WEBVTT 00:00:00.000 --> 00:00:11.670 align:middle line:90% 00:00:11.670 --> 00:00:13.800 align:middle line:84% The first work I'm going to read is 00:00:13.800 --> 00:00:19.800 align:middle line:84% from a book called Controlling Interests that Lois just 00:00:19.800 --> 00:00:23.700 align:middle line:84% mentioned, and it's the last poem in that book, which 00:00:23.700 --> 00:00:24.930 align:middle line:90% is called "Island Life." 00:00:24.930 --> 00:00:28.950 align:middle line:90% 00:00:28.950 --> 00:00:34.590 align:middle line:84% "Except that we sail and quit the horizon. 00:00:34.590 --> 00:00:37.800 align:middle line:84% Desperate or even remotely concerned, 00:00:37.800 --> 00:00:41.310 align:middle line:84% waves between and the air a constant source 00:00:41.310 --> 00:00:45.180 align:middle line:84% of the old jangle, musters for itself 00:00:45.180 --> 00:00:50.340 align:middle line:84% new conduits, restless, maybe, for the things we never use, 00:00:50.340 --> 00:00:53.550 align:middle line:90% a half haze, half shadow. 00:00:53.550 --> 00:00:57.270 align:middle line:84% Modestly, a project of absorption in time 00:00:57.270 --> 00:01:01.890 align:middle line:84% cast about, contentment its own course. 00:01:01.890 --> 00:01:05.040 align:middle line:84% Persons who, parsimonious of number, 00:01:05.040 --> 00:01:10.410 align:middle line:84% as just prospers final notice: force native of finish, 00:01:10.410 --> 00:01:14.430 align:middle line:84% hold, take what by legions endure. 00:01:14.430 --> 00:01:19.260 align:middle line:84% A sturdy armor of fiction facts the oasis gleaned from time 00:01:19.260 --> 00:01:24.300 align:middle line:84% and pruned to witness vast resources, a hollow measure, 00:01:24.300 --> 00:01:27.780 align:middle line:84% indeed, to fight this voracity of pleasure's 00:01:27.780 --> 00:01:34.380 align:middle line:84% gleam, solid matter brief digest for the Eternal's unfolding. 00:01:34.380 --> 00:01:37.860 align:middle line:84% We meet again on such a field and I hand you 00:01:37.860 --> 00:01:40.590 align:middle line:84% the shadow in my keeping, a blackish 00:01:40.590 --> 00:01:44.760 align:middle line:84% truss surrounded by aisles of penultimate surface. 00:01:44.760 --> 00:01:49.290 align:middle line:84% The swarm: that by victory retails its angularity, 00:01:49.290 --> 00:01:52.080 align:middle line:84% impressing with silhouetted display, 00:01:52.080 --> 00:01:57.300 align:middle line:84% by brink an eerie conjuring of a still frame, luminous, 00:01:57.300 --> 00:02:00.870 align:middle line:84% transparent, edged to submission. 00:02:00.870 --> 00:02:02.760 align:middle line:90% At once, the signal is given. 00:02:02.760 --> 00:02:07.650 align:middle line:84% It is as though one sudden mad impulse simultaneously 00:02:07.650 --> 00:02:11.970 align:middle line:84% flings open every gate, the throng issuing, pouring forth 00:02:11.970 --> 00:02:15.660 align:middle line:84% in a vibrating stream that melts into space: 00:02:15.660 --> 00:02:20.460 align:middle line:84% a double or triple dissolution, incalculable and uninterrupted, 00:02:20.460 --> 00:02:23.430 align:middle line:84% cascading to an ultimate height of 100 feet 00:02:23.430 --> 00:02:26.490 align:middle line:90% before returning to ground. 00:02:26.490 --> 00:02:32.990 align:middle line:84% One night, hiding in my tree, I suddenly see a man appear. 00:02:32.990 --> 00:02:35.850 align:middle line:84% Here place out of habit subordinating 00:02:35.850 --> 00:02:40.650 align:middle line:84% to accidents of origin that so often cause chance to loose 00:02:40.650 --> 00:02:44.550 align:middle line:90% in things all of whom observe. 