WEBVTT 00:00:00.000 --> 00:00:04.240 align:middle line:90% 00:00:04.240 --> 00:00:11.000 align:middle line:84% Now, in this poem, the first line will be in Belarusian. 00:00:11.000 --> 00:00:12.800 align:middle line:84% But don't worry, because the next line 00:00:12.800 --> 00:00:14.840 align:middle line:90% is the translation of this. 00:00:14.840 --> 00:00:19.760 align:middle line:84% And this is also maybe answering the unasked question, 00:00:19.760 --> 00:00:23.640 align:middle line:84% how do you write poems in now in German, in Belarusian? 00:00:23.640 --> 00:00:29.040 align:middle line:84% And sometimes, it comes in one language 00:00:29.040 --> 00:00:32.360 align:middle line:84% and then I continue in the other. 00:00:32.360 --> 00:00:35.160 align:middle line:84% So that's also a good illustration 00:00:35.160 --> 00:00:39.092 align:middle line:90% how sometimes it works. 00:00:39.092 --> 00:00:43.040 align:middle line:84% калі птушка злятае з галіны дрэва 00:00:43.040 --> 00:00:46.880 align:middle line:84% When a bird takes off from a branch, 00:00:46.880 --> 00:00:50.800 align:middle line:84% the branch keeps on moving for a minute, 00:00:50.800 --> 00:00:54.680 align:middle line:90% remembering the bird's presence. 00:00:54.680 --> 00:00:57.280 align:middle line:90% You write at your own hope. 00:00:57.280 --> 00:00:59.790 align:middle line:90% I read at my own risk. 00:00:59.790 --> 00:01:04.790 align:middle line:84% Thank you for Roberto Juarroz and the jasmine tea 00:01:04.790 --> 00:01:08.250 align:middle line:84% explaining everything, proving everything. 00:01:08.250 --> 00:01:13.190 align:middle line:84% Speaking, always being busy, is exhausting. 00:01:13.190 --> 00:01:17.630 align:middle line:84% In a flat without doors, a tap is dripping. 00:01:17.630 --> 00:01:22.270 align:middle line:84% I tell myself it's a clock so as not to go crazy. 00:01:22.270 --> 00:01:23.590 align:middle line:90% And I pray. 00:01:23.590 --> 00:01:27.790 align:middle line:84% Dear Words, keep us from the dark. 00:01:27.790 --> 00:01:30.950 align:middle line:84% But what if there is also a poem living 00:01:30.950 --> 00:01:36.590 align:middle line:84% in the dark: lonely and small, but still a poem? 00:01:36.590 --> 00:01:42.910 align:middle line:84% I hold out my pencil to it at my own risk, at my own hope. 00:01:42.910 --> 00:01:50.190 align:middle line:84% When a bird takes off from a branch, the movement remains. 00:01:50.190 --> 00:01:52.050 align:middle line:90% And yeah, there I hear. 00:01:52.050 --> 00:01:57.730 align:middle line:84% Actually, this poem was written as an homage to the birthday, 00:01:57.730 --> 00:02:06.050 align:middle line:84% 19th year birthday anniversary of a German poet, Reiner Kunze, 00:02:06.050 --> 00:02:10.770 align:middle line:84% who also, let's say, was an Eastern German poet and had 00:02:10.770 --> 00:02:16.650 align:middle line:84% to go to the West in order to escape from those horrible 00:02:16.650 --> 00:02:18.970 align:middle line:90% things. 00:02:18.970 --> 00:02:26.330 align:middle line:84% And he has a wonderful poem, three lines about jasmine tea. 00:02:26.330 --> 00:02:28.250 align:middle line:90% I mean, not about jasmine tea. 00:02:28.250 --> 00:02:30.510 align:middle line:84% It's called Invitation to Jasmine Tea. 00:02:30.510 --> 00:02:36.170 align:middle line:84% And the meaning is like, come up, put off your coat. 00:02:36.170 --> 00:02:38.590 align:middle line:90% Here you can keep silence. 00:02:38.590 --> 00:02:44.770 align:middle line:90% 00:02:44.770 --> 00:02:46.630 align:middle line:90% I'm always moved by this poem. 00:02:46.630 --> 00:02:47.130 align:middle line:90% Sorry. 00:02:47.130 --> 00:02:51.490 align:middle line:90% 00:02:51.490 --> 00:02:54.550 align:middle line:84% And in this poem, I also try to have this dialogue with him. 00:02:54.550 --> 00:02:58.920 align:middle line:84% Because Roberto Juarroz, the Argentinian poem from 00:02:58.920 --> 00:03:05.480 align:middle line:84% the '60s, whom I mentioned was also my other opening discovery 00:03:05.480 --> 00:03:09.800 align:middle line:84% because of Reiner Kunze, because he had one of the lines from 00:03:09.800 --> 00:03:15.640 align:middle line:84% Roberto Juarroz as an epigraph to one of his books. 00:03:15.640 --> 00:03:21.080 align:middle line:84% And the idea of those lines was like, I 00:03:21.080 --> 00:03:23.640 align:middle line:90% haven't done today anything. 00:03:23.640 --> 00:03:27.160 align:middle line:84% But so many things happened inside me. 00:03:27.160 --> 00:03:29.200 align:middle line:84% And I think that illustrates a lot 00:03:29.200 --> 00:03:37.120 align:middle line:84% of how people who work mentally or not only physically, or not 00:03:37.120 --> 00:03:42.140 align:middle line:84% mentally, how problematic for us it is to prove that we work. 00:03:42.140 --> 00:03:44.120 align:middle line:90% [LAUGHTER] 00:03:44.120 --> 00:03:46.820 align:middle line:84% And these lines for me are like savings. 00:03:46.820 --> 00:03:48.100 align:middle line:90% I'm like, thank you. 00:03:48.100 --> 00:03:48.880 align:middle line:90% [LAUGHTER] 00:03:48.880 --> 00:03:56.310 align:middle line:84% Now I know I have the right just to read books and think. 00:03:56.310 --> 00:03:58.000 align:middle line:90%