WEBVTT 00:00:00.000 --> 00:00:01.440 align:middle line:90% 00:00:01.440 --> 00:00:04.260 align:middle line:84% So I'll read something from a different work 00:00:04.260 --> 00:00:06.705 align:middle line:84% that's called Zither that was finished recently. 00:00:06.705 --> 00:00:11.970 align:middle line:90% 00:00:11.970 --> 00:00:15.120 align:middle line:84% As you can kind of sense from that, 00:00:15.120 --> 00:00:18.690 align:middle line:84% I tend to work in kind of spatial relations 00:00:18.690 --> 00:00:22.950 align:middle line:84% between things and a sense of something being interior, 00:00:22.950 --> 00:00:28.380 align:middle line:84% or what's inside is taking the outside reverberation 00:00:28.380 --> 00:00:31.920 align:middle line:84% of something and the sense that it's the inside of one or the-- 00:00:31.920 --> 00:00:34.800 align:middle line:84% and at the same time the sense that what's inside 00:00:34.800 --> 00:00:37.960 align:middle line:84% is outside, and that you're seeing it outside yourself. 00:00:37.960 --> 00:00:42.990 align:middle line:84% So what I'm about to read is a combination of using streams 00:00:42.990 --> 00:00:47.010 align:middle line:84% of action in a kind of like action film, 00:00:47.010 --> 00:00:52.770 align:middle line:84% or film noir, or comic book like, or mystery story like, 00:00:52.770 --> 00:00:55.440 align:middle line:84% shreds of plots of things happening 00:00:55.440 --> 00:01:00.240 align:middle line:84% and wanting to have actions that are very free 00:01:00.240 --> 00:01:04.440 align:middle line:84% and transpiring freely, and then also 00:01:04.440 --> 00:01:07.830 align:middle line:84% intermingled with poems that have a more anterior 00:01:07.830 --> 00:01:11.800 align:middle line:84% sense of what one is thinking about all of this. 00:01:11.800 --> 00:01:15.850 align:middle line:84% So it's kind of outer action and inner contemplation of that. 00:01:15.850 --> 00:01:18.540 align:middle line:90% So this is from Zither. 00:01:18.540 --> 00:01:22.620 align:middle line:84% In order to be seated, the viewers have to walk. 00:01:22.620 --> 00:01:25.560 align:middle line:84% There's a shadow of the words that shimmers. 00:01:25.560 --> 00:01:28.160 align:middle line:90% A samurai comes up in the grass. 00:01:28.160 --> 00:01:35.010 align:middle line:84% Huge, variegated, hairy blotched moths hit on the light outside. 00:01:35.010 --> 00:01:39.060 align:middle line:84% The other is ushered into a plush office in spring. 00:01:39.060 --> 00:01:41.970 align:middle line:84% Woman's throat, a banded dove's neck, 00:01:41.970 --> 00:01:46.080 align:middle line:84% heaving and speaking as if she were a boa swallowing 00:01:46.080 --> 00:01:50.340 align:middle line:84% what is immense, speaks as the dove's plump breast 00:01:50.340 --> 00:01:52.380 align:middle line:90% throat heaves in its band. 00:01:52.380 --> 00:01:55.680 align:middle line:84% The other, the other is a detective. 00:01:55.680 --> 00:01:58.320 align:middle line:84% The other is hired to protect the dove, 00:01:58.320 --> 00:02:00.480 align:middle line:84% to be the guard of the non-celebrity. 00:02:00.480 --> 00:02:06.270 align:middle line:90% 00:02:06.270 --> 00:02:10.120 align:middle line:84% The layers, lids and folds of the heaving boa 00:02:10.120 --> 00:02:15.420 align:middle line:84% dove bulging above the band also bug, as does the throat. 00:02:15.420 --> 00:02:19.050 align:middle line:84% The throat bugging is a swell, a breast, 00:02:19.050 --> 00:02:22.140 align:middle line:84% bellicose without intentionality. 00:02:22.140 --> 00:02:26.550 align:middle line:84% Over here, man seated at a cafe table outside, 00:02:26.550 --> 00:02:29.850 align:middle line:84% gesticulating to signal as if were a cabbie 00:02:29.850 --> 00:02:32.730 align:middle line:90% says, "over here, over here." 00:02:32.730 --> 00:02:37.020 align:middle line:84% The heaving boa dove bulging at the constraint on the bugging 00:02:37.020 --> 00:02:38.640 align:middle line:90% neck is inside. 