repetition
Borzutzky, Daniel. Written After a Massacre in the Year 2018. Minneapolis: Coffee House Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Shapero, Natalie. Popular Longing. Port Townsend: Copper Canyon Press, 2021.
Yanyi. Dream of the Divided Field. New York: One World, 2022.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023, pp. 53-54.
López, Manuel Paul. Nerve Curriculum. New York: Futurepoem Books, 2023.
Nakayasu, Sawako. Say Translation Is Art. Brooklyn: Ugly Duckling Presse, 2020, pp. 13-16.
Shanahan, Charif. Trace Evidence. Portland, OR: Tin House, 2023.
Wunderlich, Mark. God of Nothingness. Minneapolis: Graywolf Press, 2021.
Sherman Alexie reads widely from his work and engages the audience with stories characterized by his signature humor.
Samuel Ace reads poems from Stealth (2011) as well as new and uncollected work. This reading was originally given with Polly Rosenwaike and Dexter L. Booth.
Clark Coolidge reads from an unpublished work in progress. This reading was originally given with Teré Fowler-Chapman.
Sawako Nakayasu reads from So We Have Been Given Time Or (2004) and Nothing Fictional but the Accuracy or Arrangement (She (2006), as well as poems which would later be collected in The Ants (2014). This reading was originally given with Catherine Wing and Deborah Bernhardt for the Next Word in Poetry Series.
Ariana Reines reads new and uncollected poems, including one written for this reading.
Author and illustrator Faye Kicknosway reads poems from her book The Cat Approaches (1978); she also reads from a manuscript that would eventually become the Pulitzer Prize–nominated Who Shall Know Them? (1985), a series of ekphrastic poems engaging with Walker Evans's famed photographs of life during the Great Depression. This reading was originally given alongside readings by Alan Feldman and Linda Gregg.
Arthur Sze reads from his poetry collection Sight Lines (2019).