WEBVTT 00:00:00.000 --> 00:00:00.750 align:middle line:90% 00:00:00.750 --> 00:00:10.920 align:middle line:84% Oh, another poem, in a way another poem about a child 00:00:10.920 --> 00:00:13.020 align:middle line:90% is called Cross Ties. 00:00:13.020 --> 00:00:17.100 align:middle line:90% 00:00:17.100 --> 00:00:21.390 align:middle line:84% You know, sometimes when you start writing a poem, 00:00:21.390 --> 00:00:23.730 align:middle line:84% a little bit of it will come to you. 00:00:23.730 --> 00:00:26.580 align:middle line:84% Sometimes the beginning, but not always. 00:00:26.580 --> 00:00:30.480 align:middle line:84% And that was the way this one went. 00:00:30.480 --> 00:00:36.285 align:middle line:84% But the first couple of lines came to mind easily. 00:00:36.285 --> 00:00:39.090 align:middle line:90% 00:00:39.090 --> 00:00:44.580 align:middle line:84% It looked like it wanted to go on someplace. 00:00:44.580 --> 00:00:49.080 align:middle line:84% And I knew what these first two lines were about. 00:00:49.080 --> 00:00:54.240 align:middle line:84% They were a memory from a childhood in New Jersey of when 00:00:54.240 --> 00:00:56.160 align:middle line:90% I used to walk to town. 00:00:56.160 --> 00:00:58.950 align:middle line:84% And the shortest way to walk to town 00:00:58.950 --> 00:01:04.920 align:middle line:84% was over an abandoned, eerie railroad track. 00:01:04.920 --> 00:01:10.810 align:middle line:84% Nothing had passed along this track for maybe 20 years. 00:01:10.810 --> 00:01:14.010 align:middle line:84% And yet every time I walked that track 00:01:14.010 --> 00:01:18.300 align:middle line:84% I kept thinking of what my mother and father had told me, 00:01:18.300 --> 00:01:20.160 align:middle line:90% don't walk on railroad tracks. 00:01:20.160 --> 00:01:23.000 align:middle line:90% 00:01:23.000 --> 00:01:25.370 align:middle line:90% A train might come along. 00:01:25.370 --> 00:01:29.660 align:middle line:84% And I knew no train was going to come along, but just the same, 00:01:29.660 --> 00:01:33.260 align:middle line:84% I couldn't help sometimes looking over my shoulder 00:01:33.260 --> 00:01:36.740 align:middle line:84% throwing a fearful glance back to see 00:01:36.740 --> 00:01:41.810 align:middle line:84% whether by chance a train might be running. 00:01:41.810 --> 00:01:48.050 align:middle line:84% And these lines went: out walking ties left over 00:01:48.050 --> 00:01:54.350 align:middle line:84% from a track where nothing travels now but rust and grass. 00:01:54.350 --> 00:01:56.880 align:middle line:90% 00:01:56.880 --> 00:01:59.910 align:middle line:84% Having got those lines down on paper, 00:01:59.910 --> 00:02:03.180 align:middle line:84% I said, well, where do we go from here? 00:02:03.180 --> 00:02:08.009 align:middle line:84% But this looked like the first leg of a metaphor, you know. 00:02:08.009 --> 00:02:12.520 align:middle line:84% It looked like something to compare to something else. 00:02:12.520 --> 00:02:14.280 align:middle line:90% But what? 00:02:14.280 --> 00:02:15.810 align:middle line:90% I thought and thought. 00:02:15.810 --> 00:02:18.390 align:middle line:84% I thought, well, what is this experience 00:02:18.390 --> 00:02:23.250 align:middle line:84% of looking for a train that isn't there like? 00:02:23.250 --> 00:02:26.490 align:middle line:84% Then the devil arose and tempted me 00:02:26.490 --> 00:02:30.180 align:middle line:84% to write a significant and important poem. 00:02:30.180 --> 00:02:35.250 align:middle line:84% It said, ah, ha ha, aha, Kennedy, this is obviously 00:02:35.250 --> 00:02:39.570 align:middle line:84% like living in this atomic age, not 00:02:39.570 --> 00:02:42.640 align:middle line:84% knowing when a Holocaust might come. 00:02:42.640 --> 00:02:46.140 align:middle line:84% So I tried to push the poem ahead. 00:02:46.140 --> 00:02:52.620 align:middle line:84% But every time I try to push a poem ahead under my own steam, 00:02:52.620 --> 00:02:58.020 align:middle line:84% it doesn't end up a poem but ends up a zombie. 00:02:58.020 --> 00:03:01.170 align:middle line:84% So I couldn't get any place with that. 00:03:01.170 --> 00:03:05.310 align:middle line:84% So I retired the poem to my dresser drawer 00:03:05.310 --> 00:03:08.980 align:middle line:84% and forgot about it for two years. 00:03:08.980 --> 00:03:14.730 align:middle line:84% In the meantime, a big event happened. 00:03:14.730 --> 00:03:20.950 align:middle line:84% My wife and I had our first child, a little girl. 00:03:20.950 --> 00:03:27.210 align:middle line:84% And promptly, we fell into a controversy between ourselves. 