writing
Wilbur, Richard. The Mind Reader. New York: Harcourt, Brace and Jovanovich, 1976.
Kinnell, Galway. When One Has Lived a Long Time Alone. New York: Alfred A. Knopf, 1990.
Hirshfield, Jane. The Lives of the Heart. New York: HarperCollins, 1997.
Dominguez, Angel. Black Lavender Milk. Oakland: Timeless, Infinite Light, 2015.
Demetria Martinez reads work from The Devil's Workshop (2002), Breathing Between the Lines (1997), and Confessions of a Berlitz-Tape Chicana (2005). She also reads a short story from the manuscript of The Block Captain's Daughter, which would go on to be published by University of Oklahoma Press in 2012.
In his first visit to Tucson, Franz Wright reads prose pieces, most of which were unpublished at the time of his reading, as well as several lineated poems. He comments generously on his writing process and friendships with other poets.
Ruth Stephan reads from her collection Various Poems (1963). She also reads uncollected poems, one of which responds to John F. Kennedy's assassination a year prior.
Timothy Schaffert reads from The Coffins of Little Hope, published in 2011, and The Swan Gondola, which would be published in 2014.
Danielle Vogel reads from lyric essays describing the genesis of her ceramic architecture exhibit Narrative Nests, presented at the Poetry Center's May 2012 Poetry Off the Page Symposium. One of these essays appears in Narrative & Nest: Pre-Natal Architectures & Narrative Rituals (2012).
Aurelie Sheehan reads from Jewelry Box: A Collection of Histories (2013). This reading was originally given with Farid Matuk.
Yona Harvey performs poems from Hemming the Water (2013) as well as work unpublished at the time of the reading. This reading was originally given with Craig Santos Perez as part of the Morgan Lucas Schuldt Memorial Reading Series.
In this matinee performance at Tucson High School, Eduardo C. Corral reads from Slow Lightning (2012), provides commentary, and participates in a question and answer session with Natalie Diaz.
Rosemary Catacalos reads poems on themes such as identity, quirks of memory, borders and border towns, the effects of speaking three languages (Greek, Spanish, and English) as a child, and the Day of the Dead.
In this question and answer session at Rincon High School, Byrd Baylor discusses her inspirations, writing process, and experience as a writer, in addition to her connection to nature, the land, and ceremonies. She also reads from I'm in Charge of Celebrations (1986).
Ada Limón reads poems from Bright Dead Things (2015) and The Carrying (2018).
1508 East Helen Street (at Vine Avenue)
Tucson, AZ 85721-0150 • MAP IT
PHONE 520-626-3765 | poetry@email.arizona.edu