WEBVTT 00:00:00.000 --> 00:00:00.510 align:middle line:90% 00:00:00.510 --> 00:00:03.390 align:middle line:84% In '73 in San Francisco, and grew up 00:00:03.390 --> 00:00:07.830 align:middle line:84% in the Bay Area attending high school in the Haight-Ashbury. 00:00:07.830 --> 00:00:12.060 align:middle line:84% When she was in eighth grade she won a poetry contest sponsored 00:00:12.060 --> 00:00:14.555 align:middle line:90% by the rock band, The Cure. 00:00:14.555 --> 00:00:17.730 align:middle line:90% [LAUGHTER] 00:00:17.730 --> 00:00:19.920 align:middle line:90% 00:00:19.920 --> 00:00:22.440 align:middle line:84% Encouraged by this early success, 00:00:22.440 --> 00:00:25.830 align:middle line:84% she has been writing poetry ever since. 00:00:25.830 --> 00:00:29.130 align:middle line:84% She graduated from Wesleyan in 1994. 00:00:29.130 --> 00:00:32.369 align:middle line:84% Her poems have appeared in Ms., New American Writing, Hanging 00:00:32.369 --> 00:00:35.940 align:middle line:84% Loose, and other publications, as well as in the chapbook 00:00:35.940 --> 00:00:40.410 align:middle line:84% Pacific, published by Orchard Street Press in '95. 00:00:40.410 --> 00:00:44.790 align:middle line:84% A collection with poet Cynthia Nelson titled Not Sisters, 00:00:44.790 --> 00:00:48.570 align:middle line:90% from Soft Skull Press in 1993. 00:00:48.570 --> 00:00:51.480 align:middle line:84% Her manuscript, The Scratch-Scratch Diaries 00:00:51.480 --> 00:00:55.320 align:middle line:84% was recently featured in an Agni Graywolf press publication: 00:00:55.320 --> 00:00:58.475 align:middle line:90% Take Three: New Poet Series. 00:00:58.475 --> 00:00:59.850 align:middle line:84% She lives in New York where she's 00:00:59.850 --> 00:01:03.030 align:middle line:84% worked as an assistant editor for Best American Poetry 00:01:03.030 --> 00:01:05.640 align:middle line:84% as well as working as a waitress, a bartender, 00:01:05.640 --> 00:01:07.800 align:middle line:90% and a modern dancer. 00:01:07.800 --> 00:01:11.340 align:middle line:84% She's currently working on a PhD in English. 00:01:11.340 --> 00:01:16.800 align:middle line:84% Nelson's poems are urban, edgy, and mercurial. 00:01:16.800 --> 00:01:21.030 align:middle line:84% The world is constantly changing shape, she writes. 00:01:21.030 --> 00:01:25.380 align:middle line:84% And her poems are so formally controlled 00:01:25.380 --> 00:01:30.240 align:middle line:84% that they see a-- they seem a stay against change, 00:01:30.240 --> 00:01:34.650 align:middle line:84% yet so shifting and at play that they 00:01:34.650 --> 00:01:37.920 align:middle line:90% seem an embodiment of change. 00:01:37.920 --> 00:01:41.220 align:middle line:84% She writes a spare and energetic short lined 00:01:41.220 --> 00:01:46.410 align:middle line:84% poem filled with the real places and people of her day. 00:01:46.410 --> 00:01:49.950 align:middle line:84% A poem that has many of the virtues of Creeley. 00:01:49.950 --> 00:01:55.080 align:middle line:84% So condensed that the music of the words jumps. 00:01:55.080 --> 00:01:58.860 align:middle line:84% Of her work, Creeley has said, "Maggie Nelson 00:01:58.860 --> 00:02:03.150 align:middle line:84% brings a deft and unflagging wit to her writing. 00:02:03.150 --> 00:02:07.170 align:middle line:84% And her powers of invention never quit. 00:02:07.170 --> 00:02:13.080 align:middle line:84% I love the way all she says keeps moving, insistent, often 00:02:13.080 --> 00:02:18.840 align:middle line:84% abrasive like they say, and always specific." 00:02:18.840 --> 00:02:20.790 align:middle line:90% Can it get any better? 00:02:20.790 --> 00:02:22.620 align:middle line:90% I don't think so. 00:02:22.620 --> 00:02:24.420 align:middle line:90% Please welcome Maggie Nelson. 00:02:24.420 --> 00:02:27.770 align:middle line:90% [APPLAUSE] 00:02:27.770 --> 00:02:37.000 align:middle line:90%