00:02:44.550 --> 00:02:47.700 align:middle line:84% The gathering, hunched into statues, 00:02:47.700 --> 00:02:51.390 align:middle line:84% and though be a guide, weathers into apraxia-- 00:02:51.390 --> 00:02:54.640 align:middle line:84% it's now, what, almost five weeks. 00:02:54.640 --> 00:03:01.470 align:middle line:84% And so the network of realities that was the state, et cetera. 00:03:01.470 --> 00:03:07.050 align:middle line:84% Knotted, inardent, mouthpiece of give and try, 00:03:07.050 --> 00:03:11.130 align:middle line:84% like you saying this thing you're too wrought up, 00:03:11.130 --> 00:03:16.590 align:middle line:84% or I never could get into that, felt put out by the tension. 00:03:16.590 --> 00:03:20.940 align:middle line:84% Other: its from, form, destruction outside, 00:03:20.940 --> 00:03:23.190 align:middle line:90% bent something of viewed. 00:03:23.190 --> 00:03:27.030 align:middle line:84% Challenge to what supplanting, finally, eclipsing, 00:03:27.030 --> 00:03:32.390 align:middle line:84% out as shutting unheard (unseen) the alongside. 00:03:32.390 --> 00:03:35.460 align:middle line:84% Natives by replaced being natives present, 00:03:35.460 --> 00:03:42.240 align:middle line:84% actually, to allow that, a society create to aim for the. 00:03:42.240 --> 00:03:43.890 align:middle line:90% We are now. 00:03:43.890 --> 00:03:45.330 align:middle line:90% Let's you by. 00:03:45.330 --> 00:03:48.570 align:middle line:90% Pales in competition to. 00:03:48.570 --> 00:03:51.360 align:middle line:84% And I had always imagined the thing, even 00:03:51.360 --> 00:03:57.810 align:middle line:84% of a fourth, finished, even so defined, in addition-- 00:03:57.810 --> 00:03:59.370 align:middle line:90% and I'm convinced that-- 00:03:59.370 --> 00:04:02.580 align:middle line:90% we're never talking small. 00:04:02.580 --> 00:04:03.810 align:middle line:90% Throw up our hands. 00:04:03.810 --> 00:04:04.680 align:middle line:90% Used to fill. 00:04:04.680 --> 00:04:10.260 align:middle line:84% And I feel a kind of clarity if anyone else-- 00:04:10.260 --> 00:04:14.460 align:middle line:84% Numbers but as you yourself-- that out there. 00:04:14.460 --> 00:04:18.420 align:middle line:90% And what I, also would. 00:04:18.420 --> 00:04:22.350 align:middle line:84% It's like missing the first (permission and discouragement 00:04:22.350 --> 00:04:27.090 align:middle line:84% discarded as) bravado, exclusionary and certainly 00:04:27.090 --> 00:04:32.640 align:middle line:84% understood much better, I'm sure I cast a real physical 00:04:32.640 --> 00:04:38.250 align:middle line:84% and, but, although, especially, as I was thinking, 00:04:38.250 --> 00:04:42.540 align:middle line:84% have different advantages in a somewhat negative way. 00:04:42.540 --> 00:04:46.860 align:middle line:84% Activity are appreciated and taken with typical, 00:04:46.860 --> 00:04:48.870 align:middle line:90% what did you expect? 00:04:48.870 --> 00:04:53.760 align:middle line:84% For hangers on or, and do people a really amazing, 00:04:53.760 --> 00:04:57.090 align:middle line:84% pursuits, gets, quite legitimate. 00:04:57.090 --> 00:05:02.660 align:middle line:84% My own interest is scale filled with disavowels. 00:05:02.660 --> 00:05:04.070 align:middle line:90% Is out to diffuse. 00:05:04.070 --> 00:05:05.690 align:middle line:90% Is that you tap. 00:05:05.690 --> 00:05:09.710 align:middle line:84% Than repeating within is to begin to want, which would be, 00:05:09.710 --> 00:05:14.960 align:middle line:84% it is this look of (whatever that) instead of (which would 00:05:14.960 --> 00:05:17.660 align:middle line:90% be) anyway, we're, 00:05:17.660 --> 00:05:20.450 align:middle line:84% and in that time, would be like if that's, 00:05:20.450 --> 00:05:25.910 align:middle line:84% which then leads you to see, maybe suggest excursions, 00:05:25.910 --> 00:05:30.770 align:middle line:84% so to understand the relations as inexorably linked, 00:05:30.770 --> 00:05:35.780 align:middle line:84% wholly on edge, as dazzling as its coy flipness 00:05:35.780 --> 00:05:39.620 align:middle line:90% and once admirable. 