horses
Limón, Ada. Bright Dead Things. Minneapolis: Milkweed Editions, 2015.
Limón, Ada. The Carrying. Minneapolis: Milkweed Editions, 2018.
Kumin, Maxine. "You Are In Bear Country." The Long Approach. New York: Penguin, 1986.
"In the Park." Nurture. New York: Penguin, 1989.
"Encounter in August." Nurture. New York: Penguin, 1989.
"Morning Swim." The Privilege. New York: Harper & Row, 1965.
"The Hermit Wakes to Bird Sounds." Up Country: Poems of New England, New and Selected. New York: Harper & Row, 1972.
"Amanda Dreams She has Died and Gone to the Elysian Fields." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"Excrement Poem." The Retrieval System. New York: Viking, 1978.
"Heaven as Anus." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"The Jesus Infection." House, Bridge, Fountain, Gate. New York: Viking, 1975.
"Splitting Wood at Six Above." The Retrieval System. New York: Viking, 1978.
"On Being Asked to Write a Poem in Memory of Anne Sexton." Nurture. New York: Penguin, 1989.
"The Green Well." Looking for Luck. New York: Norton, 1992.
"Birthday Poem." The Retrieval System. New York: Viking, 1978.
"Sunbathing on a Rooftop in Berkeley." The Retrieval System. New York: Viking, 1978.
"We Stood There Singing." Nurture. New York: Penguin, 1989.
"The Man of Many L's." Our Ground Time Here Will Be Brief: New and Selected Poems. New York: Penguin, 1982.
"Appetite." The Long Approach. New York: Penguin, 1986.
"My Elusive Guest." The Long Approach. New York: Penguin, 1986.
"Custodian." Nurture. New York: Penguin, 1989.
"Catchment." Nurture. New York: Penguin, 1989.
"Sleeping with Animals." Nurture. New York: Penguin, 1989.
"Nurture." Nurture. New York: Penguin, 1989.
"Looking for Luck in Bangkok." Looking for Luck. New York: Norton, 1992.
In this reading, Silko engages in "what I really love to do"--storytelling in the Laguna tradition. Most of the stories and poems told here would be collected in the 1981 volume Storyteller.
This reading takes place the year that James Wright's collection Two Citizens (1973) was published, and Wright reads extensively from that volume. Wright ends his reading with a poem that would be published in The Hudson Review that fall, but would otherwise remain uncollected.
William Pitt Root reads from his first collection, The Storm and Other Poems (1969), and from the soon-to-be published Striking the Dark Air for Music (1973). Between selections from these two books, he reads lighter, more humorous poems that would remain uncollected or be published much later.
Ross Talarico reads from Snowfires (1972), Trying to Leave (1977), and Simple Truths (1975). This reading was originally given with Marvin Bell.
Laura Tohe reads from Tséyi': Deep in the Rock; Reflections on Canyon de Chelly (2005), which pairs Tohe's texts with images by photographer Stephen E. Strom. Following Tohe's reading, Strom discusses the images contained in the book.
In this reading, originally given with Beth Alvarado, Aurelie Sheehan shares excerpts from the novel History Lessons for Girls (2006), as well as a work in progress called One Hundred Histories.
Matthea Harvey reads primarily from Sad Little Breathing Machine (2004). This reading was originally given with Olena Kalytiak Davis and James Thomas Stevens for the Next Word in Poetry Series.
Pulitzer Prize-winning poet and novelist Maxine Kumin reads from her then-recent collection Nurture (1989), together with poems written throughout her career, as well as two poems that would go on to be collected in her next book, Looking for Luck (1992). Many of the poems consider connections between animals and humans. Kumin also reads a series of three elegies to her longtime friend Anne Sexton.
Luci Tapahonso reads from poems published throughout her career, many of them fueled by personal anecdotes.
Luci Tapahonso reads from her collections Seasonal Woman (1982) and A Breeze Swept Through (1987), beginning with a piece that combines spoken poetry with song.
Reginald Dwayne Betts reads from his poetry collection Bastards of the Reagan Era (2015), along with one uncollected poem.
Ada Limón reads poems from Bright Dead Things (2015) and The Carrying (2018).
Ada Limón reads from her poetry manuscript What Is Caged Is Also Kept From Us, commissioned by the Poetry Center as part of the Art for Justice series. Lola Rainey gives an opening presentation focused on pretrial detention.
1508 East Helen Street (at Vine Avenue)
Tucson, AZ 85721-0150 • MAP IT
PHONE 520-626-3765 | poetry@email.arizona.edu