WEBVTT 00:00:00.000 --> 00:00:04.110 align:middle line:84% 10 years old who I-- whose piano recital I attended. 00:00:04.110 --> 00:00:07.170 align:middle line:84% And I was in one of those moments in which you can see-- 00:00:07.170 --> 00:00:10.072 align:middle line:84% you think you can see the whole life of someone 00:00:10.072 --> 00:00:10.780 align:middle line:90% given to you in-- 00:00:10.780 --> 00:00:15.840 align:middle line:90% 00:00:15.840 --> 00:00:19.320 align:middle line:90% "At Becky's Piano Recital." 00:00:19.320 --> 00:00:23.190 align:middle line:84% "She screws her face up as she nears the hard parts, 00:00:23.190 --> 00:00:27.250 align:middle line:84% then beams with relief as she makes it through, 00:00:27.250 --> 00:00:30.840 align:middle line:84% just as she did, listening on the edge of her chair 00:00:30.840 --> 00:00:33.540 align:middle line:84% to the children who played before her, 00:00:33.540 --> 00:00:38.130 align:middle line:84% wincing and smiling for them as if she doesn't regard them 00:00:38.130 --> 00:00:40.860 align:middle line:84% as competitors and is free of the need 00:00:40.860 --> 00:00:45.510 align:middle line:84% to be first that vexes many all their lives. 00:00:45.510 --> 00:00:49.860 align:middle line:84% I hope she stays like this, her windows open on all sides 00:00:49.860 --> 00:00:54.930 align:middle line:84% to a breeze pungent with sea spray or meadow pollen. 00:00:54.930 --> 00:00:57.330 align:middle line:84% Maybe her patience this morning at the pond 00:00:57.330 --> 00:01:01.050 align:middle line:84% was another good sign, the way she waited for the frog 00:01:01.050 --> 00:01:05.850 align:middle line:84% to croak again so she could find its hiding place and admire it. 00:01:05.850 --> 00:01:10.050 align:middle line:84% There it was, in the reeds, to any casual passerby only 00:01:10.050 --> 00:01:12.960 align:middle line:90% a fist-sized speckled stone. 00:01:12.960 --> 00:01:16.490 align:middle line:84% All the way home she wondered out loud what kind of enemies 00:01:16.490 --> 00:01:21.900 align:middle line:84% a frog must have to make it live so hidden, so disguised. 00:01:21.900 --> 00:01:25.200 align:middle line:84% Whatever enemies follow her when she's grown, 00:01:25.200 --> 00:01:27.420 align:middle line:84% whatever worry or anger drives her 00:01:27.420 --> 00:01:30.990 align:middle line:84% at night from her room to walk in the dusty rain 00:01:30.990 --> 00:01:35.190 align:middle line:84% past the town edge, her spirit, after an hour, 00:01:35.190 --> 00:01:37.650 align:middle line:84% will do what it can to be distracted 00:01:37.650 --> 00:01:40.110 align:middle line:90% by the light of a farmhouse. 00:01:40.110 --> 00:01:43.230 align:middle line:84% What are they doing up there so late, she'll wonder, 00:01:43.230 --> 00:01:46.800 align:middle line:84% then watch in her mind's eye as the family huddles 00:01:46.800 --> 00:01:49.920 align:middle line:84% in the kitchen to worry if the bank will be satisfied 00:01:49.920 --> 00:01:53.010 align:middle line:84% this month with only half payment, 00:01:53.010 --> 00:01:55.830 align:middle line:84% if the letter from the wandering son 00:01:55.830 --> 00:01:58.890 align:middle line:84% really means he's coming home soon. 00:01:58.890 --> 00:02:02.460 align:middle line:84% Even old age won't cramp her if she loses herself 00:02:02.460 --> 00:02:07.590 align:middle line:84% on her evening walk in piano music drifting from a house 00:02:07.590 --> 00:02:11.520 align:middle line:84% and imagines the upright in the parlor and the girl 00:02:11.520 --> 00:02:14.430 align:middle line:84% working up the same hard passages." 00:02:14.430 --> 00:02:19.700 align:middle line:90% 00:02:19.700 --> 00:02:20.200 align:middle line:90% OK. 00:02:20.200 --> 00:02:21.460 align:middle line:90% I'll end with two poems. 00:02:21.460 --> 00:02:24.285 align:middle line:90% 00:02:24.285 --> 00:02:25.271 align:middle line:90% Let's see. 00:02:25.271 --> 00:02:28.240 align:middle line:90% Where are they? 00:02:28.240 --> 00:02:29.800 align:middle line:84% This manuscript I just completed is 00:02:29.800 --> 00:02:37.540 align:middle line:84% called The Outskirts of Troy, hence all those allusions 00:02:37.540 --> 00:02:38.170 align:middle line:90% to Troy. 00:02:38.170 --> 00:02:40.420 align:middle line:84% I mean, they're supposed to weave-- work together 00:02:40.420 --> 00:02:43.120 align:middle line:90% in the book. 00:02:43.120 --> 00:02:47.700 align:middle line:84% And this is the last poem in the book, as I see it now. 00:02:47.700 --> 00:02:49.300 align:middle line:90%