WEBVTT 00:00:00.000 --> 00:00:00.510 align:middle line:90% 00:00:00.510 --> 00:00:04.170 align:middle line:84% I'd like to continue by reading two more of these poems. 00:00:04.170 --> 00:00:06.420 align:middle line:84% The next one is a sort of ballad. 00:00:06.420 --> 00:00:10.530 align:middle line:84% It's not too portentous to call it such. 00:00:10.530 --> 00:00:15.730 align:middle line:84% I'd label it a existential ballad. 00:00:15.730 --> 00:00:19.910 align:middle line:84% It's derived from a piece of prose 00:00:19.910 --> 00:00:22.490 align:middle line:84% I was reading by Rainer Maria Rilke-- 00:00:22.490 --> 00:00:24.080 align:middle line:84% I was reading him in English because I 00:00:24.080 --> 00:00:30.460 align:middle line:84% have no German-- in which Rilke described how a lady was 00:00:30.460 --> 00:00:33.070 align:middle line:84% sitting at a table with her chin cupped in their hands 00:00:33.070 --> 00:00:36.030 align:middle line:84% like this with her elbows on the table. 00:00:36.030 --> 00:00:39.180 align:middle line:84% And Rilke described how she's is deep in thought, 00:00:39.180 --> 00:00:43.020 align:middle line:84% and that someone eventually called her name out loud, 00:00:43.020 --> 00:00:46.760 align:middle line:84% and she, too abruptly, he wrote, moved her head, 00:00:46.760 --> 00:00:49.260 align:middle line:90% leaving her face in her hands. 00:00:49.260 --> 00:00:54.230 align:middle line:84% And this German expressionist image 00:00:54.230 --> 00:00:56.900 align:middle line:84% was one that excited me at the time. 00:00:56.900 --> 00:01:00.440 align:middle line:84% And indeed, I wrote a number of poems using the face 00:01:00.440 --> 00:01:02.900 align:middle line:84% as a sort of emblem to talk about such matters 00:01:02.900 --> 00:01:06.410 align:middle line:90% as identity and choice. 00:01:06.410 --> 00:01:07.630 align:middle line:90% And this is one such. 00:01:07.630 --> 00:01:11.116 align:middle line:90% 00:01:11.116 --> 00:01:15.320 align:middle line:84% "The heads around the table disagree. 00:01:15.320 --> 00:01:19.000 align:middle line:84% Some say hang him from the gallows tree. 00:01:19.000 --> 00:01:22.090 align:middle line:90% Some say high and some say low. 00:01:22.090 --> 00:01:27.240 align:middle line:84% To swing, swing, swing, when the free winds blow. 00:01:27.240 --> 00:01:32.090 align:middle line:84% I wanted to be myself no more, so I screwed up the face 00:01:32.090 --> 00:01:34.340 align:middle line:90% that I always wore. 00:01:34.340 --> 00:01:36.440 align:middle line:84% I pulled out the nails one by one-- 00:01:36.440 --> 00:01:39.570 align:middle line:84% I'd have given that face to anyone. 00:01:39.570 --> 00:01:43.040 align:middle line:84% For those vile features were hardly mine. 00:01:43.040 --> 00:01:47.190 align:middle line:84% To wear another face is a spiritual crime. 00:01:47.190 --> 00:01:49.020 align:middle line:84% Why, imagine the night when I would 00:01:49.020 --> 00:01:53.870 align:middle line:84% wed to kiss with wrong lips in the bridal bed. 00:01:53.870 --> 00:01:56.960 align:middle line:84% But now the crowd screams loud in mockery, 00:01:56.960 --> 00:02:00.510 align:middle line:84% oh, string him up from the gallows tree. 00:02:00.510 --> 00:02:03.990 align:middle line:84% Silence, the judge commands, or I'll clear the court. 