WEBVTT 00:00:00.000 --> 00:00:01.840 align:middle line:90% 00:00:01.840 --> 00:00:04.880 align:middle line:84% I think I speak for many when I say 00:00:04.880 --> 00:00:07.320 align:middle line:84% it's difficult in this day and age 00:00:07.320 --> 00:00:12.840 align:middle line:84% to read an entire book of poetry in one sitting. 00:00:12.840 --> 00:00:18.240 align:middle line:84% Yet with Susan Nguyen's debut collection, Dear Diaspora, 00:00:18.240 --> 00:00:21.320 align:middle line:84% when I looked down, I was on page one 00:00:21.320 --> 00:00:25.600 align:middle line:84% and when I looked back up, I had finished the book. 00:00:25.600 --> 00:00:30.080 align:middle line:84% Susan's poems brought to life a period of time in my own 00:00:30.080 --> 00:00:34.320 align:middle line:84% that was quite lonely, that I kept hidden within myself. 00:00:34.320 --> 00:00:39.040 align:middle line:84% A childhood of silence, questions, and noticing things 00:00:39.040 --> 00:00:41.360 align:middle line:90% I could not explain. 00:00:41.360 --> 00:00:45.680 align:middle line:84% Yet it felt like the collection's title alone, Dear 00:00:45.680 --> 00:00:50.280 align:middle line:84% Diaspora, was addressed to me, a daughter of immigrants 00:00:50.280 --> 00:00:52.920 align:middle line:84% in a majority white Virginia town. 00:00:52.920 --> 00:00:56.520 align:middle line:84% And the poems were telling me, listen, 00:00:56.520 --> 00:01:02.360 align:middle line:84% you're not making any of this up because I've been there too. 00:01:02.360 --> 00:01:06.160 align:middle line:84% I love how Dear Diaspora opens with questions 00:01:06.160 --> 00:01:08.840 align:middle line:90% that probe beneath the surface. 00:01:08.840 --> 00:01:13.400 align:middle line:84% Like, do you feel safe wrecking language? 00:01:13.400 --> 00:01:16.760 align:middle line:84% When did you lose the color green? 00:01:16.760 --> 00:01:21.560 align:middle line:84% And introduces us to a character, Suzi, who, quote, 00:01:21.560 --> 00:01:25.680 align:middle line:84% "is not afraid of the dark or the things that move in its 00:01:25.680 --> 00:01:27.520 align:middle line:90% current." 00:01:27.520 --> 00:01:32.080 align:middle line:84% Suzi's observations of her Vietnamese diaspora upbringing 00:01:32.080 --> 00:01:35.560 align:middle line:84% in America, and the risks and losses 00:01:35.560 --> 00:01:39.400 align:middle line:84% it poses for her and her family, create an opening 00:01:39.400 --> 00:01:42.640 align:middle line:90% within language itself. 00:01:42.640 --> 00:01:46.600 align:middle line:84% Susan's more recent poems, which draw their inspiration from her 00:01:46.600 --> 00:01:49.120 align:middle line:84% mother's English language learning workbook from 00:01:49.120 --> 00:01:53.820 align:middle line:84% the '90s, continue along this thread of curiosity, 00:01:53.820 --> 00:01:56.560 align:middle line:90% of noticing and questioning. 00:01:56.560 --> 00:02:01.200 align:middle line:84% These new poems bend preexisting formulaic approaches 00:02:01.200 --> 00:02:04.200 align:middle line:84% to language, forging space for what 00:02:04.200 --> 00:02:11.200 align:middle line:84% lies beneath resilience, grief, possibility, defiance, 00:02:11.200 --> 00:02:13.560 align:middle line:90% and reinvention. 00:02:13.560 --> 00:02:16.880 align:middle line:84% I feel so lucky to have connected with Susan, 00:02:16.880 --> 00:02:20.480 align:middle line:84% not only on the page, but off of it as well. 00:02:20.480 --> 00:02:22.910 align:middle line:84% And her presence has enriched me, 00:02:22.910 --> 00:02:25.630 align:middle line:84% like the best writerly friendships do, 00:02:25.630 --> 00:02:29.230 align:middle line:90% as both a poet and a person. 00:02:29.230 --> 00:02:33.510 align:middle line:84% Indeed, Susan works diligently to foster community 00:02:33.510 --> 00:02:37.190 align:middle line:84% among and uplift the work of poets and writers 00:02:37.190 --> 00:02:41.510 align:middle line:84% through her role as senior editor at Hayden's Ferry Review, 00:02:41.510 --> 00:02:43.670 align:middle line:84% an international literary journal published 00:02:43.670 --> 00:02:46.670 align:middle line:90% by Arizona State University. 00:02:46.670 --> 00:02:50.150 align:middle line:84% In addition to her book Dear Diaspora, which 00:02:50.150 --> 00:02:53.470 align:middle line:84% won the Prairie Schooner Book Prize and Outstanding 00:02:53.470 --> 00:02:56.510 align:middle line:84% Achievement Award from the Association of Asian-American 00:02:56.510 --> 00:03:00.090 align:middle line:84% Studies, a New Mexico Arizona Book Award, 00:03:00.090 --> 00:03:03.230 align:middle line:84% and was a finalist for the Julie Suk Award, 00:03:03.230 --> 00:03:05.470 align:middle line:84% Susan's poems have been nominated 00:03:05.470 --> 00:03:08.530 align:middle line:84% for Best of the Net and a Pushcart Prize, 00:03:08.530 --> 00:03:11.990 align:middle line:84% and have appeared in Poetry magazine, the Academy 00:03:11.990 --> 00:03:15.350 align:middle line:84% of American Poets Poem-a-Day series, 00:03:15.350 --> 00:03:19.670 align:middle line:84% the American Poetry Review, and many other places. 00:03:19.670 --> 00:03:24.730 align:middle line:84% Please join me in extending a warm welcome to Susan Nguyen. 00:03:24.730 --> 00:03:28.080 align:middle line:90% [APPLAUSE] 00:03:28.080 --> 00:03:34.000 align:middle line:90%