00:05:39.620 --> 00:05:43.670 align:middle line:84% Just miles with scarcely a care (the most 00:05:43.670 --> 00:05:48.800 align:middle line:84% jungle-like and impart) on these. 00:05:48.800 --> 00:05:53.900 align:middle line:84% Since we're spending every once and a great simultaneous. 00:05:53.900 --> 00:06:00.320 align:middle line:84% Which I keep thinking back on in this soon to become, based on, 00:06:00.320 --> 00:06:04.130 align:middle line:84% I can get for that, difficult as those set up, 00:06:04.130 --> 00:06:06.620 align:middle line:90% less a somehow but. 00:06:06.620 --> 00:06:11.600 align:middle line:84% Squashed at bottom, thing in the since. 00:06:11.600 --> 00:06:14.900 align:middle line:84% You could equally well choose Normandy French, peasant 00:06:14.900 --> 00:06:20.750 align:middle line:84% yellow, farmhouse Italian or primitive colonial. 00:06:20.750 --> 00:06:23.510 align:middle line:84% This has endured very much and I have parted 00:06:23.510 --> 00:06:26.960 align:middle line:84% or partly willing (featherweight, Lindenhurst), 00:06:26.960 --> 00:06:32.960 align:middle line:84% ministering to the outraged and diffident adhesions to bygone. 00:06:32.960 --> 00:06:36.650 align:middle line:84% At the other extreme, it is not been my intention 00:06:36.650 --> 00:06:39.650 align:middle line:90% to say much about curtains. 00:06:39.650 --> 00:06:45.710 align:middle line:84% Un camera doppia, por favor, the only lensless camera 00:06:45.710 --> 00:06:48.950 align:middle line:90% our own heart (mind). 00:06:48.950 --> 00:06:52.640 align:middle line:84% Behind every plate a promise, but events 00:06:52.640 --> 00:06:55.100 align:middle line:90% don't alter circumstance. 00:06:55.100 --> 00:06:58.400 align:middle line:84% Ministries of uncertainty, the bloodless click 00:06:58.400 --> 00:07:01.640 align:middle line:84% of the chapel's eschatological memoir. 00:07:01.640 --> 00:07:05.990 align:middle line:84% Yet, for the good, no reform is possible. 00:07:05.990 --> 00:07:09.110 align:middle line:84% For the wicked, none conceivable. 00:07:09.110 --> 00:07:11.750 align:middle line:84% And so the world drifts into stasis, 00:07:11.750 --> 00:07:16.310 align:middle line:90% imagining propriety, living out. 00:07:16.310 --> 00:07:19.190 align:middle line:84% For some time, I felt this way myself. 00:07:19.190 --> 00:07:22.730 align:middle line:84% It was not until my 11th year that the axial geometry 00:07:22.730 --> 00:07:24.200 align:middle line:90% of mortality-- 00:07:24.200 --> 00:07:27.680 align:middle line:84% excuse me-- for some time, I felt this way myself. 00:07:27.680 --> 00:07:31.850 align:middle line:84% It was not until my 11th year that the axial geometry 00:07:31.850 --> 00:07:35.690 align:middle line:84% of morality took headway in my thinking. 00:07:35.690 --> 00:07:40.010 align:middle line:84% Anecdotal gloss, immeasurable filing out, 00:07:40.010 --> 00:07:43.700 align:middle line:84% the same tree that I looked out on yesterday constantly 00:07:43.700 --> 00:07:46.310 align:middle line:84% shifting and changing in the light. 00:07:46.310 --> 00:07:48.290 align:middle line:90% Here, a different leaf. 00:07:48.290 --> 00:07:50.810 align:middle line:90% There, an unnoticed shadow. 00:07:50.810 --> 00:07:57.020 align:middle line:84% So that it unrolls its story at every moment, fills all eyes. 00:07:57.020 --> 00:08:01.790 align:middle line:84% These constants: of blue, a light touch 00:08:01.790 --> 00:08:07.550 align:middle line:84% of pianoforte vaguely receding, of dulled green. 00:08:07.550 --> 00:08:12.200 align:middle line:84% Hopping to the corner, insisting to the ladder. 