and follows a protagonist who is in an optical sciences graduate program at UA, but decides to leave school and become a writer. This reading was originally given alongside Alberto Ríos and Aisha Sabatini Sloan to celebrate the MFA program's 50th anniversary.
Aisha Sabatini Sloan, an alumna of the UA MFA Creative Writing program, reads from her book-length essay Borealis (2021). In this excerpt from the book, Sabatini Sloan details her travel to Homer, Alaska, and how the stark landscape interacts with her identity as a Black, queer woman. Sabatini Sloan's writing also incorporates references to pop culture and Black artists. This reading was originally given alongside Cara Blue Adams and Alberto Ríos to celebrate the MFA program's 50th anniversary.
Lorna Dee Cervantes reads from her unpublished manuscript titled Fire: Poems Against Pandemic, as well as from her latest published collection, April on Olympia (2021). In these poems, Cervantes touches upon grief, connectedness with the earth, and climate change. She also pays poetic tribute to a range of figures that include her grandmother, a homeroom teacher from junior high, Ruth Bader Ginsburg, and the writers Julia Alvarez and Allen Ginsberg.
Mai Der Vang reads from her second book, Yellow Rain (2021), a finalist for the 2022 Pulitzer Prize. In this collection, Vang reinvestigates the "yellow rain" incident, in which a chemical biological weapon was unleashed upon Hmong refugees as they fled Laos near the end of the Vietnam War. Grounded in a documentary approach to poetry, Vang's poems center the testimonies of the Hmong, whose voices were erased in the subsequent geopolitical fervor around the investigation. This reading was originally given alongside Anthony Cody.
Alberto Ríos, poet laureate of Arizona and alumnus of the UA MFA in Creative Writing program, reads across his published body of work, specifically poems from his books Whispering to Fool the Wind (1982), The Smallest Muscle in the Human Body (2002), The Dangerous Shirt (2009), and Not Go Away Is My Name (2020). Major themes in this reading include Ríos' grandmother, language, ancestry, and occasions around food. This reading was originally given alongside Cara Blue Adams and Aisha Sabatini Sloan to celebrate the MFA program's 50th anniversary.
Shayla Lawz reads from her book speculation, n. (2021), which revolves around survival and Black life amidst police violence within the age of social media and the 24/7 news cycle. Lawz creates a unique performed version of her book through repetition and distortions not present on the page. This reading was originally given alongside Aria Aber as part of the Morgan Lucas Schuldt Memorial Reading Series.
Former U.S. Poet Laureate Juan Felipe Herrera begins with English and Spanish readings from Akrílica (2022), trading languages with translator Farid Matuk. Together, they also read Herrera’s poem "i am not a paid protestor," which Herrera terms a "duo poem" for two voices in dialogue with one another. Herrera closes out the reading with poems and remarks about mass shootings, classical music, space exploration, and human suffering and connection.
Tyehimba Jess reads historical persona poems from leadbelly (2005) and his Pulitzer Prize-winning Olio (2016), including the full sonnet sequence about the McKoy twins from Olio. He also discusses the research behind Olio and the complex forms he uses throughout the collection, particularly his syncopated sonnets.
Poet and singer-songwriter Brian Laidlaw performs the album Silently Loud (2023), a compilation of songs with lyrics by nonspeaking autistic songwriters set to music through collaboration between Laidlaw and the lyricists. Two Tucson lyricists whose work appears on the album, Joshua Greiner and Aulton Grubbs, respond to audience questions to conclude the event.
torrin a. greathouse reads poems from two manuscripts in progress: DEED, focused on the intersections of desire, desirability, and violence, and a newer manuscript that turns to California's Central Valley and climate change. Discussions of poetic form recur throughout. greathouse was selected as the Poetry Center's 2020 Summer Resident; due to the Covid-19 pandemic, her residency was deferred, and this reading was presented online.
Poet and performance artist Cecilia Vicuña joins with poets and translators Daniel Borzutzky and Rosa Alcalá to read at Museum of Contemporary Art Tucson in honor of Vicuña's exhibit Sonoran Quipu. Borzutzky and Alcalá both read forthcoming work, as well as pieces by Vicuña they have translated into English. Vicuña reads and improvises from Spit Temple (2012), a selection of past performances transcribed, edited, and translated by Alcalá.
