WEBVTT 00:00:00.000 --> 00:00:00.870 align:middle line:90% 00:00:00.870 --> 00:00:03.447 align:middle line:84% There's kind of an "Ars Poetica" in here. 00:00:03.447 --> 00:00:04.530 align:middle line:90% I think I'll just read it. 00:00:04.530 --> 00:00:06.450 align:middle line:90% It's not that long. 00:00:06.450 --> 00:00:10.500 align:middle line:84% It's a whole another series part of the underneath series. 00:00:10.500 --> 00:00:14.280 align:middle line:84% This is called "Underneath (Libation)." 00:00:14.280 --> 00:00:16.460 align:middle line:90% The Oresteia, Agamemnon-- 00:00:16.460 --> 00:00:20.550 align:middle line:90% 00:00:20.550 --> 00:00:23.380 align:middle line:84% The whole cast of characters appear in this book. 00:00:23.380 --> 00:00:25.230 align:middle line:90% And so it really is a sequence. 00:00:25.230 --> 00:00:27.940 align:middle line:84% And it's hard to read outside of it. 00:00:27.940 --> 00:00:32.790 align:middle line:84% But this one some of the politics of the book 00:00:32.790 --> 00:00:35.370 align:middle line:90% will be missing unless I read. 00:00:35.370 --> 00:00:37.380 align:middle line:84% I actually should read a different one though 00:00:37.380 --> 00:00:39.300 align:middle line:84% because there's a broadside outside. 00:00:39.300 --> 00:00:42.510 align:middle line:84% And I should read the poem that you so kindly 00:00:42.510 --> 00:00:46.080 align:middle line:90% made a beautiful print for me. 00:00:46.080 --> 00:00:47.250 align:middle line:90% It's a sexy poem. 00:00:47.250 --> 00:00:50.820 align:middle line:90% It's in a series of haiku. 00:00:50.820 --> 00:00:51.495 align:middle line:90% "Two Days." 00:00:51.495 --> 00:00:55.720 align:middle line:90% 00:00:55.720 --> 00:01:01.780 align:middle line:84% Full moon lays his hand onto her throat, 00:01:01.780 --> 00:01:04.284 align:middle line:84% into his mouth takes her whole ear. 00:01:04.284 --> 00:01:06.970 align:middle line:90% 00:01:06.970 --> 00:01:13.420 align:middle line:84% Noon, this pen hovers over this empty page. 00:01:13.420 --> 00:01:17.980 align:middle line:90% One is free to forget. 00:01:17.980 --> 00:01:22.840 align:middle line:84% Noon, the gate fills to its edges 00:01:22.840 --> 00:01:25.840 align:middle line:90% with the two sides of opening. 00:01:25.840 --> 00:01:27.760 align:middle line:90% Move. 00:01:27.760 --> 00:01:29.200 align:middle line:90% Noon. 00:01:29.200 --> 00:01:33.040 align:middle line:84% Regardless of the gate, buds open all around, 00:01:33.040 --> 00:01:35.830 align:middle line:90% stare at each other. 00:01:35.830 --> 00:01:41.710 align:middle line:84% Noon, evaporation is taking place. 00:01:41.710 --> 00:01:47.680 align:middle line:84% Full moon, your body before me a nameless hill. 00:01:47.680 --> 00:01:52.120 align:middle line:90% Full moon: seeing being seen. 00:01:52.120 --> 00:01:56.890 align:middle line:84% The cold lies in us all night long, 00:01:56.890 --> 00:02:01.510 align:middle line:90% in one spot most especially. 00:02:01.510 --> 00:02:05.530 align:middle line:90% I am not seeking altitude. 00:02:05.530 --> 00:02:10.300 align:middle line:84% Noon: we push until, like a third party, 00:02:10.300 --> 00:02:13.780 align:middle line:90% matter rages between us. 00:02:13.780 --> 00:02:20.860 align:middle line:84% Noon: pushes us into the midst to where spring stops. 00:02:20.860 --> 00:02:25.090 align:middle line:84% Noon: pushes us to where a crown emerges 00:02:25.090 --> 00:02:31.010 align:middle line:84% and begins to lower all round our bodies, tiny rips of buds. 00:02:31.010 --> 00:02:37.630 align:middle line:84% Noon: then even the buds push out into this emptiness. 00:02:37.630 --> 00:02:44.230 align:middle line:84% Noon: the only heaven plays and leaps. 00:02:44.230 --> 00:02:49.060 align:middle line:84% Dusk, with its downslope, a bride, and one 00:02:49.060 --> 00:02:52.690 align:middle line:90% above her all shivering of mind. 00:02:52.690 --> 00:02:57.850 align:middle line:84% Late dusk: a communication between what exists 00:02:57.850 --> 00:03:00.070 align:middle line:90% and what is visible. 00:03:00.070 --> 00:03:01.570 align:middle line:90% That shore. 00:03:01.570 --> 00:03:06.130 align:middle line:90% Who knows what can be said. 00:03:06.130 --> 00:03:12.670 align:middle line:84% Full moon, lays his hand onto her throat, into his mouth 00:03:12.670 --> 00:03:15.540 align:middle line:90% takes her whole ear. 00:03:15.540 --> 00:03:17.000 align:middle line:90%