An Evening with Raquel Salas Rivera, Sin À Tes Souhaits (Frank Johnson), and Vanessa Angélica Villarreal - February 18, 2021

Date
Sponsors

UA Poetry Center

Location
Online event
An Evening with Raquel Salas Rivera, Sin À Tes Souhaits (Frank Johnson), and Vanessa Angélica Villarreal

As part of the Institute for Inquiry and Poetics, Sin À Tes Souhaits (Frank Johnson), Vanessa Angélica Villarreal, and Raquel Salas Rivera read and discuss poems from their unpublished manuscripts Literal Dope (À Tes Souhaits), Racial Calculus (Villarreal), and Oso Blanco (Salas Rivera). Diana Marie Delgado leads a conversation throughout the event.

Tracks
Track Title
Welcome and Introduction for Frank Johnson
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by Diana Marie Delgado

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Track Title
"Trap, Now, One"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"CCDC South Tower, Sixth Floor"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Sometimes I Really Wonder If God Fucked With Me Like That"
Description

from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"I Stay Ten Toes Down"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Word: A Noun"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Solange Says"
Description

from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Yo Lil' Man"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Ain't No Love in the Heart of the City"
Description

from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Wednesday Night Interlude"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"Dope: A Noun"
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
"The Streets Is Watching" and Closing Remarks
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from Frank Johnson's unpublished manuscript Literal Dope

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Track Title
Introduction for Vanessa Angélica Villarreal
Description

by Diana Marie Delgado

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Track Title
Opening Remarks; "Racial Calculus" and "The Axis of Dispossession, fig. 1"
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from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"The Axis of Dispossession, fig. 2"
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from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"The Axis of Dispossession, fig. 3"
Description

from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"Architect 1"
Description

from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"1641"
Description

from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"Architect 3"
Description

from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"Parole Denial Reason"
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from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
"Settlement" and Closing Remarks
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from Vanessa Angélica Villarreal's unpublished manuscript Racial Calculus

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Track Title
Introduction for Raquel Salas Rivera
Description

by Diana Marie Delgado

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Track Title
"Temporal" and Opening Remarks
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Track Title
"Entonces vio su futuro/Then they saw their future"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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Track Title
"Los prisioneros del 1930 sembraron flores en la prisión del 1933/In 1930, the prisoners planted flowers in the prison of 1933"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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Track Title
"Del campo a la ciudad/From town to city"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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"Na/Nothing"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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"En las primeras décades del nuevo siglo/In the first decades of the new century"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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"Reciclaje/Recycling"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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"La promiscuidad tan indeseable/Such undesirable promiscuity"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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Track Title
"Cenex propone un programa de desorden absoluto/Cenex proposes a program of absolute disorder"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco 

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"Qué es el dinero para pobres sino el hambre?/What is money to the poor if not hunger?"
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from Raquel Salas Rivera's unpublished manuscript Oso Blanco

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Track Title
"Cenex le escribió un poema a Fanon sin cárceles, sin policías, sin gringos/Cenex wrote Fanon a poem without prisons, without cops, without gringos"
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Track Title
Discussion
Description

with Diana Marie Delgado, Sin À Tes Souhaits (Frank Johnson), Vanessa Angélica Villarreal, and Raquel Salas Rivera.

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