WEBVTT 00:00:00.000 --> 00:00:03.660 align:middle line:90% 00:00:03.660 --> 00:00:06.840 align:middle line:84% I have a whole series of announcements. 00:00:06.840 --> 00:00:11.250 align:middle line:84% I hope you will join us after the reading for punch 00:00:11.250 --> 00:00:13.995 align:middle line:90% and goodies in the hall. 00:00:13.995 --> 00:00:20.150 align:middle line:90% 00:00:20.150 --> 00:00:22.910 align:middle line:84% The next reading in our visiting poet series 00:00:22.910 --> 00:00:26.480 align:middle line:84% will be Wednesday, November 12, with poet Jack 00:00:26.480 --> 00:00:31.550 align:middle line:84% Gilbert in this auditorium at 8 o'clock. 00:00:31.550 --> 00:00:34.700 align:middle line:84% The Wednesday after that, November 19, 00:00:34.700 --> 00:00:38.390 align:middle line:84% is the graduate student reading with some of this year's MFA 00:00:38.390 --> 00:00:40.070 align:middle line:90% poetry candidates. 00:00:40.070 --> 00:00:46.130 align:middle line:84% Matt Markovich, Jihyuk Han, Kate Rosenberg, and Robert Hepworth. 00:00:46.130 --> 00:00:48.830 align:middle line:90% 00:00:48.830 --> 00:00:51.455 align:middle line:84% That too will be in this auditorium at 8 o'clock. 00:00:51.455 --> 00:00:54.380 align:middle line:90% 00:00:54.380 --> 00:00:57.770 align:middle line:84% LaVerne Clark will read from her new book 00:00:57.770 --> 00:01:02.180 align:middle line:84% at 3:00 PM at the Poetry Center on November 20, that's Thursday. 00:01:02.180 --> 00:01:10.290 align:middle line:90% 00:01:10.290 --> 00:01:13.410 align:middle line:84% And a co-sponsored event with the University of Arizona 00:01:13.410 --> 00:01:16.530 align:middle line:84% extended university's writing work center, 00:01:16.530 --> 00:01:21.180 align:middle line:84% authors Adrian Castro and Victor Hernandez Cruz 00:01:21.180 --> 00:01:24.990 align:middle line:84% will give a workshop and reading this Saturday. 00:01:24.990 --> 00:01:27.990 align:middle line:84% Information about these events is in the lobby. 00:01:27.990 --> 00:01:30.720 align:middle line:90% 00:01:30.720 --> 00:01:32.550 align:middle line:84% Tonight's reader, Brenda Hillman, 00:01:32.550 --> 00:01:35.850 align:middle line:84% will also give a talk: Alternative Punctuation 00:01:35.850 --> 00:01:40.650 align:middle line:84% in Contemporary Poetry tomorrow evening at the Dinnerware 00:01:40.650 --> 00:01:42.510 align:middle line:90% Gallery at 7:00. 00:01:42.510 --> 00:01:46.200 align:middle line:84% That's Thursday evening, tomorrow at 7:00. 00:01:46.200 --> 00:01:49.830 align:middle line:84% The talk is co-sponsored by POG and Chax Press, 00:01:49.830 --> 00:01:52.900 align:middle line:84% and made possible by support from the Arizona Humanities 00:01:52.900 --> 00:01:53.400 align:middle line:90% Council. 00:01:53.400 --> 00:01:56.120 align:middle line:90% 00:01:56.120 --> 00:02:00.290 align:middle line:84% To introduce Brenda Hillman, we have the University of Arizona 00:02:00.290 --> 00:02:03.590 align:middle line:84% creative writing Professor Jane Miller. 00:02:03.590 --> 00:02:05.087 align:middle line:90% [APPLAUSE] 00:02:05.087 --> 00:02:12.955 align:middle line:90% 00:02:12.955 --> 00:02:13.455 align:middle line:90% Welcome. 00:02:13.455 --> 00:02:17.120 align:middle line:90% 00:02:17.120 --> 00:02:22.880 align:middle line:84% In an age where the superficial poem or the purely experimental 00:02:22.880 --> 00:02:27.680 align:middle line:84% one has made a noise, Brenda Hillman 00:02:27.680 --> 00:02:34.160 align:middle line:84% has made a music by anticipating the next wave of soul searching 00:02:34.160 --> 00:02:36.650 align:middle line:90% in American writing. 00:02:36.650 --> 00:02:40.460 align:middle line:84% She is fearless about taking on huge themes. 00:02:40.460 --> 00:02:43.070 align:middle line:84% Fearless about introducing dozens 00:02:43.070 --> 00:02:46.520 align:middle line:84% of tones from the humorous to the reverent. 00:02:46.520 --> 00:02:49.970 align:middle line:90% Fearless about self revelation. 00:02:49.970 --> 00:02:55.130 align:middle line:84% Who among us, writers, readers, students of the art, 00:02:55.130 --> 00:02:59.670 align:middle line:84% can not only show poise in the face of such exposure, 00:02:59.670 --> 00:03:02.570 align:middle line:90% but also tenderness. 00:03:02.570 --> 00:03:05.480 align:middle line:84% The early poems of "Coffee 3 A.M." 00:03:05.480 --> 00:03:09.260 align:middle line:84% and "White Dress" anticipate her fooling around 00:03:09.260 --> 00:03:13.610 align:middle line:84% with form and content with freewheeling confidence. 00:03:13.610 --> 00:03:20.120 align:middle line:84% Fooling around that is, as the fool in alchemical terms fools. 00:03:20.120 --> 00:03:25.670 align:middle line:84% With a wisdom that especially in the new poems of "Loose Sugar" 00:03:25.670 --> 00:03:29.420 align:middle line:84% sets a standard for other poets' struggles, 00:03:29.420 --> 00:03:33.140 align:middle line:84% and invites a new readership of contemporary poetry, 00:03:33.140 --> 00:03:37.130 align:middle line:84% to see the world in its multiplicity. 00:03:37.130 --> 00:03:41.210 align:middle line:84% Please join me in welcoming home to Tucson 00:03:41.210 --> 00:03:44.360 align:middle line:84% a poet whose bright existence demands 00:03:44.360 --> 00:03:49.430 align:middle line:84% that we examine beyond the edge of the natural world. 00:03:49.430 --> 00:03:53.960 align:middle line:84% Winner of such honors as the Delmore Schwartz Memorial Award, 00:03:53.960 --> 00:03:59.240 align:middle line:84% the Poetry Society of America's Norma Farber First Book Prize, 00:03:59.240 --> 00:04:03.140 align:middle line:84% and Guggenheim and National Endowment Fellowships. 00:04:03.140 --> 00:04:07.970 align:middle line:84% Ladies and gentlemen, home-girl Brenda Hillman. 00:04:07.970 --> 00:04:10.120 align:middle line:90% [APPLAUSE] 00:04:10.120 --> 00:04:18.090 align:middle line:90%