WEBVTT 00:00:00.000 --> 00:00:00.570 align:middle line:90% 00:00:00.570 --> 00:00:04.260 align:middle line:84% Probably just two or three more poems. 00:00:04.260 --> 00:00:07.530 align:middle line:84% And then read something that I hope will be entertaining, 00:00:07.530 --> 00:00:09.648 align:middle line:90% a little short story. 00:00:09.648 --> 00:00:11.190 align:middle line:84% Now, I'll finish with some new poems. 00:00:11.190 --> 00:00:13.548 align:middle line:90% 00:00:13.548 --> 00:00:15.840 align:middle line:84% Here's a poem written somewhat in the style of probably 00:00:15.840 --> 00:00:17.610 align:middle line:90% the poet that I most-- 00:00:17.610 --> 00:00:20.350 align:middle line:84% the contemporary poet that I most admire, 00:00:20.350 --> 00:00:23.190 align:middle line:84% and that's in translation of his first book. 00:00:23.190 --> 00:00:27.300 align:middle line:84% The Israeli poet by the name of Yehuda Amichai. 00:00:27.300 --> 00:00:31.230 align:middle line:84% When I wrote the poem, I was giving a reading in Chicago, 00:00:31.230 --> 00:00:34.110 align:middle line:84% and I decided that it would be quite the romantic thing 00:00:34.110 --> 00:00:36.840 align:middle line:84% to do to take the train from Portland, Oregon 00:00:36.840 --> 00:00:37.980 align:middle line:90% out to Chicago. 00:00:37.980 --> 00:00:40.560 align:middle line:84% And it turned out to be the most claustrophobic experience 00:00:40.560 --> 00:00:44.825 align:middle line:84% of my life, which was relieved only by the fact 00:00:44.825 --> 00:00:46.200 align:middle line:84% that they had an observation car. 00:00:46.200 --> 00:00:48.283 align:middle line:84% You know, one of those glassed-in cars, where I 00:00:48.283 --> 00:00:50.820 align:middle line:84% and a couple of people that I met and struck up a friendship 00:00:50.820 --> 00:00:54.660 align:middle line:84% with, could sit all night, smoke grass 00:00:54.660 --> 00:00:57.190 align:middle line:84% and listen to the local kids who were in the train talking. 00:00:57.190 --> 00:00:59.670 align:middle line:84% And they were talking mostly about rock concerts, 00:00:59.670 --> 00:01:02.910 align:middle line:84% and who had masturbated, who had broken whose guitar on who, 00:01:02.910 --> 00:01:03.930 align:middle line:90% things like that. 00:01:03.930 --> 00:01:04.620 align:middle line:90% It was great. 00:01:04.620 --> 00:01:07.170 align:middle line:84% Talking about mooning people, you know. 00:01:07.170 --> 00:01:10.380 align:middle line:90% It was another life. 00:01:10.380 --> 00:01:13.350 align:middle line:90% "Though I Long to Be No One." 00:01:13.350 --> 00:01:18.060 align:middle line:84% I passed for two nights and days, alone on a train. 00:01:18.060 --> 00:01:21.300 align:middle line:84% Whatever I do, I am always leaving. 00:01:21.300 --> 00:01:23.550 align:middle line:84% Whoever's face I lay my own along, 00:01:23.550 --> 00:01:27.360 align:middle line:84% the cheekbones bruised and rose, faces 00:01:27.360 --> 00:01:30.930 align:middle line:84% of friends, of women, the elongated face 00:01:30.930 --> 00:01:35.730 align:middle line:84% of my third wife, aged and concerned about my house. 00:01:35.730 --> 00:01:38.910 align:middle line:84% Nightly, I carry them forward and sleep, 00:01:38.910 --> 00:01:41.460 align:middle line:90% though I long to be no one. 00:01:41.460 --> 00:01:45.300 align:middle line:84% The wheels of iron pass over these rails and boards 00:01:45.300 --> 00:01:46.710 align:middle line:90% above water. 00:01:46.710 --> 00:01:49.500 align:middle line:84% Over the bodies of my constant departure, 00:01:49.500 --> 00:01:50.940 align:middle line:90% into my constant longing." 00:01:50.940 --> 00:01:55.430 align:middle line:90% 00:01:55.430 --> 00:01:57.110 align:middle line:84% I'm the right poet to read tonight, 00:01:57.110 --> 00:01:59.690 align:middle line:90% boy, after these days of rain. 00:01:59.690 --> 00:02:01.240 align:middle line:90% Drear. 00:02:01.240 --> 00:02:02.175 align:middle line:90%