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"Unity in the Sentence."

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A sentence issued by two
distinctly separate men

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lacks unity and ought
to be broken up--

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years with one, then
years with the other--

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unless the two are
so closely related

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that one depends upon
the other to gain

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the full dark and
musical meaning.

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In the several rooms
of your compound,

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better not to introduce
too many subjects.

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You leave the painter
out of the compound,

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though you moved with
him for many years.

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The tighter you hold
the dominating subject,

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the simpler the subject becomes.

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Though I'd met him before,
his face was unfamiliar.

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Though I had met him before,
I could not remember his face,

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the latter better because
you did not change subjects

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in the clauses, the long
pauses between desert towns

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and Eastern cities.

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Shifting beloveds decreases
ease, your first duty

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to make it easy, free
of dis-ease, obscurity,

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neither profundity nor art.

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