WEBVTT 00:00:00.000 --> 00:00:01.458 align:middle line:90% 00:00:01.458 --> 00:00:02.250 align:middle line:90% And here's a poem-- 00:00:02.250 --> 00:00:05.610 align:middle line:84% I didn't put this beside it, but now I come to think of it. 00:00:05.610 --> 00:00:14.910 align:middle line:84% It's about myself at about the same age, and it's about-- 00:00:14.910 --> 00:00:17.640 align:middle line:90% it's a very trite scheme. 00:00:17.640 --> 00:00:19.980 align:middle line:84% It's based on the idea of life is 00:00:19.980 --> 00:00:22.350 align:middle line:90% a journey, which is so trite. 00:00:22.350 --> 00:00:25.560 align:middle line:84% I think one may be forgiven for not claiming any originality 00:00:25.560 --> 00:00:26.340 align:middle line:90% and using it. 00:00:26.340 --> 00:00:29.230 align:middle line:90% 00:00:29.230 --> 00:00:31.320 align:middle line:84% There's a point where cliche becomes so much 00:00:31.320 --> 00:00:33.990 align:middle line:84% a part of our customary thoughts, 00:00:33.990 --> 00:00:35.640 align:middle line:90% that it's no longer a cliche. 00:00:35.640 --> 00:00:38.090 align:middle line:90% It's like, you know what I mean. 00:00:38.090 --> 00:00:40.970 align:middle line:90% I hope you do. 00:00:40.970 --> 00:00:44.450 align:middle line:84% And there is some-- it takes place 00:00:44.450 --> 00:00:48.830 align:middle line:84% in a small village in the North of Kent, 00:00:48.830 --> 00:00:52.070 align:middle line:90% in England, in the marshland. 00:00:52.070 --> 00:00:56.480 align:middle line:84% And this is a village where my mother's family come from, 00:00:56.480 --> 00:01:00.350 align:middle line:84% and where I have relatives living 00:01:00.350 --> 00:01:04.129 align:middle line:84% and where I often went during school vacations 00:01:04.129 --> 00:01:05.540 align:middle line:90% in my childhood. 00:01:05.540 --> 00:01:10.730 align:middle line:84% And it's also where Dickens lived for a while, 00:01:10.730 --> 00:01:14.600 align:middle line:84% and he wrote the beginning of Great Expectations about it. 00:01:14.600 --> 00:01:20.270 align:middle line:84% If you remember that old movie made in the 1940s, 00:01:20.270 --> 00:01:23.720 align:middle line:84% based on Great Expectations, it was filmed around there, 00:01:23.720 --> 00:01:25.100 align:middle line:90% in those marshes. 00:01:25.100 --> 00:01:30.770 align:middle line:84% In a strange churchyard, in a tiny village called Cooling. 00:01:30.770 --> 00:01:34.070 align:middle line:90% Where there are in fact-- 00:01:34.070 --> 00:01:36.590 align:middle line:84% I don't mention it in the poem, there's 00:01:36.590 --> 00:01:42.980 align:middle line:84% gravestones for a family of five tiny children who 00:01:42.980 --> 00:01:45.350 align:middle line:90% all died as babies. 00:01:45.350 --> 00:01:47.480 align:middle line:84% And there's five tiny little lozenges 00:01:47.480 --> 00:01:49.160 align:middle line:90% there in the churchyard. 00:01:49.160 --> 00:01:52.520 align:middle line:90% 00:01:52.520 --> 00:01:53.457 align:middle line:90% I don't bring them in. 00:01:53.457 --> 00:01:55.415 align:middle line:84% They're part of the general gloom of the place. 00:01:55.415 --> 00:01:58.080 align:middle line:90% 00:01:58.080 --> 00:02:02.520 align:middle line:84% It's called A Sketch of the Great Dejection. 00:02:02.520 --> 00:02:05.310 align:middle line:84% Having read the promise of the hedgerow, 00:02:05.310 --> 00:02:09.360 align:middle line:84% the body set out anew on its adventures. 00:02:09.360 --> 00:02:12.330 align:middle line:84% At length, it came to a place of poverty, 00:02:12.330 --> 00:02:16.680 align:middle line:84% of inner and outer famine, where all movement had stopped, 00:02:16.680 --> 00:02:20.010 align:middle line:84% except for that of the wind, which was continual and came 00:02:20.010 --> 00:02:20.790 align:middle line:90% from elsewhere, 00:02:20.790 --> 00:02:24.810 align:middle line:84% from the sea, moving across unplanted fields 00:02:24.810 --> 00:02:28.380 align:middle line:84% and between headstones in the little churchyard, 00:02:28.380 --> 00:02:32.310 align:middle line:84% clogged with nettles, where no one came between Sundays, 00:02:32.310 --> 00:02:34.410 align:middle line:90% and few then. 00:02:34.410 --> 00:02:38.360 align:middle line:84% The wind was like a punishment to the face and hands. 00:02:38.360 --> 00:02:42.380 align:middle line:90% These were marshes of privation. 00:02:42.380 --> 00:02:46.220 align:middle line:84% The mud of the ditches oozed scummy water. 00:02:46.220 --> 00:02:50.470 align:middle line:84% The gray reeds were arrested in growth. 00:02:50.470 --> 00:02:54.820 align:middle line:84% The sun did not show even as a blur, 00:02:54.820 --> 00:02:58.720 align:middle line:84% and the uneven lands were without definition 00:02:58.720 --> 00:03:03.130 align:middle line:90% as I was without potent words. 00:03:03.130 --> 00:03:09.050 align:middle line:84% Inert, I sat upon a disintegrating gravestone. 00:03:09.050 --> 00:03:09.980 align:middle line:90% How can I continue? 00:03:09.980 --> 00:03:11.810 align:middle line:90% I asked. 00:03:11.810 --> 00:03:15.670 align:middle line:84% I longed to whet my senses, but on what?