00:02:38.640 --> 00:02:41.700 align:middle line:84% There's a conflict for a tension between boa 00:02:41.700 --> 00:02:44.640 align:middle line:84% dove and unknown man at cafe table. 00:02:44.640 --> 00:02:49.740 align:middle line:84% For the other, maintains wants errands on the corner, 00:02:49.740 --> 00:02:51.840 align:middle line:90% then it will be night. 00:02:51.840 --> 00:02:54.450 align:middle line:84% The soft, dark sides of the horse 00:02:54.450 --> 00:02:58.200 align:middle line:84% lying, being kicked in the long grass with their coming 00:02:58.200 --> 00:03:01.560 align:middle line:84% through the sea of grass from all sides. 00:03:01.560 --> 00:03:07.170 align:middle line:84% To hold too much, the soft dark rolling sides cage of 00:03:07.170 --> 00:03:10.710 align:middle line:84% curled horse lying mounds in grass 00:03:10.710 --> 00:03:14.460 align:middle line:84% there, there, kicking in at the sides. 00:03:14.460 --> 00:03:20.430 align:middle line:84% Train on parched cracks is freighter at night. 00:03:20.430 --> 00:03:23.280 align:middle line:84% A man, the interior nature of muscular 00:03:23.280 --> 00:03:28.530 align:middle line:84% dove cage, one stretches out on the throat breast rake, 00:03:28.530 --> 00:03:32.250 align:middle line:84% raking it, the base of it while his dove moves, 00:03:32.250 --> 00:03:35.370 align:middle line:90% remaining soaked one. 00:03:35.370 --> 00:03:40.860 align:middle line:84% Not changing by the middle, being in one, 00:03:40.860 --> 00:03:43.890 align:middle line:90% or side is one is that. 00:03:43.890 --> 00:03:49.800 align:middle line:84% He applies his brilliant, gentle mind to the fact in the grass. 00:03:49.800 --> 00:03:53.490 align:middle line:84% The kicking people in long grass, yet being a tyrant, 00:03:53.490 --> 00:03:57.250 align:middle line:84% one is respected per se for that. 00:03:57.250 --> 00:04:00.180 align:middle line:84% This is not the movement in the grass, 00:04:00.180 --> 00:04:02.520 align:middle line:90% nor is there movement zither. 00:04:02.520 --> 00:04:04.920 align:middle line:90% We had a zither as children. 00:04:04.920 --> 00:04:06.540 align:middle line:90% There is freighter. 00:04:06.540 --> 00:04:09.900 align:middle line:84% They are themselves, in fact, hemmed 00:04:09.900 --> 00:04:15.840 align:middle line:84% in by the long spears, the other in the middle spears through. 00:04:15.840 --> 00:04:20.910 align:middle line:84% Grass, the people holding them on the other ends on all sides. 00:04:20.910 --> 00:04:25.290 align:middle line:84% The other is hemmed, pricking as spear punctures that 00:04:25.290 --> 00:04:26.880 align:middle line:90% are on her sides. 00:04:26.880 --> 00:04:32.670 align:middle line:84% One first, the other does, runs in before them being there. 00:04:32.670 --> 00:04:34.290 align:middle line:90% One is running out. 00:04:34.290 --> 00:04:37.950 align:middle line:84% Something occurs then when one is running. 00:04:37.950 --> 00:04:42.420 align:middle line:84% Not anticipating, as in happiness running out. 00:04:42.420 --> 00:04:44.400 align:middle line:90% Before is happy. 00:04:44.400 --> 00:04:47.460 align:middle line:84% Something occurring does not change that then. 00:04:47.460 --> 00:04:53.130 align:middle line:84% Experiencing being happy is in the present that it will be, 00:04:53.130 --> 00:04:57.090 align:middle line:84% is in the future then at the same time. 00:04:57.090 --> 00:05:04.280 align:middle line:84% As the middle of a conflict in one, then being. 00:05:04.280 --> 00:05:08.360 align:middle line:84% Is there not being authority, is shape? 