WEBVTT

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So I'll finish with
something that's

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from The Front
Matter, Dead Souls.

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Nothing happens but that.

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The hyena floating to one.

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She sits quietly at a cafe,
looking at the thin air with it

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in it.

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Just seeing them who is
calm when he's still living

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is only encouraging.

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Actually, one note
on this book was

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a play on also a detective novel
and a poem all at the same time.

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And it was using the notion
of a Sumo wrestling ring in LA

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and masked figures
or not masked,

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but unknown figures
in silk suits

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running through the
streets who would

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stab people, who attack them.

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And so it was a--

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not exactly a
surrealistic landscape,

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but a dreamlike landscape
in which it's not really

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so important how
the crime is solved

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or exactly what's
happening, But.

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Going with it and trying to
get through it or in terms

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of the people in it
getting through it.

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So the man referred to
in this has been wounded

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and has disappeared, and
so he comes into this,

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and you'll know who the oozing
hump is when we get to it.

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Nothing happens but that.

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The hyena floating to one.

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She sits quietly at a cafe,
looking at the thin air with it

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in it.

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Just seeing them who is
calm when he's still living

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is only encouraging.

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A freeway overpass chokes
the ball in the blue air,

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swirling as an eye itself when
one glances, the changing air.

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If it were the
hyena, it would swim

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coming up with the fetus
between its mouth as it did.

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They'd meet.

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Not to exist eliminates
the blue boil.

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It's him not oneself there.

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The fat flowers
bloom in the dark.

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The crowd pulses
by her in blackness

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where she sits at the cafe with
the flowers opening around her.

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She'd seen them
in the past then,

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she sees the people
in the cafe come up

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and would be separate
from him alive lost.

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In their view one's
actions are composed,

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passively being a
narrative connected

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that illustrates rather
than being in existence.

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He floats in the black on
his own ejaculated stream,

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seeing one's decomposing
sack of flesh playfully,

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sitting oiling down
a vodka at the cafe

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where he had once been seen.

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In their view, the actual world
is symbolic and permanent,

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a higher authority
giving meaning to scenes,

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decomposing having meaning.

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That is why without him
one feels being mocked,

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no matter how one sees motions
that appear to be connected,

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the motions will be seen
by them to reassemble

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the picture of their
reality by which

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the motions are interpreted.

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The sack of one's body is
its changing composition,

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decomposition, which is without
authority even decomposition.

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Events are floating
in a sole existence

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having no other
manifestation from being

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produced in the series.

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So one has to be a nomad
to continually engage

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one's decomposing self
without meaning and so

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in actual existence.

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The Sumo is sitting with his
back to Akira, a lying hump.

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The Sumo is upright with his
legs hanging in front, his back

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a slab gazing at the
ocean on the sand.

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The green rim swims with
their being before it,

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the Sumo is quiet
inside with Akira rotten

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oozing chest lying as a
hump behind him peacefully.

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There's groundless
scrutiny, there's no ground.

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At the cafe, the green hump
floats before her jetting up

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on hanging on its black cloud.

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It is in the blue hump oozing
wounded can be seen in it,

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the black cloud hanging a stream
behind him in the blue is seen.

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A starry sky is faced in which
the emerald green hump is

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swallowed when at night.

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Another time people
leaving the cafe go out,

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night is the scrutiny not
quieted by the burning blue.

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The hippo turning away on
the dawn path is in mind.

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So being quieted,
it's seen barely.

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The samurai hangs
lidless to the dawn.

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One's teeth are clenched,
so it cannot be at dawn,

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it is sleeping as such jetting
at night when he's just coming

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to it as if coming and
turning away in a tank.

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The dawn's just
there and he's just

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coming to it,
reaching to it, that

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seems to be that he's not
moving when just at it.

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Beggars here so numerous
it's like Calcutta.

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The physical life is
non-existent by occurring

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from suppression, but
is occurring by itself.

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One's only existence
is in conflict per se,

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so that conflict is outside,
it's only there moving.

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The union is the only
self when there's not one.

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Why is the being of
one conflict solely?

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The one can't appear by
itself, yet he appears.

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Sometimes it appears by itself,
if one is without conflict,

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it isn't the same thing as one.

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If it is not one orb that
which is only conflict.

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One is continually transgressing
it in the conflict.

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This occurred in the
past of my youth wanting

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to cling to him in
existence is one,

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which is in it again by itself.

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Seeing existence outside of
Akira of him, so that he floats

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is existence itself occurring.

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The bodies of the
men in the night

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were backs and buttocks with
the heels seen pinned as if they

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were black butterflies in it.

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Moving, yet, almost still
flapping in the black.

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In the bright blue
day, the men were

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seen with only their backs
hunched gills as if gray,

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their heels pinned
as they walk, as

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if they're also a black
butterfly in the blue

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because it's blue.

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So not dependent on the night
as their existences aren't

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dependent in it or in day.

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They were moving beyond
their dying, which

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hasn't occurred yet anyway, by
the day having them in its blue.

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The black butterflies,
which are only night

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can't be in the blazing blue.

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A man vomits the blazing blue
when he's black butterfly still

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flapping in it.

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The street is a glazed
place, the yellow cord

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in one's white lacquer
apparently observes.

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The conflicts that one was
only one transgressing that

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is not that conflict,
transgressing that

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is not that conflict.

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One sees that conflict only in
its being in the series that one

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is or was conflict solely,
separable from existence

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is only its place.

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One didn't believe
in that place,

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believe that conflict
then or see it,

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but can see looking
back in creeley series.

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In there being
only chronological,

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in the collection of series.

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A figure vomits a black ocean
yet standing in the black air.

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The heavy rain hitting and waves
that waving up from the street.

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People huddling in doorways
having run in troughs,

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and lightning hitting around
when one crossed to them.

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-- vomits a black ocean, yet
standing in the black air.

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The heavy rain hitting in waves,
the waving up from the street

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people huddling
in doorways having

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run in troughs and
lightning hitting around

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when one crossed to them.

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One breathed the purple
clear roiling air.

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Akira carried by the worm silk
suit billowing on it as it

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had fed on him in the air.

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Had come up floating, had
jutting in the night to it,

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which at night one figure
vomits of black soft coagulation

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in which the man comes
up jetting hanging.

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Thank you.

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[APPLAUSE]

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