WEBVTT 00:00:00.000 --> 00:00:02.070 align:middle line:84% How many requests for the last poem? 00:00:02.070 --> 00:00:03.420 align:middle line:90% This side. 00:00:03.420 --> 00:00:04.590 align:middle line:90% I'm up for grabs. 00:00:04.590 --> 00:00:06.690 align:middle line:90% Alison knows. 00:00:06.690 --> 00:00:08.160 align:middle line:90% So much stuff. 00:00:08.160 --> 00:00:10.260 align:middle line:90% I should choose that. 00:00:10.260 --> 00:00:10.890 align:middle line:90% OK. 00:00:10.890 --> 00:00:12.420 align:middle line:90% All right. 00:00:12.420 --> 00:00:13.410 align:middle line:90% That's what I'll do. 00:00:13.410 --> 00:00:15.990 align:middle line:90% 00:00:15.990 --> 00:00:17.870 align:middle line:90% Last poems are so important. 00:00:17.870 --> 00:00:22.610 align:middle line:90% 00:00:22.610 --> 00:00:23.110 align:middle line:90% All right. 00:00:23.110 --> 00:00:24.610 align:middle line:84% Well, I'm thinking of the last poem, 00:00:24.610 --> 00:00:27.360 align:middle line:90% I'll read you a short poem here. 00:00:27.360 --> 00:00:35.280 align:middle line:84% This is a poem that comes from my curiosity about the Hindu 00:00:35.280 --> 00:00:40.230 align:middle line:84% tradition of assigning to the Godhead, God, divine 00:00:40.230 --> 00:00:42.000 align:middle line:90% intelligence. 00:00:42.000 --> 00:00:45.630 align:middle line:84% Both fatherly and motherly attributes. 00:00:45.630 --> 00:00:48.240 align:middle line:84% That is in the motherly attribute 00:00:48.240 --> 00:00:49.530 align:middle line:90% it's the divine mother. 00:00:49.530 --> 00:00:53.280 align:middle line:90% And Heavenly Father. 00:00:53.280 --> 00:00:55.740 align:middle line:84% And in our Judeo-Christian thing we 00:00:55.740 --> 00:00:59.310 align:middle line:84% have this very stern, you know, patriarchal image of God. 00:00:59.310 --> 00:01:01.410 align:middle line:84% And I've always-- I was in India some years ago 00:01:01.410 --> 00:01:06.240 align:middle line:84% and I was very moved by how that affects 00:01:06.240 --> 00:01:11.920 align:middle line:84% a culture, having that two faceted idea of the divine. 00:01:11.920 --> 00:01:13.650 align:middle line:90% And this is a poem about that. 00:01:13.650 --> 00:01:15.645 align:middle line:90% It's called "A Hymn to Her." 00:01:15.645 --> 00:01:19.140 align:middle line:90% 00:01:19.140 --> 00:01:24.150 align:middle line:84% Like some swollen swaying samba under pressure to behave, 00:01:24.150 --> 00:01:29.280 align:middle line:84% you are wild and without number, neither principal nor wave. 00:01:29.280 --> 00:01:31.890 align:middle line:84% Can your dance subdue its dancers 00:01:31.890 --> 00:01:34.650 align:middle line:90% when we dancers are the song? 00:01:34.650 --> 00:01:37.320 align:middle line:84% Can your slow half whispered dancers 00:01:37.320 --> 00:01:40.520 align:middle line:90% float us back where we belong? 00:01:40.520 --> 00:01:45.200 align:middle line:84% Everything we long or ache for is within soothing reach. 00:01:45.200 --> 00:01:49.460 align:middle line:84% It seems you surround us with your wakefulness. 00:01:49.460 --> 00:01:53.870 align:middle line:90% You astound us in your dreams. 00:01:53.870 --> 00:01:57.080 align:middle line:84% The guy that translates my work into Italian put-- 00:01:57.080 --> 00:02:02.990 align:middle line:84% I was in Italy in February and he put a tape in my bag 00:02:02.990 --> 00:02:06.140 align:middle line:84% and he's a musician also and he actually put music to that. 00:02:06.140 --> 00:02:10.669 align:middle line:84% And see if I can take it out and get a hit. 00:02:10.669 --> 00:02:12.960 align:middle line:90% Get somebody to record it. 00:02:12.960 --> 00:02:13.460 align:middle line:90%