Lee, Li-Young. The City In Which I Love You. Brockport: BOA Editions, 1990.
In this, Louise Glück's first performance at the University of Arizona Poetry Center, she opens with some poems from her third book, The Garden, and then reads from the manuscript of her book Descending Figure, which would be published two years later.
Li-Young Lee reads primarily from his second collection, The City in Which I Love You, which was published the same year as this reading. He also reads one poem from his first collection, Rose (1986).
Poet, playwright, and novelist Owen Dodson reads a range of poems from his distinguished career. As he introduces his poems, Dodson reflects on his consciousness as a writer, from his undergraduate days at Bates College to his engagement with spirituality, Civil Rights, and social justice.
Paul Zimmer reads from The Republic of Many Voices (1969), along with poems that would be published in The Zimmer Poems (1976) or remain uncollected. Making use of persona, narrative, and humor, he addresses topics such as childhood, identity, and mortality.
In this performance, Robert Creeley reads from and discusses his chapbook Yesterdays, published shortly before the reading by Chax Press. He also reads poems that would be published in his posthumous collection On Earth. Creeley closes with the poem "Generous Life," from If I Were Writing This.
In this reading, originally given with Joni Wallace, Mary Jo Bang reads poems that would go on to be collected in The Last Two Seconds (2015) as well as a segment from her translation of "Canto III" of Dante's Inferno (2012).
Jack Gilbert reads primarily from The Great Fires: Poems 1982-1992 (1995) and Refusing Heaven (2005).
Richard Marius reads an excerpt from an early draft of his novel After the War (1992).
Marcia Southwick reads poems from the second half of The Night Won't Save Anyone (1980), along with poems that would go on to be collected in Why the River Disappears (1990).
Pulitzer Prize-winning poet and novelist Maxine Kumin reads from her then-recent collection Nurture (1989), together with poems written throughout her career, as well as two poems that would go on to be collected in her next book, Looking for Luck (1992). Many of the poems consider connections between animals and humans. Kumin also reads a series of three elegies to her longtime friend Anne Sexton.
Pulitzer Prize–winning poet Stephen Dunn opens with "Under the Black Oaks," the poem he had most recently written at the time of this reading. Dunn reads poems from throughout his career, often on the theme of family, including a poem about losing his mother, an atheist's parenting dilemmas as his daughter moves toward Christianity, and an ode to the sister he never had.
Nanao Sakaki performs poems and songs in the courtyard of the Poetry Center on Cherry Avenue. Asking the audience, "Any questions? I'll answer by my poems," Sakaki addresses themes raised by audience members such as anger, feeling at home, time, walking, and love for the desert and all forms of life.
Annie Guthrie reads poems from her collection the good dark (2015) and from a manuscript titled let x (be rogue). This reading was originally given with Richard Siken.
Essayist and poet Erik Reece reads poems from A Short History of the Present (2009) and essays from An American Gospel: On Family, History, and the Kingdom of God (2009) as well as Utopia Drive: A Road Trip Through America's Most Radical Idea (2016).
Renee Angle reads from her book-length poetry project WoO (2016). This reading was originally given with Wendy Burk.
Jane Miller reads poems from Who Is Trixie the Trasher? and Other Questions (2018). This reading was originally given with Farid Matuk.
Li-Young Lee reads new and uncollected work as well as two poems from his collection The Undressing (2018). This reading was given as part of the Tom Sanders Memorial Reading Series.