WEBVTT 00:00:00.000 --> 00:00:02.490 align:middle line:90% 00:00:02.490 --> 00:00:11.300 align:middle line:90% Three more, Lawn Concert. 00:00:11.300 --> 00:00:15.860 align:middle line:84% I had to ask last night if you had those here, 00:00:15.860 --> 00:00:20.726 align:middle line:84% like Tanglewood, playing outside music. 00:00:20.726 --> 00:00:21.900 align:middle line:90% It sounds like. 00:00:21.900 --> 00:00:29.110 align:middle line:90% 00:00:29.110 --> 00:00:31.120 align:middle line:90% Lawn Concert. 00:00:31.120 --> 00:00:34.960 align:middle line:84% They may have come to hear about love, 00:00:34.960 --> 00:00:39.610 align:middle line:84% or blank pain that stays blank until music 00:00:39.610 --> 00:00:41.830 align:middle line:90% makes a shape for it. 00:00:41.830 --> 00:00:46.870 align:middle line:84% So to know it, so to feel it out. 00:00:46.870 --> 00:00:50.080 align:middle line:84% But for whatever reasons of their own, 00:00:50.080 --> 00:00:54.040 align:middle line:84% the lovers swarm here in throngs. 00:00:54.040 --> 00:00:59.230 align:middle line:84% Paired hand in hand, blankets under arms, 00:00:59.230 --> 00:01:03.160 align:middle line:84% wine bottles swinging by the necks 00:01:03.160 --> 00:01:08.290 align:middle line:90% like pendulums of old clocks. 00:01:08.290 --> 00:01:15.520 align:middle line:84% And music is a good excuse for picnics in the lush night air, 00:01:15.520 --> 00:01:20.050 align:middle line:84% but when it begins and she begins to listen, 00:01:20.050 --> 00:01:24.130 align:middle line:84% a woman may tell how she loves the man. 00:01:24.130 --> 00:01:30.340 align:middle line:84% The way her back inclines sitting next to him. 00:01:30.340 --> 00:01:33.760 align:middle line:84% By the way she freely touches him, 00:01:33.760 --> 00:01:37.720 align:middle line:84% as if there were no limits to her touch. 00:01:37.720 --> 00:01:41.740 align:middle line:84% As if there were no touch they haven't known, 00:01:41.740 --> 00:01:45.820 align:middle line:84% and she believes that he's the one from whom 00:01:45.820 --> 00:01:51.280 align:middle line:84% to take essential sustenance and feels no need 00:01:51.280 --> 00:01:53.740 align:middle line:90% to seek it in anyone else. 00:01:53.740 --> 00:01:56.600 align:middle line:90% 00:01:56.600 --> 00:02:01.160 align:middle line:84% I've never felt this way myself, maybe 00:02:01.160 --> 00:02:06.080 align:middle line:84% it happens for only a few moments in a life. 00:02:06.080 --> 00:02:08.539 align:middle line:84% The other couples near my blanket 00:02:08.539 --> 00:02:11.030 align:middle line:90% make other arrangements. 00:02:11.030 --> 00:02:16.700 align:middle line:84% Sitting upright in lawn chairs, or scattered on the grass. 00:02:16.700 --> 00:02:20.840 align:middle line:84% One man lies on his side with his back to his wife. 00:02:20.840 --> 00:02:25.430 align:middle line:84% His head pillowed on the inside of his wrist, 00:02:25.430 --> 00:02:29.900 align:middle line:84% while she sits hugging her knees to her breasts, 00:02:29.900 --> 00:02:35.290 align:middle line:84% as if they had argued and switched off the light. 00:02:35.290 --> 00:02:39.490 align:middle line:84% But soon we're all drawn inside the symphony, 00:02:39.490 --> 00:02:44.050 align:middle line:84% the air suffused with music and we breathe it. 00:02:44.050 --> 00:02:48.100 align:middle line:84% And darkness will thicken, so those around me 00:02:48.100 --> 00:02:50.995 align:middle line:84% are just black shapes, melded or apart. 00:02:50.995 --> 00:02:53.890 align:middle line:90% 00:02:53.890 --> 00:02:58.180 align:middle line:90% So I lie back, my eyes wide, 00:02:58.180 --> 00:03:01.810 align:middle line:84% listening hard, to watch the crossing 00:03:01.810 --> 00:03:05.530 align:middle line:90% of the music and the stars. 00:03:05.530 --> 00:03:09.010 align:middle line:84% To feel myself nothing, but some chance 00:03:09.010 --> 00:03:15.820 align:middle line:84% meeting of the endless space and endless inwardness. 00:03:15.820 --> 00:03:19.450 align:middle line:84% I even half expect some inhuman voice 00:03:19.450 --> 00:03:24.430 align:middle line:84% to tell me how to embrace the constant underlying 00:03:24.430 --> 00:03:29.320 align:middle line:84% silence that surfaces in this music 00:03:29.320 --> 00:03:34.510 align:middle line:84% and shows the bow strokes, clean as brushstrokes 00:03:34.510 --> 00:03:40.960 align:middle line:84% on a white canvas, but there's none of this. 00:03:40.960 --> 00:03:47.110 align:middle line:84% Only the thought of lovers lying down right now. 00:03:47.110 --> 00:03:52.560 align:middle line:84% Their touches useless, or tender, or electric. 00:03:52.560 --> 00:04:00.092 align:middle line:90%