WEBVTT 00:00:00.000 --> 00:00:07.570 align:middle line:84% The last poem I'll read is from a photograph. 00:00:07.570 --> 00:00:09.130 align:middle line:90% I'm kind of like Steve Orlen. 00:00:09.130 --> 00:00:10.787 align:middle line:84% I guess like my family seems to just 00:00:10.787 --> 00:00:13.120 align:middle line:84% have photographs that go back around 300 years, I guess, 00:00:13.120 --> 00:00:14.890 align:middle line:90% before they even invented it. 00:00:14.890 --> 00:00:18.100 align:middle line:84% Anyway, I'm also, and this was rather startling, almost 00:00:18.100 --> 00:00:22.030 align:middle line:84% shocking is I guess my family, great grandparents' side, 00:00:22.030 --> 00:00:24.377 align:middle line:84% were Quakers, and then I even have 00:00:24.377 --> 00:00:26.710 align:middle line:84% one that was a circuit rider, so that must be why I went 00:00:26.710 --> 00:00:29.470 align:middle line:90% into teaching or something. 00:00:29.470 --> 00:00:36.980 align:middle line:84% And this is told as if I am a mother talking to her daughter. 00:00:36.980 --> 00:00:40.020 align:middle line:90% 00:00:40.020 --> 00:00:42.810 align:middle line:84% The photograph is actually from my great grandparents, 00:00:42.810 --> 00:00:47.880 align:middle line:84% but that would be too confusing of great grandparents, so. 00:00:47.880 --> 00:00:49.020 align:middle line:90% Waiting in the Stream. 00:00:49.020 --> 00:00:52.020 align:middle line:90% Holbrook, Kansas. 00:00:52.020 --> 00:00:56.160 align:middle line:84% In this sepia circa 1913 of seven Quaker women 00:00:56.160 --> 00:00:58.800 align:middle line:84% in wide garden hats, tucked blouses, 00:00:58.800 --> 00:01:02.220 align:middle line:84% and long, gray dresses, my mother in the middle 00:01:02.220 --> 00:01:04.830 align:middle line:84% tilts her head to the right, smiles straight 00:01:04.830 --> 00:01:06.240 align:middle line:90% into the camera. 00:01:06.240 --> 00:01:10.320 align:middle line:84% My father on the bank tries not to drop the plate nor stare 00:01:10.320 --> 00:01:12.570 align:middle line:90% at my mother's ankles. 00:01:12.570 --> 00:01:14.580 align:middle line:84% After the picture, he knows she'll 00:01:14.580 --> 00:01:17.280 align:middle line:84% keep her dress pulled up, giggle, glance down 00:01:17.280 --> 00:01:19.590 align:middle line:84% into the water, her dress and white blouse 00:01:19.590 --> 00:01:21.840 align:middle line:90% rippling in the stream. 00:01:21.840 --> 00:01:25.260 align:middle line:84% She'll think how shy he is with his tie crooked, 00:01:25.260 --> 00:01:27.330 align:middle line:90% his pants too small. 00:01:27.330 --> 00:01:31.650 align:middle line:84% He'll look at her red hair and, oh, those ankles, then 00:01:31.650 --> 00:01:34.950 align:middle line:84% remember how they met in church, her head tilted, 00:01:34.950 --> 00:01:38.880 align:middle line:84% looking away from her father, a minister, the sunlight kissing 00:01:38.880 --> 00:01:41.550 align:middle line:90% the awkward bench where she sat. 00:01:41.550 --> 00:01:45.870 align:middle line:84% How he wanted to be near her, touch the rough wood, 00:01:45.870 --> 00:01:50.230 align:middle line:84% and sing a river of silent hymns. 00:01:50.230 --> 00:01:50.730 align:middle line:90% Thank you. 00:01:50.730 --> 00:01:52.702 align:middle line:90% [APPLAUSE] 00:01:52.702 --> 00:02:00.590 align:middle line:90% 00:02:00.590 --> 00:02:03.280 align:middle line:90% The next poet is Greg Pape.