Mark Doty reads mostly new, uncollected poems that revolve around his observations and experiences living in New York City, with a focus on his co-op apartment building. He opens the evening with a memory of the mentorship he received as a high-schooler from Richard Shelton, who had recently passed at the time of this reading. This reading was given as part of the Tom Sanders Memorial Reading Series.
Nicole Sealey reads from her first full-length collection, Ordinary Beast (2017), sharing poems that approach the embodied experience of mortality and the violence-haunted reality of being a Black woman in contemporary America. Her selections include an ekphrastic poem and a true cento, composed of one hundred lines collected from other poets.
Sandra Cisneros and translator Liliana Valenzuela read from Cisneros' Woman Without Shame (2022) and Valenzuela's Spanish-language translation, Mujer sin vergüenza (2022), selecting poems that consider womanhood, aging, and freedom as a woman. Valenzuela also reads poems of her own from Codex of Journeys: Bendito camino (2012) and Codex of Love: Bendita ternura (2020), which also consider womanhood, desire, and the act of looking.
Jane Hirshfield reads from her ninth collection of poems, Ledger (2020), which meditates on the cascading effects of climate change and the griefs of contemporary human life. In recognition of National Poetry Month, she opens with "The Poet" from The Lives of the Heart (1997) and selections from The Ink Dark Moon (1988), her translations of Classical Period Japanese poets Ono no Komachi and Izumi Shikibu. She closes with uncollected new work.
Michael Wasson reads poems primarily from his first full-length collection, Swallowed Light (2022), which inhabits both the fragmented self and the tensions of language and history experienced by Wasson's Nimíipuu community. Part of the Distinguished Visitors in Creative Writing Series, this reading was originally given with Jennifer Elise Foerster.
Jennifer Elise Foerster reads from The Maybe-Bird (2022), her third book of poetry. Her poems and commentary center on themes of poetry as deep listening, layered voices, and created forms that expand and circle back on themselves. Foerster closes with two short poems in Mvskoke. Part of the Distinguished Visitors in Creative Writing Series, this reading was originally given with Michael Wasson.
A selection of work by African American poets that spans six decades (1970s-2020s). This playlist was created in 2023.
Summer resident Angel Dominguez reads poems rooted in ancestors and community as they protest colonialism, fascism, and gentrification. Dominguez first reads from across their published works: Black Lavender Milk (2015), RoseSunWater (2021), and Desgraciado (the collected letters) (2022). They close the reading with recent poems, including one written the night before the reading and others from a manuscript in progress titled Don't Tell My Mother If They Kill Me.
Paisley Rekdal presents from West: A Translation (2023), a documentary hybrid work centered on the Transcontinental Railroad, the Chinese Exclusion Act, and racism in America. Rekdal shares video poems from the book's companion website and reads the essays corresponding to those poems. She shapes her reading around topics selected by the audience: labor, Mormons, Chinese death rituals, Robert Smithson (creator of Spiral Jetty on the Great Salt Lake), the biracial experience, prostitution, and Hollywood's portrayal of women and the railroad.
Yanyi reads from his two published collections, The Year of Blue Water (2019) and Dream of the Divided Field (2022), opening with two early, uncollected poems and closing with one recent draft. Intimacy emerges as a thematic center—in friendships, romantic relationships, and with the self.
Timothy Donnelly reads primarily from his fourth collection, Chariot (2023), choosing poems that look to both history and daily life as they consider the human experience of time and perception. He also reads from his third collection, The Problem of the Many (2019), and shares one new, unpublished poem.
Eileen Myles reads poems from a "Working Life" (2023) focused on daily life, love, animals, humor, and the act of writing. Myles opens with an unpublished essay and concludes with new poems—several of which respond to animal cruelty—as well as a short story.
Adam O. Davis reads from his first book, Index of Haunted Houses (2020), which inhabits the ghostly landscape of American capitalism. He closes with several poems from an unpublished manuscript. This reading was originally given with Manuel Paul López.
Manuel Paul López reads primarily from his fourth collection, Nerve Curriculum (2023), as well as from his third collection, These Days of Candy (2017), and uncollected work. Surreal but grounded in recognizable places and situations, his selection of poems also includes dialogue from a verse play. This reading was originally given with Adam O. Davis.
Sawako Nakayasu reads work stemming from her 2017 return to the United States from Japan and the challenges of being immersed again in the violence of American culture. She opens with several new ant poems before reading from Say Translation Is Art (2020), Some Girls Walk Into the Country They Are From (2020), Pink Waves (2023), and her forthcoming book Settle Her. This reading was presented in collaboration with the American Literary Translators Association and as part of the ALTA46 conference.
