WEBVTT 00:00:00.000 --> 00:00:01.680 align:middle line:90% 00:00:01.680 --> 00:00:06.410 align:middle line:84% And I will close with my kind of love letter to June Jordan. 00:00:06.410 --> 00:00:09.320 align:middle line:84% My thank-you letter to June Jordan, 00:00:09.320 --> 00:00:13.360 align:middle line:90% a poet who means a lot to me. 00:00:13.360 --> 00:00:15.240 align:middle line:84% This was written many years ago, but I 00:00:15.240 --> 00:00:18.200 align:middle line:84% think you'll see why it's a little bit haunting 00:00:18.200 --> 00:00:19.180 align:middle line:90% to read it now. 00:00:19.180 --> 00:00:22.960 align:middle line:90% 00:00:22.960 --> 00:00:27.120 align:middle line:84% "Letter to June Jordan in September." 00:00:27.120 --> 00:00:30.960 align:middle line:84% "I cannot pass the anniversary of that first news event 00:00:30.960 --> 00:00:35.440 align:middle line:84% of childhood without returning to your poem: 00:00:35.440 --> 00:00:38.200 align:middle line:90% How from my house I watched, 00:00:38.200 --> 00:00:41.440 align:middle line:84% And watching, watched my grief-stricken parents 00:00:41.440 --> 00:00:43.440 align:middle line:90% unable to speak. 00:00:43.440 --> 00:00:47.640 align:middle line:84% How I leaned into the screen, the chords of the cries, 00:00:47.640 --> 00:00:50.920 align:middle line:84% searching for what was recognizable of fingers 00:00:50.920 --> 00:00:55.680 align:middle line:84% and thighs, of bracelets and mustaches, 00:00:55.680 --> 00:01:00.800 align:middle line:84% Macabre arrangement of bodies with names like our own. 00:01:00.800 --> 00:01:04.160 align:middle line:84% I cannot pass without your words: 00:01:04.160 --> 00:01:07.760 align:middle line:84% Something about witnessing twice removed, 00:01:07.760 --> 00:01:12.960 align:middle line:84% About distances magnified by the shift into language, 00:01:12.960 --> 00:01:16.600 align:middle line:84% Of dailiness and my own children's vernacular 00:01:16.600 --> 00:01:18.120 align:middle line:90% and the machine 00:01:18.120 --> 00:01:22.050 align:middle line:90% Grinding us all in its jaws. 00:01:22.050 --> 00:01:26.690 align:middle line:84% I met a girl from the camp at a reading in Beirut. 00:01:26.690 --> 00:01:31.410 align:middle line:84% She asked if we could talk about the life of poetry. 00:01:31.410 --> 00:01:35.490 align:middle line:84% Our families are hauled off to the world of the dead and every 00:01:35.490 --> 00:01:38.490 align:middle line:90% day, it is on screen: 00:01:38.490 --> 00:01:42.690 align:middle line:84% In Gaza, we're watching Ferguson and in Atlanta, we're 00:01:42.690 --> 00:01:48.090 align:middle line:84% watching Jerusalem, watching Minneapolis, watching, 00:01:48.090 --> 00:01:54.130 align:middle line:84% Their weapons and their training programs indistinguishable. 00:01:54.130 --> 00:01:58.090 align:middle line:84% The word almost flickers for a nanosecond. 00:01:58.090 --> 00:02:02.130 align:middle line:84% Here, I note the shelf life of self-censorship, 00:02:02.130 --> 00:02:05.010 align:middle line:90% legacy of our era. 00:02:05.010 --> 00:02:08.449 align:middle line:84% Some days, poems are scrawled on pieces of cardboard 00:02:08.449 --> 00:02:13.490 align:middle line:84% and carried on our shoulders at the protest like martyrs. 00:02:13.490 --> 00:02:17.410 align:middle line:84% Here, I should say something about hope. 00:02:17.410 --> 00:02:22.690 align:middle line:84% Here, I should say something about living." 00:02:22.690 --> 00:02:23.650 align:middle line:90% Thank you. 00:02:23.650 --> 00:02:27.000 align:middle line:90% [APPLAUSE] 00:02:27.000 --> 00:02:38.000 align:middle line:90%