00:03:27.210 --> 00:03:30.810 align:middle line:84% By that time, I was a fallen away 00:03:30.810 --> 00:03:36.240 align:middle line:84% Catholic and my wife, a fallen away Protestant. 00:03:36.240 --> 00:03:40.980 align:middle line:84% And we thought, should we get the baby baptized? 00:03:40.980 --> 00:03:45.120 align:middle line:84% My Catholic training suggested that, yes, we'd better 00:03:45.120 --> 00:03:47.220 align:middle line:90% get this baby baptized. 00:03:47.220 --> 00:03:50.640 align:middle line:84% Or what if the baby dies just because we 00:03:50.640 --> 00:03:54.930 align:middle line:90% withheld this simple sacrament? 00:03:54.930 --> 00:03:59.010 align:middle line:84% Then the baby will go to limbo, that 00:03:59.010 --> 00:04:03.750 align:middle line:84% place where the unhappy, baptized infants go. 00:04:03.750 --> 00:04:09.370 align:middle line:84% Dante gives us a tour through it, a quick tour. 00:04:09.370 --> 00:04:11.950 align:middle line:84% And so, we don't know what to do. 00:04:11.950 --> 00:04:15.900 align:middle line:84% It seemed to me that to get Kathleen baptized 00:04:15.900 --> 00:04:18.970 align:middle line:90% would be hypocritical. 00:04:18.970 --> 00:04:23.710 align:middle line:84% So we were at loggerheads until we were visiting 00:04:23.710 --> 00:04:28.550 align:middle line:90% my wife's family in Milwaukee. 00:04:28.550 --> 00:04:34.390 align:middle line:84% They are a bunch of Germans who love their beer and bratwurst. 00:04:34.390 --> 00:04:37.390 align:middle line:84% They love to throw parties on any occasion. 00:04:37.390 --> 00:04:42.700 align:middle line:84% Somebody said, well, why don't we get Kathleen baptized? 00:04:42.700 --> 00:04:46.660 align:middle line:84% We'll call the minister over and we'll make an event, 00:04:46.660 --> 00:04:49.060 align:middle line:90% call all the local relatives. 00:04:49.060 --> 00:04:54.430 align:middle line:84% And both my wife and me, together, we 00:04:54.430 --> 00:04:57.160 align:middle line:84% said, Oh, yes, yes, yes, let's do it. 00:04:57.160 --> 00:04:57.940 align:middle line:90% What an idea. 00:04:57.940 --> 00:05:02.380 align:middle line:84% So the minister was called, Kathleen was baptized, 00:05:02.380 --> 00:05:06.370 align:middle line:90% and we felt greatly relieved. 00:05:06.370 --> 00:05:10.510 align:middle line:84% Not long after that, in one of those dry periods where 00:05:10.510 --> 00:05:14.680 align:middle line:84% you just tool over your old unfinished fragments that 00:05:14.680 --> 00:05:18.010 align:middle line:84% haven't gone any place, hoping one of them 00:05:18.010 --> 00:05:23.770 align:middle line:84% will come alive again, I came across the first two lines 00:05:23.770 --> 00:05:27.430 align:middle line:84% once more about the train I was looking 00:05:27.430 --> 00:05:32.860 align:middle line:84% for that I knew wasn't there, but which somehow I 00:05:32.860 --> 00:05:34.750 align:middle line:90% feared anyway. 00:05:34.750 --> 00:05:37.300 align:middle line:90% And so the poem went on. 00:05:37.300 --> 00:05:38.800 align:middle line:90% This is Cross Ties. 00:05:38.800 --> 00:05:41.530 align:middle line:90% 00:05:41.530 --> 00:05:48.760 align:middle line:84% Out walking ties left over from a track where nothing travels 00:05:48.760 --> 00:05:54.970 align:middle line:84% now but rust and grass, I could take stock 00:05:54.970 --> 00:05:58.750 align:middle line:84% in something that would pass, bearing down 00:05:58.750 --> 00:06:02.440 align:middle line:90% hell bent from behind my back. 00:06:02.440 --> 00:06:07.840 align:middle line:84% A thing to sidestep or go down before. 00:06:07.840 --> 00:06:11.950 align:middle line:84% Far off, indifferent as that, curfews 00:06:11.950 --> 00:06:18.800 align:middle line:84% wail that the evening wind flings like a sack of mail. 00:06:18.800 --> 00:06:22.700 align:middle line:84% Or close up as the moon whose head 00:06:22.700 --> 00:06:29.360 align:middle line:84% beam stirs a flock of cloud to make tracks. 00:06:29.360 --> 00:06:35.780 align:middle line:84% Down to strafe bristlebacked grass, a hawk falls. 00:06:35.780 --> 00:06:40.790 align:middle line:84% There's a screech like steel wrenched taut 00:06:40.790 --> 00:06:48.800 align:middle line:84% till severed, out of reach or else beneath desiring. 00:06:48.800 --> 00:06:55.000 align:middle line:84% I go safe, walk on, tensed for a leap, 00:06:55.000 --> 00:07:02.760 align:middle line:84% unreconciled to a dark void, all kindness. 00:07:02.760 --> 00:07:07.920 align:middle line:84% When I smell the salt, I throw the devil some 00:07:07.920 --> 00:07:15.650 align:middle line:84% and still I let them sprinkle water on my child. 00:07:15.650 --> 00:07:26.000 align:middle line:90%