WEBVTT 00:00:00.000 --> 00:00:00.740 align:middle line:90% 00:00:00.740 --> 00:00:07.860 align:middle line:84% And then one other recent poem called "Memorandum." 00:00:07.860 --> 00:00:11.090 align:middle line:90% 00:00:11.090 --> 00:00:12.200 align:middle line:90% There's another pun. 00:00:12.200 --> 00:00:13.640 align:middle line:90% I love-- I love puns. 00:00:13.640 --> 00:00:18.240 align:middle line:84% And I think all poets who are telling the truth 00:00:18.240 --> 00:00:20.000 align:middle line:90% admit that they love puns. 00:00:20.000 --> 00:00:23.420 align:middle line:84% I think they also, if they're telling the truth, admit 00:00:23.420 --> 00:00:28.280 align:middle line:84% that they love limericks, which is an extremely, extremely 00:00:28.280 --> 00:00:29.045 align:middle line:90% elegant form-- 00:00:29.045 --> 00:00:30.296 align:middle line:90% [LAUGHTER] 00:00:30.296 --> 00:00:35.540 align:middle line:90% 00:00:35.540 --> 00:00:37.340 align:middle line:90% I may misuse it sometimes, but-- 00:00:37.340 --> 00:00:38.780 align:middle line:90% [LAUGHTER] 00:00:38.780 --> 00:00:41.180 align:middle line:90% 00:00:41.180 --> 00:00:42.980 align:middle line:90% You see, you're all laughing. 00:00:42.980 --> 00:00:46.280 align:middle line:84% I'll tell you a story about limericks. 00:00:46.280 --> 00:00:49.790 align:middle line:84% There was an occasion over 100 years ago 00:00:49.790 --> 00:00:52.820 align:middle line:84% when Tennyson was alive, when Tennyson was 00:00:52.820 --> 00:00:55.040 align:middle line:90% at the head of a banquet table. 00:00:55.040 --> 00:00:57.290 align:middle line:84% Now, there were a lot of literary people around there. 00:00:57.290 --> 00:01:00.860 align:middle line:84% And they were terrified by this very forbidding character 00:01:00.860 --> 00:01:03.680 align:middle line:84% with a long beard at the end of the table. 00:01:03.680 --> 00:01:05.960 align:middle line:84% And they got, unfortunately, onto the subject 00:01:05.960 --> 00:01:07.190 align:middle line:90% of the limerick. 00:01:07.190 --> 00:01:10.670 align:middle line:84% And they said that this was a form that 00:01:10.670 --> 00:01:15.390 align:middle line:84% could only be used for comic occasions and for comic things. 00:01:15.390 --> 00:01:18.380 align:middle line:84% And so after they'd said everything polite 00:01:18.380 --> 00:01:22.700 align:middle line:84% they could on the subject, the subject sort of died. 00:01:22.700 --> 00:01:26.090 align:middle line:84% And then, as the friend who told me the story said, 00:01:26.090 --> 00:01:28.880 align:middle line:84% the cobwebs parted at the end of the table. 00:01:28.880 --> 00:01:32.660 align:middle line:84% And the voice said, "There are persons now living 00:01:32.660 --> 00:01:38.420 align:middle line:84% in Erith whom nobody see-eth or hear-eth, and there 00:01:38.420 --> 00:01:41.150 align:middle line:84% by the marge of the river, a barge 00:01:41.150 --> 00:01:43.662 align:middle line:84% that nobody row-eth or steer-eth." 00:01:43.662 --> 00:01:44.958 align:middle line:90% [LAUGHTER] 00:01:44.958 --> 00:01:48.710 align:middle line:90% 00:01:48.710 --> 00:01:51.440 align:middle line:84% History doesn't relate whether Alfred Lord Tennyson thought 00:01:51.440 --> 00:01:52.400 align:middle line:90% it was funny or not. 00:01:52.400 --> 00:01:57.890 align:middle line:90% 00:01:57.890 --> 00:01:58.880 align:middle line:90% "Memorandum." 00:01:58.880 --> 00:02:02.140 align:middle line:90% 00:02:02.140 --> 00:02:05.890 align:middle line:84% Save these words for a while because of something they remind 00:02:05.890 --> 00:02:09.610 align:middle line:84% you of, although you cannot remember what that is, 00:02:09.610 --> 00:02:16.090 align:middle line:84% a sense that is part dust and part the light of morning. 00:02:16.090 --> 00:02:20.440 align:middle line:84% You were about to say a name and it is not there. 00:02:20.440 --> 00:02:21.730 align:middle line:90% I forget them too. 00:02:21.730 --> 00:02:25.930 align:middle line:84% I am learning to pray to Perdita to whom I said nothing 00:02:25.930 --> 00:02:26.800 align:middle line:90% at the time. 00:02:26.800 --> 00:02:30.280 align:middle line:84% And now she cannot hear me as far as I know, 00:02:30.280 --> 00:02:34.430 align:middle line:90% but the day goes on looking. 00:02:34.430 --> 00:02:37.940 align:middle line:84% The names often change more slowly than the meanings. 00:02:37.940 --> 00:02:40.400 align:middle line:84% Whole families grow up in them and then 00:02:40.400 --> 00:02:43.760 align:middle line:90% are gone into the anonymous sky. 00:02:43.760 --> 00:02:50.770 align:middle line:84% Oh, Perdita, does the hope go on after the names are forgotten? 00:02:50.770 --> 00:02:55.960 align:middle line:84% And is the pain of the past done when the calling is stopped 00:02:55.960 --> 00:02:59.500 align:middle line:84% and those betrayals so long repeated 00:02:59.500 --> 00:03:03.490 align:middle line:84% that they are taken for granted as the shepherd does 00:03:03.490 --> 00:03:05.400 align:middle line:90% with the sheep? 00:03:05.400 --> 00:03:06.000 align:middle line:90%