WEBVTT 00:00:00.000 --> 00:00:01.560 align:middle line:90% 00:00:01.560 --> 00:00:04.860 align:middle line:90% The next is a poem. 00:00:04.860 --> 00:00:09.210 align:middle line:84% I figure I'm here in a community of a lot of poets, 00:00:09.210 --> 00:00:13.350 align:middle line:84% a lot of readers of poetry, a lot of students of poetry, 00:00:13.350 --> 00:00:14.880 align:middle line:90% teachers of poetry. 00:00:14.880 --> 00:00:19.980 align:middle line:84% And I can kind of let loose and read you longer poems 00:00:19.980 --> 00:00:21.900 align:middle line:84% and read you anything I feel like reading you. 00:00:21.900 --> 00:00:26.130 align:middle line:84% So I'm going from that assumption. 00:00:26.130 --> 00:00:36.510 align:middle line:84% This is a poem in 29 sections called "Contradictions-- 00:00:36.510 --> 00:00:38.190 align:middle line:90% Tracking Poems." 00:00:38.190 --> 00:00:43.650 align:middle line:84% And it was written between 1983 and 1985 00:00:43.650 --> 00:00:48.570 align:middle line:84% in New England at a time of a lot 00:00:48.570 --> 00:00:53.130 align:middle line:84% of political and personal upheaval in the world 00:00:53.130 --> 00:00:57.390 align:middle line:84% and in my own life, which I was trying to put together. 00:00:57.390 --> 00:01:00.090 align:middle line:90% And it's a kind of journal poem. 00:01:00.090 --> 00:01:10.200 align:middle line:84% There is a "you" in it which is the beloved of the poet, 00:01:10.200 --> 00:01:13.380 align:middle line:90% the one addressed. 00:01:13.380 --> 00:01:17.550 align:middle line:84% There is a "you" which is a kind of public you. 00:01:17.550 --> 00:01:22.140 align:middle line:84% And there is a "you" which is the you that the poet uses 00:01:22.140 --> 00:01:24.570 align:middle line:90% to address her own self. 00:01:24.570 --> 00:01:27.990 align:middle line:84% So not all these yous are necessarily synchronous. 00:01:27.990 --> 00:01:30.510 align:middle line:90% 00:01:30.510 --> 00:01:33.330 align:middle line:90% Look, this is January. 00:01:33.330 --> 00:01:36.720 align:middle line:84% The worst onslaught is ahead of us. 00:01:36.720 --> 00:01:40.380 align:middle line:84% Don't be lured by these soft gray afternoons, 00:01:40.380 --> 00:01:44.880 align:middle line:84% these sunsets cut from pink and violet tissue paper, 00:01:44.880 --> 00:01:48.030 align:middle line:84% by the thought the days are lengthening. 00:01:48.030 --> 00:01:51.210 align:middle line:90% Don't let the solstice fool you. 00:01:51.210 --> 00:01:55.680 align:middle line:84% Our lives will always be a stew of contradictions. 00:01:55.680 --> 00:01:57.810 align:middle line:84% The worst moment of winter can come 00:01:57.810 --> 00:02:02.700 align:middle line:84% in April, when the peepers are stubbornly still, 00:02:02.700 --> 00:02:06.180 align:middle line:84% and our bodies plod on without conviction, 00:02:06.180 --> 00:02:10.350 align:middle line:84% and our thoughts cramp down before the sheer arsenal 00:02:10.350 --> 00:02:13.260 align:middle line:90% of everything that tries us-- 00:02:13.260 --> 00:02:17.660 align:middle line:84% this battering, blunt-edged life.