Marilyn Chin reads from her sixth collection, Sage (2023), sharing poems that employ humor, puns, rhyme, allusions to Chinese and English literature, and a wide array of traditional and modified verse forms. Chin opens the reading by performing from memory two poems from A Portrait of the Self as Nation: New and Selected Poems (2018).
Charif Shanahan reads from his second collection of poetry, Trace Evidence (2023), which considers mixed-race identity and the construction of race alongside the struggle to find and make meaning in one's life.
As part of the Terrain.org 25th Anniversary reading, Julie Swarstad Johnson reads poems that consider the night sky, astronomy, and place. She primarily reads from a sequence of epistolary poems titled "Night Letters," and she opens with one poem from Pennsylvania Furnace (2019). This reading was originally given alongside Derek Sheffield and Allison Adelle Hedge Coke.
As part of the Terrain.org 25th Anniversary reading, Allison Adelle Hedge Coke reads from her book-length poem Look at This Blue (2022), focusing on extinctions and climate change in California, as well as on poverty and violence. This reading was originally given alongside Julie Swarstad Johnson and Derek Sheffield.
As part of the Terrain.org 25th Anniversary reading, Derek Sheffield reads poems via Zoom on the connection between humans and the natural world, drawn from his collections Through the Second Skin (2013) and Not For Luck (2021). He also discusses and reads from two anthologies he co-edited, Cascadia Field Guide: Art, Ecology, Poetry (2023) and Dear America: Letters of Hope, Habitat, Defiance, and Democracy (2020). This reading was originally given alongside Julie Swarstad Johnson and Allison Adelle Hedge Coke.
Browse a selection of performances by women who read for the Poetry Center in the first three decades of the Reading Series.
Edgar Kunz reads from his first two books, Tap Out (2019) and Fixer (2023). Many of the poems he reads center on his father, who suffered from addiction, and reflect on his father's death. He closes with two love poems.
Brenda Hillman reads from In a Few Minutes Before Later (2022), her eleventh collection of poetry, including poems set during the COVID-19 pandemic. She briefly discusses her translation—done in collaboration with her mother—of Brazilian poet Ana Cristina Cesar, and closes with two new poems focused on her mother's garden and her childhood home.
Robert Hass reads new translations from the Polish of postwar poems by Czesław Miłosz. These poems come from the period (1946-1953) during which Miłosz fled from Warsaw and worked in the United States for the Polish consulate. Throughout the reading, Hass provides commentary on the unique challenges of translating Miłosz.
Edgar Garcia reads from his manuscript Cantares Mexicanos, a series of translations, adaptations, and re-imaginings of the 16th century book of the same name, which collects Nahuatl-language songs. This reading was given as part of the Letras Latinas 20th Anniversary Reading with Gina Franco and Sheila Maldonado.
Gina Franco reads from her second book, The Accidental (2019), selecting poems connected to her family's history as copper miners in eastern Arizona. She also reads an excerpt from "Throne," a long poem from a recently completed manuscript. This reading was given as part of the Letras Latinas 20th Anniversary Reading with Edgar Garcia and Sheila Maldonado.
A selection of recordings focused on the environment and climate change. In the spirit of Earth Day, these poems catalog environmental destruction, lament losses in order to prompt change, and celebrate the natural world as well as the place of humans in it.
Sheila Maldonado reads poems from her second book, that's what you get (2021), and a manuscript in progress titled bloodletters. Many of the poems incorporate visual components, and primary themes include New York City, Honduran heritage, and ancient Mayan culture. This reading was given as part of the Letras Latinas 20th Anniversary Reading with Gina Franco and Edgar Garcia.
Matthew Zapruder reads poems from Father's Day (2019) and his forthcoming collection I Love Hearing Your Dreams (2024), many of which center on fatherhood, family life, and writing poetry. He opens and closes the reading with excerpts from his memoir Story of a Poem (2023), focused on the act of drafting and revising a poem.
John Murillo, the Poetry Center's spring poet in residence, reads from Up Jump the Boogie (2010) and Kontemporary Amerikan Poetry (2020). His poems—many of them long poems—consider masculinity, the divide between boyhood and manhood, violence, and the ways we construct our sense of self.
