WEBVTT 00:00:00.000 --> 00:00:05.640 align:middle line:84% I feel like I have to return to O because I still have time. 00:00:05.640 --> 00:00:08.760 align:middle line:90% Let's read this one. 00:00:08.760 --> 00:00:09.900 align:middle line:90% This is a fun one. 00:00:09.900 --> 00:00:16.040 align:middle line:90% 00:00:16.040 --> 00:00:24.080 align:middle line:84% This is for a show in cabaret-ish place in Beirut 00:00:24.080 --> 00:00:26.760 align:middle line:90% called Metro Madina. 00:00:26.760 --> 00:00:27.700 align:middle line:90% They do many shows. 00:00:27.700 --> 00:00:30.000 align:middle line:84% One of the shows is called Bar Farouk 00:00:30.000 --> 00:00:37.320 align:middle line:84% and it goes back in time to trace Lebanese songs. 00:00:37.320 --> 00:00:39.740 align:middle line:84% I don't know how much back in time they go, 00:00:39.740 --> 00:00:44.280 align:middle line:90% but it's such a beautiful show. 00:00:44.280 --> 00:00:49.120 align:middle line:84% And I wrote this after I watched the show. 00:00:49.120 --> 00:00:52.840 align:middle line:84% It's titled Everything Here Is An Absolute. 00:00:52.840 --> 00:00:58.880 align:middle line:84% Bar Farouk, Beirut, 2016 perhaps. 00:00:58.880 --> 00:01:03.830 align:middle line:84% Look at where this nostalgia has brought us. 00:01:03.830 --> 00:01:09.950 align:middle line:84% We go down the stairs and order frozen margaritas. 00:01:09.950 --> 00:01:13.150 align:middle line:84% It's been years since we've lived here. 00:01:13.150 --> 00:01:15.430 align:middle line:90% The waiter shows us our table, 00:01:15.430 --> 00:01:20.790 align:middle line:84% hopes we don't mind two American boys sitting with us. 00:01:20.790 --> 00:01:23.870 align:middle line:84% There's no space for them elsewhere in this cabaret 00:01:23.870 --> 00:01:25.150 align:middle line:90% called Metro 00:01:25.150 --> 00:01:28.430 align:middle line:90% in a capital without metros. 00:01:28.430 --> 00:01:30.910 align:middle line:90% We say we don't mind. 00:01:30.910 --> 00:01:33.910 align:middle line:84% We are used to the city of small spaces 00:01:33.910 --> 00:01:37.150 align:middle line:90% into which everything fits. 00:01:37.150 --> 00:01:40.150 align:middle line:90% The foreign students are our age 00:01:40.150 --> 00:01:41.570 align:middle line:90% about a decade ago. 00:01:41.570 --> 00:01:43.342 align:middle line:90% [LAUGHTER] 00:01:43.342 --> 00:01:44.190 align:middle line:90% 00:01:44.190 --> 00:01:46.630 align:middle line:84% They tell us their names and I decide 00:01:46.630 --> 00:01:49.010 align:middle line:90% to call them Ahmed and Faysal. 00:01:49.010 --> 00:01:50.190 align:middle line:90% [LAUGHTER] 00:01:50.190 --> 00:01:51.010 align:middle line:90% True story. 00:01:51.010 --> 00:01:52.110 align:middle line:90% [CHUCKLING] 00:01:52.110 --> 00:01:54.470 align:middle line:90% They agree. 00:01:54.470 --> 00:01:57.310 align:middle line:90% As the performers go on stage, 00:01:57.310 --> 00:01:59.850 align:middle line:90% as the songs and smoke rise, 00:01:59.850 --> 00:02:06.310 align:middle line:84% we raise a toast and Ahmed and Faysal smile and clap non-stop. 00:02:06.310 --> 00:02:10.500 align:middle line:84% They've even learned the Arab shoulder shimmy. 00:02:10.500 --> 00:02:17.220 align:middle line:84% Once I've margarita'd enough, I start explaining song lyrics: 00:02:17.220 --> 00:02:19.620 align:middle line:84% she's warning him he will regret and it's 00:02:19.620 --> 00:02:21.840 align:middle line:90% no disaster if he leaves, 00:02:21.840 --> 00:02:25.140 align:middle line:84% and yes, motor is pronounced motore. 00:02:25.140 --> 00:02:27.820 align:middle line:84% And suddenly I discover I don't really 00:02:27.820 --> 00:02:29.620 align:middle line:90% know who Zayn al-Abideen is 00:02:29.620 --> 00:02:33.020 align:middle line:84% though I've been singing for him all my life. 00:02:33.020 --> 00:02:36.740 align:middle line:84% Yeah, yeah, yeah, needs no interpretation. 00:02:36.740 --> 00:02:40.860 align:middle line:84% Neither do the colorful costumes and feathers and all this 00:02:40.860 --> 00:02:43.340 align:middle line:90% going back in time. 00:02:43.340 --> 00:02:48.540 align:middle line:84% I want to shout, "No one eats hummus with carrots 00:02:48.540 --> 00:02:51.820 align:middle line:84% and no one calls this pita bread. 00:02:51.820 --> 00:02:54.620 align:middle line:90% It is just bread, 00:02:54.620 --> 00:02:59.220 align:middle line:84% khobz, because everything here is an absolute. 00:02:59.220 --> 00:03:02.260 align:middle line:90% Then Faysal says thank you 00:03:02.260 --> 00:03:06.380 align:middle line:84% and I remember one expression for thank you is 00:03:06.380 --> 00:03:09.660 align:middle line:84% "may your hands be safe and sound." 00:03:09.660 --> 00:03:16.050 align:middle line:84% And then I ask, doesn't Beirut remind you of New York? 00:03:16.050 --> 00:03:18.770 align:middle line:90% His silence is polite. 00:03:18.770 --> 00:03:23.250 align:middle line:84% To which I argue, there are no fire escapes here, 00:03:23.250 --> 00:03:25.130 align:middle line:90% but there could have been. 00:03:25.130 --> 00:03:29.170 align:middle line:84% Some cities, they burn faster than others. 00:03:29.170 --> 00:03:32.030 align:middle line:84% I Beiruted East Houston at first sight 00:03:32.030 --> 00:03:34.370 align:middle line:84% and my friend disagreed and said streets 00:03:34.370 --> 00:03:38.330 align:middle line:90% were making me delirious again. 00:03:38.330 --> 00:03:42.090 align:middle line:84% What I mean is, if you write your name on a wall 00:03:42.090 --> 00:03:43.630 align:middle line:90% and find it gone 00:03:43.630 --> 00:03:47.010 align:middle line:90% you say my name has left. 00:03:47.010 --> 00:03:49.370 align:middle line:90% Would you feel abandoned? 00:03:49.370 --> 00:03:52.610 align:middle line:90% Would you trace it again? 00:03:52.610 --> 00:03:57.450 align:middle line:84% What I mean is there are songs where the fallen don't have rope 00:03:57.450 --> 00:04:00.490 align:middle line:90% enough to climb out of wells. 00:04:00.490 --> 00:04:02.490 align:middle line:84% And there are songs where the lovers 00:04:02.490 --> 00:04:07.350 align:middle line:90% return when the night deepens. 00:04:07.350 --> 00:04:10.100 align:middle line:90% [APPLAUSE] 00:04:10.100 --> 00:04:14.000 align:middle line:90%