WEBVTT 00:00:00.000 --> 00:00:01.080 align:middle line:90% 00:00:01.080 --> 00:00:10.140 align:middle line:84% This is a poem called "Lineage," and it deals with feeding-- 00:00:10.140 --> 00:00:11.640 align:middle line:90% it deals with ancestry. 00:00:11.640 --> 00:00:14.340 align:middle line:84% It deals with all those invisible figures, 00:00:14.340 --> 00:00:19.300 align:middle line:84% those invisible forces that work on our own language, 00:00:19.300 --> 00:00:23.850 align:middle line:84% our own words, as if the ancestors were asking 00:00:23.850 --> 00:00:27.580 align:middle line:84% for these bits, these syllables, these little shreds, 00:00:27.580 --> 00:00:31.620 align:middle line:84% these particles of language, and as if in writing, 00:00:31.620 --> 00:00:35.850 align:middle line:84% we are feeding them, feeding those demands, those shreds, 00:00:35.850 --> 00:00:39.510 align:middle line:84% those syllables, those bits of nourishment. 00:00:39.510 --> 00:00:43.060 align:middle line:90% 00:00:43.060 --> 00:00:48.700 align:middle line:84% "So many voices there vie for the voice, crowd sound 00:00:48.700 --> 00:00:52.450 align:middle line:84% with the white pressure of their silences. 00:00:52.450 --> 00:00:55.900 align:middle line:84% Sea, and the tall rooms just over. 00:00:55.900 --> 00:00:58.360 align:middle line:84% They're filling again with mirrors. 00:00:58.360 --> 00:01:03.610 align:middle line:84% armchairs, my own, as if driven, enumerations. 00:01:03.610 --> 00:01:07.750 align:middle line:84% The moon there is the length of a line, the vase, 00:01:07.750 --> 00:01:12.190 align:middle line:84% with its ragged red dahlias, another. 00:01:12.190 --> 00:01:17.590 align:middle line:84% Trace, trace forwards, for only there eventually might issue, 00:01:17.590 --> 00:01:20.710 align:middle line:84% might emerge not as entities, but as 00:01:20.710 --> 00:01:25.390 align:middle line:84% the breath's very imprint, inflection, as the still moving 00:01:25.390 --> 00:01:30.160 align:middle line:84% rumors of the otherwise obliterated. 00:01:30.160 --> 00:01:33.730 align:middle line:84% Ivory, off-white, nacre: I read them 00:01:33.730 --> 00:01:40.270 align:middle line:84% in negative, move at their restless extremity, forwards. 00:01:40.270 --> 00:01:44.860 align:middle line:84% Press, they press me to say, say latch, shutter, 00:01:44.860 --> 00:01:47.980 align:middle line:84% the jade ladders the angled slats make, 00:01:47.980 --> 00:01:51.230 align:middle line:90% once fastened against the sea. 00:01:51.230 --> 00:01:55.870 align:middle line:84% Ask that their silences finally be stilled, muted, 00:01:55.870 --> 00:02:01.810 align:middle line:84% the sustained bar of the unexpiated edge. 00:02:01.810 --> 00:02:07.600 align:middle line:84% Term, 'terminalis,' this side of speech, the awnings stiffen. 00:02:07.600 --> 00:02:12.520 align:middle line:84% The charged barges running before the open breakwaters set 00:02:12.520 --> 00:02:14.260 align:middle line:90% sail. 00:02:14.260 --> 00:02:17.740 align:middle line:84% Our signs, emblems, are what there 00:02:17.740 --> 00:02:21.310 align:middle line:84% is as offering, barter, as the small, 00:02:21.310 --> 00:02:24.740 align:middle line:84% uttered tokens of some momentary placation. 00:02:24.740 --> 00:02:27.400 align:middle line:90% 00:02:27.400 --> 00:02:30.760 align:middle line:84% Stray figures, figments of smoke, 00:02:30.760 --> 00:02:34.270 align:middle line:84% their muslins, their bleached linens wreathed, 00:02:34.270 --> 00:02:36.070 align:middle line:90% turbaned in smoke. 00:02:36.070 --> 00:02:40.630 align:middle line:84% We survive, survive them, but scarcely. 00:02:40.630 --> 00:02:44.470 align:middle line:84% Haul sound, the tiny shreds of its sustenance 00:02:44.470 --> 00:02:50.080 align:middle line:84% forwards, as if language were merely language's edge, 00:02:50.080 --> 00:02:56.350 align:middle line:84% its slight, still to be acquitted segment, move. 00:02:56.350 --> 00:02:59.560 align:middle line:84% They're moving now through knuckles, wrists, 00:02:59.560 --> 00:03:04.660 align:middle line:84% the itinerant sisters, sporadic brides, move. 00:03:04.660 --> 00:03:09.550 align:middle line:84% They're moving me to say, say jonquil, urchin, kelp, 00:03:09.550 --> 00:03:12.970 align:middle line:84% to feed them on the small saline scraps 00:03:12.970 --> 00:03:16.060 align:middle line:90% of the water's reflections. 00:03:16.060 --> 00:03:20.770 align:middle line:84% Figures from the far side, even their bracelets loose hoops 00:03:20.770 --> 00:03:24.070 align:middle line:90% of smoke, the oscillum quavers. 00:03:24.070 --> 00:03:28.060 align:middle line:90% The air's curtain runs taut. 00:03:28.060 --> 00:03:31.450 align:middle line:84% Tell them-- tell them that the wind's glowing, 00:03:31.450 --> 00:03:37.090 align:middle line:84% that the prawns of summer abound, that now towards dusk, 00:03:37.090 --> 00:03:40.750 align:middle line:84% the pines are billowing from under. 00:03:40.750 --> 00:03:45.490 align:middle line:84% Tell them we'd forgot, that we'd remembered, that the breath, 00:03:45.490 --> 00:03:50.380 align:middle line:84% our breath's vessel, hadn't rusted, that one by one, 00:03:50.380 --> 00:03:55.900 align:middle line:84% the scattered lights of the low, offshore islands, the estuaries, 00:03:55.900 --> 00:03:57.900 align:middle line:90% turn on." 00:03:57.900 --> 00:03:59.178 align:middle line:90%