WEBVTT 00:00:00.000 --> 00:00:00.960 align:middle line:90% 00:00:00.960 --> 00:00:03.270 align:middle line:84% We were talking at dinner about ghosts, 00:00:03.270 --> 00:00:05.325 align:middle line:84% so I thought I'd read a poem about a ghost. 00:00:05.325 --> 00:00:20.080 align:middle line:90% 00:00:20.080 --> 00:00:25.140 align:middle line:90% "Memorial Day" 00:00:25.140 --> 00:00:28.860 align:middle line:84% In field guides they are always in repose: 00:00:28.860 --> 00:00:33.630 align:middle line:84% tiny female, olive gray, so like the local birds, 00:00:33.630 --> 00:00:37.980 align:middle line:84% The male shiny black with tail stripes, wing bars, 00:00:37.980 --> 00:00:41.160 align:middle line:84% shoulder coloration such a vivid orange 00:00:41.160 --> 00:00:44.010 align:middle line:84% I might have recognized him in the elm. 00:00:44.010 --> 00:00:49.050 align:middle line:84% But this close-- for days, midday over and over, 00:00:49.050 --> 00:00:52.320 align:middle line:84% they sprang from the nearest branch of the shrub, 00:00:52.320 --> 00:00:54.450 align:middle line:84% slinging themselves at the glass, 00:00:54.450 --> 00:00:57.990 align:middle line:84% then hovering there with so much apparent purpose 00:00:57.990 --> 00:01:03.330 align:middle line:84% my son said, why don't you open the window and let them in? 00:01:03.330 --> 00:01:07.230 align:middle line:84% For a moment it was the voice of clearest reason, 00:01:07.230 --> 00:01:10.500 align:middle line:84% and it must have been the same for the early fishermen 00:01:10.500 --> 00:01:14.580 align:middle line:84% on the Klamath river after the terrible dark winters 00:01:14.580 --> 00:01:19.830 align:middle line:84% of retribution, seeing the water clot with fish and fish twist 00:01:19.830 --> 00:01:21.780 align:middle line:90% willingly into their nets, 00:01:21.780 --> 00:01:24.300 align:middle line:84% who thought the salmon had been sent to feed 00:01:24.300 --> 00:01:25.860 align:middle line:90% them and their families. 00:01:25.860 --> 00:01:29.160 align:middle line:84% Hadn't they prayed steadily and weren't the fish 00:01:29.160 --> 00:01:31.740 align:middle line:90% laboring upstream? 00:01:31.740 --> 00:01:36.870 align:middle line:84% Likewise my father's cousin deep in the mud and confusion 00:01:36.870 --> 00:01:40.530 align:middle line:84% of the war heard a woman's voice distinct 00:01:40.530 --> 00:01:44.070 align:middle line:84% as a mouth harp, his dead wife's voice 00:01:44.070 --> 00:01:46.740 align:middle line:84% urging him out of the foxhole, out 00:01:46.740 --> 00:01:50.700 align:middle line:84% of the path of the sudden German shell that killed the others. 00:01:50.700 --> 00:01:56.700 align:middle line:84% And now two rare impatient birds flying at me, erect, 00:01:56.700 --> 00:02:01.200 align:middle line:84% sun struck, treading the air, their mouths propped open 00:02:01.200 --> 00:02:06.480 align:middle line:84% as if to speak, as if they were not birds but messengers. 00:02:06.480 --> 00:02:10.560 align:middle line:84% But I am overrun with signs and omens: 00:02:10.560 --> 00:02:15.540 align:middle line:84% the pair death has taken swim up like motes in my eye. 00:02:15.540 --> 00:02:17.880 align:middle line:90% I find them everywhere I look. 00:02:17.880 --> 00:02:19.260 align:middle line:90% I put them there. 00:02:19.260 --> 00:02:21.120 align:middle line:90% It is a blindness. 00:02:21.120 --> 00:02:24.390 align:middle line:90% American redstart warblers. 00:02:24.390 --> 00:02:28.590 align:middle line:84% If they have meaning, maybe they represent the living, not 00:02:28.590 --> 00:02:29.460 align:middle line:90% the dead. 00:02:29.460 --> 00:02:32.250 align:middle line:84% And I am meant to understand death 00:02:32.250 --> 00:02:35.430 align:middle line:84% is locked behind the glass that teases 00:02:35.430 --> 00:02:40.080 align:middle line:84% with our own reflections, until the implicating sun moves 00:02:40.080 --> 00:02:45.930 align:middle line:84% to the southwest and the window once again holds only shadow. 00:02:45.930 --> 00:02:49.620 align:middle line:84% It's been a week since their last visitation. 00:02:49.620 --> 00:02:52.230 align:middle line:84% At the window, the smudge of purple, 00:02:52.230 --> 00:02:55.590 align:middle line:84% those small rich berries the buds made, 00:02:55.590 --> 00:02:59.730 align:middle line:84% has opened into the blossoms' distinguishing pastel, 00:02:59.730 --> 00:03:01.680 align:middle line:90% a thicket of lilac. 00:03:01.680 --> 00:03:05.490 align:middle line:84% From time to time a catch among the usual calls, 00:03:05.490 --> 00:03:08.700 align:middle line:84% a sequence of notes not a warble at all, 00:03:08.700 --> 00:03:13.650 align:middle line:84% but abrupt chips of sound to match the guide's approximating 00:03:13.650 --> 00:03:17.760 align:middle line:84% graph, which records, though it cannot translate, 00:03:17.760 --> 00:03:20.322 align:middle line:90% what they say. 00:03:20.322 --> 00:03:22.792 align:middle line:90% [APPLAUSE] 00:03:22.792 --> 00:03:27.240 align:middle line:90% 00:03:27.240 --> 00:03:30.470 align:middle line:84% Gee, you're good listeners, that's a long poem. 00:03:30.470 --> 00:03:31.000 align:middle line:90%