WEBVTT 00:00:00.000 --> 00:00:01.890 align:middle line:90% 00:00:01.890 --> 00:00:03.300 align:middle line:90% One more. 00:00:03.300 --> 00:00:04.740 align:middle line:90% Do the poets in Arizona dance? 00:00:04.740 --> 00:00:07.380 align:middle line:90% 00:00:07.380 --> 00:00:09.690 align:middle line:84% Yes, do they do-- any of them dance? 00:00:09.690 --> 00:00:13.020 align:middle line:84% Poets, said Brian Wilson, always go out and dance. 00:00:13.020 --> 00:00:15.030 align:middle line:84% This poem is called Dancing With Poets. 00:00:15.030 --> 00:00:22.500 align:middle line:90% 00:00:22.500 --> 00:00:25.710 align:middle line:90% "Dancing With Poets" 00:00:25.710 --> 00:00:29.850 align:middle line:84% The accident is what he calls the time he threw himself 00:00:29.850 --> 00:00:32.700 align:middle line:84% from a window four floors up, breaking 00:00:32.700 --> 00:00:34.530 align:middle line:90% his back and both ankles, 00:00:34.530 --> 00:00:37.410 align:middle line:84% so that walking became the direst labor 00:00:37.410 --> 00:00:41.040 align:middle line:84% for this man who takes my hand, invites me 00:00:41.040 --> 00:00:44.400 align:middle line:84% to the empty strip of floor that fronts the instruments. 00:00:44.400 --> 00:00:47.880 align:middle line:84% A length of polished wood, the shape of a grave. 00:00:47.880 --> 00:00:50.340 align:middle line:90% Unsuited for this world, 00:00:50.340 --> 00:00:52.830 align:middle line:90% his body bears the marks of it, 00:00:52.830 --> 00:00:56.340 align:middle line:84% his hand is tense with effort and with shame. 00:00:56.340 --> 00:01:00.870 align:middle line:84% And I shy away from any audience, but I love to dance. 00:01:00.870 --> 00:01:04.860 align:middle line:84% And soon we find a way to move, drifting apart 00:01:04.860 --> 00:01:07.440 align:middle line:84% as each affects a different ripple 00:01:07.440 --> 00:01:10.470 align:middle line:84% across the floor, a plaid and a stripe 00:01:10.470 --> 00:01:13.590 align:middle line:84% to match the solid navy of the band. 00:01:13.590 --> 00:01:18.000 align:middle line:84% And suddenly the band is getting better, so pleased 00:01:18.000 --> 00:01:21.570 align:middle line:84% to have this pair of dancers, since we made visible 00:01:21.570 --> 00:01:25.050 align:middle line:84% the music in the noise, and the dull pulse 00:01:25.050 --> 00:01:28.500 align:middle line:84% leaps with unexpected riffs and turns. 00:01:28.500 --> 00:01:31.320 align:middle line:84% We can hear how good the keyboard really 00:01:31.320 --> 00:01:35.800 align:middle line:84% is, the bright cresting of another major key as others 00:01:35.800 --> 00:01:36.720 align:middle line:90% join us. 00:01:36.720 --> 00:01:41.250 align:middle line:84% A strict block of a man, a formidable cliff of man dancing 00:01:41.250 --> 00:01:44.070 align:middle line:90% as if melted, as if unhinged. 00:01:44.070 --> 00:01:47.040 align:middle line:84% His partner a gift of brave elegance 00:01:47.040 --> 00:01:51.810 align:middle line:84% to those who watch her dance, and at her elbow Berryman back 00:01:51.810 --> 00:01:55.890 align:middle line:84% from the bridge, and Frost relieved of grievances, 00:01:55.890 --> 00:01:59.970 align:middle line:84% Dickinson waltzing there with lavish Keats, who coughs 00:01:59.970 --> 00:02:01.770 align:middle line:90% into a borrowed handkerchief. 00:02:01.770 --> 00:02:07.110 align:middle line:84% All the poets of exile and despair, unfit for this life, 00:02:07.110 --> 00:02:10.139 align:middle line:84% all those who cannot speak, but only sing, 00:02:10.139 --> 00:02:14.490 align:middle line:84% all those who cannot walk, who strut and spin until 00:02:14.490 --> 00:02:18.660 align:middle line:84% the waiting citizens at the bar, aloof, judgmental, 00:02:18.660 --> 00:02:22.620 align:middle line:84% began to sway or drum their straws or hum, 00:02:22.620 --> 00:02:27.300 align:middle line:84% leave their seats to crowd the narrow floor, and now we are 00:02:27.300 --> 00:02:30.150 align:middle line:90% one body, sweating and foolish, 00:02:30.150 --> 00:02:34.860 align:middle line:84% one body with its clear pathetic grace, not lifted 00:02:34.860 --> 00:02:37.020 align:middle line:90% out of grief but dancing it, 00:02:37.020 --> 00:02:40.530 align:middle line:84% transforming for one night this local bar, 00:02:40.530 --> 00:02:44.370 align:middle line:84% before we turned back out to our separate selves, 00:02:44.370 --> 00:02:47.340 align:middle line:84% to the dangerous streets and houses, 00:02:47.340 --> 00:02:51.960 align:middle line:84% to the overwhelming drone of the living world. 00:02:51.960 --> 00:02:52.950 align:middle line:90% [APPLAUSE] 00:02:52.950 --> 00:02:53.520 align:middle line:90% Thank you. 00:02:53.520 --> 00:02:56.570 align:middle line:90% [APPLAUSE] 00:02:56.570 --> 00:03:13.000 align:middle line:90%