WEBVTT 00:00:00.000 --> 00:00:02.810 align:middle line:90% 00:00:02.810 --> 00:00:05.880 align:middle line:90% I think I'll read the next poem. 00:00:05.880 --> 00:00:07.910 align:middle line:90% It's called "Broken Ghazals." 00:00:07.910 --> 00:00:10.730 align:middle line:84% Probably, many of you know what ghazals are right? 00:00:10.730 --> 00:00:16.880 align:middle line:84% It's a form that I don't really know 00:00:16.880 --> 00:00:20.720 align:middle line:84% a lot about but it was developed in, 00:00:20.720 --> 00:00:24.320 align:middle line:90% I think, in Iran, in Persia. 00:00:24.320 --> 00:00:31.130 align:middle line:84% And it's supposed to be two-line stanzas, 00:00:31.130 --> 00:00:36.530 align:middle line:84% each stanza is complete in itself, but a string of them 00:00:36.530 --> 00:00:40.770 align:middle line:84% has a kind of oblique interrelationship. 00:00:40.770 --> 00:00:43.910 align:middle line:90% 00:00:43.910 --> 00:00:49.220 align:middle line:84% I call these broken ghazals because although they have 00:00:49.220 --> 00:00:54.920 align:middle line:84% an underlying two-line stanza, I broke up those-- 00:00:54.920 --> 00:01:00.470 align:middle line:84% most of those two lines with indentations, 00:01:00.470 --> 00:01:09.860 align:middle line:84% so it doesn't look exactly like a two-line stanza. 00:01:09.860 --> 00:01:16.100 align:middle line:84% But the feeling I was after was akin to what 00:01:16.100 --> 00:01:23.300 align:middle line:84% I take to be the feeling, tone, of a ghazal. 00:01:23.300 --> 00:01:24.125 align:middle line:90% "Broken Ghazals." 00:01:24.125 --> 00:01:28.260 align:middle line:90% 00:01:28.260 --> 00:01:35.160 align:middle line:84% "Each life spins into its own orbit, rain of meteor showers, 00:01:35.160 --> 00:01:39.330 align:middle line:84% sparkle of some brittle desire, is it? 00:01:39.330 --> 00:01:40.920 align:middle line:90% The stab of deep pain? 00:01:40.920 --> 00:01:44.630 align:middle line:90% 00:01:44.630 --> 00:01:47.660 align:middle line:84% Not without tearing a few fibers, 00:01:47.660 --> 00:01:50.900 align:middle line:90% the magnet forces pull apart. 00:01:50.900 --> 00:01:53.390 align:middle line:90% I. He. 00:01:53.390 --> 00:01:55.840 align:middle line:90% Being is not referential. 00:01:55.840 --> 00:01:59.640 align:middle line:90% 00:01:59.640 --> 00:02:00.810 align:middle line:90% I wake. 00:02:00.810 --> 00:02:06.540 align:middle line:84% Instant recollection, a shadow threatens my son's life. 00:02:06.540 --> 00:02:10.110 align:middle line:84% Others slide their elongations toward his spirit. 00:02:10.110 --> 00:02:13.680 align:middle line:90% 00:02:13.680 --> 00:02:18.660 align:middle line:84% My being, unconformable to his perception, moves on. 00:02:18.660 --> 00:02:20.985 align:middle line:90% Awake, I keep waking. 00:02:20.985 --> 00:02:24.560 align:middle line:90% 00:02:24.560 --> 00:02:28.940 align:middle line:84% He survives and leaves, moving through the apparition 00:02:28.940 --> 00:02:31.280 align:middle line:90% he sees and away from it. 00:02:31.280 --> 00:02:34.700 align:middle line:90% 00:02:34.700 --> 00:02:39.860 align:middle line:84% Again waking, I stretch a hand out to stop the warning clock. 00:02:39.860 --> 00:02:41.420 align:middle line:90% Time is another country. 00:02:41.420 --> 00:02:46.050 align:middle line:90% 00:02:46.050 --> 00:02:50.730 align:middle line:84% Squinting toward light, a tree has filled it 00:02:50.730 --> 00:02:53.430 align:middle line:90% with green diamonds. 00:02:53.430 --> 00:02:58.335 align:middle line:84% Or there's the air, bemused, new fallen snow. 00:02:58.335 --> 00:03:01.950 align:middle line:90% 00:03:01.950 --> 00:03:10.380 align:middle line:84% Shock waves over music I don't hear as you don't hear mine. 00:03:10.380 --> 00:03:13.940 align:middle line:90% How they beat on the sea wall." 00:03:13.940 --> 00:03:16.000 align:middle line:90%