WEBVTT 00:00:00.000 --> 00:00:02.650 align:middle line:90% 00:00:02.650 --> 00:00:06.647 align:middle line:84% This is another one about the shape of Ignatz's eyebrows. 00:00:06.647 --> 00:00:08.480 align:middle line:84% Except, I seem to have lost the second page. 00:00:08.480 --> 00:00:10.510 align:middle line:90% Oh, here it is. 00:00:10.510 --> 00:00:14.980 align:middle line:90% About that V. 00:00:14.980 --> 00:00:17.500 align:middle line:90% On Ignatz's Eyebrow. 00:00:17.500 --> 00:00:22.720 align:middle line:84% The way water is always rushing between a ferry and its dock, 00:00:22.720 --> 00:00:26.980 align:middle line:84% in the ever-present gap or the rush is the speed of the water. 00:00:26.980 --> 00:00:29.590 align:middle line:84% And the rush is the sound of the water. 00:00:29.590 --> 00:00:32.439 align:middle line:84% And the water is bitterly cold and is 00:00:32.439 --> 00:00:34.330 align:middle line:90% fouled in its bitterness. 00:00:34.330 --> 00:00:37.240 align:middle line:84% In the gap is irreducible time and space 00:00:37.240 --> 00:00:41.110 align:middle line:84% and is the turbulent ache felt by the ferry and the cold 00:00:41.110 --> 00:00:43.390 align:middle line:84% of its iron bones, which will never 00:00:43.390 --> 00:00:46.120 align:middle line:84% clang against the Iron framework of the dock 00:00:46.120 --> 00:00:48.820 align:middle line:84% in the satisfaction of solid surfaces, 00:00:48.820 --> 00:00:53.890 align:middle line:84% because the gap is where such clangs helplessly dissolve, 00:00:53.890 --> 00:00:57.700 align:middle line:84% the way Ignatz now feels his anger dissipating 00:00:57.700 --> 00:01:02.080 align:middle line:84% in that self-same gap between a trigger and a smack, 00:01:02.080 --> 00:01:05.050 align:middle line:84% between his anger and the object of his anger. 00:01:05.050 --> 00:01:09.280 align:middle line:84% Just as his eyebrow can never meet his opposite eyebrow 00:01:09.280 --> 00:01:12.640 align:middle line:84% in the true unbroken v of anger, no matter 00:01:12.640 --> 00:01:16.600 align:middle line:84% how doomy, how darksome his invariable frown, 00:01:16.600 --> 00:01:19.540 align:middle line:84% since there is always that gap allowing 00:01:19.540 --> 00:01:22.370 align:middle line:84% liquid consciousness, or conscience, 00:01:22.370 --> 00:01:25.720 align:middle line:90% or contemplation to rush in. 00:01:25.720 --> 00:01:28.000 align:middle line:90%