00:02:03.990 --> 00:02:06.180 align:middle line:84% To hang a man up is not a sport-- 00:02:06.180 --> 00:02:09.150 align:middle line:84% though some say high and some say low to swing, 00:02:09.150 --> 00:02:12.510 align:middle line:84% swing, swing, when the free winds blow. 00:02:12.510 --> 00:02:14.850 align:middle line:84% Prisoner, allow me once more to ask-- 00:02:14.850 --> 00:02:18.820 align:middle line:84% what did you do with your own pure mask? 00:02:18.820 --> 00:02:21.310 align:middle line:84% I told you, your honor, I threw it away. 00:02:21.310 --> 00:02:25.010 align:middle line:84% It was only made of skin-colored clay. 00:02:25.010 --> 00:02:29.750 align:middle line:84% A face is a man, a bald juryman cried, for one face lost, 00:02:29.750 --> 00:02:31.190 align:middle line:90% another man dies. 00:02:31.190 --> 00:02:34.010 align:middle line:84% Gentlemen, this citizen we daren't acquit until we 00:02:34.010 --> 00:02:36.650 align:middle line:90% know what he did with it. 00:02:36.650 --> 00:02:38.960 align:middle line:84% It was only a face your honor that I lost. 00:02:38.960 --> 00:02:42.206 align:middle line:84% How much can such a sad thing cost? 00:02:42.206 --> 00:02:44.990 align:middle line:84% A mask is a lifetime, my bad man. 00:02:44.990 --> 00:02:47.960 align:middle line:84% To replace such a gift, nobody can. 00:02:47.960 --> 00:02:52.970 align:middle line:84% Consider the case of that jovial swan who took a god's face off 00:02:52.970 --> 00:02:56.000 align:middle line:84% to put a bird's face on, and Leda 00:02:56.000 --> 00:02:58.250 align:middle line:84% swooning by the sight of the sea, 00:02:58.250 --> 00:03:02.390 align:middle line:84% and the swan's eyes closed in lechery. 00:03:02.390 --> 00:03:03.440 align:middle line:90% No, no, your honor. 00:03:03.440 --> 00:03:05.300 align:middle line:90% My aim was just. 00:03:05.300 --> 00:03:07.910 align:middle line:90% I did what every true man would. 00:03:07.910 --> 00:03:09.200 align:middle line:90% Quiet, prisoner. 00:03:09.200 --> 00:03:12.230 align:middle line:84% Why, I remember a priest remark that he picked up 00:03:12.230 --> 00:03:13.820 align:middle line:90% a dog face in the dark. 00:03:13.820 --> 00:03:16.160 align:middle line:84% Then he got as drunk as a man can be 00:03:16.160 --> 00:03:19.460 align:middle line:90% and barked at God in blasphemy. 00:03:19.460 --> 00:03:21.590 align:middle line:84% It was a human face, sir, I cast away. 00:03:21.590 --> 00:03:24.940 align:middle line:84% For that offense, do I have to pay? 00:03:24.940 --> 00:03:27.010 align:middle line:84% The heads around the table disagree. 00:03:27.010 --> 00:03:29.320 align:middle line:84% Some say hang him from the gallows tree. 00:03:29.320 --> 00:03:33.040 align:middle line:84% Some say high and some say low to swing, swing, swing, 00:03:33.040 --> 00:03:35.870 align:middle line:90% when the free winds blow. 00:03:35.870 --> 00:03:39.200 align:middle line:84% At the back of the courtroom quietly stand his father 00:03:39.200 --> 00:03:41.750 align:middle line:90% and mother hand-in-hand. 00:03:41.750 --> 00:03:44.990 align:middle line:84% They can't understand the point of this case 00:03:44.990 --> 00:03:49.090 align:middle line:84% or why he discarded his own dear face. 00:03:49.090 --> 00:03:52.590 align:middle line:84% It's not my face, father, he had said. 00:03:52.590 --> 00:03:56.220 align:middle line:84% I don't want to die in a strange, wrong bed. 00:03:56.220 --> 00:03:59.070 align:middle line:84% Look in the mirror, mother, stare in deep. 00:03:59.070 --> 00:04:02.190 align:middle line:84% Is that mask your own, yours to keep? 00:04:02.190 --> 00:04:04.890 align:middle line:84% The mirror is oblong, the clock is round. 