WEBVTT 00:00:00.000 --> 00:00:07.290 align:middle line:84% We just had dinner, and I was in a conversation about paradises. 00:00:07.290 --> 00:00:11.385 align:middle line:84% I've always wanted to know what people's paradises are. 00:00:11.385 --> 00:00:13.845 align:middle line:90% 00:00:13.845 --> 00:00:15.720 align:middle line:84% If they could happen, what would they choose? 00:00:15.720 --> 00:00:19.440 align:middle line:90% 00:00:19.440 --> 00:00:21.870 align:middle line:84% So I decided I'd like to read you a poem. 00:00:21.870 --> 00:00:24.630 align:middle line:90% 00:00:24.630 --> 00:00:28.170 align:middle line:90% It's about that. 00:00:28.170 --> 00:00:29.730 align:middle line:84% And if there are any freshmen here, 00:00:29.730 --> 00:00:37.200 align:middle line:84% I want to tell you that Perugino was a famous Italian 00:00:37.200 --> 00:00:40.590 align:middle line:90% Renaissance painter. 00:00:40.590 --> 00:00:43.650 align:middle line:90% He was the teacher of Raffaello. 00:00:43.650 --> 00:00:44.695 align:middle line:90% Oh, my client's here. 00:00:44.695 --> 00:00:49.920 align:middle line:90% 00:00:49.920 --> 00:00:53.440 align:middle line:84% And he invented the landscape that became very famous. 00:00:53.440 --> 00:00:58.140 align:middle line:84% It's a landscape of Umbria, the country around Perugia, 00:00:58.140 --> 00:01:00.030 align:middle line:84% which is where I first fell in love. 00:01:00.030 --> 00:01:03.390 align:middle line:84% So it's all mixed up together for me. 00:01:03.390 --> 00:01:05.880 align:middle line:84% And in the background of his paintings, 00:01:05.880 --> 00:01:14.700 align:middle line:84% you will see this lovely, sweet, dreamlike Italian vision 00:01:14.700 --> 00:01:17.662 align:middle line:90% of the good world. 00:01:17.662 --> 00:01:19.870 align:middle line:84% And you see it-- like with the Mona Lisa-- you see it 00:01:19.870 --> 00:01:22.140 align:middle line:84% over, say, the Madonna's shoulder, 00:01:22.140 --> 00:01:25.606 align:middle line:84% past the Magi's outstretched hand. 00:01:25.606 --> 00:01:27.960 align:middle line:90% It keeps turning up. 00:01:27.960 --> 00:01:29.400 align:middle line:90% And the poem goes like this. 00:01:29.400 --> 00:01:33.870 align:middle line:90% 00:01:33.870 --> 00:01:39.480 align:middle line:84% In Perugino we have sometimes seen our country. 00:01:39.480 --> 00:01:45.750 align:middle line:84% Incidental, beyond the Madonna, the mild hills and the valleys 00:01:45.750 --> 00:01:50.730 align:middle line:84% that we have always almost remembered, 00:01:50.730 --> 00:01:55.635 align:middle line:84% the light that explains our secret conviction of exile. 00:01:55.635 --> 00:01:58.530 align:middle line:90% 00:01:58.530 --> 00:02:05.820 align:middle line:84% That light, those hills, that valley, 00:02:05.820 --> 00:02:10.110 align:middle line:84% that country where people finally 00:02:10.110 --> 00:02:18.990 align:middle line:84% touch as we would touch, reaching with hand and body 00:02:18.990 --> 00:02:26.610 align:middle line:84% and mouth, weeping, and do not meet. 00:02:26.610 --> 00:02:32.520 align:middle line:84% The small perfect trees of loneliness, 00:02:32.520 --> 00:02:37.490 align:middle line:84% dark with our longing against the light. 00:02:37.490 --> 00:02:38.485 align:middle line:90%