WEBVTT 00:00:00.000 --> 00:00:00.870 align:middle line:90% 00:00:00.870 --> 00:00:03.360 align:middle line:84% I don't often write political poems 00:00:03.360 --> 00:00:07.840 align:middle line:84% and I didn't know I was writing one when I wrote this one. 00:00:07.840 --> 00:00:10.770 align:middle line:84% It's called "Living in Someone Else's House," 00:00:10.770 --> 00:00:14.460 align:middle line:84% and it's about doing that for many years of not having a house 00:00:14.460 --> 00:00:17.490 align:middle line:84% of my own traveling around very much connected 00:00:17.490 --> 00:00:21.070 align:middle line:84% to the rootlessness that I told you about before. 00:00:21.070 --> 00:00:22.830 align:middle line:84% But in the course of writing the poem, 00:00:22.830 --> 00:00:27.210 align:middle line:84% I start to understand that any time we're 00:00:27.210 --> 00:00:31.200 align:middle line:84% living in someone else's house in the broadest sense, 00:00:31.200 --> 00:00:33.600 align:middle line:84% it's a political statement of a kind 00:00:33.600 --> 00:00:36.330 align:middle line:84% that any time you're uncomfortable in someone else's 00:00:36.330 --> 00:00:41.770 align:middle line:84% house, in a country, the same thing. 00:00:41.770 --> 00:00:44.130 align:middle line:84% So the metaphor, I start to understand the metaphor 00:00:44.130 --> 00:00:47.340 align:middle line:90% in at least a couple of ways. 00:00:47.340 --> 00:00:50.940 align:middle line:84% "Living in Someone Else's House." 00:00:50.940 --> 00:00:55.170 align:middle line:84% "The house we never built for ourselves begins to surround us, 00:00:55.170 --> 00:00:58.170 align:middle line:84% its foundation smelling like old breath 00:00:58.170 --> 00:01:02.580 align:middle line:84% like what lies around too long in the pit of the stomach. 00:01:02.580 --> 00:01:06.640 align:middle line:84% We are unable to sleep in these houses made by someone else. 00:01:06.640 --> 00:01:08.910 align:middle line:84% These furnished rooms we come to, 00:01:08.910 --> 00:01:14.460 align:middle line:84% these outposts and the valleys of our expectations. 00:01:14.460 --> 00:01:16.470 align:middle line:84% Where we would have windows, there 00:01:16.470 --> 00:01:18.705 align:middle line:84% are portraits of landscapes, there 00:01:18.705 --> 00:01:22.950 align:middle line:84% are portraits of Windows opening out onto landscapes 00:01:22.950 --> 00:01:26.790 align:middle line:84% and the doors open too easily into the sunshine 00:01:26.790 --> 00:01:31.680 align:middle line:84% which is just a billboard in the neighborhoods of the poor. 00:01:31.680 --> 00:01:34.680 align:middle line:84% In these houses, the ceilings are so perfect, 00:01:34.680 --> 00:01:38.100 align:middle line:84% there's not a single invitation to an angel. 00:01:38.100 --> 00:01:42.630 align:middle line:84% Our hope smack into them and we are afraid to move. 00:01:42.630 --> 00:01:47.610 align:middle line:84% We find ourselves stuck to the floor dynamite in our hands 00:01:47.610 --> 00:01:52.110 align:middle line:84% and our hands waiting for the orders we wish we could give 00:01:52.110 --> 00:01:53.500 align:middle line:90% them." 00:01:53.500 --> 00:01:54.000 align:middle line:90%