WEBVTT 00:00:00.000 --> 00:00:01.690 align:middle line:90% [APPLAUSE] 00:00:01.690 --> 00:00:02.190 align:middle line:90% Thank you. 00:00:02.190 --> 00:00:05.440 align:middle line:90% 00:00:05.440 --> 00:00:06.170 align:middle line:90% Hey, everybody. 00:00:06.170 --> 00:00:08.650 align:middle line:84% I want to really start by thanking the Poetry 00:00:08.650 --> 00:00:12.580 align:middle line:84% Center, its staff, and donors for making the summer residency 00:00:12.580 --> 00:00:14.200 align:middle line:90% program possible. 00:00:14.200 --> 00:00:16.960 align:middle line:84% I know that the gift of uninterrupted time 00:00:16.960 --> 00:00:19.570 align:middle line:84% doubles back to us in the form of art 00:00:19.570 --> 00:00:22.870 align:middle line:84% and all the possibility that art opens. 00:00:22.870 --> 00:00:25.780 align:middle line:84% It's my great honor to welcome to Tucson, 00:00:25.780 --> 00:00:28.570 align:middle line:90% my friend, Angel Dominguez. 00:00:28.570 --> 00:00:30.700 align:middle line:84% Angel is a Latinx poet and artist 00:00:30.700 --> 00:00:33.760 align:middle line:84% of Yucatec Maya descent, born in Hollywood 00:00:33.760 --> 00:00:38.340 align:middle line:84% and raised by their immigrant family in Van Nuys, California. 00:00:38.340 --> 00:00:39.990 align:middle line:84% They're the author of Desgraciado: 00:00:39.990 --> 00:00:41.550 align:middle line:84% (The Collected Letters) that came out 00:00:41.550 --> 00:00:45.120 align:middle line:84% from Nightboat Books in 2022, as well 00:00:45.120 --> 00:00:47.910 align:middle line:84% as the author of the poetry collections RoseSunWater 00:00:47.910 --> 00:00:50.230 align:middle line:90% and Black Lavender Milk. 00:00:50.230 --> 00:00:52.240 align:middle line:84% You can find Angel's words online 00:00:52.240 --> 00:00:54.160 align:middle line:84% and in print in various publications, 00:00:54.160 --> 00:00:58.300 align:middle line:84% including BOMB Magazine, the Berkeley Poetry Review, FENCE, 00:00:58.300 --> 00:01:03.620 align:middle line:84% Prolit magazine, SFMOMA's Open Space, and elsewhere. 00:01:03.620 --> 00:01:06.830 align:middle line:84% But to really try to do my job here and make way 00:01:06.830 --> 00:01:10.100 align:middle line:84% for Angel, what I want to remind us of 00:01:10.100 --> 00:01:14.850 align:middle line:84% is that there are friends we meet if we're lucky, 00:01:14.850 --> 00:01:18.760 align:middle line:84% whose resonance tilts the whole universe. 00:01:18.760 --> 00:01:22.360 align:middle line:84% I met Angel in 2014 when my partner Susan Briante 00:01:22.360 --> 00:01:26.290 align:middle line:84% and I got to co-teach a workshop at Naropa University's Summer 00:01:26.290 --> 00:01:28.490 align:middle line:90% Writing Program. 00:01:28.490 --> 00:01:31.850 align:middle line:84% I clearly remember at least two moments that summer 00:01:31.850 --> 00:01:35.000 align:middle line:84% when I looked into Angel's eyes and experienced 00:01:35.000 --> 00:01:38.510 align:middle line:84% a sudden expansion of my awareness, where I could almost 00:01:38.510 --> 00:01:42.860 align:middle line:84% feel other points in the space time matrix 00:01:42.860 --> 00:01:47.700 align:middle line:84% hover around my head points where Angel and I had 00:01:47.700 --> 00:01:51.510 align:middle line:90% been 1-- or 1 day will be. 00:01:51.510 --> 00:01:54.510 align:middle line:84% The effect is like thinking you're educated 00:01:54.510 --> 00:01:57.840 align:middle line:84% and knowing that the earth revolves around the sun, 00:01:57.840 --> 00:02:00.990 align:middle line:84% but then seeing the animated graphic that 00:02:00.990 --> 00:02:04.890 align:middle line:84% shows the sun itself orbits the milky way, 00:02:04.890 --> 00:02:07.680 align:middle line:84% that the planet's elliptical orbits are 00:02:07.680 --> 00:02:11.790 align:middle line:84% in fact dynamic spirals, and that the whole menagerie is 00:02:11.790 --> 00:02:18.350 align:middle line:84% cast out in a trajectory that always eventually doubles back. 00:02:18.350 --> 00:02:20.450 align:middle line:84% The discipline of literature can make 00:02:20.450 --> 00:02:25.100 align:middle line:84% art feel as static as that old model of the solar system. 00:02:25.100 --> 00:02:28.880 align:middle line:84% But Angel sets us in motion through lyric, epistolary, 00:02:28.880 --> 00:02:31.230 align:middle line:90% and narrative forms. 00:02:31.230 --> 00:02:33.630 align:middle line:84% Across those modes, Angel's work travels 00:02:33.630 --> 00:02:38.550 align:middle line:84% tonal registers with associative lyrics that can articulate 00:02:38.550 --> 00:02:41.530 align:middle line:90% irreconcilable mystery. 00:02:41.530 --> 00:02:43.870 align:middle line:84% While in other moments, their work 00:02:43.870 --> 00:02:47.830 align:middle line:84% can speak almost against lyric with a clarity and brevity 00:02:47.830 --> 00:02:51.580 align:middle line:84% that can deliver what Bruce Lee called the One-Inch Punch. 00:02:51.580 --> 00:02:54.100 align:middle line:90% 00:02:54.100 --> 00:02:57.760 align:middle line:84% And Angel's work spirals through space time off the page 00:02:57.760 --> 00:03:02.560 align:middle line:84% as well, expanding into performance art, ritual, 00:03:02.560 --> 00:03:05.010 align:middle line:90% and song writing. 00:03:05.010 --> 00:03:08.670 align:middle line:84% Taken together, the ways Angel's work orients me 00:03:08.670 --> 00:03:10.620 align:middle line:84% to the spiraling universe makes me 00:03:10.620 --> 00:03:14.040 align:middle line:84% think we won't just write our way out 00:03:14.040 --> 00:03:19.620 align:middle line:84% of this era of global boiling as the UN has called it. 00:03:19.620 --> 00:03:23.280 align:middle line:84% Angel's work makes me think that the book might matter 00:03:23.280 --> 00:03:27.300 align:middle line:84% a little less than the social relations and rituals 00:03:27.300 --> 00:03:29.810 align:middle line:90% around the book. 00:03:29.810 --> 00:03:33.680 align:middle line:90% In other words, it's 2023. 00:03:33.680 --> 00:03:38.090 align:middle line:90% Aliens are real, gender is not. 00:03:38.090 --> 00:03:42.800 align:middle line:90% Fascism is real, money is not. 00:03:42.800 --> 00:03:44.900 align:middle line:84% And yet somehow, we're still taking 00:03:44.900 --> 00:03:48.503 align:middle line:90% turns standing behind a podium? 00:03:48.503 --> 00:03:50.350 align:middle line:90% [LAUGHTER] 00:03:50.350 --> 00:03:54.700 align:middle line:84% Instead, Angel helps us dream of gathering around a border 00:03:54.700 --> 00:03:58.180 align:middle line:84% patrol or police station, for instance, 00:03:58.180 --> 00:04:00.940 align:middle line:84% reading poems that might help state agents 00:04:00.940 --> 00:04:04.750 align:middle line:84% realize property and borders are far less 00:04:04.750 --> 00:04:12.250 align:middle line:84% real than the resonance of word and body, time, and space. 00:04:12.250 --> 00:04:14.320 align:middle line:90% Please welcome Angel Dominguez. 00:04:14.320 --> 00:04:16.170 align:middle line:90% [APPLAUSE]