repetition

Track

Borzutzky, Daniel. Written After a Massacre in the Year 2018. Minneapolis: Coffee House Press, 2021. 

Track

Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021. 

Track

Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021. 

Track

Hirshfield, Jane. Ledger. New York: Knopf, 2020. 

Track

Yanyi. Dream of the Divided Field. New York: One World, 2022.

Track

López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023, pp. 53-54.

Track

López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023.

Track

Nakayasu, Sawako. Say Translation Is Art. Brooklyn: Ugly Duckling Presse, 2020, pp. 13-16.

Track

Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.

Track

Wunderlich, Mark. God of Nothingness. Minneapolis: Graywolf Press, 2021.

Track

Uncollected.

Track

Ruefle, Mary. "Poem in Which I Explain Myself." The American Poetry Review, vol. 50, no. 5, September/October 2021, p. 19.

Track

Otta, Tilsa. The Hormone of Darkness. Translated by Farid Matuk. Minneapolis: Graywolf Press, 2024. 

Track

Reeves, Roger. Best Barbarian. New York: W.W. Norton, 2022.

Track

Reeves, Roger. Best Barbarian. New York: W.W. Norton, 2022.

Track

Reeves, Roger. Best Barbarian. New York: W.W. Norton, 2022.

Track

Limón, Ada. Lucky Wreck. Pittsburgh: Autumn House Press, 2006.

Track

Limón, Ada. Bright Dead Things. Minneapolis: Milkweed Editions, 2015.

Track

Limón, Ada. The Hurting Kind. Minneapolis: Milkweed Editions, 2022.

Track

Farris, Katie. Standing in the Forest of Being Alive. New Gloucester: Alice James Books, 2023. 

Reading

Sherman Alexie reads widely from his work and engages the audience with stories characterized by his signature humor.

Reading

Samuel Ace reads poems from Stealth (2011) as well as new and uncollected work. This reading was originally given with Polly Rosenwaike and Dexter L. Booth.

Reading

Clark Coolidge reads from an unpublished work in progress. This reading was originally given with Teré Fowler-Chapman.

Reading

Sawako Nakayasu reads from So We Have Been Given Time Or (2004) and Nothing Fictional but the Accuracy or Arrangement (She (2006), as well as poems which would later be collected in The Ants (2014). This reading was originally given with Catherine Wing and Deborah Bernhardt for the Next Word in Poetry Series.

Reading

Ariana Reines reads new and uncollected poems, including one written for this reading.

Reading

Author and illustrator Faye Kicknosway reads poems from her book The Cat Approaches (1978); she also reads from a manuscript that would eventually become the Pulitzer Prize–nominated Who Shall Know Them? (1985), a series of ekphrastic poems engaging with Walker Evans's famed photographs of life during the Great Depression. This reading was originally given alongside readings by Alan Feldman and Linda Gregg.

Reading

Arthur Sze reads from his poetry collection Sight Lines (2019).

Reading

Mark Wunderlich opens by reading from his fourth collection, God of Nothingness (2021), before turning to recently written poems. He shares work that centers on the body, animals, violence, and the complex inheritances arising from lineage and place.

Reading

Hala Alyan opens with excerpts from her 2024 essay "'I am not there and I am not here': a Palestinian American poet on bearing witness to atrocity." She then reads from her poetry collection The Moon That Turns You Back (2024) alongside recent, uncollected poems.

Poetry Center

1508 East Helen Street (at Vine Avenue)
Tucson, AZ 85721-0150 • MAP IT
PHONE 520-626-3765 | poetry@email.arizona.edu