00:04:04.890 --> 00:04:08.380 align:middle line:84% All our wax faces go underground. 00:04:08.380 --> 00:04:10.900 align:middle line:84% Once, I built a bridge right into myself 00:04:10.900 --> 00:04:13.960 align:middle line:84% to ransack my soul for invisible wealth, 00:04:13.960 --> 00:04:16.600 align:middle line:84% and, afterwards, I tore off my mask 00:04:16.600 --> 00:04:21.190 align:middle line:84% because I found not the person I thought I was. 00:04:21.190 --> 00:04:24.400 align:middle line:84% With the wrong mask, another man's life I live-- 00:04:24.400 --> 00:04:28.990 align:middle line:84% I must seek my own face, find my own grave. 00:04:28.990 --> 00:04:30.970 align:middle line:84% The heads around the table disagree, 00:04:30.970 --> 00:04:33.070 align:middle line:84% some say hang him from the gallows tree. 00:04:33.070 --> 00:04:36.610 align:middle line:84% Some say high and some say low to swing, swing, swing, 00:04:36.610 --> 00:04:39.550 align:middle line:90% when the free winds blow. 00:04:39.550 --> 00:04:43.150 align:middle line:84% I'll sum up, the severe judge moans, showing 00:04:43.150 --> 00:04:45.760 align:middle line:90% the white of his knucklebones. 00:04:45.760 --> 00:04:48.790 align:middle line:84% What is a face but the thing that you see, 00:04:48.790 --> 00:04:52.590 align:middle line:90% the symbol and fate of identity? 00:04:52.590 --> 00:04:55.200 align:middle line:84% How would we recognize each from each-- 00:04:55.200 --> 00:04:57.510 align:middle line:90% a dog from a man-- 00:04:57.510 --> 00:05:00.120 align:middle line:90% which face on a leash? 00:05:00.120 --> 00:05:03.240 align:middle line:84% And when tears fall where no face is, 00:05:03.240 --> 00:05:06.640 align:middle line:84% will the tears will be mine or will they be his? 00:05:06.640 --> 00:05:09.100 align:middle line:84% To select hot coal or gold, no man 00:05:09.100 --> 00:05:13.780 align:middle line:84% is free, each choice being determined by identity. 00:05:13.780 --> 00:05:17.140 align:middle line:84% But exchange your face: then what you choose 00:05:17.140 --> 00:05:21.730 align:middle line:84% is gained, like love, by what you lose. 00:05:21.730 --> 00:05:24.310 align:middle line:84% Now you twelve jurymen please retire. 00:05:24.310 --> 00:05:27.760 align:middle line:84% Put your right hand in ice and your left in fire. 00:05:27.760 --> 00:05:31.540 align:middle line:84% A hole where the face was frightens us and a man who 00:05:31.540 --> 00:05:34.240 align:middle line:90% can choose is dangerous. 00:05:34.240 --> 00:05:36.130 align:middle line:84% So what is your verdict going to be, 00:05:36.130 --> 00:05:38.530 align:middle line:84% should he be hung from a gallows tree? 00:05:38.530 --> 00:05:43.360 align:middle line:84% Oh some say high and some say low to swing, swing, swing, 00:05:43.360 --> 00:05:44.725 align:middle line:90% when the free winds blow." 00:05:44.725 --> 00:05:52.280 align:middle line:90% 00:05:52.280 --> 00:05:52.980 align:middle line:90% Thank you. 00:05:52.980 --> 00:05:56.350 align:middle line:90% That's encouraging. 00:05:56.350 --> 00:05:58.162 align:middle line:84% Terrible thing about clapping after a poem 00:05:58.162 --> 00:06:00.370 align:middle line:84% is if I don't hear it after the next one, I'll think, 00:06:00.370 --> 00:06:02.730 align:middle line:90% oh, you don't like that one. 00:06:02.730 --> 00:06:06.000 align:middle line:90%