Saretta Morgan reads extensively from Alt-Nature (2024), her first full-length collection. Rooted in southern Arizona, her poems consider the militarization of the US-Mexico border and the legacies of colonialism in American culture.
O'odham poets Ofelia Zepeda, Su:k Chu:vak Fulwilder, and Amber Lee Ortega read poems in English and O'odham from the exhibition The Place Where Clouds Are Formed (April 4-August 31, 2024). Their poems and commentary focus on O'odham identity, experiences including displacement and violence, the importance of honoring the desert, and the resilience of individuals and communities. Traditional religion and Catholicism are discussed throughout.
Curated for Asian American Pacific Islander (AAPI) Heritage Month and spanning the years 1990-2023, this selection of work seeks to capture the aesthetic and thematic range of Asian American and Pacific Islander poets.
In this trilingual event, Zapotec-language poet Natalia Toledo and translator Clare Sullivan read from Toledo's The Black Flower and Other Zapotec Poems (2015) and a forthcoming collection titled Deche bitoope / El dorso del cangrejo / Carapace Dancer. All poems are read in Zapotec (Toledo's originals), Spanish (translated by Toledo) and English (translated from the Spanish by Sullivan). Toledo reads from Mexico City via Zoom.
A selection of poems by LGBTQIA+ writers celebrating queer joy, experience, and love.
Gabriel Dozal reads from his first book, The Border Simulator (2023), which considers the US-Mexico border with humor through the voices of several characters. Dozal also reads poems from what he describes as a B-side to the book—related poems that don't appear in the published version. This reading was originally given alongside Maddie Norris, Gabriel Palacios, and Margo Steines, all fellow alumni of the University of Arizona creative writing MFA program.
Maddie Norris reads from The Wet Wound: An Elegy in Essays (2024), focused on grief and loss of her father. She reads an essay from the book written in the second person and addressed to her childhood. This reading was originally given alongside Gabriel Dozal, Gabriel Palacios, and Margo Steines, all fellow alumni of the University of Arizona creative writing MFA program.
Gabriel Palacios reads from his first book, A Ten Peso Burial for Which Truth I Sign (2024). The poems touch on themes of family history and identity, and Tucson appears throughout. This reading was originally given alongside Gabriel Dozal, Maddie Norris, and Margo Steines, all fellow alumni of the University of Arizona creative writing MFA program.
Margo Steines reads from her memoir Brutalities: A Love Story (2023), sharing a chapter focused on running, obsession, and the way pain can shape us. This reading was originally given alongside Gabriel Dozal, Maddie Norris, and Gabriel Palacios, all fellow alumni of the University of Arizona creative writing MFA program.
At this special event for middle school students, Celia C. Pérez talks about zines and her experiences as a writer. She reads briefly from her first book, The First Rule of Punk (2017). She then leads a hands-on workshop in which the students look at a selection of zines and create their own.
A selection of tracks that feature poets reading new work inspired by Tucson, the Poetry Center guest cottage, or the desert at large. Thank you to former Library Director Wendy Burk for compiling a list of poems written by visiting poets about or while in Tucson, which deeply aided in the process of creating this playlist.
Dionne Irving reads the short story "An American Idea of Fun" from her second book, The Islands (2022). The story traces the impact of a summer spent in France across an American girl's life. Irving answers questions about the story, The Islands as a whole, and the writers and stories that have inspired her.
Dana Levin reads from her fifth book, Now Do You Know Where You Are (2022), sharing poems written during a time of anxiety about the future that engage with the body, philosophy, grief, and healing. She closes by reading "House of Feels," an essay from her memoir in progress about becoming a poet.
In this bilingual reading, Brenda Lozano reads from her novel Brujas (2020) in the original Spanish, as well as from Witches (2022), the English translation by Heather Cleary. The novel reflects on women, power, and language, centering on a shaman or bruja from an indigenous community in Mexico. Manuel Muñoz reads a portion of the English translation.
Mark Wunderlich opens by reading from his fourth collection, God of Nothingness (2021), before turning to recently written poems. He shares work that centers on the body, animals, violence, and the complex inheritances arising from lineage and place.
CAConrad reads from Listen to the Golden Boomerang Return (2024), an ecopoetic work considering animal and human realities in the Anthropocene. To open, CAConrad briefly discusses and reads from Amanda Paradise: Resurrect Extinct Vibration (2021); to close, they read one poem from the chapbook First Light (2024). This reading was presented in connection with CAConrad's exhibit 500 Places at Once on display at MOCA Tucson.
