WEBVTT 00:00:00.000 --> 00:00:03.620 align:middle line:90% 00:00:03.620 --> 00:00:13.070 align:middle line:84% The next three poems are my way of continuing the introduction. 00:00:13.070 --> 00:00:18.260 align:middle line:84% I want you to know me through these three short pieces. 00:00:18.260 --> 00:00:20.870 align:middle line:84% The first is called "Biographical." 00:00:20.870 --> 00:00:22.940 align:middle line:90% It's really autobiographical. 00:00:22.940 --> 00:00:25.250 align:middle line:84% I had an argument about that with somebody 00:00:25.250 --> 00:00:26.990 align:middle line:84% in Becky Byrkit's class recently. 00:00:26.990 --> 00:00:29.210 align:middle line:84% She said, well, if it's autobiographical then 00:00:29.210 --> 00:00:33.080 align:middle line:90% you should say autobiographical. 00:00:33.080 --> 00:00:35.420 align:middle line:90% And she scared me. 00:00:35.420 --> 00:00:36.590 align:middle line:90% I didn't change it. 00:00:36.590 --> 00:00:38.570 align:middle line:90% [LAUGHTER] 00:00:38.570 --> 00:00:43.730 align:middle line:84% For some reason, fear wasn't a good rhetorical tool that night. 00:00:43.730 --> 00:00:47.660 align:middle line:84% And the next one is called "The Million Dollar Pet Sex in Fat 00:00:47.660 --> 00:00:52.580 align:middle line:84% City," and the next one, "The Wounding We Call the Windy 00:00:52.580 --> 00:00:53.750 align:middle line:90% Forest." 00:00:53.750 --> 00:00:56.000 align:middle line:84% And I'm reading these to you because I 00:00:56.000 --> 00:01:02.180 align:middle line:84% think they kind of characterize the tenor and the tone of some 00:01:02.180 --> 00:01:06.020 align:middle line:84% of the interior voices that I carry around with me, 00:01:06.020 --> 00:01:08.430 align:middle line:84% and I want you to know about them. 00:01:08.430 --> 00:01:11.580 align:middle line:84% I think you should know about these things. 00:01:11.580 --> 00:01:14.850 align:middle line:90% "Biographical." 00:01:14.850 --> 00:01:16.560 align:middle line:90% "So, the reports are in. 00:01:16.560 --> 00:01:19.770 align:middle line:84% If a person permits circumstance to make of her a thing, 00:01:19.770 --> 00:01:21.360 align:middle line:90% she will suffer. 00:01:21.360 --> 00:01:25.290 align:middle line:84% Last night I talked to my lover except she wasn't my lover. 00:01:25.290 --> 00:01:28.620 align:middle line:84% In the story she told, I was a dear, dear rabbit almost no 00:01:28.620 --> 00:01:30.150 align:middle line:90% one would want to leave. 00:01:30.150 --> 00:01:32.880 align:middle line:84% There're just arrangements one has to make sometimes 00:01:32.880 --> 00:01:34.410 align:middle line:90% that govern a life. 00:01:34.410 --> 00:01:36.060 align:middle line:90% Call it a sea change. 00:01:36.060 --> 00:01:37.950 align:middle line:90% The scene was the shore. 00:01:37.950 --> 00:01:42.030 align:middle line:84% I had climbed up on some large rocks early on. 00:01:42.030 --> 00:01:44.700 align:middle line:84% From there I called to everyone I knew. 00:01:44.700 --> 00:01:48.210 align:middle line:84% A bright line of vegetative life lined the view hundreds 00:01:48.210 --> 00:01:49.620 align:middle line:90% of coastal days. 00:01:49.620 --> 00:01:51.840 align:middle line:90% Not nearly enough. 00:01:51.840 --> 00:01:54.990 align:middle line:84% From there I think it might be possible to break out 00:01:54.990 --> 00:01:58.050 align:middle line:84% of the usual pattern romantique and create 00:01:58.050 --> 00:02:01.560 align:middle line:84% a love which is not of the paradigm the ancients describe. 00:02:01.560 --> 00:02:03.570 align:middle line:84% But then I would like to think it 00:02:03.570 --> 00:02:06.000 align:middle line:84% is possible to be a woman who sells melons 00:02:06.000 --> 00:02:09.960 align:middle line:84% beside a stream in the story where the Buddha's teaching can 00:02:09.960 --> 00:02:11.700 align:middle line:90% be overcome. 00:02:11.700 --> 00:02:15.720 align:middle line:84% In the story I told, I had the usual trouble with God. 00:02:15.720 --> 00:02:18.630 align:middle line:84% I was lying next to a small woman in a bathing suit, 00:02:18.630 --> 00:02:20.910 align:middle line:84% containing a tremendous fear that I would not 00:02:20.910 --> 00:02:24.390 align:middle line:84% be all right, that I would not be loved again. 00:02:24.390 --> 00:02:26.790 align:middle line:84% That story starts where some desert quail 00:02:26.790 --> 00:02:30.810 align:middle line:84% keep asking me to go back to the dream in the middle distance. 00:02:30.810 --> 00:02:34.830 align:middle line:84% In it, my four sisters' faces light up near some blasted 00:02:34.830 --> 00:02:39.500 align:middle line:84% rocks, and a sea bass wants to walk out."