WEBVTT 00:00:00.000 --> 00:00:01.270 align:middle line:90% 00:00:01.270 --> 00:00:07.410 align:middle line:84% And a couple of poems about the subject of justice. 00:00:07.410 --> 00:00:12.270 align:middle line:84% It seems to me that a lot of poems that I write, 00:00:12.270 --> 00:00:14.790 align:middle line:84% have been writing, I try to do justice 00:00:14.790 --> 00:00:17.340 align:middle line:84% to people who haven't been done justice to. 00:00:17.340 --> 00:00:20.250 align:middle line:84% I think that's probably one big motive 00:00:20.250 --> 00:00:21.540 align:middle line:90% for a lot of people who write. 00:00:21.540 --> 00:00:25.095 align:middle line:90% 00:00:25.095 --> 00:00:29.040 align:middle line:84% I'd certainly say someone like Melville, who writes-- 00:00:29.040 --> 00:00:33.250 align:middle line:84% most of his work is compensatory that way, it seems to me. 00:00:33.250 --> 00:00:34.440 align:middle line:90% This poem is called Charity. 00:00:34.440 --> 00:00:39.810 align:middle line:90% 00:00:39.810 --> 00:00:41.700 align:middle line:84% I guess this poem is really about the fact 00:00:41.700 --> 00:00:43.890 align:middle line:84% that the law of compensation, which 00:00:43.890 --> 00:00:50.310 align:middle line:84% says that, for every grief, there is a compensating joy. 00:00:50.310 --> 00:00:50.985 align:middle line:90% It's not true. 00:00:50.985 --> 00:00:54.520 align:middle line:90% 00:00:54.520 --> 00:00:57.250 align:middle line:90% Charity. 00:00:57.250 --> 00:01:00.040 align:middle line:84% Time to believe that the thin disguise 00:01:00.040 --> 00:01:03.460 align:middle line:84% on the face of the blessing in disguise 00:01:03.460 --> 00:01:06.880 align:middle line:84% will never be pulled off, that the truth that's 00:01:06.880 --> 00:01:11.890 align:middle line:84% still in hiding will stay there, far in the dark. 00:01:11.890 --> 00:01:15.100 align:middle line:84% All that can be revealed is revealed. 00:01:15.100 --> 00:01:17.770 align:middle line:84% All that can be learned from the burning house 00:01:17.770 --> 00:01:21.310 align:middle line:84% was learned the first time, when the smoke blackened 00:01:21.310 --> 00:01:23.920 align:middle line:90% the walls in every room. 00:01:23.920 --> 00:01:26.570 align:middle line:90% So much for more experience. 00:01:26.570 --> 00:01:28.720 align:middle line:90% What can grow has grown. 00:01:28.720 --> 00:01:31.750 align:middle line:90% What's small now stays small. 00:01:31.750 --> 00:01:35.530 align:middle line:84% No portion waits for those who deserve more. 00:01:35.530 --> 00:01:39.190 align:middle line:84% The flowers in the yard of the blind and deaf girl 00:01:39.190 --> 00:01:41.860 align:middle line:84% will never smell any sweeter to her 00:01:41.860 --> 00:01:45.520 align:middle line:84% than they smell now to any of her visitors. 00:01:45.520 --> 00:01:49.970 align:middle line:84% The music she imagines will never compare to ours. 00:01:49.970 --> 00:01:53.350 align:middle line:84% Her best day will brighten with no joy that 00:01:53.350 --> 00:01:56.380 align:middle line:90% hasn't brightened our day more. 00:01:56.380 --> 00:01:58.930 align:middle line:84% Time to admit that her steady cheer 00:01:58.930 --> 00:02:02.170 align:middle line:84% is the burden she assumes to keep us here, 00:02:02.170 --> 00:02:05.790 align:middle line:84% touching her fingers for a while. 00:02:05.790 --> 00:02:13.000 align:middle line:90%