Mary Ruefle reads from The Book (2023), together with new poems and what she terms "scraps"—found poems or brief fragments of writing. She primarily selects short pieces but also reads from "Dear Friends," an essay on friendship. Humor and reflections on the passage of time recur throughout.
A playlist highlighting poetry from Indigenous poets of the Americas.
Brandon Som reads from his Pulitzer Prize-winning collection Tripas (2023), sharing poems focused on his Mexican American and Chinese American grandparents, particularly their experiences living and working in Phoenix, Arizona. Throughout the poems, images of circuitry and electronics link the poems back to his Chicana grandmother's work in a Motorola factory.
Peruvian poet Tilsa Otta and translator Farid Matuk read from The Hormone of Darkness: A Playlist (2024) in both the original Spanish and the English translations. Otta shares poems that reflect on the self in relationship to lovers, the universe, and contemporary music including reggaeton and pop.
Roger Reeves reads poems from his second book, Best Barbarian (2022), together with a prose excerpt from Dark Days: Fugitive Essays (2023) and new poems. Reeves' work in this reading highlights the violence inherent in the United States—both as an idea and as a reality. His poems and prose frequently include allusions to canonical and contemporary literature, American history and politics, and hip hop.
Hala Alyan opens with excerpts from her 2024 essay "'I am not there and I am not here': a Palestinian American poet on bearing witness to atrocity." She then reads from her poetry collection The Moon That Turns You Back (2024) alongside recent, uncollected poems.
U.S. Poet Laureate Ada Limón reads poems that center on the natural world, resilience, women's strength, and the interconnection of all living things. She reads from her books Lucky Wreck (2006), Sharks in the Rivers (2010), Bright Dead Things (2015), The Carrying (2018), and The Hurting Kind (2022). Limón closes with two poems written during her laureateship, commissioned by the National Climate Assessment and NASA.
A playlist to accompany Hank Willis Thomas: LOVERULES, on display Jan. 18-June 21, 2025 at the University of Arizona Museum of Art.
Ilya Kaminsky reads from Deaf Republic (2019), a parable in poems that considers violence, complicity, resistance, community, and intimacy. Set in a fictional town under occupation, the narrative opens with the murder of a young boy by a soldier. Kaminsky reads primarily from the book's first act, which follows a pregnant woman and her husband as the soldiers' violence against the town escalates. This reading was originally given with Katie Farris.
Katie Farris reads poems from Standing in the Forest of Being Alive (2023), which follows her experiences with breast cancer, chemotherapy, surgery, and radiation. Through these poems, Farris explores love, intimacy, and daily life during illness with humor and compassion. She opens with one new poem and a translation of Ukrainian poet Lesyk Panasiuk. This reading was originally given with Ilya Kaminsky.
Kimberly Blaeser reads from Ancient Light (2024), her sixth poetry collection, which reflects on the effects of colonization and searches for ways that all people can survive, heal, and thrive. Blaeser closes with several poems from an earlier collection, Copper Yearning (2019), as well as one uncollected poem. Throughout, major themes include water, kinship, witnessing to loss, and solidarity in community.
Terrances Hayes reads new, uncollected poems together with poems from his most recent books: American Sonnets for My Past and Future Assassin (2018), Watch Your Language: Visual and Literary Reflections on a Century of American Poetry (2023), and So to Speak (2023). Several poems center on writers who have influenced Hayes' work, and the American sonnet form recurs throughout the reading.
Niki Herd reads new, uncollected poems together with sections of The Stuff of Hollywood (2024), her book-length documentary poem on American violence. Throughout, her poems incorporate found texts as they address racism, violence against Black Americans, the January 6 insurrection, increasing isolation, and questions of complicity.
Divya Victor reads poems from Curb (2021), her book focused on the experiences of South Asian immigrants in the United States and the violence routinely directed against them in public spaces. Those public spaces include suburban neighborhoods and the documents of the U.S. immigration system. Victor closes with a new poem that celebrates girlhood.
