emily dickinson

Reading

Charles Alexander provides a close reading of Emily Dickinson's work, focusing on the way metrical and sonic qualities transform into poetic dance.

Reading

CAConrad reads poems from The Book of Frank (2009), A Beautiful Marsupial Afternoon: New (Soma)tics (2012), and Translucent Salamander: A (Soma)tic Poetry Ritual and Resulting Poems (2013), along with new and uncollected work.

Reading

John Harmon McElroy reads work from several major American authors. He opens with a brief passage from John Dos Passos's USA Trilogy (1930-1936), and reads from works including Washington Irving's The Sketchbook of Geoffrey Crayon (1819), Henry James's The American (1877), Henry David Thoreau's Walden (1854), Herman Melville's Israel Potter: His Fifty Years of Exile (1855), Nathaniel Hawthorne's The Scarlet Letter (1850), Walt Whitman's Specimen Days (1892), several poems by Emily Dickinson, and Mark Twain's Adventures of Huckleberry Finn (1884).

Reading
Jen Bervin discusses Emily Dickinson's manuscripts and compositional processes, with special attention to the poet's manipulations of the physical page.
Reading

Srikanth Reddy delivers a talk on likeness, unlikeness, and portraiture in the works of Emily Dickinson, Pablo Picasso, and Gertrude Stein. 

Reading

Timothy Donnelly gives a lecture on catachresis, the uncanny, and Emily Dickinson. He also reads three uncollected poems. This lecture was originally given with Srikanth Reddy and Rachel Zucker as part of the 2018 Bagley Wright Lecture Series conference "You Are Who I Am Talking To: Poetry, Attention, & Audience."

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