WEBVTT 00:00:00.000 --> 00:00:00.660 align:middle line:90% 00:00:00.660 --> 00:00:07.540 align:middle line:84% Here is an early poem with a highly unoriginal title. 00:00:07.540 --> 00:00:11.760 align:middle line:84% It's called "Nude Descending a Staircase." 00:00:11.760 --> 00:00:16.830 align:middle line:84% And I swiped this title of course from the painting 00:00:16.830 --> 00:00:22.440 align:middle line:84% by the French cubist painter Marcel Duchamp. 00:00:22.440 --> 00:00:27.900 align:middle line:84% If you happen to have the painting in memory, 00:00:27.900 --> 00:00:31.860 align:middle line:84% you recall how Duchamp, to show the figure in motion, 00:00:31.860 --> 00:00:37.560 align:middle line:84% shows her sort of flowing down and shuffling herself 00:00:37.560 --> 00:00:41.010 align:middle line:90% like a couple of decks of cards. 00:00:41.010 --> 00:00:45.270 align:middle line:84% The poem is not trying to describe the painting, 00:00:45.270 --> 00:00:52.980 align:middle line:84% so much as it is trying to swipe Duchamp's subject. 00:00:52.980 --> 00:00:58.080 align:middle line:84% I was encouraged in this by a remark of T. S. Eliot's. 00:00:58.080 --> 00:01:03.930 align:middle line:84% Eliot said, "Bad poets imitate; good poets steal." 00:01:03.930 --> 00:01:07.305 align:middle line:90% So thus, emboldened, I stole. 00:01:07.305 --> 00:01:10.500 align:middle line:90% 00:01:10.500 --> 00:01:14.520 align:middle line:90% "Nude Descending a Staircase." 00:01:14.520 --> 00:01:24.480 align:middle line:84% Toe upon toe, a snowing flesh, a gold of lemon, root, and rind. 00:01:24.480 --> 00:01:31.200 align:middle line:84% She sifts in sunlight down the stair with nothing on. 00:01:31.200 --> 00:01:33.240 align:middle line:90% Nor on her mind. 00:01:33.240 --> 00:01:39.000 align:middle line:84% We spy, beneath the banister, a constant thresh 00:01:39.000 --> 00:01:42.030 align:middle line:90% of thigh on thigh. 00:01:42.030 --> 00:01:48.840 align:middle line:84% Her lips imprint the swinging air that parts to let her parts 00:01:48.840 --> 00:01:50.310 align:middle line:90% go by. 00:01:50.310 --> 00:01:56.610 align:middle line:84% One-woman waterfall, she wears her slow descent 00:01:56.610 --> 00:02:03.180 align:middle line:84% like a long cape, and pausing on the final stair, 00:02:03.180 --> 00:02:06.630 align:middle line:90% collects her motions into shape. 00:02:06.630 --> 00:02:10.230 align:middle line:90% 00:02:10.230 --> 00:02:12.080 align:middle line:90% [APPLAUSE] 00:02:12.080 --> 00:02:17.000 align:middle line:90%