WEBVTT 00:00:00.000 --> 00:00:01.320 align:middle line:90% 00:00:01.320 --> 00:00:05.910 align:middle line:84% Well, back in the cities, so to speak, 00:00:05.910 --> 00:00:08.760 align:middle line:90% this is a poem called Midpoint. 00:00:08.760 --> 00:00:13.830 align:middle line:84% And it's about-- well, it started being a poem about 00:00:13.830 --> 00:00:14.938 align:middle line:90% cities-- 00:00:14.938 --> 00:00:16.980 align:middle line:84% I wanted to write about the cities where I lived. 00:00:16.980 --> 00:00:23.810 align:middle line:84% And the kind of things that I was 00:00:23.810 --> 00:00:28.932 align:middle line:84% writing about different cities, always the same thing. 00:00:28.932 --> 00:00:30.890 align:middle line:84% I mean, it was basically the same kind of thing 00:00:30.890 --> 00:00:37.370 align:middle line:84% that I was loving, regretting in each city. 00:00:37.370 --> 00:00:45.470 align:middle line:84% And I cut it down drastically to kind of algebra 00:00:45.470 --> 00:00:49.445 align:middle line:84% where there are really basically only two places, 00:00:49.445 --> 00:00:53.750 align:middle line:84% A and B. It's one of those formulations almost 00:00:53.750 --> 00:00:55.220 align:middle line:90% like 19th century novels. 00:00:55.220 --> 00:01:02.940 align:middle line:84% Where they say, somebody, an S married to P had a son 00:01:02.940 --> 00:01:05.990 align:middle line:90% G, that kind of thing. 00:01:05.990 --> 00:01:09.080 align:middle line:84% So this is down to A and B. So if you hear it, you only 00:01:09.080 --> 00:01:13.490 align:middle line:84% hear A and B, that's like a little algebra. 00:01:13.490 --> 00:01:17.240 align:middle line:90% And it's called Midpoint. 00:01:17.240 --> 00:01:22.730 align:middle line:84% No sooner had I left A than I started doubting its existence. 00:01:22.730 --> 00:01:25.820 align:middle line:90% Its streets and noisy crowds. 00:01:25.820 --> 00:01:30.470 align:middle line:84% Its famous all night cafes and prisons. 00:01:30.470 --> 00:01:32.300 align:middle line:90% It was dinnertime. 00:01:32.300 --> 00:01:34.700 align:middle line:90% The bakeries were closing. 00:01:34.700 --> 00:01:38.510 align:middle line:84% Their shelves empty and white with flour. 00:01:38.510 --> 00:01:42.110 align:middle line:84% The grocers were loading their iron grills. 00:01:42.110 --> 00:01:46.820 align:middle line:84% A lovely young woman was buying the last cassava melon. 00:01:46.820 --> 00:01:51.140 align:middle line:84% Even the back alley where I was born blurs, dims. 00:01:51.140 --> 00:01:53.570 align:middle line:90% O rooftops! 00:01:53.570 --> 00:02:00.680 align:middle line:84% Armadas of bed sheets and shirts in the blustery crimson dusk. 00:02:00.680 --> 00:02:03.710 align:middle line:84% B, at which I'm destined to arrive by and by, 00:02:03.710 --> 00:02:05.930 align:middle line:90% doesn't exist now. 00:02:05.930 --> 00:02:08.630 align:middle line:84% Hurriedly, they're building it for my arrival. 00:02:08.630 --> 00:02:11.480 align:middle line:84% And on that day, it will be ready. 00:02:11.480 --> 00:02:14.930 align:middle line:90% Its streets and noisy crowds. 00:02:14.930 --> 00:02:16.700 align:middle line:84% Even the schoolhouse where I first 00:02:16.700 --> 00:02:20.090 align:middle line:84% forged my father's signature, knowing 00:02:20.090 --> 00:02:24.890 align:middle line:84% that on the day of my departure it will vanish forever 00:02:24.890 --> 00:02:27.200 align:middle line:90% just as A did. 00:02:27.200 --> 00:02:29.000 align:middle line:90%