00:05:08.360 --> 00:05:14.870 align:middle line:84% The man knows this, loves, as what is love is. 00:05:14.870 --> 00:05:20.780 align:middle line:84% came down in entire life span outside. 00:05:20.780 --> 00:05:22.430 align:middle line:90% Lear is the viewer. 00:05:22.430 --> 00:05:24.710 align:middle line:84% One might even loosen this faculty, 00:05:24.710 --> 00:05:29.690 align:middle line:84% sensual as exterior interior at once of apprehension 00:05:29.690 --> 00:05:31.940 align:middle line:90% further from one stream. 00:05:31.940 --> 00:05:36.740 align:middle line:84% A little white owl springs up, gliding toward one. 00:05:36.740 --> 00:05:41.060 align:middle line:84% The girl with eyebrows curved like bows follows it 00:05:41.060 --> 00:05:43.340 align:middle line:90% into the plumed grass. 00:05:43.340 --> 00:05:47.360 align:middle line:84% The moon or sun resting on the plumed grass, 00:05:47.360 --> 00:05:53.120 align:middle line:84% both then walk on plumed grass, horse down 00:05:53.120 --> 00:05:55.790 align:middle line:84% crowds coming in from the long plumes, 00:05:55.790 --> 00:06:01.280 align:middle line:84% eyebrows arch, following phosphorescent owl gliding in. 00:06:01.280 --> 00:06:05.870 align:middle line:84% In fireflies crowd sides running on its sides. 00:06:05.870 --> 00:06:10.730 align:middle line:84% Crowds running on its sides wallows on black grass. 00:06:10.730 --> 00:06:16.340 align:middle line:84% Crowds wallow eyebrows on moon edged horse blackness. 00:06:16.340 --> 00:06:20.790 align:middle line:84% Crowds wallow grass horse gliding moon. 00:06:20.790 --> 00:06:24.870 align:middle line:84% Eyebrows arching through grass wallow moon. 00:06:24.870 --> 00:06:28.620 align:middle line:84% Eyebrows wallow crowd on the horse. 00:06:28.620 --> 00:06:31.350 align:middle line:84% The man at the cafe outside in the light 00:06:31.350 --> 00:06:35.730 align:middle line:84% appears to be wearing magpies, glistening black feathers 00:06:35.730 --> 00:06:37.500 align:middle line:90% gliding blackness. 00:06:37.500 --> 00:06:42.210 align:middle line:84% Crowd comes in plumed grass to little white owl. 00:06:42.210 --> 00:06:47.070 align:middle line:84% Head in blackness and running legs in plumed grass. 00:06:47.070 --> 00:06:51.030 align:middle line:84% Seated royals in sun and moon, both then 00:06:51.030 --> 00:06:55.260 align:middle line:90% on half plumed wall grass. 00:06:55.260 --> 00:07:00.390 align:middle line:84% Crowd in sun and moon both then wallows on wall plumes 00:07:00.390 --> 00:07:03.630 align:middle line:84% and seated to the side, the half. 00:07:03.630 --> 00:07:06.750 align:middle line:84% Horse, alone walking beside man who's 00:07:06.750 --> 00:07:10.680 align:middle line:84% seated at cafe in glistening black wall 00:07:10.680 --> 00:07:13.920 align:middle line:90% to plumed grass in crowd. 00:07:13.920 --> 00:07:17.670 align:middle line:84% I saw this film of Mexican cloistered nun 00:07:17.670 --> 00:07:23.940 align:middle line:84% in time of Inquisition, poet thought voluptuously given up 00:07:23.940 --> 00:07:29.430 align:middle line:84% then to it at early time, which is experienced as slow in it 00:07:29.430 --> 00:07:30.420 align:middle line:90% to us. 00:07:30.420 --> 00:07:34.260 align:middle line:90% Early being in utter enjoyment. 00:07:34.260 --> 00:07:37.950 align:middle line:84% Later recounting having to agree an Inquisition 00:07:37.950 --> 00:07:40.440 align:middle line:90% before dying in the plague. 00:07:40.440 --> 00:07:43.320 align:middle line:84% The boa dove has hired the detective 00:07:43.320 --> 00:07:46.620 align:middle line:84% to protect her from the brown shirts, who are putting 00:07:46.620 --> 00:07:48.810 align:middle line:90% people's furniture in trucks. 