writing

Jane Miller reads from her collection Midnights (2008).

Demetria Martinez reads work from The Devil's Workshop (2002), Breathing Between the Lines (1997), and Confessions of a Berlitz-Tape Chicana (2005). She also reads a short story from the manuscript of The Block Captain's Daughter, which would go on to be published by University of Oklahoma Press in 2012. This reading was originally given alongside Rebecca Seiferle. 

In his first visit to Tucson, Franz Wright reads prose pieces, most of which were unpublished at the time of his reading, as well as several lineated poems. He comments generously on his writing process and friendships with other poets.

Ruth Stephan reads from her collection Various Poems (1963). She also reads uncollected poems, one of which responds to John F. Kennedy's assassination a year prior.

Timothy Schaffert reads from The Coffins of Little Hope, published in 2011, and The Swan Gondola, which would be published in 2014.

Danielle Vogel reads from lyric essays describing the genesis of her ceramic architecture exhibit Narrative Nests, presented at the Poetry Center's May 2012 Poetry Off the Page Symposium. One of these essays appears in Narrative & Nest: Pre-Natal Architectures & Narrative Rituals (2012).

Aurelie Sheehan reads from Jewelry Box: A Collection of Histories (2013). This reading was originally given with Farid Matuk.

Yona Harvey performs poems from Hemming the Water (2013) as well as work unpublished at the time of the reading. This reading was originally given with Craig Santos Perez as part of the Morgan Lucas Schuldt Memorial Reading Series.

In this matinee performance at Tucson High School, Eduardo C. Corral reads from Slow Lightning (2012), provides commentary, and participates in a question and answer session with Natalie Diaz.

Elizabeth Evans reads from her novel As Good As Dead (2015).

Rosemary Catacalos reads from her first collection, Again for the First Time (1984), before sharing more recent poems. Several of the more recent poems would appear in anthologies throughout the 1990s or would be collected in her chapbook Begin Here (2013). San Antonio, Texas, figures prominently, and key themes include multicultural identity and life in border communities.

Roland Flint, Poet Laureate of Maryland at the time of this reading, opens with early poems from Say It (1979) and Resuming Green (1983). Flint reads from his National Poetry Series volume Stubborn (1990), interspersing work from Stubborn with recently written poems, some of which would go on to be published in Easy (1999). Flint also discusses his work as a translator of Bulgarian and reads several of his translations.

Richard Jackson reads long poems from his collection Worlds Apart (1987) and others that would be collected in Alive All Day (1992). He begins with a poem by Thomas Hardy, "I Looked Up from My Writing."

In this question and answer session at Rincon High School, Byrd Baylor discusses her inspirations, writing process, and experience as a writer, in addition to her connection to nature, the land, and ceremonies. She also reads from I'm in Charge of Celebrations (1986). 

Ada Limón reads poems from Bright Dead Things (2015) and The Carrying (2018).

Matthew Zapruder reads poems from Father's Day (2019) and his forthcoming collection I Love Hearing Your Dreams (2024), many of which center on fatherhood, family life, and writing poetry. He opens and closes the reading with excerpts from his memoir Story of a Poem (2023), focused on the act of drafting and revising a poem.