WEBVTT 00:00:00.000 --> 00:00:00.930 align:middle line:90% 00:00:00.930 --> 00:00:02.352 align:middle line:90% Welcome, everybody. 00:00:02.352 --> 00:00:04.019 align:middle line:84% I'm very happy that you're here tonight, 00:00:04.019 --> 00:00:06.780 align:middle line:84% and we're delighted to welcome Lynn Emanuel. 00:00:06.780 --> 00:00:10.440 align:middle line:84% She's been on the tour of Arizona for a few days. 00:00:10.440 --> 00:00:14.520 align:middle line:84% She's read up at ASU in Tempe, and at Yavapai college 00:00:14.520 --> 00:00:15.720 align:middle line:90% up in Prescott. 00:00:15.720 --> 00:00:19.590 align:middle line:84% So she may be a bit road weary, but we're 00:00:19.590 --> 00:00:24.330 align:middle line:84% delighted that we managed to get her here nonetheless. 00:00:24.330 --> 00:00:27.000 align:middle line:84% Lynn Emanuel is the author of three books of poetry, 00:00:27.000 --> 00:00:31.950 align:middle line:84% Oblique Light, published by Slow Loris Press, Hotel Fiesta, 00:00:31.950 --> 00:00:34.080 align:middle line:84% published by the University of Georgia, 00:00:34.080 --> 00:00:36.540 align:middle line:84% and most recently, The Dig, published 00:00:36.540 --> 00:00:38.760 align:middle line:90% by the University of Illinois. 00:00:38.760 --> 00:00:41.010 align:middle line:84% That book was chosen by Gerald Stern 00:00:41.010 --> 00:00:45.360 align:middle line:84% as one of five books published in the 1992 National Poetry 00:00:45.360 --> 00:00:47.730 align:middle line:90% Series competition. 00:00:47.730 --> 00:00:49.830 align:middle line:84% Lynn currently is an associate professor 00:00:49.830 --> 00:00:52.920 align:middle line:90% at the University of Pittsburgh. 00:00:52.920 --> 00:00:56.040 align:middle line:84% Molly Peacock says that Emanuel writes 00:00:56.040 --> 00:01:00.990 align:middle line:84% in the tradition of the poet Empress Li Qingzhao, 00:01:00.990 --> 00:01:04.349 align:middle line:84% exploring feminine wiles, only the wiles 00:01:04.349 --> 00:01:09.540 align:middle line:84% here are born of poverty in the American West. 00:01:09.540 --> 00:01:16.440 align:middle line:84% I'm not sure about the empress business, or the feminine wiles. 00:01:16.440 --> 00:01:19.770 align:middle line:84% If forced to make a big claim, I'd 00:01:19.770 --> 00:01:23.920 align:middle line:84% say that Emanuel has brought dirt poor Ely, 00:01:23.920 --> 00:01:27.630 align:middle line:84% Nevada into American poetics in the way 00:01:27.630 --> 00:01:32.910 align:middle line:84% that Frank O'Hara brought New York City into American poetics. 00:01:32.910 --> 00:01:37.410 align:middle line:84% She writes both frontal and charged narrative poems, 00:01:37.410 --> 00:01:39.960 align:middle line:84% like "The Planet Krypton" and some 00:01:39.960 --> 00:01:44.160 align:middle line:84% which are pleasingly oblique, such as the poem, "We, 00:01:44.160 --> 00:01:50.100 align:middle line:84% the Poems of America," in which the poems call themselves runs 00:01:50.100 --> 00:01:55.380 align:middle line:84% of bad luck trying to make the connection between you 00:01:55.380 --> 00:01:58.440 align:middle line:90% and the small potatoes. 00:01:58.440 --> 00:02:00.580 align:middle line:84% We're delighted that Lynn is here. 00:02:00.580 --> 00:02:02.970 align:middle line:90% Please welcome Lynn Emanuel. 00:02:02.970 --> 00:02:06.320 align:middle line:90% [APPLAUSE] 00:02:06.320 --> 00:02:11.240 align:middle line:90%