WEBVTT 00:00:00.000 --> 00:00:04.350 align:middle line:84% A poem called "The Villas of Andrea Palladio" 00:00:04.350 --> 00:00:08.640 align:middle line:84% as occasioned by a boat ride down the Brenta from [? Padua ?] 00:00:08.640 --> 00:00:15.510 align:middle line:84% to Venice, visiting these great villas and coming out onto 00:00:15.510 --> 00:00:19.680 align:middle line:84% the lagoon in the poem here follows the trajectory 00:00:19.680 --> 00:00:23.400 align:middle line:90% on several levels at once. 00:00:23.400 --> 00:00:27.750 align:middle line:84% There, once again, at the world's very edge, 00:00:27.750 --> 00:00:30.810 align:middle line:84% you're pointing out palaces, aren't you? 00:00:30.810 --> 00:00:34.410 align:middle line:84% Tapping that viscous glass, holding them, 00:00:34.410 --> 00:00:39.930 align:middle line:84% the immemorabile, at the tip of your lacquered nail. 00:00:39.930 --> 00:00:43.410 align:middle line:84% There, just there, where the barge pivots, 00:00:43.410 --> 00:00:48.270 align:middle line:84% seems to station in the midst of its own vapors. 00:00:48.270 --> 00:00:50.490 align:middle line:90% "See it?" you ask. 00:00:50.490 --> 00:00:55.050 align:middle line:84% I see your lacquered nail, its wavering reflection, 00:00:55.050 --> 00:00:59.670 align:middle line:84% follow it across those stalled waters, pier. 00:00:59.670 --> 00:01:03.390 align:middle line:84% pilaster, fronton, the pure scale 00:01:03.390 --> 00:01:06.441 align:middle line:90% of so much hallucinatory mass. 00:01:06.441 --> 00:01:09.750 align:middle line:84% Not even a hedgerow to break the effect, 00:01:09.750 --> 00:01:16.260 align:middle line:84% not even a stray dog, the ragged line of its leash. 00:01:16.260 --> 00:01:20.970 align:middle line:84% Null, in so many numbers, isn't this what you mean? 00:01:20.970 --> 00:01:23.280 align:middle line:90% This, that's meant? 00:01:23.280 --> 00:01:26.700 align:middle line:84% Blown mirrors, the void in which, turgid, 00:01:26.700 --> 00:01:29.550 align:middle line:90% our viscera would glow? 00:01:29.550 --> 00:01:33.240 align:middle line:84% Among the room, rooms, the words empty-- 00:01:33.240 --> 00:01:35.850 align:middle line:84% spacious-- enough to withhold us? 00:01:35.850 --> 00:01:39.360 align:middle line:84% Isn't this, that's nothing, what the cells-- 00:01:39.360 --> 00:01:41.025 align:middle line:90% wedging-- would jam? 00:01:41.025 --> 00:01:45.020 align:middle line:90% 00:01:45.020 --> 00:01:49.160 align:middle line:84% Billows about you, a scarf of clouds, pigeons. 00:01:49.160 --> 00:01:53.730 align:middle line:84% Yes, a sudden air of apparent bewilderment. 00:01:53.730 --> 00:01:58.100 align:middle line:84% Tell, tell me to myself, before even you get 00:01:58.100 --> 00:02:01.770 align:middle line:84% swept into that wash of sounds, the lagoon, 00:02:01.770 --> 00:02:07.250 align:middle line:84% already, in a sputter of tugs, marked by so many rigorously 00:02:07.250 --> 00:02:09.470 align:middle line:90% aligned pilings. 00:02:09.470 --> 00:02:12.440 align:middle line:84% Yes, before our own breath hardens 00:02:12.440 --> 00:02:16.250 align:middle line:84% about its very words, and our bodies, once again, 00:02:16.250 --> 00:02:21.500 align:middle line:84% beat against the muslin of their veiled reflections. 00:02:21.500 --> 00:02:22.000 align:middle line:90%