00:08:12.200 --> 00:08:15.710 align:middle line:84% A vague touch of constantly shifting. 00:08:15.710 --> 00:08:18.620 align:middle line:90% Her eyes on. 00:08:18.620 --> 00:08:19.940 align:middle line:90% Most resplendent. 00:08:19.940 --> 00:08:21.060 align:middle line:90% Hand in pocket. 00:08:21.060 --> 00:08:23.450 align:middle line:90% Coat tucked in. 00:08:23.450 --> 00:08:29.030 align:middle line:84% Beside illuminated hard rolls, I hardly care a jot. 00:08:29.030 --> 00:08:30.500 align:middle line:90% Jelly donuts. 00:08:30.500 --> 00:08:32.570 align:middle line:90% Singular suits. 00:08:32.570 --> 00:08:35.150 align:middle line:90% The faded salute. 00:08:35.150 --> 00:08:39.020 align:middle line:84% Time only but for change make its character 00:08:39.020 --> 00:08:44.780 align:middle line:84% see others their lives on caravans of speculation. 00:08:44.780 --> 00:08:49.280 align:middle line:84% An omnibus of unsupportable clamor invested in the prior. 00:08:49.280 --> 00:08:53.570 align:middle line:90% How mercurial, how agile, how. 00:08:53.570 --> 00:08:56.570 align:middle line:84% Absolutely no clouds, only a few. 00:08:56.570 --> 00:08:57.905 align:middle line:90% And the locust have-- 00:08:57.905 --> 00:09:00.440 align:middle line:90% 00:09:00.440 --> 00:09:08.810 align:middle line:84% I don't ask for yellow, a sailor robe, magic boxer shorts. 00:09:08.810 --> 00:09:12.590 align:middle line:84% Pole vaulting into clouds of odious humor. 00:09:12.590 --> 00:09:14.810 align:middle line:90% Second thoughts mulled over. 00:09:14.810 --> 00:09:16.610 align:middle line:90% Make believe. 00:09:16.610 --> 00:09:21.980 align:middle line:84% Haze or mist or honor his voice in. 00:09:21.980 --> 00:09:28.730 align:middle line:84% Honor that dwells in cliffs, aside moments, location locked. 00:09:28.730 --> 00:09:31.160 align:middle line:84% Forensic bouts with the subterranean. 00:09:31.160 --> 00:09:34.370 align:middle line:84% The quotidian displacements, marshall the limp 00:09:34.370 --> 00:09:39.680 align:middle line:84% and enervated customs of disquieted patrimony. 00:09:39.680 --> 00:09:42.170 align:middle line:84% You have painted this picture for me. 00:09:42.170 --> 00:09:48.650 align:middle line:84% But you have misconceived my desires, taste and direction. 00:09:48.650 --> 00:09:49.760 align:middle line:90% Bellow. 00:09:49.760 --> 00:09:51.170 align:middle line:90% Bore. 00:09:51.170 --> 00:09:53.900 align:middle line:90% Benumbed borealis. 00:09:53.900 --> 00:09:55.550 align:middle line:90% Basically, a swift kick. 00:09:55.550 --> 00:09:56.270 align:middle line:90% The pick up. 00:09:56.270 --> 00:09:57.770 align:middle line:90% The pantomime. 00:09:57.770 --> 00:10:01.560 align:middle line:84% No more feeling than an imagined waistcoat. 00:10:01.560 --> 00:10:04.050 align:middle line:84% But as to machines, its own brightly 00:10:04.050 --> 00:10:06.330 align:middle line:90% lit and frowns no more. 00:10:06.330 --> 00:10:09.060 align:middle line:84% The gentle rhapsody of the marginal. 00:10:09.060 --> 00:10:12.750 align:middle line:84% The frightened hollyhocks and grazing furrows. 00:10:12.750 --> 00:10:16.650 align:middle line:84% Each to portray a version of that timeless time, 00:10:16.650 --> 00:10:20.880 align:middle line:84% shadow without shadow, that our nostalgia clings 00:10:20.880 --> 00:10:24.720 align:middle line:90% to and our reason discounts. 00:10:24.720 --> 00:10:29.370 align:middle line:84% When, in the darkness over me, issue of its own substance. 