WEBVTT

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Poet Ander Monson at a podium before a projector screen. The screen shows an image of a long hallway extending into darkness. Text on image, (you know the labyrinth).

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An image of a large circular labyrinth.

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Steps descending into darkness. Text, (you know the labyrinth).

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A pixelated map with a black background. Various rectangles are outlined in white and connected by dotted lines. Text, (you know the labyrinth).

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An outdoor maze constructed of hedges. Text, (you know the labyrinth: gosh these seem to be everywhere).

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A tile map of a dungeon. Text, (you know the labyrinth).

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A circular hallway extending into darkness. Text, (you know the labyrinth).

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Large text, So.

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Text, The thing about the labyrinth is that we love to be in it. We can't not be in it. We are buried in it. We are working in it.

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Text, And the thing about the labyrinth -- and the sentence -- and the poetic line -- is that it's mostly linear, even if it branches. Even if it's silent.

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Text, And that the pleasure of the labyrinth is that by being in it we are made a protagonist, a first-person, an adventurer, a finder & collector, an archivist, a connector, a taxonomist.

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Text, And there is pleasure in playing, in finding, in connecting, in participating more actively in our art.