This launch event for the anthology Like a Hammer: Poets on Mass Incarceration (2025) includes readings by three poets from the book, following an introduction to the project by editor Diana Marie Delgado. Sin à Tes Souhaits reads poems focused on mass incarceration and the cycles of violence it perpetuates. Roque Raquel Salas Rivera reads poems in Spanish and English about el Oso Blanco, a prison built with the labor of enslaved people and prisoners in Puerto Rico. Vanessa Angélica Villarreal reads an essay on Game of Thrones viewed as a story of Latine identity in the U.S.-Mexico borderlands. A series of short poem-films shown at the event is not included for reasons of copyright.
Alison Hawthorne Deming reads poems focused on animals, humans' relationship with the natural world, and the political landscape of post-2016 America. These poems come from The Gift of Animals: Poems of Love, Loss, and Connection (2025), edited by Deming, and her sixth collection of poetry, Blue Flax & Yellow Mustard Flower (2025). This reading was originally given with Sally Ball.
Sally Ball reads uncollected poems that reflect on time's passage, her sister, human impacts on the environment, and the way technology mediates our interactions with the world. Two poems stem from a visit to an observatory in Chile's Atacama Desert. This reading was originally given with Alison Hawthorne Deming.
Robert Pinsky reads poems published across thirty-five years, many of which engage with poetic and cultural ancestors. He opens with work collected in his Selected Poems (2011) before reading from his newest collection, Proverbs of Limbo (2024). Pinsky also reads two new poems that appeared in magazines around the time of this reading.
Natasha Wimmer reads her translations from the Spanish of Salvadoran poet Roque Dalton, Mexican novelist Álvaro Enrigue, and Chilean novelist Roberto Bolaño. She opens with a translation-in-progress of Dalton's poems written in 1970s Cuba before turning to Enrigue's You Dreamed of Empires (2024), a novel about the Spanish conquistadors' stay in Tenochtitlan in 1519. She closes with an excerpt from Roberto Bolaño's novel The Savage Detectives (2007), which follows fictional young poets in Mexico City.
In this colloquium, Robert Pinsky answers audience questions on topics including the inspiration behind particular books and poems; his Favorite Poem Project; meter, rhyme, and music in 20th century poetry; and the cultural roots of conflict in American public life. The original questions are not included in the recording due to poor audio quality.
Robert Pinsky reads from his fourth book, The Want Bone (1990), alongside more recent poems that would appear in his fifth collection, The Figured Wheel: New and Collected Poems, 1966-1996 (1996). Many of the poems he reads consider the complex nature of ancestry, history, and the present they create.
A selection of poems in which the poet takes on the voice of a character or entity—a persona—to be the speaker of the poem.
Jennifer Chang reads from her third collection, An Authentic Life (2024), which pushes back against fathers and father-figures as it considers new sources of knowledge for making sense of life. She also reads briefly from her first two books, The History of Anonymity (2008) and Some Say the Lark (2017), and she closes with a new, unpublished poem.
Thomas Dai reads an essay from his first book, Take My Name But Say It Slow (2025). The essay considers the beginning of a romantic relationship alongside lovers' marks—initials or other signs left in public as declarations of love. This reading was originally given alongside Josh Riedel.
Josh Riedel reads the opening chapter of a novel-in-progress. Set in a small community, the chapter follows a writer working on a book about dark sky preservation while he and his partner also try to have a child. This reading was originally given alongside Thomas Dai.
Mathias Svalina reads from his eighth book, Thank You, Terror (2024). He also reads "dreams," surrealist prose poems written across the past eleven years of his Dream Delivery Service, through which Svalina delivers dreams by bike to subscribers. This reading was originally given alongside Richard Siken.
Richard Siken reads from I Do Know Some Things (2025), his third book, selecting prose poems focused on his stroke and the early days following it. This reading was originally given alongside Mathias Svalina.
Tracy K. Smith reads from her essay collection Fear Less: Poetry in Perilous Times (2025), alternating between the book's prose and recent poems. These recent poems come from Such Color: New and Selected Poems (2021) and from an unpublished manuscript titled The Forest. Smith describes poetry as an intervention amidst the rise of de-humanizing values and as a response that invites us to recognize the humanity in one another.
Farid Matuk reads poems from his collection Moon Mirrored Indivisible (2025), considering themes of masculinity, state violence, and racism. He closes with a poem by Susan Briante, with whom this reading was originally given.
Susan Briante reads from 13 Questions for the Next Economy: New and Selected Works (2025). She primarily reads new poems from the collection that consider themes of anti-capitalism, revolution, and family. Collages included in the book are shown throughout. Briante opens with a poem by Farid Matuk, with whom this reading was originally given.
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