00:10:29.370 --> 00:10:30.090 align:middle line:90% No calm. 00:10:30.090 --> 00:10:30.750 align:middle line:90% No rest. 00:10:30.750 --> 00:10:33.360 align:middle line:84% And all abuzz together such as when 00:10:33.360 --> 00:10:35.970 align:middle line:84% (the measure of the wise and strange) 00:10:35.970 --> 00:10:42.030 align:middle line:84% I hear your voice call, furl, blue glass, silken 00:10:42.030 --> 00:10:45.990 align:middle line:90% and the thick white bells. 00:10:45.990 --> 00:10:48.390 align:middle line:84% It is this magnificent trumpet note 00:10:48.390 --> 00:10:52.770 align:middle line:84% of the crowded hour that thrills through even the most 00:10:52.770 --> 00:10:55.590 align:middle line:84% run-me-down occupations exchanging 00:10:55.590 --> 00:11:01.230 align:middle line:84% cordial sentiments with all as if they were blood relations. 00:11:01.230 --> 00:11:03.510 align:middle line:84% For the aim was to create a society that 00:11:03.510 --> 00:11:09.960 align:middle line:84% would be nothing but: native, terms allow, in place, erase. 00:11:09.960 --> 00:11:14.790 align:middle line:84% And so the, which forces in the usual manner (nameplate, 00:11:14.790 --> 00:11:16.830 align:middle line:90% curate, et cetera). 00:11:16.830 --> 00:11:19.860 align:middle line:84% Harshly absorbent, lamp light, and 00:11:19.860 --> 00:11:23.460 align:middle line:90% the dark impenetrable roads. 00:11:23.460 --> 00:11:27.810 align:middle line:84% By held may be a shelving into the deepening sea, 00:11:27.810 --> 00:11:33.950 align:middle line:84% or by any other flame a flit, funicular, flotsam. 00:11:33.950 --> 00:11:38.400 align:middle line:84% A monument to the laconic majesty 00:11:38.400 --> 00:11:40.830 align:middle line:90% of the cherished thought. 00:11:40.830 --> 00:11:42.810 align:middle line:90% The neglected hope. 00:11:42.810 --> 00:11:45.810 align:middle line:90% The belabored insurrection. 00:11:45.810 --> 00:11:49.020 align:middle line:84% Of all these infested and recalcitrant follies, 00:11:49.020 --> 00:11:50.970 align:middle line:90% I go with the blue one. 00:11:50.970 --> 00:11:53.130 align:middle line:90% Now, again, green. 00:11:53.130 --> 00:11:55.350 align:middle line:90% Triangulated. 00:11:55.350 --> 00:12:01.170 align:middle line:84% So much for the road show of unsupportable stupor, 00:12:01.170 --> 00:12:03.910 align:middle line:84% the lockets of urgent visitation-- 00:12:03.910 --> 00:12:08.760 align:middle line:84% Urbino, Padua, Lausanne-- weighing in at, 00:12:08.760 --> 00:12:12.420 align:middle line:90% crossing breeds with. 00:12:12.420 --> 00:12:14.700 align:middle line:84% The mayor has closed all bridges-- 00:12:14.700 --> 00:12:16.950 align:middle line:90% even, odd, even, odd-- 00:12:16.950 --> 00:12:21.120 align:middle line:84% and brunches, as to strike at the fading fortification 00:12:21.120 --> 00:12:25.260 align:middle line:84% continues (let me in, I'm going to feed the zebra, 00:12:25.260 --> 00:12:28.050 align:middle line:90% loosen the windowpane). 00:12:28.050 --> 00:12:31.950 align:middle line:84% The excess of calcification in no way diminishing 00:12:31.950 --> 00:12:36.900 align:middle line:84% the lack of pretension to historical importance 00:12:36.900 --> 00:12:40.950 align:middle line:84% made all the more grotesque by the increasingly fluid 00:12:40.950 --> 00:12:44.670 align:middle line:84% demonstrations they made toward each other. 00:12:44.670 --> 00:12:46.950 align:middle line:84% But this not to impede the respect 00:12:46.950 --> 00:12:53.130 align:middle line:84% each one had for the other and for the land they loved. 00:12:53.130 --> 00:12:57.780 align:middle line:84% What made the deepest and most long-lasting impression-- 00:12:57.780 --> 00:13:03.510 align:middle line:84% the ballasts hoisted, the flute music mercifully shut off, 00:13:03.510 --> 00:13:07.470 align:middle line:84% the students happily hidden from the unnerving stare 00:13:07.470 --> 00:13:10.140 align:middle line:84% of the spinster-ish Secretary of Commerce 00:13:10.140 --> 00:13:12.840 align:middle line:84% as he trudges to the murky lagoon just 00:13:12.840 --> 00:13:15.450 align:middle line:90% by the neoclassical library. 