creative nonfiction
Ehrlich, Gretel. "Resolute Passage." Arctic Heart. Santa Barbara: Capra Press, 1992.
"Four." Arctic Heart. Santa Barbara: Capra Press, 1992.
"Twelve." Arctic Heart. Santa Barbara: Capra Press, 1992.
Excerpts from "The Fasting Heart." Islands, the Universe, Home. New York: Viking, 1991.
Chang, Victoria. Dear Memory: Letters on Writing, Silence, and Grief. Minneapolis: Milkweed Editions, 2021.
Monson, Ander. Predator. Minneapolis: Graywolf Press, 2022, pp. 215-216.
Monson, Ander. Predator. Minneapolis: Graywolf Press, 2022, pp 216-217.
Monson, Ander. Predator. Minneapolis: Graywolf Press, 2022, pp. 137-139.
Sabatini Sloan, Aisha. Borealis. Minneapolis: Coffee House Press, 2021, pp. 1-12.
Norris, Maddie. The Wet Wound. Athens: The University of Georgia Press, 2024, pp. 99-106.
Tillie Olsen reads excerpts from Tell Me a Riddle (1961), her collection of short stories; Yonnondio: From the Thirties (1974), an unfinished novel; and the classic work of nonfiction, Silences (1978). Olsen's reading is interspersed with anecdotes and narrative summaries.
Boyer Rickel reads poetry from his first book, Arreboles (1991), touching on family and childhood memories, experiences living in Tucson, and musicians and writers of previous centuries. He also reads an essay that would go on to be published in Taboo (1999), which he introduces by discussing his approach to writing essays that follow the form of poems, not returning to a main idea but moving through it.
Nancy Mairs reads poetry and nonfiction from her first three books, In All the Rooms of the Yellow House (1984), Plaintext (1986), and Remembering the Bone House (1989).
Annick Smith reads the title essay from her first collection, Homestead (1995), as well as essays from her collection Big Bluestem: A Journey into the Tallgrass (1996), an exploration of the history of the Tallgrass Prairie Preserve in Oklahoma. She also reads "Sink or Swim," her contribution to a multi-author collection, Headwaters (1996), assembled in protest of industrial mining along the Blackfoot River. She concludes with "Writing Down the River," an essay on the Grand Canyon.
Kristen Radtke reads from Imagine Wanting Only This (2017). This reading was originally given with Charles Yu.
Francisco Cantú reads from his essay collection The Line Becomes a River: Dispatches from the Border (2018). This reading was originally given with Sylvia Chan and Thomas Mira y Lopez.
Ander Monson reads from his first memoir, Predator (2022), titled after the 1987 sci-fi action film that he has watched 146 times. Monson shares excerpts from the memoir that closely draw upon select frames and scenes from the film. Part of the Distinguished Visitors in Creative Writing Series, this reading was given alongside Bojan Louis and Manuel Muñoz.
Aisha Sabatini Sloan, an alumna of the UA MFA Creative Writing program, reads from her book-length essay Borealis (2021). In this excerpt from the book, Sabatini Sloan details her travel to Homer, Alaska, and how the stark landscape interacts with her identity as a Black, queer woman. Sabatini Sloan's writing also incorporates references to pop culture and Black artists. This reading was originally given alongside Cara Blue Adams and Alberto Ríos to celebrate the MFA program's 50th anniversary.
Maddie Norris reads from The Wet Wound: An Elegy in Essays (2024), focused on grief and loss of her father. She reads an essay from the book written in the second person and addressed to her childhood. This reading was originally given alongside Gabriel Dozal, Gabriel Palacios, and Margo Steines, all fellow alumni of the University of Arizona creative writing MFA program.
Margo Steines reads from her memoir Brutalities: A Love Story (2023), sharing a chapter focused on running, obsession, and the way pain can shape us. This reading was originally given alongside Gabriel Dozal, Maddie Norris, and Gabriel Palacios, all fellow alumni of the University of Arizona creative writing MFA program.