00:07:48.810 --> 00:07:52.200 align:middle line:84% The people are leaving out on the streets already. 00:07:52.200 --> 00:07:56.250 align:middle line:84% The mayfly flits by a parade of brown shirts, 00:07:56.250 --> 00:08:00.180 align:middle line:84% walking beside them, the other seated at a cafe. 00:08:00.180 --> 00:08:03.480 align:middle line:84% It's evening, a parade in the evening. 00:08:03.480 --> 00:08:06.210 align:middle line:90% Longing for cabs. 00:08:06.210 --> 00:08:09.540 align:middle line:90% Inexperienced is future. 00:08:09.540 --> 00:08:12.780 align:middle line:90% Inactions, not in them. 00:08:12.780 --> 00:08:16.800 align:middle line:84% Recanting that she had been night ways, 00:08:16.800 --> 00:08:21.090 align:middle line:84% living as a pagan in the convent in. 00:08:21.090 --> 00:08:27.510 align:middle line:84% Is breath's dusk once existing dusk? 00:08:27.510 --> 00:08:31.200 align:middle line:84% We had a zither, children, which we couldn't play, 00:08:31.200 --> 00:08:33.240 align:middle line:90% not knowing how. 00:08:33.240 --> 00:08:39.780 align:middle line:84% Not related to now in dying, zither, why? 00:08:39.780 --> 00:08:44.340 align:middle line:84% Communicating freighters see at night. 00:08:44.340 --> 00:08:48.090 align:middle line:84% Hurl in the middle or midst, doesn't have to be the middle. 00:08:48.090 --> 00:08:51.190 align:middle line:90% Sum in one's life with what? 00:08:51.190 --> 00:08:53.130 align:middle line:90% With what? 00:08:53.130 --> 00:08:57.120 align:middle line:84% Going at it with cockiness won't do it as not one. 00:08:57.120 --> 00:09:01.470 align:middle line:84% However, being seen as going forward only, 00:09:01.470 --> 00:09:04.410 align:middle line:90% too forward can be humility? 00:09:04.410 --> 00:09:06.540 align:middle line:90% Don't know, what's then? 00:09:06.540 --> 00:09:10.740 align:middle line:84% Some people belly up to show submission, the soft and sweet 00:09:10.740 --> 00:09:15.690 align:middle line:84% sparrow bellying up so that they will not charge and then tear 00:09:15.690 --> 00:09:16.290 align:middle line:90% her. 00:09:16.290 --> 00:09:20.190 align:middle line:84% Humility to lead them, to placate. 00:09:20.190 --> 00:09:24.960 align:middle line:84% By placated, but the other cannot belly up as it is not 00:09:24.960 --> 00:09:27.480 align:middle line:84% allowed for anyone in conception. 00:09:27.480 --> 00:09:29.580 align:middle line:90% For one, it's irrelevant. 00:09:29.580 --> 00:09:34.110 align:middle line:84% So they charge and tear at her, and others continually only. 00:09:34.110 --> 00:09:36.150 align:middle line:90% A separation occurs. 00:09:36.150 --> 00:09:40.500 align:middle line:84% One has an interiority there that 00:09:40.500 --> 00:09:43.500 align:middle line:90% is neither one nor aggression. 00:09:43.500 --> 00:09:46.560 align:middle line:90% So does humility in the one. 00:09:46.560 --> 00:09:51.060 align:middle line:84% Colostomy bags ripple humps on the men walking. 00:09:51.060 --> 00:09:56.370 align:middle line:84% Yet that placates them, humps of the colostomy bags floating. 00:09:56.370 --> 00:10:00.720 align:middle line:84% But it is toward people, but isn't people. 00:10:00.720 --> 00:10:03.990 align:middle line:84% I was making a joke in this about the brown shirts having 00:10:03.990 --> 00:10:06.960 align:middle line:90% colostomy bags as no guts. 00:10:06.960 --> 00:10:10.194 align:middle line:84% So it was kind of a joke throughout this. 00:10:10.194 --> 00:10:12.090 align:middle line:90% [LAUGH] 00:10:12.090 --> 00:10:14.190 align:middle line:90% Starving man, his first. 00:10:14.190 --> 00:10:16.800 align:middle line:90% Early freedom is now only. 00:10:16.800 --> 00:10:22.500 align:middle line:84% It isn't astute, so it's giving up on observation. 00:10:22.500 --> 00:10:23.000 align:middle line:90%