00:13:15.450 --> 00:13:19.050 align:middle line:84% The scattered rocks making the otherwise sandy beach 00:13:19.050 --> 00:13:22.410 align:middle line:90% troubling to stroll on. 00:13:22.410 --> 00:13:24.780 align:middle line:84% I had faced many problems before. 00:13:24.780 --> 00:13:31.200 align:middle line:84% I felt your silence a disturbing but temporary situation. 00:13:31.200 --> 00:13:36.930 align:middle line:84% Hoped you would understand and not entirely be annoyed by me. 00:13:36.930 --> 00:13:39.160 align:middle line:90% 3 O'clock. 00:13:39.160 --> 00:13:40.740 align:middle line:90% 4 O'clock. 00:13:40.740 --> 00:13:46.140 align:middle line:90% Counting minute by minute. 00:13:46.140 --> 00:13:50.280 align:middle line:84% Molar responsibility, a new lollipop for the toads 00:13:50.280 --> 00:13:52.890 align:middle line:90% who inhabit the public parks. 00:13:52.890 --> 00:13:58.950 align:middle line:84% Not one minute not to be diminished. 00:13:58.950 --> 00:14:03.720 align:middle line:84% Glaze of last sunlight steeple chasing within out 00:14:03.720 --> 00:14:07.290 align:middle line:90% of this world slap happiness. 00:14:07.290 --> 00:14:10.860 align:middle line:84% A balloon for the shoulders lifting the spirits 00:14:10.860 --> 00:14:12.195 align:middle line:90% to instructive levels. 00:14:12.195 --> 00:14:15.090 align:middle line:90% 00:14:15.090 --> 00:14:19.020 align:middle line:84% We jot down notes and move to the next square, 00:14:19.020 --> 00:14:24.210 align:middle line:84% embankment, meeting ground, template. 00:14:24.210 --> 00:14:30.150 align:middle line:84% How much happier than he who returns to the walks 00:14:30.150 --> 00:14:32.220 align:middle line:90% already walked. 00:14:32.220 --> 00:14:36.240 align:middle line:90% The dinner already eaten. 00:14:36.240 --> 00:14:41.040 align:middle line:90% The reflection already cast. 00:14:41.040 --> 00:14:46.440 align:middle line:84% Well, souls never touch their objects. 00:14:46.440 --> 00:14:48.150 align:middle line:90% Heightened. 00:14:48.150 --> 00:14:50.160 align:middle line:90% Extended. 00:14:50.160 --> 00:14:52.080 align:middle line:90% Deeper. 00:14:52.080 --> 00:14:56.430 align:middle line:84% Dimensions for a platoon of hippies on holiday, 00:14:56.430 --> 00:15:01.800 align:middle line:84% much the more admirable than we who sit here all agaze 00:15:01.800 --> 00:15:08.340 align:middle line:84% at the dull plaid exteriors of the universe's cores. 00:15:08.340 --> 00:15:12.660 align:middle line:84% Bumbling and amorous, hesitation the fixed idea 00:15:12.660 --> 00:15:15.270 align:middle line:90% of desire's design. 00:15:15.270 --> 00:15:18.900 align:middle line:90% Hearing the way the world hears. 00:15:18.900 --> 00:15:22.830 align:middle line:90% Mystified, assuredly. 00:15:22.830 --> 00:15:27.120 align:middle line:84% Three mailboxes starkly outlined against a pasture. 00:15:27.120 --> 00:15:29.070 align:middle line:90% The covered sporting car. 00:15:29.070 --> 00:15:30.780 align:middle line:90% A dented blue jean. 00:15:30.780 --> 00:15:34.920 align:middle line:90% An uprooted illegible flag. 00:15:34.920 --> 00:15:40.350 align:middle line:84% Need that blankets what parsimony refrains. 00:15:40.350 --> 00:15:42.750 align:middle line:90% Canopies of the refugee. 00:15:42.750 --> 00:15:56.790 align:middle line:90% 00:15:56.790 --> 00:15:58.530 align:middle line:84% That's a somewhat older poem of mine 00:15:58.530 --> 00:16:01.110 align:middle line:84% which I have not read in quite some time, 00:16:01.110 --> 00:16:04.130 align:middle line:84% but thought it would be interesting to do.