WEBVTT 00:00:00.000 --> 00:00:00.578 align:middle line:90% 00:00:00.578 --> 00:00:02.370 align:middle line:84% I want to get out of that book for a second 00:00:02.370 --> 00:00:05.810 align:middle line:90% and go into something else. 00:00:05.810 --> 00:00:09.960 align:middle line:84% While coming across on the Sun City Express 00:00:09.960 --> 00:00:14.678 align:middle line:90% yesterday from Phoenix-- 00:00:14.678 --> 00:00:17.220 align:middle line:84% it's one of those situations where there are only four people 00:00:17.220 --> 00:00:20.430 align:middle line:84% on the bus, and you're just all comfortable and cozy, 00:00:20.430 --> 00:00:26.220 align:middle line:84% and a certain point, I'm looking out at this incredible landscape 00:00:26.220 --> 00:00:27.970 align:middle line:84% that you-- you know, you see all the time, 00:00:27.970 --> 00:00:29.740 align:middle line:84% so it doesn't look like much to you-- 00:00:29.740 --> 00:00:35.300 align:middle line:84% but week before last, I was in Egypt. 00:00:35.300 --> 00:00:37.340 align:middle line:84% And the week after that, I was in Israel, 00:00:37.340 --> 00:00:41.180 align:middle line:84% and so being here in the Arizona desert 00:00:41.180 --> 00:00:47.180 align:middle line:84% was like a continuation of where I'd been. 00:00:47.180 --> 00:00:49.940 align:middle line:84% I mean, very similar in the landscapes. 00:00:49.940 --> 00:00:54.080 align:middle line:84% And so I was struck by it, and I wrote a crazy, kind 00:00:54.080 --> 00:00:56.447 align:middle line:84% of spontaneous poem, which I doctored up 00:00:56.447 --> 00:00:57.530 align:middle line:90% a little bit this morning. 00:00:57.530 --> 00:00:59.780 align:middle line:84% But this was written yesterday, coming in, 00:00:59.780 --> 00:01:04.467 align:middle line:84% and they very kindly printed it up for me 00:01:04.467 --> 00:01:05.550 align:middle line:90% over at the Poetry Center. 00:01:05.550 --> 00:01:10.380 align:middle line:84% So this is raw, and it's called-- 00:01:10.380 --> 00:01:12.760 align:middle line:84% probably get other poets coming through doing this, 00:01:12.760 --> 00:01:15.330 align:middle line:84% and in fact, Alison was talking about trying 00:01:15.330 --> 00:01:18.990 align:middle line:84% to do an anthology of these kinds of ephemeral, 00:01:18.990 --> 00:01:20.835 align:middle line:90% visiting poets' poems-- 00:01:20.835 --> 00:01:23.580 align:middle line:90% 00:01:23.580 --> 00:01:28.132 align:middle line:84% this is called "Desert Footage: Three Dissolves." 00:01:28.132 --> 00:01:32.260 align:middle line:90% "One-- crossing, we arrive. 00:01:32.260 --> 00:01:33.760 align:middle line:90% We change up. 00:01:33.760 --> 00:01:40.870 align:middle line:84% We come back inside the original oasis, that quivering water, 00:01:40.870 --> 00:01:50.280 align:middle line:84% its cool-holed message, no mirage, a power mirror, ours. 00:01:50.280 --> 00:01:56.510 align:middle line:84% Two-- brushes with sages, lifetime leads, 00:01:56.510 --> 00:02:02.510 align:middle line:84% unload, unjam right here, where now don't need no start, 00:02:02.510 --> 00:02:07.640 align:middle line:84% don't need no count, where lust like dusty first impressions 00:02:07.640 --> 00:02:11.570 align:middle line:84% suns up, suns down, and falls away 00:02:11.570 --> 00:02:15.530 align:middle line:90% by twists and blazing turns. 00:02:15.530 --> 00:02:21.780 align:middle line:84% Stopped coal by night, excitement slows. 00:02:21.780 --> 00:02:28.050 align:middle line:84% Zigzag-- the jazz of cactus fuzz and insect buzz, and lizards 00:02:28.050 --> 00:02:32.880 align:middle line:84% whizzing every which way nowhere, and buzzards minding 00:02:32.880 --> 00:02:42.580 align:middle line:84% their own lazy business zooms, the horizon a shining rim shot. 00:02:42.580 --> 00:02:50.010 align:middle line:84% Three-- bowled over by blue, by light, and cooling cloud, 00:02:50.010 --> 00:02:55.500 align:middle line:84% desert can reach its peaks and depths, its flats 00:02:55.500 --> 00:03:01.790 align:middle line:84% and sharps with singular, insular pleasure. 00:03:01.790 --> 00:03:04.520 align:middle line:84% And treasures we always haul back 00:03:04.520 --> 00:03:07.760 align:middle line:84% lack the track record market value 00:03:07.760 --> 00:03:13.820 align:middle line:84% wealth wish we've been air-conditioned to cherish. 00:03:13.820 --> 00:03:18.830 align:middle line:84% In malls and designer back alleys of urgent dreaming, 00:03:18.830 --> 00:03:24.530 align:middle line:84% desire grinds, and bumps, and tallies, and bills, 00:03:24.530 --> 00:03:29.630 align:middle line:84% but back here at home, back smack in the desert, 00:03:29.630 --> 00:03:35.660 align:middle line:84% silence and space ease in and replace, get and gimme, 00:03:35.660 --> 00:03:42.550 align:middle line:84% and mucho and gotcha, or do we get erased, 00:03:42.550 --> 00:03:46.090 align:middle line:84% who thrill of peace in thrones out here, 00:03:46.090 --> 00:03:52.570 align:middle line:84% where water walks and kings don't mean a thing." 00:03:52.570 --> 00:03:53.920 align:middle line:90% [APPLAUSE] 00:03:53.920 --> 00:03:55.710 align:middle line:90% Thank you. 00:03:55.710 --> 00:04:02.000 align:middle line:90%