WEBVTT 00:00:00.000 --> 00:00:01.280 align:middle line:90% Thank you for that, Tyler. 00:00:01.280 --> 00:00:03.560 align:middle line:90% That was a-- thank you. 00:00:03.560 --> 00:00:05.510 align:middle line:90% That's all I can say, thank you. 00:00:05.510 --> 00:00:07.640 align:middle line:84% Thank you to Tyler, thank you to Paola. 00:00:07.640 --> 00:00:10.070 align:middle line:84% Thank you to Diana Delgado as well, who isn't here 00:00:10.070 --> 00:00:13.700 align:middle line:84% and thank you all for all of you for being here. 00:00:13.700 --> 00:00:14.630 align:middle line:90% It's a real pleasure. 00:00:14.630 --> 00:00:19.130 align:middle line:84% I was born in Tucson roughly 43 years ago. 00:00:19.130 --> 00:00:22.310 align:middle line:84% So it's a real pleasure not to be too specific. 00:00:22.310 --> 00:00:25.800 align:middle line:84% But it's a real, real pleasure to be back here 00:00:25.800 --> 00:00:27.680 align:middle line:84% at this place has always been such 00:00:27.680 --> 00:00:31.100 align:middle line:84% a large part of my identity and a huge part of my poetics 00:00:31.100 --> 00:00:32.479 align:middle line:84% as well when think about the idea 00:00:32.479 --> 00:00:36.028 align:middle line:84% of the expansive landscapes and saguaros 00:00:36.028 --> 00:00:37.070 align:middle line:90% and everything like that. 00:00:37.070 --> 00:00:39.260 align:middle line:84% So it's a real delight to be here. 00:00:39.260 --> 00:00:43.412 align:middle line:90% And I'm delighted. 00:00:43.412 --> 00:00:45.370 align:middle line:84% As a poet, I'm already running out of my words. 00:00:45.370 --> 00:00:49.700 align:middle line:90% 00:00:49.700 --> 00:00:51.950 align:middle line:84% So I'm going to read the first poem in the collection. 00:00:51.950 --> 00:00:53.360 align:middle line:84% This is called "The Bell System." 00:00:53.360 --> 00:00:55.490 align:middle line:84% And it refers to Mary, Jane and Pat, 00:00:55.490 --> 00:00:58.880 align:middle line:84% who are the first names of the women who 00:00:58.880 --> 00:01:01.890 align:middle line:84% lent their voices to the Bell system's automated telephone 00:01:01.890 --> 00:01:02.390 align:middle line:90% system. 00:01:02.390 --> 00:01:05.690 align:middle line:84% So if you, like me, remember a time before digital telephone 00:01:05.690 --> 00:01:08.823 align:middle line:84% technology back when you would dial a number, 00:01:08.823 --> 00:01:11.240 align:middle line:84% and a person wasn't there, you'd get that little dial tone 00:01:11.240 --> 00:01:12.230 align:middle line:90% and go doo doo doo. 00:01:12.230 --> 00:01:15.050 align:middle line:84% And then you'd have this lovely soothing female voice telling 00:01:15.050 --> 00:01:18.260 align:middle line:84% you that the person you're looking for is no longer there, 00:01:18.260 --> 00:01:20.270 align:middle line:84% but you should hang up and try again. 00:01:20.270 --> 00:01:22.970 align:middle line:84% And what's more American than that? 00:01:22.970 --> 00:01:25.400 align:middle line:84% The people you're looking for are now gone. 00:01:25.400 --> 00:01:28.220 align:middle line:84% But you should keep looking for them nonetheless. 00:01:28.220 --> 00:01:30.260 align:middle line:84% And they function somewhat as a Greek chorus 00:01:30.260 --> 00:01:32.780 align:middle line:84% or like a spirit guide throughout the book. 00:01:32.780 --> 00:01:35.210 align:middle line:90% "The Bell System." 00:01:35.210 --> 00:01:38.000 align:middle line:90% Good night, Mary, Jane, Pat. 00:01:38.000 --> 00:01:41.030 align:middle line:84% Sleep tight, you sweet operators of America. 00:01:41.030 --> 00:01:44.870 align:middle line:84% Your voices strung like laundry across this nation, 00:01:44.870 --> 00:01:48.470 align:middle line:84% drowsy with a full century's worth of light. 00:01:48.470 --> 00:01:50.360 align:middle line:84% There's nothing you can't tell me 00:01:50.360 --> 00:01:52.400 align:middle line:84% that I haven't already heard gift wrapped 00:01:52.400 --> 00:01:54.740 align:middle line:90% in your general American grace. 00:01:54.740 --> 00:01:58.190 align:middle line:84% But still, I wonder in what chamber of a horse's ant eaten 00:01:58.190 --> 00:02:01.440 align:middle line:90% skull I'll recover my youth. 00:02:01.440 --> 00:02:04.200 align:middle line:84% Our human garden grows rich in these green suburbs. 00:02:04.200 --> 00:02:09.600 align:middle line:84% And what I feel is not so much loss as a lessening, 00:02:09.600 --> 00:02:12.360 align:middle line:84% as if the self was nothing more than a late model 00:02:12.360 --> 00:02:15.270 align:middle line:84% sedan crossing the city limit in search of a better resale 00:02:15.270 --> 00:02:16.050 align:middle line:90% value. 00:02:16.050 --> 00:02:18.900 align:middle line:84% It's funny this franchise of molecules 00:02:18.900 --> 00:02:21.960 align:middle line:84% that fizzes up in each of us like motels, 00:02:21.960 --> 00:02:24.900 align:middle line:84% viral along the interstate, some full, 00:02:24.900 --> 00:02:28.160 align:middle line:90% while others flicker and die. 00:02:28.160 --> 00:02:31.280 align:middle line:84% When will the stars rain down like cheap plaster? 00:02:31.280 --> 00:02:34.070 align:middle line:84% When will language be little more than a dandruff shaken 00:02:34.070 --> 00:02:35.330 align:middle line:90% from my head? 00:02:35.330 --> 00:02:37.820 align:middle line:84% Ladies, you tell me the number I've been calling 00:02:37.820 --> 00:02:39.380 align:middle line:90% has been disconnected. 00:02:39.380 --> 00:02:42.380 align:middle line:84% But where did the person it belonged to go? 00:02:42.380 --> 00:02:45.020 align:middle line:84% Alone on the line, I find only a prairie 00:02:45.020 --> 00:02:47.570 align:middle line:84% alive with funneled wind, a nation 00:02:47.570 --> 00:02:50.060 align:middle line:84% heavy with wheat and light, its chorus 00:02:50.060 --> 00:02:53.690 align:middle line:84% of dim voices locked in a kind of pharmaceutical sleep. 00:02:53.690 --> 00:02:57.680 align:middle line:84% I find a system unchanged, charged with electrical pulses 00:02:57.680 --> 00:03:00.740 align:middle line:84% that send the receiver scurrying in their cradle, the long hand 00:03:00.740 --> 00:03:04.220 align:middle line:84% breath of ghosts rising through switchboards to ask 00:03:04.220 --> 00:03:06.380 align:middle line:90% who's there? 00:03:06.380 --> 00:03:09.960 align:middle line:90% Will tell me who is there? 00:03:09.960 --> 00:03:10.920 align:middle line:90% Who goes? 00:03:10.920 --> 00:03:13.410 align:middle line:90% Ladies, please wake up. 00:03:13.410 --> 00:03:15.710 align:middle line:90% I want to try again. 00:03:15.710 --> 00:03:17.000 align:middle line:90%