Momaday, N. Scott. The Ancient Child. New York: Doubleday, 1989, pp.36-39, 257-260.
Urrea, Luis Alberto. The House of Broken Angels. New York: Little, Brown and Company, 2018.
John Williams reads from three novels: Butcher's Crossing (1978), Stoner (1965), and Augustus (1972).
Jonathan Penner reads from Going Blind (1977) as well as work published in periodicals.
Elizabeth Evans reads excerpts from her third novel, Rowing in Eden.
Timothy Schaffert reads from The Coffins of Little Hope, published in 2011, and The Swan Gondola, which would be published in 2014.
A celebration of the fairy tale, featuring readings from authors included in My Mother She Killed Me, My Father He Ate Me (2010), an anthology of new fairy tales edited by Kate Bernheimer.
In this reading, originally given with Beth Alvarado, Aurelie Sheehan shares excerpts from the novel History Lessons for Girls (2006), as well as a work in progress called One Hundred Histories.
Australian poets Vincent Buckley, Les Murray, and David Malouf visit Tucson to read their work, also providing background and commentary. Les Murray reads a selection of poems in chronological order, including his oldest poem "The Burning Crook." Vincent Buckley reads from Golden Builders (1976), Late Winter Child (1979), and The Pattern (1979), as well as some unpublished poems. David Malouf reads both poetry and passages from his novel An Imaginary Life (1978).
Richard Marius reads an excerpt from an early draft of his novel After the War (1992).
Peter Matthiessen reads from his works of nonfiction The Snow Leopard (1978) and Indian Country (1984), along with a hallucination scene from his novel At Play in the Fields of the Lord (1965).
John A. Williams reads poems from an early manuscript that would eventually come to form his collection Safari West (1998). He then reads from his novel !Click Song (1982), investigating issues of race, colonialism, and diaspora. Both books are winners of the American Book Award.
Monique Wittig and Sande Zeig read for the Writers At Work Series. Wittig and Zeig team to play the parts of Don Quixote and Sancho Panza in a play written by Wittig and translated by Zeig, Le Voyage sans fin (The Constant Journey, 1985), based on Miguel de Cervantes's classic novel. Before performing the play, Wittig gives a brief talk explaining the role of transposition and gender roles in her adaption of Cervantes's work.
Mary Elsie Robertson reads a chapter from her novel What I Have to Tell You (1989). This University of Arizona Creative Writing faculty reading was originally given with Vivian Gornick.
Leonard Michaels reads from short stories written throughout his career, and concludes the reading with an excerpt from his novel The Men's Club (1981). His uncompromising realist sketches catch characters at their darkest and most vulnerable moments, and are colored with absurdist humor. Stories include those published in his collections Going Places (1969) and I Would Have Saved Them If I Could (1975).
In this performance for the Writers at Work Series, Katherine Toy Miller and Vance Bourjaily read from their fiction. Katherine Toy Miller reads six short stories from a collection titled Eleanor, along with a short story titled "The Critical Session." Vance Bourjaily reads segments from a novel-in-progress called The Great Fake Book. Bourjaily ends his reading by performing a short solo on the cornet.
Benjamin Rybeck reads from his novel The Sadness (2016). This reading was originally given with Lawrence Lenhart and Natasha Stagg.
Natasha Stagg reads from her novel Surveys (2016). This reading was originally given with Lawrence Lenhart and Benjamin Rybeck.
Jenny Offill reads from Dept. of Speculation (2014) as well as from a novel in progress, American Weather. This reading was originally given with Lydia Millet.
Luis Alberto Urrea reads poems from The Tijuana Book of the Dead (2015) focused on life in the US-Mexico borderlands. He opens with one poem forthcoming in Piedra (2023) and concludes with a chapter from The House of Broken Angels (2019), retold from memory. This reading was presented as part of the 2021 Tucson Humanities Festival.