WEBVTT 00:00:00.000 --> 00:00:01.940 align:middle line:90% 00:00:01.940 --> 00:00:04.730 align:middle line:84% I'm going to start with two poems 00:00:04.730 --> 00:00:06.670 align:middle line:90% about looking at paintings. 00:00:06.670 --> 00:00:09.830 align:middle line:90% 00:00:09.830 --> 00:00:14.390 align:middle line:84% This one is from a book called A Door in the Hive, 00:00:14.390 --> 00:00:16.295 align:middle line:84% and it's called "The Life of Art." 00:00:16.295 --> 00:00:20.290 align:middle line:90% 00:00:20.290 --> 00:00:25.330 align:middle line:84% "The borderland, that's where, if one knew how, 00:00:25.330 --> 00:00:28.560 align:middle line:90% one would establish residence-- 00:00:28.560 --> 00:00:34.500 align:middle line:84% that watershed, that spine, that looking glass. 00:00:34.500 --> 00:00:40.860 align:middle line:84% I mean, the edge between impasto surface, burnt sienna's 00:00:40.860 --> 00:00:44.610 align:middle line:84% fixed, striate, gleaming swathes, 00:00:44.610 --> 00:00:49.560 align:middle line:84% and windrows of carnal paint or canvas barely stained, 00:00:49.560 --> 00:00:54.230 align:middle line:84% where warp and weft peer through. 00:00:54.230 --> 00:01:01.230 align:middle line:84% And fictive truth-- a room, a vase, an open door-- 00:01:01.230 --> 00:01:02.535 align:middle line:90% giving upon the cloud. 00:01:02.535 --> 00:01:05.400 align:middle line:90% 00:01:05.400 --> 00:01:12.000 align:middle line:84% A step back and you have the likeness, its own world. 00:01:12.000 --> 00:01:15.090 align:middle line:84% Step to the wall again, and you are so near 00:01:15.090 --> 00:01:17.190 align:middle line:90% the paint you could lick it. 00:01:17.190 --> 00:01:21.890 align:middle line:84% You breathe its ghostly turpentine. 00:01:21.890 --> 00:01:24.410 align:middle line:90% But there's an interface-- 00:01:24.410 --> 00:01:28.550 align:middle line:90% immeasurable, elusive. 00:01:28.550 --> 00:01:32.810 align:middle line:84% An equilibrium just attainable sometimes 00:01:32.810 --> 00:01:38.270 align:middle line:84% when the attention is rightly poised, where you are opulently 00:01:38.270 --> 00:01:43.280 align:middle line:84% received by the bravura gestures, hand and brush 00:01:43.280 --> 00:01:48.170 align:middle line:84% proffer, as if a courtier twirled a feathered velvet 00:01:48.170 --> 00:01:51.110 align:middle line:90% hat to bow you in. 00:01:51.110 --> 00:01:57.740 align:middle line:84% And yet, without losing sight of one stroke, one scrape 00:01:57.740 --> 00:02:03.710 align:middle line:84% of the knife, you are drawn through into that room, 00:02:03.710 --> 00:02:09.500 align:middle line:90% into its air and temperature. 00:02:09.500 --> 00:02:14.330 align:middle line:84% Couldn't one learn to maintain that exquisite balance 00:02:14.330 --> 00:02:17.140 align:middle line:90% more than a second? 00:02:17.140 --> 00:02:22.540 align:middle line:84% One sees even the penciled understrokes and shivers 00:02:22.540 --> 00:02:24.810 align:middle line:90% in pleasure. 00:02:24.810 --> 00:02:29.970 align:middle line:84% And one's fingertips touch the carpet's nubs of wool, 00:02:29.970 --> 00:02:32.760 align:middle line:90% the cold fruit in a bowl. 00:02:32.760 --> 00:02:37.920 align:middle line:84% One almost sees what lies beyond the window, 00:02:37.920 --> 00:02:41.570 align:middle line:90% past the frame beyond." 00:02:41.570 --> 00:02:43.005 align:middle line:90%