WEBVTT 00:00:00.000 --> 00:00:01.560 align:middle line:90% 00:00:01.560 --> 00:00:06.290 align:middle line:84% So the first poem I'm going to read is called For The Poets. 00:00:06.290 --> 00:00:08.720 align:middle line:84% And one of the things we talked about in my class 00:00:08.720 --> 00:00:12.860 align:middle line:84% are our haibun, which is this hybrid form that 00:00:12.860 --> 00:00:16.460 align:middle line:84% comes from Japan, which in its classic form 00:00:16.460 --> 00:00:18.720 align:middle line:84% is a paragraph or two of travelogue. 00:00:18.720 --> 00:00:20.720 align:middle line:84% Today, we went to Mount Fuji, and we saw this, 00:00:20.720 --> 00:00:22.560 align:middle line:84% and this happened, and this happened. 00:00:22.560 --> 00:00:24.740 align:middle line:84% And then at the bottom would be a haiku 00:00:24.740 --> 00:00:28.100 align:middle line:84% that would be like a distillation of the journey. 00:00:28.100 --> 00:00:30.600 align:middle line:84% And I got very interested in haibuns 00:00:30.600 --> 00:00:33.650 align:middle line:84% where the journey part was interior. 00:00:33.650 --> 00:00:39.210 align:middle line:84% So this is a haibun, and it has all these allusions. 00:00:39.210 --> 00:00:43.280 align:middle line:84% It quotes from Beowulf and The Iliad and the rock group, The 00:00:43.280 --> 00:00:46.200 align:middle line:90% Who, Tommy, the opera, Tommy. 00:00:46.200 --> 00:00:49.280 align:middle line:84% There's a reference to Miss D, who is Dickinson 00:00:49.280 --> 00:00:51.022 align:middle line:90% and Uncle Walt, Walt Whitman. 00:00:51.022 --> 00:00:52.980 align:middle line:84% And I'm telling you that because I'm a teacher, 00:00:52.980 --> 00:00:57.590 align:middle line:84% and you must provide your citations. 00:00:57.590 --> 00:01:00.050 align:middle line:90% For The Poets. 00:01:00.050 --> 00:01:03.690 align:middle line:84% To post, to share, to tag, to tweet, 00:01:03.690 --> 00:01:06.320 align:middle line:84% to have an audience for feats, Beowulf 00:01:06.320 --> 00:01:07.880 align:middle line:90% granted the glory of winning. 00:01:07.880 --> 00:01:11.070 align:middle line:84% Grendel driven under the fen banks fatally hurt, 00:01:11.070 --> 00:01:14.100 align:middle line:84% and the whole panoply of insulted Greeks. 00:01:14.100 --> 00:01:16.710 align:middle line:84% Agamemnon, the most grasping man alive. 00:01:16.710 --> 00:01:18.680 align:middle line:84% But who, if I cried out, would hear me 00:01:18.680 --> 00:01:21.780 align:middle line:84% amongst the angelic orders, is the common condition. 00:01:21.780 --> 00:01:24.450 align:middle line:84% If only three people like a tweet, does anything 00:01:24.450 --> 00:01:26.250 align:middle line:90% you offer sound in the forest. 00:01:26.250 --> 00:01:29.720 align:middle line:84% The history of civilization is replete with selfies 00:01:29.720 --> 00:01:33.090 align:middle line:84% from pharaonic monoliths to portraits hanging in the Louvre. 00:01:33.090 --> 00:01:36.780 align:middle line:84% Lucius was here, scratched in Latin on Coliseum walls. 00:01:36.780 --> 00:01:39.990 align:middle line:84% Even the earliest handprints in the famous caves. 00:01:39.990 --> 00:01:41.880 align:middle line:90% We've always been Tommies. 00:01:41.880 --> 00:01:45.120 align:middle line:84% See me, feel me, touch me, heal me. 00:01:45.120 --> 00:01:47.690 align:middle line:84% Climbing platforms to sashay the wealth. 00:01:47.690 --> 00:01:51.410 align:middle line:84% Not plunder now, but diamond contacts, accolades, 00:01:51.410 --> 00:01:53.190 align:middle line:90% and golden news. 00:01:53.190 --> 00:01:57.710 align:middle line:84% The flashy bling of being seen, such dread and hope and fear 00:01:57.710 --> 00:02:00.080 align:middle line:84% to hope that the work will live in some greater 00:02:00.080 --> 00:02:01.840 align:middle line:90% way in other minds. 00:02:01.840 --> 00:02:05.760 align:middle line:84% The confrontation with time and wanting to matter while 00:02:05.760 --> 00:02:06.880 align:middle line:90% inside it. 00:02:06.880 --> 00:02:07.840 align:middle line:90% I'm nobody. 00:02:07.840 --> 00:02:08.770 align:middle line:90% Who are you? 00:02:08.770 --> 00:02:12.600 align:middle line:84% Miss D's morning cleanse, or uncle Walt's Jupiter tonic. 00:02:12.600 --> 00:02:15.520 align:middle line:84% I celebrate myself, which is to say, 00:02:15.520 --> 00:02:17.430 align:middle line:84% I was heading into one last student 00:02:17.430 --> 00:02:19.710 align:middle line:84% reading at a college I was leaving 00:02:19.710 --> 00:02:23.430 align:middle line:84% to hear first poems about Earth and sex and blood 00:02:23.430 --> 00:02:27.180 align:middle line:84% and stars, about the great forces, and the dispossessed. 00:02:27.180 --> 00:02:30.070 align:middle line:84% Parents, harm, and the boot of the state. 00:02:30.070 --> 00:02:34.260 align:middle line:84% Why, I thought, do any of us do any of this? 00:02:34.260 --> 00:02:38.820 align:middle line:84% And then verse came, such as it was. 00:02:38.820 --> 00:02:40.630 align:middle line:90% I was here. 00:02:40.630 --> 00:02:42.460 align:middle line:90% I lived in it. 00:02:42.460 --> 00:02:44.080 align:middle line:90% I died in it. 00:02:44.080 --> 00:02:47.120 align:middle line:90% This shit Paradiso. 00:02:47.120 --> 00:02:49.000 align:middle line:90%